the list keeps getting longer. more items to offer to others, more to sell, more to simply dispose of.
i have been the recipient of many hand-me-downs. now, mind you, we use – or repurpose – many of these hand-me-downs….remember, we are the people with the almond 1970s sears kenmore range in our kitchen. still.
because i love numbers, i recently realized that when you add the ages of our three vehicles up right now – this year – in the year 2025 – they add up to 100 years. now, that’s pretty doggone amazing. granted, our little vw bug is included, but if you take that one out, the other two still add up to a whopping 46 years. eh. i digress.
i keep referring back to my sentimental-people-trying-to-divest-of-their-stufffff book. it’s essential self-help material, particularly at a time when we are truly paring down. it helps to read that you don’t have to keep a gift forever – you are not indebted to the gifter in a forever way. and, even if you give some gift away, the sentiment remains. common sense stuff, but not when you are lost in the memories and angst of what to do with the antique relics in a bin or a box.
and so – the box with decorator hanging plates.
i am most definitely not a hanging-plate girl. though they are beautiful, their self-actualization of hanging-on-the-wall will never occur because of me.
we photographed them all the other day, carefully placing them on a black cloth on the table, taking care to avoid glare, turning them over for markings on the back, photographing any written certificates of authenticity that accompany them.
we got through the marketed plates and i have no reticence about listing those for sale – granted, at a low selling price, for the time of hanging-plate-popularity is well past. then we got to the family-handed-down ones. the ones with initials on the back or years (like 1917 or 1930). the ones with sticky notes that my sweet momma wrote, describing the origin of the plate or how it had been passed down. ugh. these are the ones that invoke guilt.
there is one that i will keep. it’s hand-painted, floral, dated 1930, with a hand-threaded wire for hanging, leaving the delicious mystery of who initially placed it there. other plates, however, would only be stored – and that is what i am trying to avoid: long-term storage. and so, i suspect i will offer them to others, perhaps sell the ones that are not family-member-painted or have distinct family connections. it’s a bit stressful. but i keep reminding myself…they are plates, for goodness sake. it isn’t actual DNA strands i am giving away or selling. sheesh. (back to the book!!!! stat!!!)
and then i’ll be moving on to the punchbowl and the old spinning wheel, a plethora of milk glass vases, too many hobnail pieces to ever use, 1970s-1990s sewing patterns.
the thing about all this going-through that is helpful? the fact that i don’t think much about the state of THINGS while i open bins and boxes and sort and photograph and ponder what to do.
the history of these objects – such treasured items in their day and even now – is forefront in my mind.
it is often the handwritten note by my mom that is more difficult than the object itself. everyone has their own line – i’ll never forget when a sibling threw away years and years of my momma’s calendars. as a calendar-girl, i was devastated to hear this. i would so prefer to read my sweet mom’s calendars and notes she jotted on them than have any piece of furniture or jewelry or painted plate. like i said, we all have different value sets.
and so i puzzle how to properly respect these artifacts i am unearthing – particularly some more obviously family-connected – but dates like 1917 on the back of a plate – a scalloped limoges porcelain plate handpainted in soft blue and green hues – forget-me-nots – in the same year as the united states entered the First World War – in order that the world would be made safe for democracy – these dates, the history of such pieces fast-forwards my thinking to today, catapults me back into what is happening now. i cannot help but travel through the history of this country as i unwrap that which is in the plastic bin.
THE BOOK reminds me that no longer having an object does not disconnect one from its meaning, its emotional value, its gifter or pass-it-down-er. all of that – the true worth – is still valid, still present. nevertheless, i take my time and consider carefully the options of parting with something.
which makes me think: what if this country would stand by its values, its rights and freedoms, its constitution with the same level of respectful restraint? what if this country – and its leaders – would consider carefully the options of parting with the very somethings that have made it a republic, a democracy? what if this country would value handing down to our children and their children and so forth the best of what we can all be?
what will the trinkets and artifacts of this very era conjure up in future generations as they open the bins and boxes left for them?
*****
read DAVID’s thoughts this TWO ARTISTS TUESDAY
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