reverse threading

the path back is the path forward


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listen harder. [kerri’s blog on merely-a-thought monday]

“sometimes you have to listen harder to hear it, but the music is always playing.” (rob shaver – the life we have)

there have been plenty of times i didn’t listen hard enough.

i wonder. maybe it’s different if music is what you do, what you are. maybe sometimes it’s harder to hear because i have so much invested in it, because it winds around everything. maybe sometimes it’s harder to listen to because it sits heavier on my heart, with imperative and expectation. maybe sometimes it’s harder to hear because it is mixed up with cellular strands of pain, with the memory of the painful, with reinvigorated pain. sometimes i choose not to listen.

in those times it is quiet i seek. there are no melodic gestures that invite me in, no harmony, no beat pattern of rhythm. it is blank staff paper. skeletal. it is silence.

and then – like now – i begin to discover – rediscover – that it was there all along. it was the thing that carried me from one measure of rest to another. it was the beast of burden that enabled me to rest in the rest, to climb when necessary. it was the universe that offered it up – always playing – as breath. healing. not a bandaid kind of thing, but a gut-punch of adrenaline, a reminder of melody-flits in my mind, a few keys on a piano i can feel in my fingertips – prompts for an intuitive artist, shoulder-taps, a wistfulness i can’t avoid.

and every sound becomes a symphony, ready for my own ovation. every chance at a riff, an arpeggio, a singular line of potentially-exquisite melody is the divine. it plays always – off to the side, in the wings of our individual stage, just waiting for the curtain call, for the downbeat, for the crescendo, for the fader to bring up the volume.

sometimes i have wished that my work was left-brained, measured, predictable, with less of a low-tide-tidal-wave spectrum. but the spectrum – the kaleidoscopic roller coaster – is my continuum and i know – particularly now – when one note arrives at a time – that i wouldn’t trade it.

if you listen you will hear it.

*****

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beauty on its way. [kerri’s blog on not-so-flawed wednesday]

in what feels like a moment of gardener glory, i suddenly noticed that the peonies are rising. because they are sooo utterly gorgeous, it always feels like great success when they return, when nothing i have done or not done has dissuaded them from coming back. these reddish-maroonish sprouts – full of promise – are growing and, one day down the road, on a warm late spring or early summer day full of sunshine, we will have stunning peonies again. beauty is on its way.

i stumbled onto a social media post with photographs of a variety of women who are now part of the current administration or somehow peripheral to it in a meaningful way. there were before and after pictures. photo shoots of women who had looked, well, like normal women living life, with faces that had faced whatever challenges or successes had come their way to date.

you know, like ours….faces that have grown up with macaroni and cheese, with petticoat junction and gilligan, with phones connected to the wall, with studying into the wee hours of the night and term papers on typewriters, with apartments or houses to decorate and upkeep, with childbirth or the hurdles of adoption, with middle of the night feedings and fevers and teenagers breaking curfews, with illness and recuperation, with job discrimination and grievances, with the loss of our parent or parents, with our bodies ever-changing. faces that have reflected back the tens of thousands of suns we have seen, the tens of thousands of moons we have stared at – wide-awake, the hundreds of thousands of stars we have wished on. faces that have aged through time, every laugh line, every wrinkle, every worry line earned.

the photo essay i saw depicted women who then changed their faces. they erased the laugh lines, the wrinkles, the worry lines, the jowls. they puffed up and exaggerated some version of youth that, in the end, escapes them. they no longer look real. they look plastic, even like the scary dolls you see in antique shoppes. and maybe that’s their point. that feels sad, but seems accurately reflective of the ideology they are choosing to embrace. which makes it even more sad.

because every day we live – we women AND we men – we are gardener glory of the universe. every day we live – we women AND we men – are great successes of endurance, of keeping on, of facing what comes.

and because every day we live – we women AND we men – are beauty on its way.

just as we are.

*****

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the cheering squill. [kerri’s blog on two artists tuesday]

this charming little flower started popping up all over the top part of our yard – between the old brick wall and the garden by the house. striped squill require no special skills, no plant food, no specific watering instructions. it just appears. and it thrives. and every single one of these tiny striped blooms makes me smile. they are incredibly low-maintenance in a high-maintenance world. it’s hard to think of something sweeter to broadcast that spring-in-the-midwest is actually on its way.

because there is wild geranium under barney – the old upright in the backyard – and there are day lilies growing feverishly in every bit of garden and there are the tiniest curlicues of ferns along the back fence over in the corner by the garage and there are sedum’s wee cabbages obstinately ignoring any deep temperature drops – we have to believe that we here in wisconsin are on the docket for spring’s arrival.

years ago i planted hundreds of tulip and daffodil bulbs with the great hope that, well, tulips and daffodils would grow in our yard. but – the squirrels dug them all up and ate ’em all. que sera. it wasn’t to be.

i am not horticulturally derailed by that. i enjoy the bulb flowers in other gardeners’ gardens and appreciate what actually grows easily in ours. striped squill – its delicate flowers – are our gig, it seems. no credit to us.

and i have to say that i really love it that way.

because these tiny flowers – even in what seems their inconsequence – are most meaningful. their presence in our grass signals the hope of fallow-coming-to-an-end. it signals the freshness of a new season, a new time. it signals rejuvenation of a place on earth that has rested for some time – in this case, right here, through winter.

i can’t help but linking-thinking it to the hope of fallow-coming-to-an-end and the freshness of a new season, a new time and rejuvenation….of me, of us, of each of us.

somewhere deep in our own fallow – our own dormancy – we start to thrash our arms at the darker shadows and invite in the light. somewhere deep in our own fallow – our own dormancy – we begin to cultivate the chance of growth, of healing, of rising up through the debris of whatever had been plowed over. from somewhere deep in our own fallow – our own dormancy – we emerge stronger, more vital, chutzpah leading the way.

the little squill stand firm in the wind and the rain, their skinny little stems steadfast. they keep reaching for the sun, grinning. they know they matter. they have no doubt. they are the harbingers of renewal. and they cheer each of us on our way with them.

*****

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forward-peeking. [kerri’s blog on two artists tuesday]

the honeysuckle has an early arrival on the trail. it makes me want to sit and write poetry about pioneer honeysuckle growing in the forest, along the edges of the path and deep into the underbrush, right on the heels of winter. poetry about a hopefulness that comes with early forward-peeking signs of spring, promises of growth, a nod making the past distant.

we have a way of holding onto the past – a metaphoric rope, if you will – with people and circumstances strung along it – holding the knots like tiny toddlers in a preschool line hold the knot of a rope to which their teacher is attached. in the case of the toddlers it is for safety. in the case of all of us – who drag along with us all the most toxic of our lives – it is not for the purpose of safety.

the day before my birthday i consciously chose to drop that metaphoric rope that dragged all the yuck with me everywhere i went. i have decided that there is no more good that can come from dragging the worst with me – every recollection of betrayal or hurt or time when healing was impossible. i decided – on that day – the day before my 67th birthday – that i was worthy of putting that rope down and leaving the past distant.

now, don’t get me wrong. as a thready person (and clearly, the use of the word thready must be deliberate) nearly everything is on some sort of connective tissue that stretches back to my heart. a compendium of threads and tissue and rope. some of those i will cling onto and hold dearly – that would be the ones with love and learning and success and hardship, a balance of life’s goodness and challenges, people i hold dear, filmy threads that don’t include people who have been intentionally mean-spirited or who have hunted opportunity to be demeaning or to exploit. those? those heavy loads will have to stay behind. i have finally realized – at long last – that i owe those people nothing and my choice now is laying down the rope with the rope-knots they are clutching – weighing me down – taking up space in my brain and heart. it’s way past time.

and so the honeysuckle’s appearance is like balm. new green. renewal. rejuvenation. a new season. a new cycle of growth.

it is a pioneer in the earliest spring, courageously greening when winter can still dash it, pummel it with ice and snow. but it has the promise of its history – when it has survived even with the change in season, even with threat of the challenge of weather. it both brings forward what it’s learned about survival and puts down the pain it has carried from past ropeknot instances in its life in the woods.

someone – just shy of five decades ago – told me i was dirt. it was meant to belittle me and scare me and it did.

i’ve just realized that i am. dirt. an honorable and basic part of this earth like every other living being. but i am also honeysuckle – and morning glory – and daisies – and peonies. i am house finches and black-capped chickadees and cardinals and march robins. i am poetry floating on the breeze and notes in sequence not yet captured. i am sun and moon and the horizon and the tide.

i am stardust on the edges of the trail, forward-peeking.

*****

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continued beingness. [kerri’s blog on d.r. thursday]

the seedheads stay present all winter. thimbleweed is ready. eventually the wind will carry it, dispensing it, seeding new growth, spreading it far and wide. the wooly tufts are evidence of nature taking care of nature.

the concentric circles are all around us. in reminders we get every single day, we are prompted to remember that even the tiniest of our actions will impact the next and then the next and then the next and then…

it is what makes me feel so utterly disheartened with what is happening here and now. it is not just the cruel actions of others that ripple out. it is also the mindbogglingly complicit inaction.

once again – and over and over – i see the absolute transience of this moment. once again – and over and over – i see the silky filament that exists between am and am not. once again – and over and over – i try to take in – to make part of my being – the presence of mind to be present, the ability to be stopped in my tracks, a nod to wondrous, utter gratitude for breathing.

to be amazed by the tufts of thimbleweed, to carry a sunrise or sunset, to drink the sun into our bodies, to hold one another.

and once again – and over and over – i wonder how it is that there are so many who would choose cruelty over kindness, who would choose corruption over goodness, who would choose marginalizing others over lifting others up.

how are we taking care of each other? what are we spreading in rippling concentric circles from our very center? how are we carrying, dispensing, seeding, spreading life – living – far and wide?

look to thimbleweed. its resilience, its anticipation. the seedheads seem to be ever-looking forward, planning for its survival, anticipating its continued beingness.

maybe – just maybe – nothing less than what humans should be doing.

*****

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a start. [kerri’s blog on two artists tuesday]

when i was growing up, the time approaching my birthday was certain to be weather schizophrenic. but by the time my birthday arrived – the end of march – i was often pictured outside in a sweater, standing by the yellow forsythia bush in our front yard. on long island spring had arrived to stay.

here it is another story.

we just passed through fierce winds, sleet, a pummeling blizzard. as i write this it is supposed to be 70 degrees by late this afternoon. my birthday? a forecast of 38 with much colder windchills. now, were i in the high mountains of colorado, it would be about 72 degrees on that day. ahhh. but there’s no such thing as climate change, eh?

the old brick wall out front seems to hold the accumulating warmth of the afternoon sun. a couple days ago i went out there with my camera and was surprised to see tiny shoots of daylilies cozying up together in the leaves of fall we left there for insulation. even the little cabbages – sedum – in the front garden are appearing, tightly-wound and tucked into the dried stalks that remain. crazy.

however crazy, though, it made me insanely happy to see these tiny greens. the rising hope that growing things elicit…

it appears that we have made it through most of the winter. though i am certain not to be all cavalier about it – it can easily make several more appearances in snowstorms or ice or windchill – i can feel my spirit lighten – even the tiniest bit – thinking of spring.

we had to change the timers on all the lamps in the house that were on autopilot. we had to change the outdoor happy lights. every few days, i scoot the “on” time back a little later. each day as dogga wakes us early-early it is a little bit lighter as we sip coffee, watching out the east windows.

we now have two adirondack chairs that sit stacked on the deck. we’ve sat in them a few times now – on the patio, in the sun.

this is a time of renewal, nothing short of a bit of miraculous.

and we know – even with the green shoots and the sun and the light – that it may not be an easy spring. we have much to face – those of us in this country. and we each have our own stuff as well. so much dank darkness to push back, so much truth to let into the air, so much light to shine, so much fortitude needed to get there from here.

but the daylilies are growing.

and that’s a start.

*****

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zig choices. [kerri’s blog on not-so-flawed wednesday]

“because of some strange little voice inside, i zigged where i was expected to zag…”(anna quindlen)

aging is a funny thing. you come screeching to a halt at this place – a kind of dr. seuss waiting place – and you have the chance to make some decisions. which way do you go now? what route do you take? where are you headed?

or maybe you come screeching to a halt – having been on this one solid path – to a place – a kind of dr. seuss waiting place – and you linger there, looking around, out of breath and a little bit tired. in front of you, choices fan out, beckoning you. you sit down, in the lazy boy of havinggottenthere and you ponder, panting, exhausted.

for, all of a sudden, you don’t feel compelled to drive forward on one straight line. you are suddenly empowered by the realization that none of it – and all of it – counts. you have begun to realize that the dust you will leave behind will not be measured by accomplishment. it, likely, won’t even be remembered by accomplishment. for those things dim and boxes of those remain in the basement, ready for some thrift store or antique shoppe. mementos have gathered dust and certificates have faded on office walls. the hills you climbed, the battles you waged, they have evanesced. the trophies, the medals, the awards, the stock options – all so greatly valued at one time – have lost their lustre.

so you take stock. your havinggottenthere lazy boy slowly rocks while you stare ahead and think about what path might “align with your purpose, peace and trust in the future” (the “best path” as defined by google).

and something is itching inside you to go rogue, to take a path no one expects, to zig where they expect you to zag.

and, as it appears on the twiggy hogweed map, you can always backtrack back to the waiting place – to re-evaluate, to rest, to try something else on for size.

there is a freedom to this aging thing. (granted, there would be more of a freedom if there was not chaos.)

this freedom to explore without expectation, to try without any measure of succeeding, to grab onto more experiences – but without preconceived notions, to discard the safe path and embrace a bit of fear, to muse-work and branch-out or sit-and-stare with abandon.

there is a freedom knowing that as much as one matters, our tiny existence is yet tiny. and what we feel at dawn as we breathe in early spring-like air or listen to birds collecting at the feeder or pull up the covers for just a little longer – all that matters.

there are moments i am stunned by the ability to feel. physically. emotionally. the ability to FEEL. it’s shocking. i recognize that there have been days – maybe even weeks or months or years – when i paid little to no heed to being able to feel. lost in the mayhem of everylittlethingthatmustgetdone i missed it. we have all been racing to finish.

and yet, here we are – in this time of utter chaos – where everything seems upside down, corruption is rampant, the country is flailing while its leaders violently push it backwards, isolate it, make it a pariah – and THIS happens to be our time.

we feel bits of wisdom pop up evvvvvery now and again, evvvvvvery here and there, through fallowed earth like snowdrops or crocuses desperate to emerge. we stand up. we speak up. we speak out. we cuss. we bellylaugh. we rail. we inhale, another deep breath.

we are feeling. we are making time to feel.

we are considering our zigs.

*****

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toward the bench. [kerri’s blog on d.r. thursday]

tucked into the trail – the river trail – are spots i always find i am looking forward to: the curve of the river, the cattails in the marsh, the hill where you look down on the trees along the riverbank, the section that looks like a bayou, the turn in the path where deer linger, this one spot – where the reeds are thick and the turtles are numerous. we hike along and these are touchstones along the way, indicators of how far we have come, how far we have yet to go.

we all have them – the indicators of how far we have come, how far we have yet to go. i think about this now as i walk into my studio.

i spend way more time on the written word these days than on the piano bench. i spend way more time typing on a keyboard than pencil-jotting on scraps of paper scattered above the keys.

i look at high profile artists, years and years after their last album release, after long drought periods, in their 60s, now recording and releasing new albums. and it makes me wonder. it’s been 16 years since i released a full-length album.

sixteen years.

as someone who released fifteen albums in fifteen years that is stunning to me. and, thus, the wondering.

my piano is a touchstone to me, an anchor, something i can touch that is profoundly meaningful to me. i have walked a textured journey in the years i have spent with a piano central in my life, in time that the creating and performance of music was imperative. i have assigned success and failure, acceptance and rejection, support and betrayal to my piano.

and, in the way that enlightenment happens, i am beginning to learn that it is not my piano that is responsible. it has merely been my spokespiece, a vessel through which i might give voice.

instead, it is in that giving of voice – that expression of me – that amplification and celebration of music – that others – people – have squelched the how-far-i-have-yet-to-go, have taken the get-up from my get-up-and-go.

i don’t really know the reasons that one might feel they should push someone else under water, that one might feel the best use of their energy is to abuse or denigrate or minimize someone else, that one might feel that the most humane treatment of someone else is to concoct narratives and sway public or private-circle opinion. i don’t know the reasons why anyone would want to break another person or their spirit, creative or otherwise. i don’t really know the reasons why anyone would do any such things. it’s crushing.

i do know the impact these things have on a person. for no matter how tough one’s skin, how devoted to confidence, how determined, how bootstrapping one might be, there are others who can do great damage and who are – apparently – damned devoted to it.

it’s not my piano’s fault.

and so now – in this great enlightenment or admittance or downright sad awareness – i can see that those people who have done great harm have undermined so much between how-far-i-have-come and how-far-i-have-yet-to-go. and i am thinking – now – that I’ll be damned to let them rob all that from me, to let them take my piano – or my muse – hostage any longer. not that that’s easy. it is a difficult uphill journey.

it’s maybe time to stand in the reeds, hang with the turtles and cattails, get my feet wet in the marsh and walk – or sprint – or, more likely, crawl – toward the bench.

*****

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a changing sculpture. [kerri’s blog on two artists tuesday]

we were waiting in the examining room. i had a doctor’s appointment.

we were surrounded by beige and all manners of brown.

i said aloud, “if i had a doctor’s office, it would not be decorated or appointed in shades of beige and brown. it’s all rather flat and depressing.”

i suspect – for the same reason i said that about the office – you might say that about this photograph. you might even say that about this trail – for much of it is bathed in beige and brown, the reeds along the river, cattails, leafless trees, and dry underbrush populating the trailside.

but it’s different.

these shapes and textures are completely engaging. there has been a giving-over to nature, an organic timewornness that has taken place. and in this flower’s stead has been left a stunning sculpture, full of light and dark. you just have to see it.

in the new eyes i have since going slower, i feel drawn to each of these. i could be completely happy lingering on the trail, photographing one after another of these dried flowerheads, each distinct, each stunningly beautiful. the tall and stately, the rounded, the wishing seeds clinging to the rough edges after floating on the wind. so much life in so much fallow.

my sweet momma – at 93 – would look in the mirror to apply her lipstick. she’d frown and grimace, “i look like an old woman!” i’d assert the obvious – “well, momma, you are 93!” and then, looking into her blue eyes i’d tell her – “a beautiful old woman”. for it was those very wrinkles, those spots of age and wisdom and experiences, those eyes that told a million stories of love and pain, summit moments and disappointments that gave her the actual depth, the texture, the light and dark to BE beautiful.

i look in the mirror, glance down at my hands, get on the scale at the doctor’s office – i am a changing sculpture. i frown, i grimace.

and then i remember my sweet momma. and i remember the flowerhead on the side of the trail.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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do winter. [kerri’s blog on not-so-flawed wednesday]

dogga stands on the frozen pond out back. it is covered with snow and this is the first time – the first winter – he has not still avoided it. he’s not a water-dog so – as an aussie that circumvents it when it is an actual pond, it is surprising that he is choosing to traverse it, dig in its snow, stand on it.

winter is his favorite. it is his beach-weather. it’s his bliss.

now, i’ve heard many people lately complaining about this winter. “sick of” cold, snow, grey skies, biting winds, they crankily bemoan winter – like it’s a monster dedicated to making them miserable.

i don’t feel that way.

it’s winter, i think to myself, and winter is supposed to be like, well, winter.

the last few wisconsin winters have been easy on us, moderate temperatures, little snow, no real winterish hardships or challenges. maybe that’s made some of us less tolerant of what winter really is. but this winter feels about right, as far as i’m concerned. i think you are supposed to want to linger inside, nest, cocoon a bit. i think you are supposed to rest and maybe clean out a bit, readying yourself for spring and new growth. i think you’re supposed to take stock of it all and appreciate the change in seasons as the spinning earth revolves around the sun. i mean, maybe that’s just me.

i find great beauty in the almost-monochromatic that is winter. i find a storehouse of rejuvenation in its fallow. i find anticipation in the slowly-lengthening days, the slight uptick of temperatures. i find a little bit of hope – even in the midst of the darkness that is this country right now.

when spring comes – after the temperatures level out a little bit – we will cut these grasses down so that new growth will have room to burst through the soil. in the meanwhile the tracks around the grasses show that there are tiny creatures taking shelter in them, warmed by the fronds into which they are nestled. the snow is gorgeous – so bright out back i cannot comfortably look out the window.

it’s february. i don’t know how long winter will last. i suppose it could stretch well into april, maybe a bit into may. whatever. i am just here – me, d, dogga, our new gutters and warming cables – riding the coaster. studying the milder weather where family and friends live, i wouldn’t mind a few days in the 60s, but i kind of need the seasons to be what they are.

we watched the birds in the birdbath yesterday. there were at least seven birds splashing and drinking out there. i guess the sun was strong enough to melt the snow that had accumulated. they seem elated. they’d fly away and then return, waiting their turn on the edge of the bath together. they know where the birdfeeder is and they frequent it. their chirping and birdsong in the morning reassures me that – yes – it’s just winter and this is what winter is like.

i don’t want to race through. i don’t want to wish for months from now. I don’t want time to go by without my acknowledgement of some sort, my appreciation.

i just want to do winter – because it IS winter.

i’ll get to spring when it’s spring.

*****

read DAVID’s thoughts this not-so-flawed wednesday

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