reverse threading

the path back is the path forward


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the best we can be. [kerri’s blog on k.s. friday]

in a diverse cross-section of life, i sat at the round table – one of fifteen such tables in the room. there are chairs, too, but not enough to accommodate all the people in the room, waiting.

it is a waiting place.

it is a jury room…and the hundred-twenty-five or so people gathered there all held a little orange card with their panel number on it.

it was a strange time to be serving jury duty, for more than one reason. the climate in this country does not seem to be one where the law is upheld, where the court is respected. and the ultimate court, those supreme justices, seem to be strangling the constitution at every turn. it is disconcerting.

i take this responsibility seriously. i’ve been on jury duty twice before. the first time i was merely 18 and in new york, called for two weeks. the second time i lived where i live now – and i, likely, sat in this same room as i waited for the high sign about my duty. that time i was sent home the first day. this next time, i was one of about 40 who remained in the room…

…and so we waited.

eventually we were told that cases had settled and that there would be no jury trials, that we could go home. i admit to being relieved, for i had much on my plate that might have precluded me from being the best juror i could be. and i believe that one must be the best juror one can be. in every single case.

and so as i look at the most recent decisions of the highest court of the land – the jurists above all others, i am appalled. how are these decisions upholding the united states constitution? how are these decisions aligning with the touted compassionate nature of this country? the empathy gap is extraordinary; the rhetoric of this political polarizing is aggressive and downright cruel beyond imagination. how is this the best these supreme judges can be?

it is utterly shameful.

another waiting place.

i hope for a profound watershed moment. i hope for the sun to come back out – to find its way, to wipe away the sickening darkness that has fallen upon our country. i hope for people to actually be the best versions of themselves – to use good moral conscience, to have compassion, to care about their sisters and brothers in the country and in the world, regardless of any social identifiers. i hope for this despicable time in the history of this country to end, for our nation to honestly examine how it got here, for people to honestly examine how their hearts embraced this bigotry and extremism. i hope to eradicate all that is choking off our democracy’s true potential so that it can be the best it can be, so that we can be the best we can be.

*****

WATERSHED © 2004 kerri sherwood

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the pale blue dot. [kerri’s blog on d.r. thursday]

it’s been 38 years since i’ve moved here. thirty-eight. it even takes me by surprise. when we moved here, the deal was “three to five and then we move on”. uh-huh.

but it’s where we bought this old house, where the children were born, where life was lived – good and bad, happy and sad – and time seemed to fly by. truly. and now it’s 38 years later.

in the time i’ve been here – this place where i was transplanted – i cannot remember weather that has been as ornery as this spring and summer.

yesterday, while trying to keep up with yet another tornado warning coming from the west, i was on jake’s weather page on facebook – a local and much-appreciated meteorologist. he was reporting on the progress of the storms heading in our direction, with his predictions about them.

i read the comments on his latest post and totally agreed with a few, particularly:

“good grief! not again!” and “i can’t believe these storms this year.”

exactly.

because climate change is real and our extreme weather is directly related to it.

because global warming is real and our extreme weather is directly related to it.

because ecology and green sustainability are real and dealing with our extreme weather is directly related to both.

because caring about our resources, our natural environment, our atmosphere, our forests and seas and aquifer and pollution control and this good earth is real and we should care about all of it, protect all of it, invest in all of it. our extreme weather – and the extreme weather around our state, our region, our country, the global world depends on us and what we choose to do.

the survival of this place we call home – whether it’s wisconsin or any other place on this planet – is dependent on us to make good choices.

there is no way around it, despite any twisted misinformation that the current administration wishes one to believe.

make good choices. time flies by.

our world becomes our childrens’ and then their childrens’. our home becomes theirs.

“preserve and cherish the pale blue dot, the only home we’ve ever known.” (carl sagan)

*****

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not so flawed. [kerri’s blog on not-so-flawed wednesday]

even in decline, the day lily is stunning. even as it prepares to fall – its veined petals listing toward the ground, stamen curled and ready to release.

even in decline, it is beautiful, the bloom looking more like the wings of a butterfly than the petals of a vibrant lily, heralding summer.

even in decline, it participates in the garden, granting space to those blossoms that are just starting, buds that are just bursting, tiny green treasure chests on the stem just begging for attention.

even in decline.

my sweet momma – and i have told this story – used to tell me that she was astonished when she looked in the mirror. she would grab her red lipstick, carefully lining her lips, applying it, and would look at me – in horror – saying, “i look like an old woman!”

it was impossible to convince her – even as i insisted – that she was absolutely beautiful – which she was – those creases and lines in her face worn in by life, the sparkle in her blue eyes that never faded, the worry lines earned by worrying about those she loved. even in decline – her beauty in the mirror and in the world – was palpable, was real, was undeniable.

but i am beginning to get it. such an emphasis placed on youth – and how that manifests in our minds and hearts – the way aging reveals in our bodies vs the way youth looks on our bodies – it’s an insanity to think that static is the only way to see beauty. so now, when i look in the mirror, i – like millions of other women – are maybe measuring what we see, maybe counting the wrinkles, maybe frowning at the dynamic changes through which our individual lives are expressing in our bodies, maybe bemoaning what we are taught to think of as flaws.

instead, i just want to remember.

i want to remember how entirely gorgeous the daylily in our little garden – in all of its stages. how much i welcome every last dewy bud, blossom, gossamer-wing-petaled bloom, the dropping petals. how much joy it brings, this simple cycle of life, evidenced along the fence, not-so-flawed.

it would seem that i should grant myself the same grace i grant the daylily.

it would seem that as each day unfurls into the next i am – indeed – learning that it is ever more beautiful than the last.

*****

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digging paws. [kerri’s blog on two artists tuesday]

according to AI – which is interesting to quote on a somewhat ironic level – “artistic expression is the process by which creators translate internal emotions, thoughts, and personal experiences into tangible visual or conceptual forms.” (ironic because, well, AI is doing so much creating-creating-creating, yet the question – is it even a question? -remains of the existence of any internal emotions, thoughts and personal experiences as they relate to AI, void of all of that. but i am digressing. we are talking about “artistic”” expression and the truth of emotions, thoughts and experiences.)

aussies (australian shepherds) love to dig. they not only love to dig, but they are damn good at it. dogga is not an exception. he is a next-level digger.

and so, because he is simply expressing himself – particularly at this senior point in his life – we have decided not to put boundaries on this expression. we fill in the holes so he and no one else trip and he digs them again. it is a small price to pay to see our sweet old dog in his bliss. and someday – which, no matter what, will be too soon – we can again have closer-to-perfect grass in our backyard. it’s really not important. in the meanwhile, we applaud his translation of “internal emotions, thoughts and personal experiences into tangible visual and conceptual form“.

it’s like that with all of us artists. to have others applaud our translations, rich in emotion, thoughts and experiences – whether in dirt, clay, canvas and paint, dance, words of verse or story, notes of music you can hear and feel though not touch as they float by – is to acknowledge not just our bliss, but our imperative to speak, in whatever medium fits.

it’s not applause-applauding we seek. it is freedom-to-express-applauding, the granting of the air on this earth to us – the artists – just like it is granted to all other ways of living, ways of being, all other imperatives. it simply can’t be helped or stopped. it is the way of the earth, of thinking minds, of questioning hearts, of the visceral and the emotive, of making something from nothing.

and, i guess, of digging paws.

*****

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today. [kerri’s blog on merely-a-thought monday]

today. be the change, today. in your own little corner of the world, today. the change. what you wish to see in the world. today. be it. right where you are.

it is today. and today, i will be the change. i will change the narrative. i will expose ill intent, brazen abuse, toxic audacity, all manner of power and control that yields long-term devastating trauma.

it is today. and today, i will be the change. i will push back against lies, against spin, against complicity, against all manner of hiding the truth, all manner of abdicating responsibility, all manner of forever escaping culpability, all manner of those who walk free and without conscience.

it is today. and today, i will be the change. i will lift every one who has been harmed, every one who has been victim of monstrous wounds, every one who has not been safe. i will hold them tenderly and fiercely, i won’t let go.

it is today. and today, i will be the change. because i have spoken up, spoken out, acted on my words. i will protect my little corner of the world – historically and contemporaneously.

it is today. and today, i will be the change. i will lift the rug and sweep the dirt from beneath it. i will scrape through layers of the disregarded toxic, the loathsome secrecy of it all.

it is today. and today, i will be the change. i will not be silenced. i will breathe. and…exhale.

it is today. and today, i will be the change.

just as you can.

bridie’s words – an addendum to those of mahatma gandhi – be the change – in your own little corner of the world. that is where we all must start. that’s where i’m starting.

yesterday. yesterday’s yesterday. decades-ago’s yesterday.

and today.

*****

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trees are like that. [kerri’s blog on k.s. friday]

“the symbolism – and the substantive significance – of planting a tree has universal power in every culture and every society on earth, and it is a way for individual men, women and children to participate in creating solutions for the environmental crisis.” (al gore)

breck is as tall as halfway up to the peak of the garage now. it feels as if you could quite possibly sit in an adirondack chair – with time on your hands – and watch it grow…bits of branch reaching, reaching, leaf buds and then leaves unfurling and then more branch reaching, reaching and more leaf buds and more unfurling leaves. and it keeps going, despite the weather: storms and wind and hail and threatening conditions, despite it all. we love this quaking aspen.

breck, as i have mentioned, is the only tree i have ever – personally – purchased and planted.

we have had saplings planted on independence pass in honor of our mountain girl’s thirtieth birthday, we have had trees planted in memory of a cousin who loved the outdoors. but neither of us has had the opportunity to plant our own tree in our own yard – before breck.

because our shy-of-a-century-old maple has fallen, we will have another chance to pick out a tree – we hope two – to go in that parkway space between the sidewalk and the street. there is a reforestation program in our city that assumes part of the cost so that there are trees lining the streets of the city. it dates way back to the early 1900s when our ‘hood near the lake initially was planted with elegant elm trees, which, a couple decades later fell to disease. our maple had been steadily shading our home since the time of replanting. we will honor its beautiful and steadfast life by planting another tree – or two.

in the meanwhile, i’ve been whispering to the other trees here. the old – very tall – pine that is green about half-way ’round, its other branches shaded from the sun by neighboring trees, the spruce that stands in the opposite corner of the backyard. and the maples that are on the other side of the fence – they are enormous trees, towering over our backyard and our home. my whispers are for them to be stalwart, grounded, steady, flexible as we experience more and more extreme weather events…to stay standing all in one piece.

we have seen in recent days the dismantling – the decimation – of all kinds of laws as they pertain to climate change, all kinds of laws as they pertain to national forests, all kinds of laws as they pertain to national parks, all kinds of laws as they pertain to clean water, clean air, clean agriculture, all kinds of laws as they pertain to food growth safety, all kinds of laws as they pertain to livestock welfare, all kinds of laws as they pertain to renewable energy, all kinds of laws as they pertain to pollution, all kinds of laws as they pertain to science, all kinds of laws as they pertain to medical research….and all kinds of laws as they pertain to aggressive deregulation and expansion of timber production, regardless of any historic conservation or environmental protections. need i go on?

it is a heartless, short-sighted, ignorant set of ideals that annihilates, ravages, and diminishes the collective intellect of researchers, environmentalists, conservationists, scientists and that annihilates, ravages, diminishes and trashes the ecosystems of mother earth.

preservation is a much bigger word than demolition.

it feels like an honor – with substantive symbolism – to plant a tree in our yard – and to know that we will likely not be here to see it tower above our old house, to know that it will sustain through time – like trees do, to know that it will both breathe and generate clean air, to know that it will remember that we carefully chose it, we nurtured it, and we trusted it to stand fearlessly in the face of all change and any challenge.

because trees are like that.

“happy the man to whom every tree is a friend.” (john muir)

*****

TRANSIENCE © 2010 kerri sherwood

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no outlines. [kerri’s blog on d.r. thursday]

a full box of crayolas at my side, i, too, in my itty-bitty chair at the itty-bitty table, would outline the image on the coloring book page and then color it all in. like there was some artistic reason for outlining – making a definitive and clear break between the image and the background. for a non-artistic-in-the-sense-of-drawing type, it seemed to make my coloring page look better, cleaner, more striking. i’m not really sure. but it was a popular thing to do – this outlining thing – and, though i don’t know who initially suggested it, nearly everyone colored their pages that way. you could see it on the ever-important bulletin board wall.

if i were to pick up a coloring book and crayons now i might even just fall back into old patterns, grasping the crayola stub in my hand tightly, pursing my lips and concentrating on not drawing off the line. then i would color it all in – in the lines – and my page would be neat and tidy and whatever other adjective might apply, synonymous with success.

when i color in “adult-colored-pencil-coloring-books” i have found that i don’t do this – i just color with my pointy pencils – no outlines, no outlining. is it the difference between the paraffin wax/powdered color pigment combo of crayons and the pigments/binding agents/fillers/casing used in pencils? is it some leftover art lesson from elementary school – where the emphasis was on some sort of impossible sought-after perfection for our coloring sheets? and why – knowing me – did i not color out of the lines? well, i can answer that one. back then i was an in-the-lines colorer, going with the crowd, hoping to get my picture on the bulletin board wall.

i move up close to the peonies in our garden out back. they stand their ground as i move around, right in their little peony faces, alternately snapping photos and taking big whiffs of their intoxicating scent.

there are no outlines here. everything up this close blurs as my depth of field changes, my point of focus changes, my intent changes.

were i to make this photograph a coloring sheet – an accurate coloring sheet – it would require fuzzy lines – no clear outline – instead, a fade of one color into the next, maybe difficult to capture with a stub of crayon looking to make something definitive.

but life is more like that. less definitive, more fuzzy. it is less distinct and more out-of-focus. it is less green and white, and more grey. there are no outlines and, if you really get it, there’s no ever-important bulletin-board-wall upon which to hang up your life.

it just is.

and the moments we get to sniff peonies or color out of the lines, to allow the unfocused to swirl around us, to not get all caught up in the bulletin-board-wall – those are the moments to grasp, to hold onto, to store away as balm for those other moments – the ones that test us, that hand us crayons with impossible confidence-taxing expectations, that, somehow, in all the chaos, make us forget that peonies exist. craziness.

and so, no outlines. just color.

“…you write about my flower as if i think and see what YOU think and see of the flower – and i don’t.” (georgia o’keeffe)

*****

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what a dance! [kerri’s blog on not-so-flawed wednesday]

less than a week. the peony shared its dance with the world for less than a week. but oh, what a week it was.

i don’t imagine that it wondered – ahead of time – how long would be its time in the sun. i don’t imagine that it pondered the kind of notoriety it would have. i don’t imagine it was fretting, “bloom/don’t bloom/bloom/don’t bloom“. i don’t imagine it planned its choreography – the minuet or ballet, the jazz steps or interpretive improv – based on what it understood its stage and its time under the fresnel of light.

from a tight bud to wrinkly vestiges of peony petals, it danced for the sun, shied from the moon. it held on during the winds and collected bits of rain, courageously standing under the pressure to bow its fragile stem, its velvet-soft blossom.

the peony didn’t measure its relevance by its time here. it didn’t concern itself with striving or success, abundance of blooms or lushness of plant. it just bloomed as it bloomed.

and in the giving-over of trying to control any thing else, in the giving-over to follow its natural path, in the embrace of its exclaiming-life dance, it exploded in beauty.

what a week it was.

what a dance!

*****

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such goodness. [kerri’s blog on two artists tuesday]

and the icefall went on and on, a looming presence as far as the eye could see, the night inky, the serac-umbrellas like mushroom caps over smooth slopes in shades of white and grey, the spectrum peeking out with the changing light. snow had fallen, stacking up in dune-piles created, urged by the wind, not yet sharpened by the coldest of temperatures. the telephoto lens captured it up close, though we were far away, many, many steps from the dangers of traversing the icefall, its chasms and crevasses.

the peony giggled, thinking it had fooled me for a moment, delighted with its fictitious story, its little tale of shape-shifting. knowing that it was just joshing me – steady in the real and good impact it has in this world – its merriment was because it was solidly based in its goodness. it had nothing to prove, no reason to make us believe it was goodness, because it just was.

and so it could play with us a bit, help us visualize, let us fly over the arctic or the himalayas in our minds. it could encourage imagination and fantasy. there was no fear of losing its way – for it would still fulfill its peony life, its peony self-actualization.

things that are good – that do no harm – do not concern themselves with convincing others that they are good. they just are. there is no reason to pretend to be something else, to permanently twist reality, to alter that which is truth.

the soft petals of the peony layered over each other, gorgeous bits of the bloom, exquisite.

we are fortunate to see such goodness, to witness it, to breathe it, to hold it.

for surely we need this in these times.

****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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our sturdy old tree. [kerri’s blog on merely-a-thought monday]

at approximately 3:48 last wednesday afternoon, in the first mighty gust of the storm, the great soul – the great tree – in our front yard – for decades and decades and decades – fell. and nothing was the same.

this sturdy old tree was wise beyond its years, withstanding all manner of weather-fury, all seasons of plenty and not-enough.

this sturdy old tree – magnificent, its canopy shading our lawn, its spirit encircling our home and family – stood vigil out in front, a talisman of protection and a peaceful adapter to the change of winter to spring, of autumn to winter, each time, bending to the rules – or whims – of nature…for at least seventy-five years.

this sturdy old tree – was what i looked at from the nursery while rocking babies, looking out the window. it marked the passage of time as my babies grew, early morning light in its leaves, the sun setting through its crown, its winter-nakedness to its verdant maple-leaf splendor, its yellow glow in fall, the way snow lay on its strong branches, its promise in early spring.

this sturdy old tree – was what i looked at from my bench in my studio, sitting at my piano composing, lyricizing, practicing. it gave me breath and reminded me to place rests in the music, to give others breath, time to process, to take in, to feel. i stared at this tree out the window from that spot, standing still or sitting quietly, pondering what had been, what was, what might be. it was a touchstone of consistency, of continuity, of the timeline that goes back and forward, dynamic.

this sturdy old tree greeted us as we came down our road, as we turned the corner. it offered shelter and filtered sunlight, framed the moon and the stars and planets, played with color at dusk. it elicited our appreciation for yet another homecoming. it was the monument, the lighthouse, the trailmarker that said “home”.

this sturdy old tree – wizened – was that which i advocated for, in times of electric-wire-branch-trimming, in times of water main work, in times of road construction, in times of other injuries it withstood.

i whispered words of – truly loving – gratitude to it, “you did nothing wrong. you did everything right,” as they began to tend to the-cleaning-up after the wind had wreaked havoc upon it. with more extreme storms coming – and a heavily one-sided bit of our beloved tree left – i knew that it was its time. and it was hard to watch, this family member which had preceded me, which had lived here the whole time i have, which had seen much life in that bit of yard at this house on this street. we were fortunate that it was our tree and we loved it for being our tree.

it feels like a marker in time to have felt and heard this great tree fall. to see its brokenness. its soul continues on with us; we need that wisdom and resilience, especially now. we need its tenacity as it aged, especially now. we need its stalwart goodness, its dedication to being the best tree it could be, especially now.

our big, sturdy old tree lives on. it will always be one of the great trees because of its great soul.

and – after its decades and decades and decades of time as a tree on this good earth – in the bowing of its beautiful canopy of leaves, its hefty rough-barked branches, its branches that curved outward with a bowl in the center of the trunk where creatures could rest and shelf fungus could excel, it reminds us of something:

there is no great anything without a great soul.

“and when great souls die/after a period peace blooms,/slowly and always/irregularly. spaces fill/with a kind of/soothing electric vibration./our senses, restored, never/to be the same, whisper to us./they existed. they existed. /we can be. be and be/better. for they existed.” (maya angelou)

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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