reverse threading

the path back is the path forward


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the best we can be. [kerri’s blog on k.s. friday]

in a diverse cross-section of life, i sat at the round table – one of fifteen such tables in the room. there are chairs, too, but not enough to accommodate all the people in the room, waiting.

it is a waiting place.

it is a jury room…and the hundred-twenty-five or so people gathered there all held a little orange card with their panel number on it.

it was a strange time to be serving jury duty, for more than one reason. the climate in this country does not seem to be one where the law is upheld, where the court is respected. and the ultimate court, those supreme justices, seem to be strangling the constitution at every turn. it is disconcerting.

i take this responsibility seriously. i’ve been on jury duty twice before. the first time i was merely 18 and in new york, called for two weeks. the second time i lived where i live now – and i, likely, sat in this same room as i waited for the high sign about my duty. that time i was sent home the first day. this next time, i was one of about 40 who remained in the room…

…and so we waited.

eventually we were told that cases had settled and that there would be no jury trials, that we could go home. i admit to being relieved, for i had much on my plate that might have precluded me from being the best juror i could be. and i believe that one must be the best juror one can be. in every single case.

and so as i look at the most recent decisions of the highest court of the land – the jurists above all others, i am appalled. how are these decisions upholding the united states constitution? how are these decisions aligning with the touted compassionate nature of this country? the empathy gap is extraordinary; the rhetoric of this political polarizing is aggressive and downright cruel beyond imagination. how is this the best these supreme judges can be?

it is utterly shameful.

another waiting place.

i hope for a profound watershed moment. i hope for the sun to come back out – to find its way, to wipe away the sickening darkness that has fallen upon our country. i hope for people to actually be the best versions of themselves – to use good moral conscience, to have compassion, to care about their sisters and brothers in the country and in the world, regardless of any social identifiers. i hope for this despicable time in the history of this country to end, for our nation to honestly examine how it got here, for people to honestly examine how their hearts embraced this bigotry and extremism. i hope to eradicate all that is choking off our democracy’s true potential so that it can be the best it can be, so that we can be the best we can be.

*****

WATERSHED © 2004 kerri sherwood

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our sturdy old tree. [kerri’s blog on merely-a-thought monday]

at approximately 3:48 last wednesday afternoon, in the first mighty gust of the storm, the great soul – the great tree – in our front yard – for decades and decades and decades – fell. and nothing was the same.

this sturdy old tree was wise beyond its years, withstanding all manner of weather-fury, all seasons of plenty and not-enough.

this sturdy old tree – magnificent, its canopy shading our lawn, its spirit encircling our home and family – stood vigil out in front, a talisman of protection and a peaceful adapter to the change of winter to spring, of autumn to winter, each time, bending to the rules – or whims – of nature…for at least seventy-five years.

this sturdy old tree – was what i looked at from the nursery while rocking babies, looking out the window. it marked the passage of time as my babies grew, early morning light in its leaves, the sun setting through its crown, its winter-nakedness to its verdant maple-leaf splendor, its yellow glow in fall, the way snow lay on its strong branches, its promise in early spring.

this sturdy old tree – was what i looked at from my bench in my studio, sitting at my piano composing, lyricizing, practicing. it gave me breath and reminded me to place rests in the music, to give others breath, time to process, to take in, to feel. i stared at this tree out the window from that spot, standing still or sitting quietly, pondering what had been, what was, what might be. it was a touchstone of consistency, of continuity, of the timeline that goes back and forward, dynamic.

this sturdy old tree greeted us as we came down our road, as we turned the corner. it offered shelter and filtered sunlight, framed the moon and the stars and planets, played with color at dusk. it elicited our appreciation for yet another homecoming. it was the monument, the lighthouse, the trailmarker that said “home”.

this sturdy old tree – wizened – was that which i advocated for, in times of electric-wire-branch-trimming, in times of water main work, in times of road construction, in times of other injuries it withstood.

i whispered words of – truly loving – gratitude to it, “you did nothing wrong. you did everything right,” as they began to tend to the-cleaning-up after the wind had wreaked havoc upon it. with more extreme storms coming – and a heavily one-sided bit of our beloved tree left – i knew that it was its time. and it was hard to watch, this family member which had preceded me, which had lived here the whole time i have, which had seen much life in that bit of yard at this house on this street. we were fortunate that it was our tree and we loved it for being our tree.

it feels like a marker in time to have felt and heard this great tree fall. to see its brokenness. its soul continues on with us; we need that wisdom and resilience, especially now. we need its tenacity as it aged, especially now. we need its stalwart goodness, its dedication to being the best tree it could be, especially now.

our big, sturdy old tree lives on. it will always be one of the great trees because of its great soul.

and – after its decades and decades and decades of time as a tree on this good earth – in the bowing of its beautiful canopy of leaves, its hefty rough-barked branches, its branches that curved outward with a bowl in the center of the trunk where creatures could rest and shelf fungus could excel, it reminds us of something:

there is no great anything without a great soul.

“and when great souls die/after a period peace blooms,/slowly and always/irregularly. spaces fill/with a kind of/soothing electric vibration./our senses, restored, never/to be the same, whisper to us./they existed. they existed. /we can be. be and be/better. for they existed.” (maya angelou)

*****

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daisy-path-ing. [kerri’s blog on not-so-flawed wednesday]

we took off our sunhats. it was a hot day and we had been gardening for hours. the purchased plants had been potted, all the transplanting in the yard was done. it was that golden hour after all the work and before making dinner. we poured a bit of cool pinot grigio, took a tour around the yard and then settled into our adirondack chairs in the shady corner of our deck to gaze out at the yard – one of our favorite pastimes now.

the daisy path – as d has aptly named it – is slower. it doesn’t require the striding or racing around of earlier years. it is a – rather, The – sweet phase and we are trying our best to hone it. we never expect to perfect it, so we are doing everything we can to appreciate it, be grateful for it, honor it.

every night last week we sat on our patio or on our deck, just sitting. at the end of the day – after having dinner al fresco – we – truly – just sat.

and we talked. about anything, everything, nothing.

earlier in the day – on one of the days – i got ready to plant one last sweet potato vine. d had spray-painted a plastic pot and it was ready for the transplant and to be hung on the old ladder in the corner of the deck.

d asked me if he could get me a chair – as i have found that placing a chair on the patio next to the raised deck makes planting easier on my back. i thanked him and said that i was only planting this one pot.

but then i was struck by how generous this offer was. for in the middle of everything he was doing, he was concerned that it might be easier for me if i had a chair – as i had used while potting other days – and he was going to drop everything to go get me one if i wanted or needed it.

and so, it was then – one of those rare moments you remember – not because you don’t appreciate each other all the time, but because sometimes a very intentional wave of gratitude is easy for your brain to snapshot into your memory.

i walked over to where he was weeding the cracks in the patio and bent down. wrapping my arms around him, i told him how much his kindness meant to me. it wasn’t even a few seconds and dogga was there, right in the middle of our embrace, pushing his head up into the armwrap hug, his face even with ours, in the middle of so much love.

i whispered to d, “memorize it.”

of course.

we three stayed that way for at least a full minute, which is a long time for a busy aussie. it was a magical minute. definitely daisy-path stuff.

our old dogga stuck close for a bit more, to get kisses and pets and butt-butts. he didn’t see the tears welling up in our eyes as we committed it all to visual and visceral memory.

d went back to weeding and i potted the sweet potato vine and hung it on the ladder.

it seemed right that this sweet potato would keep vigil over our little corner on our deck. my sweet momma’s words, “live life, my sweet potato,” ring in my ears.

sweet potatoes and the daisy path. sunhats and glasses of wine, a checkered tablecloth and adirondack chairs. our dogga and a sanctuary of peace. love and gratitude.

the sweet phase, indeed.

*****

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big water. [kerri’s blog on d.r. thursday]

we sometimes forget.

as close as we are, as much of a presence it is for us, we sometimes forget that this giant lake is right there.

we walk along it, we drive past, we linger – staring at it. but we still forget the magnitude of lake michigan, its oft-seemingly-own weather pattern, the big-water force it has on us.

i’ve never not lived near water, big water. my growing-up town on long island is between the atlantic ocean and the long island sound. i lived in florida a hop, skip and a jump to the gulf of mexico. on island we were right on water’s edge on the lake michigan side. and here – a block or so off the lake. i don’t know what it is like to live in an area that doesn’t have big water, that’s land-locked. i suspect i could find it difficult. so, near or on a lake will have to be the future minimum standard. somehow, big water all makes me feel closer to the far horizon, closer to the universe, closer to a two-way with god.

valerie bertinelli in her book enough already wrote, “i [] had long since lapsed in terms of structured religion. but i [] had develop[ed] a recipe for my own spiritual soup. it still included a belief in god, a higher power who accepted collect calls in emergencies.”

i, too, have lapsed in terms of structured religion and i, too, have my own spiritual soup. after thirty-five years of working for churches plus all the rest of being at churches, i have had enough of it all. i realize now that my last church job did me a favor when they fired me. they broke the continuity, making it possible to NOT do that which seems obvious TO do. i am grateful. it was a long time and i endured much at churches that you would likely rather not know. it was time to stop.

but my faith has not stopped. and as i stood at the edge of the sound a couple times in last months, as i stand at the edge of our lake michigan, i can feel the tidal strength of the universe. i can feel the days sink into nights into days into nights. i can start to understand the stars and the vast-ness. i can feel the connection to that which is so much bigger than me.

maybe that is what big water does for me: a place that brings the divine closer, just across the waves, just beyond the shore, just brushing the sand and leaving shells and rocks in its wake, just right here for me. a place to gaze and stare, a place to ponder and pray.

*****

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there are days. [kerri’s blog on flawed wednesday]

there are days. and on those days – even in spring’s wild-child inconsistency – we sit on the deck and look to the sky. because i have had the good fortune of thirty-seven years of that very view, it does what it needs to do…it soothes and centers and takes everything down a notch.

because what glenn kirschner said in early april is right: “if you’re not jaded, you’re not paying attention.” the barrage of … stuff … going on in this country is truly unbelievable…the corruption rampant and ignored, the racism, xenophobia, misogyny, the hatred, discrimination and blatant disregard of the rule of law, the gross manipulation of control by the narcissistic administration, the grift in plain sight, the absolute apathy toward the populace and real-life-living….the list seems neverending, the country barreling into some kind of hellish, dystopian landscape of gluttony-first. yuck.

so we sit on the deck and look to the sky. and these very familiar trees – this particular well-loved quartet – slowly shift from winter to spring and, eventually, soon, summer. and i can feel the color green absorbed into me – life – living – breathing.

and so, for a few minutes we don’t talk about it all. we just sit, quietly.

but fran lebowitz is also right: “…[ ] allows people to express their racism and bigotry in a way that they haven’t been able to in quite a while and they really love him for that. it’s a shocking thing to realize people love their hatred more than they care about their own actual lives.”

and we know those people. they are in our families. they are in our friend groups. our workplaces. our communities. it is devastating, truly heart-breaking. and every single time i allow myself to think about the immense loss – the fact that this very administration – the same one that touts propagandized rhetoric of “family values” – has caused schisms of exponential size – rifts that will never be healed – in the families and communities of the very people they are supposed to be serving – it makes me feel ill. gut-punched kind of ill. sad beyond sad.

there will be many more days of sitting on the deck – at the end of days – particularly some days – when we will just look up – at these trees – at the sky.

and though there will be no answers coming from the sky, it will help.

*****

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every ounce. [kerri’s blog on d.r. thursday]

we have a relationship with mason jars. ball, kerr, various other brands, it doesn’t matter. we even have a relationship with faux mason jars – the smuckers jelly jars that we used to use for wine, the bonne maman jam jars we currently use as water glasses.

at our wedding we had dozens of mason jars, daisies tucked into all of them. some were ours and we borrowed some (does that work as something borrowed, something blue…?) because way back when – when i first moved to wisconsin – i got hooked on these jars.

my dear friend linda and i would attend the late 80s/early 90s craft fairs, peruse antique shoppes. her home was a celebration of all-things-vintage and i fell in love with it. there were textures and stories – a distinct warmth – everywhere and buying-vintage became a viable – and smart – option for me. we have several metal flour sifters as a result of that and a collection of old wooden textile mill spools and bobbins (from the 19th and earlier 20th centuries). when other people were buying cutesy painted tchotchkes, i was lusting over old wooden boxes, lidded crates and blue mason jars.

we stopped at a couple antique shoppes recently, looking for a small wooden garden table for a plant or two on our deck. we had purchased one last spring but then d loved it so much outside he brought it inside in the fall to serve as his bedside table. now he is a devotee to this little peeling-paint garden table and we are on the hunt for another.

i don’t suppose many people would have brought this table inside – or the old glider – or the chunks of concrete – or the birdhouse – or the chiminea. but in an effort-that-is-no-effort to have a home that doesn’t look like it’s staged-and-ready-for-sale or is a furniture-outlet showroom or magazine piece, we dive into our intuitive to use the things that really speak to us, that are organic, that have stories. i maintain that everyone should be required to purchase mostly used things – there is just too much stuff in the world and i can’t imagine why we need even more manufactured stuff. but i digress.

in that same vein, though, we have started regularly using the things that we have found in our going-through the basement, the attic, the closets. we are eliminating plastic here and there and choosing the cut-glass vessels for our carrot sticks and salty snacks. we are soon going to reconfigure the stuff in the cabinets under the counter in the kitchen – to make access easier to the old pyrex, the fenton hobnail, the cut-glass.

we have found we have no real need to purchase many things. i’m not sure if that comes with age or if that comes with a bit of wisdom – or if those are one and the same. our inclination is to use what we have, to not save things for “good” (which is particularly difficult for me), to minimize as much as we can.

every now and then we find something that just pokes at us, prodding us to bring it home. there is a raw rough-hewn clay pot from northport, a couple linen napkins from the same boutique. there is a new peace sign button hanging in littlebabyscion. but way more has gone out than come in – donated, sold on marketplace or poshmark. less is most definitely more. especially in these times.

the blue ball jars all lined up at this shoppe made me smile. the proprietor clearly loves organization; everything there was in categories, lined up or gathered for ease of perusing through. we had no impulse to buy anything, but loved our walk through.

because each time we walk an antique shoppe, we have stories to tell – about the stuff of growing-up, about things we have previously owned, about stuff we never had or never wanted, about – well – life.

if you have never taken a walk through any vintage shop, you might consider it.

it’s generative in a way you might not expect, with sudden glimpses into the decades that have past, with moments when your heart surges – focused on a memory, with a wistfulness that reminds you of how fleeting it all is and how very much we need to “wring out every ounce of life, breath by breath, [all] that this world has to offer.” (words from a text from dear friend lisa.)

*****

CHASING BUBBLES mixed media 33.25″ x 48″

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wings in the harbor. [kerri’s blog on k.s. friday]

“a ship in the harbor is safe, but that’s not what ships are built for.” (john a. shedd)

i daresay that any artist understands this. there is no pursuit of artistry without the taking of risks, the exposure of vulnerability, the stepping out of one’s comfort zone. our job – as artists – is to seek growth, to encourage growth, to open up vast space of potential instead of squeezing complacency.

our trip back reminded me of this. the sailboats, the cruisers, even the skiffs in the harbor are protected…from the challenges of the elements and any stormy surf. but these boats will not stay in the harbor. people will take them out on the sound, perhaps around the island to where the sound and the atlantic meet, perhaps further into the ocean. they will explore and adventure; they’ll follow a star they alone can see.

we followed the star here. this is my chance to reclaim it all, to find the 19 year-old i lost, to hold her and assure her that she is now safe and that i have taken on that which attempted to squelch her forever. ships weren’t built to stay in harbors.

i have found my way home – intentionally. and in that finding, i have found her. and in that finding, i hope that the so-many-years lost will come rushing forward – music in every star i can see, in every star i can capture.

and the ships in the harbor will bear wings and, all together – with me at the helm – will sail into next.

*****

the way home © 1997, 2000 kerri sherwood

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my town. this time. [kerri’s blog on d.r. thursday]

the texture was different this time. being there was different.

this time i didn’t feel the same sense of deep sadness everywhere i went. this time i didn’t feel as disconnected, as unwilling to recognize the significance of these places in my life’s timeline. this time i didn’t try to stave off any feeling of affinity, any bond or relationship to these roads, the sand, the harbor, the dock, the salty air. i didn’t slink back from it all, didn’t hide instead in now, in after.

i still felt the loss. i still felt the trauma. i still felt pain.

but i also felt immense love for this place. i felt pride. i felt connection.

this time was different.

and as we walked around – arm in arm, as we do – i felt comforted being there. this visit put dots on the i’s, crossed the t’s. it gave me back my growing-up years. “i’m from here,” i kept saying.

what has happened in our lives will forever be a texture of our lives. i can look back and see how it all impacted me – really, forever.

but this time i was able to distinguish the place from the trauma. i was able to separate them out and not blame that which shouldn’t be blamed. i was able to love on my hometown while recognizing those who had tarnished it in my heart. and i was able to reclaim the place as my own.

the painted brick wall is over by the bakery. it’s gorgeous, an exterior wall of a big old long island lighting (LILCO) building built in 1924. beautifully peeling white paint, it is striking each time we walk past. the textures of this place are visceral for me.

we sat at the bar in skipper’s, sipping from wine glasses that state “since 1978”. the synchronicity is not lost on me. 1978 was the year. back then i owned this town, that place. all the world was open, people were mostly to be trusted, i was a sunrise/rainbows/poet-in-a-tree girl – a budding peony waiting to bloom, to burst into the rest of the world.

and then.

there is a reality to my trauma, like there is for anyone who has experienced the same. it has played a role in my health, my emotions, my relationships, my ability to trust others, every decision, every bit of the arc of my personal and professional life.

we brought home the wine glasses, holding onto my town and all the moments before – and after – everything changed.

*****

19 & 64

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stopping on the way. [kerri’s blog on not-so-flawed wednesday]

the woods are different out east. the rhododendron is en masse and the scratchy underbrush is minimal, so you can walk in the trees, weaving your way in and out of the stands of these tall towers.

we had a bit of time before the sun set to walk on this special retreat land, stretch our legs from roadtripping, sit on the balcony with a charcuterie we had prepared ahead of our drive, watch the sun go down.

it was peaceful and – truly – just what we needed. the wind sailing through the pine trees near us was soothing, the scent of spring in the allegheny-appalachian mountains would bring us down from the drone of the interstate. it was the perfect stopping ground.

our accommodations were simple and inexpensive – a small studio above a garage – but with a kitchen so we could warm up the dinner we brought with us and make breakfast in the morning. we were thrilled to have such a serene setting as we knew the next day would bring the hectic chaos of the city, the bridges and the cross-bronx-cross-island craziness.

early the next morning with our coffee we strategized about how calmly we would approach the traffic of the day. we took back roads to the interstate, learning a bit of how rural-mountain folks are living, wondering where the grocery store was, wondering what the roads are like in the dead of winter.

we hadn’t gone too far that morning when on the side of the road were two wild turkeys. just as we approached one turkey decided to take off and fly right in front of big red. i slammed on the brakes, determined not to hit this very-slow-to-get-momentum-flying creature right in front of my windshield, like a lumbering skyvan. thankfully, the turkey made it to the other side of the road safely and we continued on. i felt a bit shaken. but d looked up the significance of this large grounded creature – particularly when one flies right in front of your vehicle. a reminder of abundance, of courage, of tenacity, of openness and readiness – all these attributes of new beginnings and changes were positive trade-offs for the frightening close-up of a turkey in flight. we chose to adopt these meanings and i quietly thanked the turkey for the good omens.

we left behind the forests, sandstone outcroppings, striated vertical walls, and the mountains, trading it for the shore, forsythia, stands of woods, sand and bluffs. and though we didn’t wake up the next day in a sanctuary forest, we sipped our coffee watching the harbor, its water still, perfectly reflecting sailboats and skiffs moored, buoys out past the dock.

a different kind of peace, i felt like i had come home.

*****

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shimmering too. [kerri’s blog on two artists tuesday]

this place. these shimmers of light. these sounds. this air. this salt. this place. this magic.

in the days we are there, taking it all in. i am reminded – once again – of owning it all – in the days of my growing – in the days when anything felt possible and nothing was necessary.

in the days we are there, reconnecting to plank under my feet, waterfront air in my hair, soft ink falling on the dock, clanking masts.

in the days we are there, the pride of where-i’m-from returning, the tethers of heart, sand in my shoes, salty waves at my horizon.

in the days we are there, revisiting, reclaiming, restoring, recognizing the waters of before and after and – then – in the same way the waves of the inlet and the sound meet, allowing it all to mesh into one.

in the days we are there, standing in the sun, standing in the dark. it is night and it is day. and this is my town and i am wrapped in it.

in the days we are there, i become the wake – following all that has come before, choosing to ride the triangle of waves behind the rest of life. and i discover – it’s all one.

and then.

i am shimmering too.

***

night dock (jan 12, 1977)

clanking of metal-rigged sails / politely interrupt the still evening. /

the water below is soft, shadowed chasms away, yet close and quiet.

orange and pink hues fade from the night / and are enraptured by the hushed harbor.

faint strums of a guitar revolve in the mind / and in the silence of dark.

white starry sky fills the air.

men ready a boat and set sail.

the waters part to let them go.

the wake follows, alone.

*****

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