reverse threading

the path back is the path forward

Category Archives: fallow


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squeaking. [not-so-flawed wednesday]

“squeaking with joy, ” cousin kate wrote – all in caps – “the turtles are back!”.

at the exact time she sent that, we were on our trail, on the bridge over the river, gazing down at the turtles. we had seen a couple earlier in the spring, but then it got cold and they disappeared. now, they are back – seemingly for good – and we, too, are squeaking with joy.

earlier in the winter, i had written:

“i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

and waiting. and the river freezes. and then it thaws.“

and then i had this idea walking down the hall the other day. it was a the-turtles-are-back idea.

in my mind i named it “out of fallow” or “out of the mud” or even “the relevant challenge” or “on the fly” but the name is fluid. the idea floated around and landed tiny feet on my brain, so i eventually told david about it.

it’s relatively simple. we choose ten destinations – in wisconsin, in the midwest, on the northeast coast, in the high mountains, on quiet southern beaches, in the canyonlands, in the grand national parks – all different projects. taking a yamaha portable battery-operated keyboard (with recording/disc drive capability), ten canvases and paint, both laptops, and a couple spiral notebooks – we go to each destination for a pre-determined amount of time (say, three hours). while there, i compose on the fly – what that place feels like – and he paints on the fly – what that place feels like. on the fly – spontaneous creation – is not for the meek at heart. it requires focus, has a terminal product necessary at the end – a short time after beginning – and necessitates a degree of letting go. it pushes us back into the active-art-place and pushes us past edges. it gets us out of the muddy bottom. it produces the raw pieces of an album to be orchestrated and a collection of paintings to be framed. it needs some support to get off the ground. it has me pondering, swimming to the surface with the turtles.

our snouts will pop out of the river and we’ll look around some, trying to figure it out. we would definitely need some encouragement, some warm sun, some help.

and, if we move forward, out of the suspension, we – turtles, too – will definitely be squeaking.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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there is no “just”. [d.r. thursday]

breck is leafing out now. tender chartreuse mini-leaves populate its small branches. we are not quite at put-away-the-winter-coat but we are definitely at hope-springs-eternal. leaves! surprise! spring. already! but it’s just an aspen. and it’s just budding.

no, there is no “just”.

i suppose surprise is exactly that – surprise. it is that which we are pleasantly startled by – like fragile leaves – or that which we are astonished by – or astounded by – or by which we are stunned into silence. the things we would not expect of nature, of others, of ourselves, of a community, of life itself – these things surprise us. and in the winter of surprise, the winter of fallout – no matter how long the season lasts for us – we find ourselves underground, sending out roots, trying to stabilize, to process, to center ourselves, to recuperate.

there are those who peripherally try to help. they try to encourage moving on, letting go. their words are often statements that start with “it’s just…”. it is hard to listen to another person when their first words minimize that which you are going through. i remind myself not to use this word – “just”. it’s like the word “fine” for me. neither here nor there, “fine” sits somewhere in the middle of the emotional spectrum, not committing to either side. “just” sits in alphabetical order to the right of “fine”and the left of “let go” and “move on”.

we brought breck home from the high mountains, a sapling, a tiny piece of that which we dearly love. the aspens quake up there – the slightest of breezes brings their song. it was 2017 and, in the way of not-knowing, we didn’t know what the future would hold for us or for breck or for the world. time has now gone by – six years of time – and we look back, both in awe and shuddering. it has not been “just” six years.

it’s been Six Years. and there is not likely one of us who – without pause – can say it “just” went by.

“accept. adjust. arise,” she said.

breck has withstood it all, accepting its new home, the new everyday details of its life. transplanting, drought, heavy rain, sleet, snow, freezing temperatures, heat indexes over 100. it has adjusted and adjusted. so have we.

now, breck’s buds have turned to chartreuse. not “just” green. instead, a brilliant shade of living. it’s rising-rising-rising.

and, i think, so am i.

*****

read DAVID’s thoughts this D.R. THURSDAY

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the burn. [k.s. friday]

they chopped down, chainsawed, mulched, chemicalized, burned. they decimated the whole forest to eliminate the invasives. and – in the way of oncological medicine, of environmental eradication programs, of corporate and organizational ousting – the good cells may somehow survive, burned edges and all.

to be a tree with burn marks is to be human. one cannot traipse through this life without them. we all carry with us whatever balm has helped us get through the fires. we lean on the surety that spring will come, eventually.

as we hike the trail, we know that it is not one hundred percent that only the good will keep on. it is not a certainty. instead, it is a risk, a gamble, that there may be cells that escape treatment, there may be invasives that escape annihilation, there may be people-in-power-with-ill-intent who either escape the pointed fingers or are the ones corruptly pointing them.

and in those cases, the worry is that those cells will reproduce, those invasives will take over and choke out the organic, those people will destroy the place. a ravaging burn. devastation. and the good cells, the good plants, the good people will be left to fend for themselves, to remain upright – stalwart – to grow despite the odds.

it is good friday for those who are keeping a religious calendar. a day of destruction following betrayal and many burned edges. as this sacred story goes, three days later there is a resurrection. and the targeted jesus rises.

as we hike the trail, we notice the green shoots growing out of the ground, their top leaves still blackened. we marvel at the tenacity of these plants as they garnered energy best-as-they-could, regardless of the burn. the good xylem and phloem somehow survived.

there are naturalists who are watching closely, tending to the native plants best as they can. there are doctors and nurses and researchers and clinical trial experts who are watching closely, tending to patients and health and life best as they can. there are, therefore, it would seem, allies who are dedicated to the truth, to transparency, to the best parts of an organization who are watching closely, tending to the burns of the sacrificed.

“i want to know if you will stand in the centre of the fire with me and not shrink back.“ (oriah mountain dreamer)

shrinking back will allow the devastation. standing in the fire – the center of the fire – will allow the resurrection.

*****

“and you were there in all of my suff’ring.

you were there in doubt, and in fear;

i’m waiting on the dawn to reappear...” (you were on the cross – m.mayer, k.butler, a.assad) 

TRANSIENCE ©️ 2010 kerri sherwood

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surely panting. [not-so-flawed wednesday]

and today – despite the dirt and the dried stems, vestiges of life-gone-past – despite the cold and the snow and the ice and the rain and all the elements that have torn into this plant and the critters that have refuged under its branches – despite the sun and the drought and no added nutrients and almost no attention whatsoever – small clusters of brassica-like buds have sprouted out of the ground.

they have persevered, they have sought rebirth, they have wiped away their tears of disappearance and their underground fallow and they have risen up, one tiny millimeter at a time, unnoticed until now, shoots of green in all the brown.

they have not been considered marvelous. they are not rare. they are not exquisite blooms, fragile petals, filmy tendrils connecting them to their lifesource. instead, they are curled cabbages, tightly wound and unwinding.

they are a little bit haughty at the spring and its sweet-time-taking. they are persistent, resilience at their core, hardy, paying no mind to the rules of march or april or, really, any season. they wait for no one to move the leaves and debris of winter. they are independent.

this new year of growth, this new season of their sedum-lives is pushing out of the good earth – despite all odds. they keep on keeping on, mustering up next and next, pushing aside all doubt, surely panting in their phoenix.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the pony. [k.s. friday]

and – up close – if you choose – you will see the foreleg of a winter-dressed pony, the extra cold-weather-coat trapping hair next to the skin of the horse, keeping him warmer. he is stopped, gazing at the distant field, ready to canter into it, the exploding of freedom of movement.

and you blink and it is a cattail. one of many in the field, waiting in the marsh through autumn and winter for early spring. as many as 250,000 seeds, white fluff sailing and transported by birds and breezes. and the life cycle continues.

it is winter in my studio. the rhizomes are gathering underground, together with the cattails. maybe around the spring equinox, maybe a bit later, the shoots will rise out of the ground – like a phoenix out of ashes – and new sprouts will grow and grow. the cycle germinates and pollinates and seeds will fly again. the birds and the wind and i will play for you – seeds and notes flying.

in the meanwhile, i wear my winter coat. it is keeping the heat in. it protects me. insulation for shelter in this long and cold winter, to shield in the storms, to brace in this fallow.

but soon, soon, with the sun and fresh air, the pony will run free.

*****

UNTITLED INTERLUDE ©️ 1995 kerri sherwood

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our living room. [two artists tuesday]

on a cold and cloudy day, the colors are muted. it is stunning. the trees have reached out and caught the snow as it flew by. the branches have held onto it, inches of white topping a narrow spectrum of greys and taupe, some tree trunks black in the dim. it’s quiet. we are – on most of the trail – first there, save for the deer and squirrels and rabbits who have left behind evidence of their passing. gorgeous. i am not cold, though the temperatures have plummeted. i feel wrapped by the woods, embraced. the paradise of winter is not on some beach somewhere. it is right here, in the middle of fallow.

it occurs to me that the colors there – in the woods – are the colors in our living room. i see now why – both – they are the colors we have chosen and why they feel so peaceful. the woods is in our living room.

i turn out all the lights – each lamp – the standing lamp, the side-table lamp, the lamp in the window nook, the lamp on the secretary – but leave on the twinkling white lights on the tall branches. they light the room just enough. they are the outside, brought in, a branch from the cherished tree in the front yard, a branch from the woods. they rise high above the old wood floors and bathe this room with starry light. they do not hold the snow as it falls any longer, but they hold memories and profound reminders of the rhythm of nature.

this is, yes, i suddenly see, why this is the palette from which our living room has evolved. it is muted, a quiescent slate from which anything can grow, in which any burst of new color blossoming is celebrated, a serene woods any time we need it.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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something so delicious. [d.r. thursday]

it was the perfect “welcome home”.

there is something so delicious about going away. we left town and the cold north for florida. it was just for a few days, but the difference in climate is stunning. when you are not – in general – wearing your 32 degrees base layer or your earmuffs on a walk or your furry boots and you have traded it all for cropped jeans and flipflops and no-sleeves, it is a joy. the sun shined down on us as we visited together – our family – a ridiculous and unbelievable four years since we had seen them. we stuffed conversations into nooks and crannies of time and cheered glasses and cooked and took walks and played thomas-the-tank-engine with the tiny two-year-old-miracle who is now in the fam as well. in the middle of it, we suddenly realized how fast it was all going. and then, it was time to board. masks on – two of like four people in the entire tampa airport – we got on the plane and zipped through the air back home.

there is something so delicious about getting home. behind us we had left dogdog in the ever-capable hands of our 20. behind us we had left the worries and angsts of the moment, of this time. behind us we had left our 32 degrees base layers and hats and gloves. behind us we had left all vestiges of our normal schedule and normal routines.

we exited the plane, stopped at the meditation room at milwaukee airport and got into a cold but completely happy-to-see-us littlebabyscion (i may be projecting here) and drove home, getting more excited each minute. 20 had soup and bread ready for us when we got there. he knows how to tend to those basic comforts – those things that reassure when you have left part of your heart behind somewhere else. and then…that deep tiredness – that happens after you have been away and have arrived back home – sunk in.

sleep came early and then we woke early. looking out the window we watched the snow fall. it’s winter in wisconsin and it looks like winter. i like that. i need the seasons to go by…it’s part of my own process as well.

as the flakes get larger and i write this i know that today is a home-day. i just need to stay home, do the laundry, look at the lists i left, process leaving family-i-love behind. tomorrow i will go out. tomorrow is soon enough.

today i just need to absorb the “welcome home” and listen to the quiet snow fall.

*****

read DAVID’S thoughts this D.R. THURSDAY


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the turtles. [k.s. friday]

i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

from time to time on the trail we look for them. we know where they hang out and have watched for telltale signs of small snouts poking out of the water. but then it got cold and we just missed them.

the river is alive with other wildlife. geese and a few hardy ducks, squirrels, deer – we see them as we hike.

but we always talk about the turtles anyway. just because we can’t see them doesn’t mean we forget about them. we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

he can tell you i worry about them, despite the fact that i know they are completely capable, totally self-sufficient, quite brilliant actually. nevertheless, i am more comforted by seeing the turtles every now and then – at least – than by wondering how they are faring. time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

i know that the turtles are aware i am watching for them and waiting. and the river freezes. and then it thaws.

*****

LAST I SAW YOU ©️ 1997, 2000 kerri sherwood

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maraschino dreams. [two artists tuesday]

and they dreamed dreams and waited in the woods…winterberries with visions of becoming maraschino cherries in their mind’s eye…actualizing with starring roles in traditional wisconsin brandy old-fashioneds…

no, no. do not put winterberries in your old-fashioned. they are completely toxic. but they are striking and unexpected. and the color in the woods is intoxicating. gorgeous red punctuating a dim brown-grey, save for a few evergreen, they are clustered beautiful.

it had been a while, what with the freezing temperatures and snow. we finally made it out to our favorite trail and it was – truly – a breath of fresh air. there is nothing quite as restorative as hiking, surrounded by stillness and the sound of wind rustling through the tops of trees. we needed to get outside. we slogged through the trails, getting a better workout than usual. the mud splashed up onto the back of our jeans, like when you ride your bike in the rain. we reveled in it.

the deer tracks went across the path. they hadn’t been there the first time we passed through. it was early in the day, early for the deer to be moving around, but we started looking through the brush.

her sweet face was staring right at us, her body blending into the scrub and trees around her. we stood, gazing at each other, none of us moving. i slowly took my phone out to capture what i knew would be hard to discern in a photograph – this deer in the woods, this shared moment of time. she didn’t move, but her tail wagged and her ears pitched forward and back, listening. i was hoping she could hear the words i whispered to her – telepathically, a little dr. doolittle-ish. her continued gaze at us, grace for our presence, her head held high, no obvious fear. unexpected.

she never left the spot while we were standing there. she took a few steps but didn’t flee, as so often happens when you start to move in the forest. we blew her a kiss and continued on, feeling lucky to have seen her and to have spent a few minutes with her.

we passed more winterberry holly as we hiked, laughing about old-fashioneds and marveling at our new deer friend in the woods.

we exited the trail, none too anxious to leave, wanting to just linger.

“sometimes,’ said pooh, ‘the smallest things take up the most room in your heart.” (a.a. milne)

****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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in the questions. [k.s. friday]

i cleaned my studio.

finally.

took everything off every surface. dusted everything. put some things away. moved things around. got rid of excess. hung a favorite print. and – with great care – gently vacuumed the inside of my really beautiful piano, for full-stick is an invitation to dust.

i stood back, stood in the doorway, looking in.

the room was breathing. deep breaths.

i was breathing. immersed.

there is still more to go through. there is more to file away. there is former work-trauma to discard and there are calendars of choir music and ukulele band books and handbell arrangements and contemporary solos to box up. the first pass didn’t get all those and now, two years later, i am still a little paralyzed by all of it. that’s why it all needs to go. this process is taking longer than i would have anticipated. “mind, body, spirit,” she said. “it’s not likely others will understand all the layers. they will expect you to just move on, to get over it. they will not grok the wounds; it is all fraught.”

but there were staff lines in the sky. and the universe prompt is haunting me a little.

it’s always had a purpose – my studio – a direct line from standing or sitting in there to actual work. i’ve not just noodled or played because i was just playing. i’ve stood in there to write – to flesh out an album, to practice, to plan – the arc of music for a concert or for a church calendar, to teach – so many students through the years. it hasn’t been a place i go to without purpose, without an end-product, without a result i could see. as an adult, my studio has represented the potential for income; it has been a professional place. now there are questions. many of them. like living in a blank staff, i live – lost – in the questions.

i played my piano. a few carols.

there is one more day this year. and then 2023.

and i won’t carry carols into the new year. it will be time for something else, something less dusty.

there’s some way to go. it’s not as simple as it sounds.

the staff lines in the sky hold no clues, have no notes.

maybe – instead of reading that as tacet – silent – i might – and “might” is the operative word here – read that as a composition without designated key, without predetermined time signature, without definitive expression markings, sans any direction or boundary.

vacuumed and breathing.

an empty notebook on the stand. pencils.

full-stick.

we’ll see.

*****

lost. in the questions. – kerri sherwood

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