i recently had a conversation with someone i haven’t seen or spoken to in almost fifty years. we held space together on the phone gently, tenderly. for this wasn’t a social call where we spent time reminiscing about lovely memories and silly anecdotes. instead this was a call that transcends mere words, that was opening doors long-closed, turning metaphoric knobs for access into painful times and angst-filled recollections. i was shaking and weepy when i got off the phone, but grateful to have had the chance to meet together on empathetic ground.
there are some doors – that in the turning of the knob, the opening of the door – are most difficult. i am learning – at this time in my life – that these doors, though they make me shudder, even squeamish – are worthy of opening. these doors will eventually lead to the place that will ease the constant butterfly-like-vibration in my chest. these doors will set free the ramifications of all that happened long ago. these doors promise new. they promise perspective born of process. they promise light – granted to the dark of way-earlier life.
this call – like others in recent times – was somewhat excruciating. it was hard to dial up – to open that slammed door. yet, i was grateful to feel the undeniable comfort – coexisting with deep grief – that came in its aftermath. profound.
not alone, understood, we both knew without saying that we ‘got it’ on its most cellular level, the granular place of shared traumatic experience, the inevitable sisterhood beyond the opened closed-door.
the honeysuckle has an early arrival on the trail. it makes me want to sit and write poetry about pioneer honeysuckle growing in the forest, along the edges of the path and deep into the underbrush, right on the heels of winter. poetry about a hopefulness that comes with early forward-peeking signs of spring, promises of growth, a nod making the past distant.
we have a way of holding onto the past – a metaphoric rope, if you will – with people and circumstances strung along it – holding the knots like tiny toddlers in a preschool line hold the knot of a rope to which their teacher is attached. in the case of the toddlers it is for safety. in the case of all of us – who drag along with us all the most toxic of our lives – it is not for the purpose of safety.
the day before my birthday i consciously chose to drop that metaphoric rope that dragged all the yuck with me everywhere i went. i have decided that there is no more good that can come from dragging the worst with me – every recollection of betrayal or hurt or time when healing was impossible. i decided – on that day – the day before my 67th birthday – that i was worthy of putting that rope down and leaving the past distant.
now, don’t get me wrong. as a thready person (and clearly, the use of the word thready must be deliberate) nearly everything is on some sort of connective tissue that stretches back to my heart. a compendium of threads and tissue and rope. some of those i will cling onto and hold dearly – that would be the ones with love and learning and success and hardship, a balance of life’s goodness and challenges, people i hold dear, filmy threads that don’t include people who have been intentionally mean-spirited or who have hunted opportunity to be demeaning or to exploit. those? those heavy loads will have to stay behind. i have finally realized – at long last – that i owe those people nothing and my choice now is laying down the rope with the rope-knots they are clutching – weighing me down – taking up space in my brain and heart. it’s way past time.
and so the honeysuckle’s appearance is like balm. new green. renewal. rejuvenation. a new season. a new cycle of growth.
it is a pioneer in the earliest spring, courageously greening when winter can still dash it, pummel it with ice and snow. but it has the promise of its history – when it has survived even with the change in season, even with threat of the challenge of weather. it both brings forward what it’s learned about survival and puts down the pain it has carried from past ropeknot instances in its life in the woods.
someone – just shy of five decades ago – told me i was dirt. it was meant to belittle me and scare me and it did.
i’ve just realized that i am. dirt. an honorable and basic part of this earth like every other living being. but i am also honeysuckle – and morning glory – and daisies – and peonies. i am house finches and black-capped chickadees and cardinals and march robins. i am poetry floating on the breeze and notes in sequence not yet captured. i am sun and moon and the horizon and the tide.
i am stardust on the edges of the trail, forward-peeking.
we cannot help ourselves. we see stuff. i usually don’t suppose that’s unusual, until someone stares at us – with that blank look on their faces that betrays the “oh-sheesh-they-are-SOOO-weird” thought they are having. and then i realize we might be a little unusual. i shrug it off. “we-are-all-worthy-we-are-all-worthy” i repeat.
the shark was on the side of the trail. lurking. all crusty and gnarly, his face. he was obvious. he was cause for conversation, tales of scuba-diving in cold long island waters and off the coast of tropical islands. we can’t help but see and we laugh and gasp out, “look! it’s a ……..!”
seeing. it’s a burden every artist carries. it’s in the backpack with the parmesan cheese and the twizzlers and the tiny box wine and the kind bars. it’s probably good that we are mostly alone during these moments; our imaginations fly wild and free and we crack ourselves up.
and isn’t that the point? the laughter? i can’t think of anything better than laughing together, even at our own expense. we tell stories to friends, emphasizing the goofy, the silly, the utterly-profoundly dumb, self-deprecating and reveling in it. getting my hair cut and claiming the highest forehead in the guiness book of world records of foreheads. having a pedicure and claiming the biggest big toe in modern history. even, recently, at the doctor’s office, asking, please, for a sticker or a gold star for passing my bloodwork. just silliness. we can’t help it.
but to walk with him and find the sharks on trail and the ducks stuck in trunks (see below) and the tree mooning us (see below) and the desert hills from space (also see below) is to walk inside laughter. it’s to have maybe learned – at long last – not to take everything quite so seriously.
it’s to learn how to get older and crusty and gnarly ourselves and to hold it all lightly.
reverse threading 