the clock read 2:39am when i finally looked at it. i had been awake for some time already. because sleep remained elusive, i listened to the birds as they woke up to be with me, to be sure that i would know that the sun was soon rising, that the day was starting. 4:45 came and went. sleep stayed at bay and every thought that was ever present stayed wide awake. the white miniblinds glowed to the east. the sounds of the world waking: mourning dove coos, chattering squirrels, cawing crows, tiny finches, maybe a cardinal, maybe a blue jay, a lumbering train, robins, always songbird robins.
though deep slumber is a personal favorite of mine, i did not mind the night last night. the pondering of life, the listening, the sighs of dogdog and his paws running in his dream – all were a pre-coffee tapestry and i knew, as the sun rose and i finally drifted for a bit, that this day will blanket me with goodness. particularly if i sing. the dogdog song, all the incorrect lyrics of songs from the 70s i would sing back then at the top of my lungs, any random song that occurs to me, any song i invent in the moment.
for there is something about spontaneous singing, something about the making-up of lyrics or the repetition of well-worn lyrics spun into space that changes things. poetry in air. the frequency of happiness, of joy, of breaking into song changes what is happening in you, around you, sending its waves out, out, out.
i do believe in kindness. i do believe in mischief. and i do believe in singing. any old time. mary oliver and i might have sat together and chatted over tea, for we would have agreed about all matters of joy. and, even though mary and i never tipped cups or glasses, i consider all with whom i have, especially as dark turns to light and i am wide-awake and snug under blankets in a window-open-chilled room. i was lucky to sit with andrea, a love-filled free-spirit poet, songstress of peace. i have been lucky to sit with joan, thoughtful writer and ardent reader, her wisdom resonates and lingers in my pondering. i have been lucky to sit with susan, in her kitchen, writing songs with words and good food and cakes and so much music. i have been lucky to sit with jim, music at the ready, joined with him in improvisational weaving. i am lucky to sit each day with david, a word devotee, think-provoker, slow-dancer, and now, spontaneous singer.
the sky is brilliant and cloudless as i write this on sunday morning for monday. the sun is golden. the sound of the keys of two laptops punctuates my thoughts. a mug of coffee gets cold next to me as i type, as i am lost in musing. i think to the day ahead.
though my routine has been upheaved in recent months, though good sleep has been in hiding, though there are many things to worry about, to wonder about, this day begs my attention. it begs good mischief. it most certainly begs kindness, as the universe is full of goodness and has been gloriously kind. this day begs to be sung to.
even if i don’t sing aloud. because the songs are there with me just waiting to be chosen, to float.
suddenly it’s all different. suddenly, walking past other people’s tiny children makes you wistful. suddenly, in what seems like a very few split-seconds, your own formerly-tiny children are all grown-up. and the nest is empty. what’s next, you wonder. possibly a parakeet?
it is said – and clearly there are many people in the news now’days who subscribe to this – that any press…good or bad…is better than no press. you have to wonder.
way back in 2002 i released this album. ‘as sure as the sun’ was the culmination of much writing, practicing, arranging, driving, singing, hydrating, listening, reviewing, re-writing, more singing, more practicing, more driving, recording, listening, sitting and watching my producer, more sitting and watching my producer, re-recording tracks, more practicing, more driving, more hydrating, more singing, more writing, more listening, more reviewing, re-writing, practicing, singing, hydrating, more driving and a lot of worrying. i recorded the album in nashville and drove back and forth for sessions, in between which i spent my time finessing each piece of music, each song i had composed for the project.
as an independent solo artist and not a complete band with others to lean on or a label financially chugging it forward, it was a big project, a big investment in heart, time and money. my producer and i had to believe in it to keep it going. bottom line, i had to believe in it to keep it going. when it was done and i drove home with a mastered CD, it was with a mix of feeling proud, wiped out, anxious and full of dreams. ‘as sure as the sun’ was my sixth album and the first that was a full-length vocal. it was stepping out of my comfort zone. it was the edge.
i hired an agency to help with its release and a radio promoter to aid in its adds to radio airplay. i don’t recommend either. to the tune of almost $40,000 they took me for a ride and i wonder now how this was possible. but when your professed dreams come knocking it is hard to turn away and do it yourself. in retrospect, i should have just continued doing it all on my own as i had done with all the instrumental albums that preceded it. but ah, that whole retrospect thing is such a fine perspective arranger.
amazon, and various other entities, added the album to my lineup online and radio stations added songs to their airplay. ‘slow dance’ charted at number 13 on the secondary adult contemporary radio chart. i’m not really sure how important that was now – at the time, however, it kept me paying for the promoter. i suspect that was the goal.
i played concerts and interviewed on radio and drove around to wholesale and retail shows with product, selling to large box brick and mortar chains and small privately owned shops that played music and displayed cds for customers to purchase. at the label in our offices on lake michigan we put together more cardboard display boxes than i can count, shipping out displays and cds regularly. it was busy and fun and a time when people still purchased actual cds.
in the zeal of the after-release glow, i looked everywhere for reviews of this new album. i wanted to know how it resonated with people, how it measured up, what i could learn by reading others’ commentary.
and then there was this.
the title was just the start. dang. sounding like a “hoofed mammal in heat” or a “squealing pig” was a tad bit much, i thought. the first-grader-lyric-writing comment was, well, kind of first-grader-like. i noted the misspelling of norah’s name. and, much as i appreciate his style, i really wouldn’t use “soulful” to describe jim brickman’s vocal music. but i digress.
i was stunned to have such a review and didn’t know what to think. i spent lots and lots of time, an inordinate amount of time, pondering who might have written such a statement. for some reason, i did not give as much time to the emails i received, the notes, the non-promoter-sought airplay, the adds in box stores and shops around the country, and the thousands of cds that were shipped out. this review nagged me.
it’s funny to me now how i let this one commentary puncture a pinhole in my confidence. but that’s the way of negativity. to stand firmly rooted, to take on the edge, to step new steps, to grow, to believe in your ability to shift gears, sway in the wind – the inner job of every artist. one moose and one pig should not be enough to undermine you and yet, there it was.
somewhere along the line i mostly forgot about this review and got on with the business of the music business: making more music. nine albums and several singles followed this album’s release. but i never really looked for reviews. i listened to what was inside and kept stepping. one of these days, maybe when i decide that i am still relevant, i will step again.
artists of every medium adjust and re-adjust too often to the whim of the viewers’/listeners’ fancy. they lose something every time in their pursuit of wanting their work to be liked by others. yet, the artist is most certainly riding the value-train with every project released. for that project, the last project, the next new project – all represent making a living. they represent a vulnerability not broached in other life-work paths. they represent a piece of someone’s heart and soul, hoping against hope not to be pounced on. all together – the projects of all artists of all mediums – they represent the woven fabric of our narrative, diverse and rich.
as my sweet momma used to say, “if [someone] has nothing nice to say, [someone] should say nothing at all.”
though i generally like moose and pigs and am in good company either way, i trust the moose and the pig agree with her.
i hadn’t looked at the original since he extracted what he felt was a better painting. the 9×12 canvas he just mounted is, oh goodness, a close-up of my face, though fortunately painted as more of a profile than a full face straight-on. in its previous iteration it was part of a painting of me directing a ukulele band rehearsal in our home, on a humid summer evening when all gathered here to play and practice and talk and share lives. now it’s a lovely small painting and, though it is of me, i can see what he likes about it.
i hadn’t looked at the original until just now when he came upstairs with this photograph to use in today’s blogpost. with enthusiasm and laughing, he said, “let’s use this today!” i reached over to look at the photograph on the iphone in his hand and my heart dropped.
this is the way i feel about my previous job. cut out. my face was cut out, leaving behind the legacy and fun and music of the ukulele and, for that matter, all the other music that was created and offered with love and celebrated and made a community joyful. simply cut out. boxcutter-straight-edge-cut-out. erased.
as i keep glancing at this photograph to write about the image, it doesn’t change. as a matter of fact, my reaction is becoming more intense instead of lessening. it takes my breath away. it’s bracing.
i have tried to explain to others what this felt like – to articulate this cutting-out. i know that many people experience downsizing and rightsizing and personnel changes in their positions. mostly these are jobs in corporate america with possibly six-figure incomes and benefits, healthcare and 401k’s, though this is not always the case. there is often not a heavy emotional tie, though this is not always the case. there is often not a family community, though this is not always the case. there is often not a deep sense of loyalty and long-term commitment to growth of the organization, though this is not always the case.
but in my case, in this position that had no benefits whatsoever and a salary that wouldn’t touch six figures even if it had whopping ten percent increases for the next decade, in this position heavy on emotional ties and family community and loyalty and commitment and heart, this trimmed painting depicts how it feels. still.
stunningly, without melodrama, just a straight-up two-dimensional portrait of an emotion in a three-dimensional world, i have now found the way to articulate it – in a simple image.
once upon a time a little boy sat in the backseat of his family’s car on his way to kindergarten. as we can all imagine, he was excited and maybe chattering about the upcoming day. he was likely looking out the window at all the other cars and trucks and maybe having a little snack as he was driven to school by his mom. he was alive. and then he was not.
i don’t know all the details of this story, but the root cause of the catastrophic death of this little boy on his way to fingerpaint and hear stories and maybe jump rope or play 4square and practice letters with thick pencils on widely-spaced lined paper was road rage. no matter who was at fault, no matter what happened on that highway, no matter really anything, this little person lost his life on a freeway because of anger that had nothing to do with him.
i was stunned the first time i saw the signs on highway 82 in the roaring fork valley of colorado. “road rage – call *277.” but we have all been privy to at least one incident of raging road behavior so that there is a mechanism in place to report it is actually a progressive step forward. i was simultaneously disturbed to think that road rage was so prevalent in this gorgeous place and yet glad to see that the authorities had a mechanism in place to try and help dissuade it.
we recently left the park in illinois where we often hike. it’s a left turn out of the park with no traffic light onto a two-lane road. checking both ways carefully, as there is a bit of an uphill to our right as we exit, i pulled little baby scion out into the eastbound lane to drive home. suddenly, just as a semi approached from the east in the westbound lane, an at-least-80mph audi screamed past on the small shoulder on our right. i was startled, but luckily did not wrench the wheel either direction, for both would likely have had devastating consequences for more than just us. what kind of person passes on the shoulder on a 45mph road for absolutely no reason except that they are raging? what kind of all-consuming lack of regard for others does it take to drive a machine capable of great injury in such a monstrously irresponsible way?
we evaded tragedy that day, but how many examples do we each encounter every day? sometimes it is only with luck and defensive driving we safely arrive at our destinations. safely at our destinations. it doesn’t sound like too much to ask for. we need check our anger as we click open our car doors to get behind the wheel. the tag line of illinois tollway’s speed awareness day has been, “slow down. arrive alive.” yes. we shouldn’t need an awareness day or signs emblazoned with lighted letters to remind us. we shouldn’t need * numbers to call in times of raging road peril.
we pulled up to the red traffic light a couple miles down the road. the audi was stopped right in front of us, a mere one car-length gain. a tiny gain when so much could have been lost. like the life of a little boy on his way to kindergarten.
from a distance they stand tall, leaf-arms open to the sky, drinking in tree-dappled sun. they are stalky and strong and seem confident and independent, yet living in community with other woodland plants. at this moment in early spring they are positioned in mostly-monochromatic villages, begging my camera. it isn’t until i get closer that i see all the pointy hairs on the leaves, on the stalk, all over. from afar these were not obvious, but, apparently, this plant was not exactly what it seemed. the fuzzy hairs – trichomes – protect the plant from dehydration, from insects, to keep warm and keep cool, and upon close inspection, are everywhere, too numerous to count. they are an integral part of the plant and its ability to thrive in the woods.
the obvious comparison – the good outer protection our own epidermis provides us – is too blatant. instead, as i got closer to this plant and focused in on its outer shell, i couldn’t help but realize the running parallel, the only-seen-up-close-and-personal mechanisms of protection.
from afar we stand tall and strong and confident and independent, though living in and, indeed, dependent upon, community with others. but upon close inspection, upon threat, we are always protecting our own vulnerability. if needed, we rely on our spiky and resistant shell, closing off to invasion of hurtful infestation or blight, guarding against negativity. we survey change and transition, ready to rely on our armor. we puff out our thorns and avoid humility. we stand firm, stalky and unwavering in our opinions. we resist forceful wind, preferring to root in the known. we sway in shifting breezes, ever-hopeful for good. and the tiny hairs of our exterior stand on edge, spiky and ready, the mama-bears of our integrity, our fragile good natures, our open hearts.
there is no real difference. these lush green plants and us. we stand with our arms open to the sky, drinking in the sun, independent and dependent, living together. from a distance and up close.
the family photo changes through the years. i read the other day that it was a friend’s 39th wedding anniversary and noted that it would have also been mine. but things change and times change and the family photo changes. i am grateful for the years before and i am grateful for the years now. both. either way, both family photos have similarities. one would show a middle-aged couple, empty-nesters, looking to get to know each other again. the other shows a middle-aged couple, empty-nesters, getting to know each other in the first place. a common thread – that getting-to-know-each-other – it is all fodder for much laughter, many foibles, much self-deprecation, many questions, few answers, and a lot of punting on the journey through aging smack-dab in the middle of life.
it became obvious to us that our roadtrip together, the-second-time-around-roadtrip, was a source of humor and a reason for lightheartedness. there is simply no other way to look at it. this is not the stuff of princess and prince, nor the stuff of harlequin romance novels, where the boy-who-inherited-the-kingdom finds the bereft-girl-quietly-sitting-in-the-shadows. it is not the stuff of ease nor the stuff of perfectly-smooth-trails. but it is the stuff of happily-every-after, just like so many other stories smack-dab in the middle of middle age as couples navigate through change and challenge, glee and sadness. we are just like everyone else. and our story is your story, with a few different details.
and so we thought it might be fun to celebrate being smack-dab in the middle, to raise up the questions of being there and the elation of being there, to poke fun at the confusion of revisiting the beginning of romance – so many years ago – or the actual beginning of romance – just a few years ago or, maybe, right now. to look at each other through fresh eyes, a fresh horizon. to notice, to hear, to see, to intuit each other. to dance in the too-empty and too-neat kitchen. to make noise in the too-quiet house. to make plans and dream dreams, even ones that are different than we imagined.
ours is a story of second chances. but so is the story of my friend and her husband of 39 years. and the story of the dear young man who used to be in my choir class in the 80s, now married to his husband for years. all of us have second chances each day. to sit across the table and gaze back at eyes we have known for ages, eyes we are in the middle of knowing, eyes we are just beginning to know. to laugh together and lift each other from wistful moments. to understand and hold each other with compassion our guide. to listen and discern what we each are saying, what we each need. to step into futures of unknown voyages. we live smack-dab in the middle of the middle, holding hands, loving each other in old and new ways. and cherishing every photograph along the way.
commentary: i mean, seriously, how can you brush your teeth withOUT suds??? i’m certain that the crest toothpaste people would be proud. i have nothing else to say. i’m not going to justify this or defend it. i’m just going to sit smack-dab in the middle of it. love, kerri. xoxo
ordinary. perennially ordinary. hostas are intrepid, robust, shade-tolerant, adaptable plants. they are patient with human-planting errors and magnanimous with dogs who run amuck through their early sprouting. these plants seemingly have boundless energy to reproduce and spread and fill-in gardens in shadow. with low maintenance personalities, they happily populate yards and our hosta garden out back is an easy joy.
right next to the hosta is a garden of ferns. these are a different story. they are, indeed, more particular than hosta and, in our experience, much higher maintenance. they are beautiful, willowy and tall and a gorgeous green that changes in the light. still pretty ordinary but with a little more sass.
there are a few peonies in our backyard gardens. they are more specific about their needs. they like the sun and well-drained soil. they like a little space. they have a short-lived flowering season, but their wafting scent is remarkable. they are still ordinary plants, but need a smidge more attention than the ferns and quite a bit more attention than the hostas.
they all, however, live in community and, were we better garden-planners and were we not to have an aussie running circles in our backyard grass, would present a lovely picture. despite our lack of garden design and despite dogdog’s propensity for a bit of ruin, we are grateful for each of these living plants out back. the extraordinary of their ordinariness doesn’t escape us. they are there, they are steadfast, even without us worrying about them, fussing over them, micromanaging them. they seem to know what to do.
i recently interviewed for a job. it didn’t require a masters degree in the field, but i have one. it didn’t require experience in the area of expertise, but i have forty years. coming away from the interview, i noted to myself that it also didn’t seem to require a sense of humor or a sense of who people on either side of the call really were. is this ordinary? i’ve read many articles recently about leadership and management. the best of the best leaders and managers are human, appreciative of those they work with, looking for potential and collaboration, leaning on a bit of community warmth and pushing back at haughtiness and agenda in the workplace. the best of the best remember we are all extraordinarily ordinary, together.
i suspect i was too old for this job. that thought takes my breath away, but, these days, it seems to be true. i watch as garden centers work in our neighborhood and others we pass through. they carry in plants of great variety, design architectural gardens of varying heights and species and colors. i wonder if these gardens will require owner-vigilance or if they will propagate and grow toward their potential with the freedom that years of gained wisdom and savoir-faire and insight have granted. or if, perhaps, it will be a respectful collaboration, a chance to, in community, laugh at the breeze, bask in a bit of sun, cool off in late afternoon shade, soak in the rain and grow leaps and bounds. ordinary extraordinaires.
smack-dab in the middle of the night. like every night. i lay awake listening to the peaceful, gently-breathing sighs and sounds of him sleeping. sleeping! the gall!
and so, smack-dab in the middle of the night, i wake him up. since, smack-dab in middle-age, we decided to share our lives, it only seems right that we share our non-sleep moments as well as our sleep moments.
we are not alone. it would seem, especially in these times, that there is a lot – a hell of a lot – of insomnia going on. it is likely i could, should i choose to, have a texting conversation with most of my friends in the wee hours. we’d all be completely and utterly awake, completely and utterly coherent. perhaps more coherent in the wee-wee hours than in the day, when we are weary from the night.
when one lays awake at night and ponders all of life, one uses up much energy. and thus, i get hungry. and not just a little. in the ‘olden days’ (read: when we first married) we used to get up and make pancakes. there is nothing like midnight pancakes to soothe the weary soul. but we have cut to the chase these days and choose, instead, a shortcut to satisfying midnight hunger pangs. and so i poke at his shoulder and ask, “youwannabanana?”
post-banana we sit, happy lights turned low, and chat. there are no real rules to this. sometimes we watch a trail and joey coconato ultimately tucks us back in to sleep. sometimes ‘grace and frankie’ make a middle-of-the-night cameo appearance. eventually, and it’s heavy on the eventual, we settle back in and sometimes i end up snoozing in-between hot flashes and heaving blankets and pulling blankets up and moving pillows and removing pillows. it’s exhausting. but somehow, it is not sleep-inducing.
i don’t know much. but i do know this: we’re smack-dab in the middle of middle-age. and by golly, we are going to celebrate THAT.
reverse threading 