reverse threading

the path back is the path forward


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the pink backpack. [k.s. friday]

“it’s projection,” he wrote. yes. bill penzey is right. it is projection. we project love onto objects and we “really see these objects as love.” he continues, talking about his desire – were there to be a fire in his house – to grab the six-quart stainless kettle he has popped corn in for every movie night he has had with his wife, and his love of the heavy-duty spatula his father gave him, adding, “and in a world where nobody gets too much love anymore, i want to do all i can to hold onto that love.” he is clearly thready. i’ve never met him, but he is on my list – people with whom i’d love to have dinner.

we have a pink backpack. it’s packed from back in the days our town was on fire, days i can feel and hear and smell and taste – viscerally – but would rather not. we’ve kept it packed, realizing that it’s wise to have one thing to grab and one place to go to find that one thing. it has important stuff in it…papers and such. it doesn’t have the tiny cheese knife we use every day, the one that was my sweet momma’s. it doesn’t have the wedding ring my dad wore or the matching flannel shirt of a pair. it doesn’t have the toddler drawings of my children or the small bowl turned trinket-holder that babycat ate from. it doesn’t have zillions of photographs. it doesn’t have masters of all my albums or a collection of jpgs or pngs or printed photos of all of david’s paintings. it doesn’t have the rock i picked up hiking with my daughter or the cork i saved from the first fancy dinner my son made for me. it can’t hold my piano or the vintage typewriter 20 gave me or the bowls we love from ken and loida or the snuggly scarf jen gave me or the old torchiere lamp from my growing-up. it doesn’t have room for the old quilt or our favorite mountain mugs or our ukuleles or my guitars or our dvd favorite-movies-collection or the cardinal towels from my sister or the ‘i-found-you-you-found-me” painting of early k.dot-d.dot days.

the one thing about antique stores is that they give you perspective. lots of it. so many items in the world. so much stuff. you ponder why someone might have held onto a plastic flower arrangement in a plastic flower pot long enough that it became part of an estate that passed into an antique shoppe or how it is possible that there are so so so many 45 rpm records out there, collections of so many long-playing albums, and, someday, so many cds. even mine.

and then you know. it hits you like a spatula upside the head.

though none of that will fit in the pink backpack, were there to be any sort of emergency – and all we could grab is the backpack – we would not lose it all.

it’s love. all love.

*****

IT’S A LONG STORY ©️1997, 2000 kerri sherwood

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e.e. [k.s. friday]

“…simple…elegant…splendid…” she wrote about the branch from the big old tree in our front yard, the branch we wrapped in lights and on which we hung a tin star. last year’s christmas tree. sometime after the holiday, we changed the tin star to a tin heart and kept it in the living room, in front of the big window.

i suppose it goes without saying – for anyone who knows us – that each of our christmas trees has a story. well, not just a story, but a full-fledged novel full of threads that wrap around them like $2.99 twinkly lights fresh out of the box. we’ve given meaning to the tiniest pine tree from the side of a trail, to the carcass of a tree behind our garage, to the branch that fell into our back yard, to a straight trunk-of-a-tree we lugged out of the woods, to a christmas-tree-on-a-stick.

this year, we were going to get a permit and go to a state forest to cut one down. only we didn’t.

20 was exasperated with the tree he had gotten his momma. the lights were all knotted – a titanic tangle – and the tree was disheveled. he put it in the box and bought her a new one, planning to toss the old one. we wanted a tree out back and figured we could make this messy tree into something worthy of the deck, so he brought it to us.

david spent time – lots of it – patiently untangling and cutting off the attached multi-colored light strands. then he attached the three pieces of tree, stacking them to see how it looked.

the tree – 6′ – stood limply, likely gasping from the trauma.

we decided to let it get some air and put it in the framed doorway between the living room and the dining room, where it could have a little space while we fluffed it a bit and decided about putting it on the deck.

only…

only, it started growing on us, this sweet little tree – just trying to be a loved-christmas-tree – stood there, quietly watching us and waiting for our decision.

we whispered to each other – about her – on the couch, so as not to offend the little tree. and time to time, we’d take turns stepping into the living room to gaze at it. to ponder.

and then he took four hundred lights and gently wrapped them around the little tree.

magic.

we stood back and knew.

i said, “let’s call it e.e.” not for ee cummings, though he would definitely get it – all our christmas trees through these years. but the little tree knows – inside, in its heart of hearts – his poem “little tree” word for word. e.e.

but the e.e. is for 20’s momma, her first and middle name initials. as she – at 99 – struggles a bit with her health these very days, we will honor her, hold space for her, with e.e.

the silver ornaments shine on e.e.’s branches. e.e. holds out her arms graciously. and those lights. and we are entranced.

little tree

little silent Christmas tree…

look          the spangles

that sleep all the year in a dark box

dreaming of being taken out and allowed to shine,

the balls the chains red and gold the fluffy threads,

put up your little arms

and i’ll give them all to you to hold

every finger shall have its ring

and there won’t be a single place dark or unhappy

then when you’re quite dressed

you’ll stand in the window for everyone to see

and how they’ll stare!

oh but you’ll be very proud

(excerpts from “little tree” – ee cummings)

*****

THE LIGHTS ©️ 1996 kerri sherwood

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zen-yen. [saturday morning smack-dab.]

in looking for a word to describe him, i stumbled across “erudite”. now, this isn’t in my normal vocabulary…i would have said “cerebral” or “in his head”…but “erudite” (syn: learned, scholarly, well-educated, knowledgeable, well-read, well-versed, well-informed, cultivated, civilized, intellectual) fits. yup. yup.

an early morning this week, as he was drinking his coffee, he was staring into space. i asked him what he was thinking about and he told me that it was “a deep rabbit hole” and went on to recount a bit of a book he had read about how our society had been built on henry ford’s assembly line innovation and how that applied to today and our country and the work he is doing and…

it was not quite 6am. pillow talk.

i knew i was wide-eyed, but it wasn’t – necessarily – with fascination.

he asked what i was thinking about as i sipped my -thankgoodnessforit- bold black coffee. i said, “cleaning the bathroom before the plumber gets here.”

he brought his synopsis of the book-bit to a close, postulating a few questions about society in these times.

i said, “i’m gonna swiffer too.”

6am.

though we get there from slightly different places, we usually arrive together. my ever-threading-heart and list-making-practical-feet-on-the-ground self arrives, swiffer and camera and pad and pencil in hand and his heady-thinker-visionaryish-philosophical self gets there, abstruse questions and positivities in tow.

it shows that yes…there are no simple answers, really. there are complex questions. and many ways to get to the answers. oftentimes, well, people in relationship get there differently.

i always want to bring home the zen from a trip. i want to wrap in it, the images from the adventures, the feelings it all gave me and not let it go. i want to evade the stresses that tend to consume all of us.

do i really think that is entirely possible? no. not entirely. life is life and it’s the whole kit-n-kaboodle. i just wanna know that we’re both holding onto that zen, keeping it close at hand. i don’t reeeeally wanna hear about our toolbox of potentiality.

i need some more coffee.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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all that mylar. [k.s. friday]

they are a mystery. vhs tapes with no labels. now, how on earth can you send them to the vhs recycle place if you don’t know what they are? there could be priceless memories on that magnetic tape, mylar possibilities gone missing.

fortunately for us we still have a vcr machine. i’m not quite sure if it will just simply connect to our tv, but there is a gigantic plastic bag in the basement workroom with all kinds of cords and cables and such, so maybe we will find something in there that will help. or maybe we will have to get some kind of converter. nevertheless, we have hours of viewing fun in front of us for some rainy evenings and we can find out what’s on those unlabeled tapes.

there are plenty labeled as well, which makes it infinitely harder to dispose of them. movies of my girl and my boy as tiny babies, ballet recitals and soccer games, birthday parties and christmas mornings, movies my sweet poppo recorded off the tv, shots of family times, recordings of cantatas i directed, footage of some of my concerts and of me performing on qvc. they all demand a viewing and i’ll set them aside in a bin and someday, well, many somedays, serve them up with popcorn and m&ms.

the pre-recorded vhs tapes are no less sentimental. the million times we watched under the sea singalong songs, the ridiculously infinite numbers of times barney made an appearance at our house, disney movies, the nutcracker. it goes on and on. not just in the basement, these movies are in the chimney cabinets, waiting.

and then there’s the 8mm tapes, which were converted to dvds and carefully labeled a few years back. goodness! memories à gogo.

i guess someday someone will find our fuzzy purple cd case with the zipper and our daughter’s marker drawings all over it, the one we even take on trips. they’ll unzip it to find all our favorite dvds…the ones we default to, over and over and over, for we are those people who love to watch movies we love to watch again and again.

and they’ll wonder how to watch those dvds; they’ll seek out a dvd player, ponder what cords or cables they need, if they need some sort of converter. they’ll pick a movie out of the fuzzy purple case or maybe one home-recorded and labeled. they’ll load it up and push play.

then they’ll settle in with some popcorn and m&ms.

*****

let me take you back

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LET ME TAKE YOU BACK from AS IT IS ©️ 2004 kerri sherwood


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knitted and crocheted. [not-so-flawed wednesday]

“the quilts seem silent, a ‘silence like thunder.'” (sue bender – plain and simple)

they are not quilts. they are hand-crocheted, hand-knitted blankets, every one of them with a story. for hours on end, people who loved me sat and crocheted, put time aside and knitted. they chose patterns and stitches and yarn colors. they held the thought of a new baby in their hearts as they generously prepared their gifts. and with great anticipation, they wrapped these beautiful soft blankets in baby shower wrap, probably not truly anticipating that thirty-two years later i’d be holding them in my hands, all teary-like, struggling to decide what to do. do i keep them all? do i place them gently back into a plastic bin in the basement, carefully stored? or do i find a way – ala my sweet momma – for someone else who may need a soft blanket to have one of these?

cleaning out is like that. over and over and over again. the choices – like these blankets – are silent and thunderous. potent.

in the moments of holding these blankets close, i was holding my daughter, just born, wrapped in pastel-variegated-yarn. in the moments of holding these blankets close, i was tucking in my son, a soft white and blue blanket to keep him warm in a cold winter night of his birth. in the moments of holding these blankets close, i was decades removed from my life at the moment. i was holding tender memories, swirling in babyhood times, feeling the rocking chair seasons, wistful.

and i was unclear. unclear about what to do.

so i freshened each one. on the delicate cycle i washed each blanket, carefully checking for any marks or stains. they came out of the dryer perfect, even softer, if that is possible.

and i decided. i decided that they didn’t belong in a bin or in a closet, waiting.

we took them to the hospice facility in our town. a most delightful young woman greeted us there and thanked us. on the phone she had told me that these would be perfect lap blankets or shawls and that they always needed such donations. she asked me to fill out a form so that they could write me a thank-you.

funny, on the contrary, i wanted to thank them. for in the moment i placed the large bag on the chair and i was no longer holding the blankets i knew that i was passing on their nurture.

and i know that every time i might stop and think about knitted and crocheted blankets i will have pieces of times with my newborn babies wrap around me.

“each time i looked at the quilts, my busyness stopped. the fragments of my life became still.” (sue bender)

*****

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more barn-red and grey after the black and white. [not-so-flawed wednesday]

we are beginning to see more of this: the basement floor. more clear space.

as you know, it is a slow process, tedious, actually. and it is not something he can do with me. this is mine to do. for most of what is down there – in the recesses and the corners, tucked into old built-in cupboards and in, yes, bins and boxes and even bags, precedes him. he is happy to help, but it is somewhat a moot point, as the decisions are mine and he respects that.

it’s not just a little bit of pressure, not just a little bit of work. black and white decisions that aren’t really black and white.

you are weary of reading about this, i suspect. skip today, i would suggest. the basement clean-out is not a short story – it’s an epic tale, really – and, if you find any form of redundancy abhorrent, you will be tallymarking-in-your-mind the number of times i am talking about this. this will be a tallymark mess, cross-hash upon cross-hash, the slashes accumulate.

a few days ago i turned the inner cardboard tube of a roll of wrapping paper upside down. more birdseed than i am comfortable with fell out. i suppose you are wondering how much birdseed-saved-in-the-wrapping-paper-roll i find acceptable. well…really…none…as we are not the ones saving birdseed in that manner and it brings to mind the question of a city of dwellers below us about whom we know nothing. they live in the barn-red-grey zone in silence and anonymity, leaving tiny clues behind in their stash. i wonder what they think of the rest of the stash down there, most of which they are not likely to be able to get to – the bins of barbies and matchbox cars, the mementos and art projects my children created in elementary school, every story they ever wrote or note they penned me or the overalls that were ever-so-adorable on my son, the pink dress so sweet on my daughter. maybe they are intrigued with the antiques, the tools, the not-oft-used kitchen appliances. they are hoping to be invited to the next cornhole bags game, the next bocci ball tournament, the next badminton skirmish, the next time the pingpong table is set up and ready-to-go. they are gazing at the collection of pingpong balls, golf balls, tennis balls, baseballs, soccer balls, thinking the upstairs-dwellers have a pension for round things. surely they are impressed with the stacks of boxes of shrink-wrapped cds, though they are more likely mp3 critters and, being 2022-born, roll their beady little eyes at the mere mention of cds and cassettes. i’m guessing our tiny visitors actually have no opinions about all this and clearly no interest whatsoever in the 8-track player or the record albums. they are not thready nor are they sentimental. they were simply seeking places to stash their seed-findings.

yes, i will need a new broom…one of those angle ones that gets into the corners. there is much to be swept.

in time, there will be more floor. barn-red and grey. i have to get past the black-and-white of it all first.

*****

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old roller skates and skateboards. [not-so-flawed wednesday]

there are presents and, then, there are presents.

20 knew what my response would be – ahead of time – when i opened his smartly-wrapped gift, fancy homemade ribbon coordinated with the wrappings. but the absolutely delectable time – inbetween giggling over a really wonderfully simple-yet-perfect bow while guessing what was in the box and moving aside the inner paper – was full of anticipation. conversely, i could see it in him too. it is life-enhancing. both ways. those moments you wait as someone – who you know well and for whom you have found something exquisitely perfect – begins to open your gift. it matters not how big or small, free or expensive; you just know you paid attention to little details and you cannot-wait-to-watch-them-open-it.

i pulled out the brown paper in its role as tissue wrap and there was an old-old pair of sidewalk roller skates with a set of keys. circa 1950/1960 heavy metal with rugged metal wheels. vintage.

instantly transported back-in-time to the feeling of rollerskating on abby drive, i could remember strapping on the skates up at the front stoop, following the sidewalk down as it turned and then turned again into the driveway, struggling to stay on the concrete driveway ribbon – as we had one of those driveways with a ribbon of grass inbetween the ribbons of cement and skating into that was a sure way to fall. the end of the driveway had a little bump too; you’d have to stop there (stopping was always an issue) and step over the end of the apron. and then, the street. and freedom.

at some point, my big brother took the metal wheels off of a pair of skates and made a skateboard. i can still feel that board under my feet – the rough ride of metal against cement-aggregate mixture. we sought out asphalt, though, back then, it was in shorter supply. over by the long island lighting company on the sound there was a really long curving road downhill all made of asphalt. it was a little bit terrifying. and required either driving there or toting your skateboard on your bike a few miles. so – in our everyday world – rough rides on steel skate wheels was our destiny.

my brother made the next skateboard with rubber wheels and a bigger deck and, though it was slower, you didn’t feel as imperiled on it. he mostly used that one and the blue painted one with the red hang-loose was relegated to me. there is much to learn from a rough-ridin’ skateboard, a ribbon driveway and an apron-bump.

i wish i knew where those two skateboards were.

but finding them is unlikely, as i’m sure they are long-gone. about as unlikely as 20 stumbling into a pair of old roller skates and knowing they would be perfect.

*****

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shabby chic. [two artists tuesday]

i was grateful when they attached a name to it – shabby chic. my inclination to love things with the texture of peeling paint and a bit rough-hewn was vindicated…wait!…not only vindicated, but reinforced by the decorating fashion industry. phew! that meant that the old screen doors on the wall, the glass-less window frames tucked here and there, the chopped-off-side-of-the-vintage-desk end table, the vintage black suitcases, the metal radiator grate catty-corner in the foyer, the old door laid horizontal on horses, the tin ceiling panels…these were all fashion statements and not statements of making-do-decor. such a relief.

i must say, however, that i wouldn’t have changed anything anyway. these all make me happy. they are cozy and warm and, mostly, they have history. and it’s the history-that-remains-a-mystery and the history-that-i-know-a-smidge-about that i love. i had no idea whose screen door screens these were when i got them at a wholesale trade show years ago but i could imagine the sound they made when they slammed shut. nor did i know where the old black window with one colored glass square in my studio was from. the old four-foot tall window frames were being thrown out of the historic lakefront building where i had my offices, making room for new windows. i couldn’t bear to see them in the trashpile and the way i adored those offices made it easy to take them home. someone literally chopped off the side of the old desk leaving three drawers and a rough edge and selling it in the estate sale for $5. you can’t see the rough edge unless you really look and this piece has been in the living room for years and years now, serving a purpose and feeling loved. the tin, well, who knows? what i do know is that they make marvelous places to magnet photographs and cards and tiny little signs with sayings that help each day. so, yeah, i guess my point is that whether i know the back-story or not, i really appreciate the warmth of long living they bring. they sit alongside many rocks and sticks that have made short and long journeys home with me, in the back of little baby scion or in backpacks with corks that come home from times spent with my children and moments i want to remember.

i haven’t purchased a lot of brand new furniture. there was the first herculon-fabric overstuffed couch with two matching overstuffed chairs, a tweed in lovely shades of very-early 1980s brown.

well over a decade later that was donated to a youth group and a new couch in mid 1990s floral barn red and forest green with a reclining wingchair of red and white checks made its way into the living room. both of those pieces still have a place in the house – though no longer in the living room. the couch, still very comfortable, is covered with a black slipcover and has a place in the sitting room with a hand-me-down lazyboy, an old farm table and an antique copper boiler tub that stores our roadtrip writings.

there’s a black leather couch in the living room now that has been there over a decade. it shares the space with the old secretary that was my brother’s, the bistro table that was in the second story porch of my old offices, a vintage typewriter 20 bought me for my birthday a couple years ago, a few paintings i spattered, the desk-turned-end-table you now know too much about and the driftwood we brought back from a trip to long island. the two big branches we painted white and potted to hold happy lights still stand steadfastly happying up the room and each day i pass them i wonder if they are too holiday-ish. i quickly reject this as too big a decision and plug them in.

it is in recent days i have had the good fortune of hearing from a dear old friend i taught with in my first two years of teaching way-back-when. we soon will have a phone chat and catch up on everything from a-z. what lois doesn’t realize is that i have thought of her simply every day…as it is her dresser that stands in our bedroom of vintage size that couldn’t really accommodate one of those bedroom suites you see in magazines. instead, this old sturdy five-drawer sits opposite the windows of the sunrise and hold my dad’s peanut can, one of the precious items i have of my sweet poppo’s, the planters peanut blue metal can he tucked in his drawer that always held a few dollars and was the place he sent you if you were going to go pick up the pizza.

as i look at the top of that dresser right this second, pictures of d and me and of my beloved children are on top. there is a small piece of the carpet padding from the irresponsible-gasket-flood waiting to go in the special box next to the yago-sangria-wine-bottle-turned-lamp i made when i was 19 and there is a card in a glass frame that reads: “someday, the light will shine like a sun through my skin and they will say, what have you done with your life? and though there are many moments i think i will remember, in the end, i will be proud to say, i was one of us.”

all of this – the stuff with history i know, the stuff with history i don’t know, the peeling paint, the rough-hewn, the used and the it-took-me-a-long-time-to-decide new…all of it – around me reminds me of that and is the connecting thread. of the concentric circles of me, of us. probably that’s why “shabby chic” speaks to me. it is most definitely why it works for me.

*****

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the beauty of $2.99. [k.s. friday]

my sweet dad would buy my mom grocery store flowers often. she kept a vase on the table in the high ceiling-ed foyer near the front door in their last home together and flowers would welcome you as you entered. momma wasn’t really a red-rose-florist-delivery kind of gal. she was more a bundle-of-flowers, a miscellaneous-bunch, a day-old-flowers-sale woman, always so pleased with the simplicity of her own arrangements. now, don’t get me wrong, she was delighted to receive flowers that arrived on her doorstep, but those were not required of my poppo. instead, she reveled in the extraordinarily ordinary blooms they found at publix.

we went to the citymarket when we got to carbondale. needing to find lunch and some dinner items to bring to our airbnb we walked into a new store, inviting and with lots of light. it was in the produce section that i passed the display, advertising a clearance – merely $2.99 for cellophane-wrapped bundles beyond their recommended dates. the hypericum beckoned to me whispering a suggestion, “table centerpiece”. we travel with a small jelly jar and tea lights and i knew we could find something we could use as a vase in our place. as it turned out, it was a ball jar and, together, ball jar with berries and jelly jar with candlight paired on our table. it was time to embrace a precious stay in the high mountains.

scrolling through my photos, the pictures of the hypericum berries on our table easily bring back the moments we had with my daughter and her boyfriend. so much anticipation when a child lives far away and yet the time uncontrollably flies by and, today, i am reeling with wistful thoughts that just over one short week ago we had already been to and left those giant red rock mountains, the snow-capped mount sopris, a trail along the rio grande, horses down the road, dinners at the gathering table, laughter at the high counter in our sweet unit, a pedicure and a few errands with my girl. it would seem the stuff of songs and somewhere, deep inside, they are writing themselves.

we left the hypericum berries in our airbnb. still beautiful, it was a way to say thank you to our hosts. besides, they belonged there on a little slate plate in the middle of the table in a room filled with sunlight. promise for the next occupants, perhaps. a little gratitude left behind.

we aren’t frivolous. especially not these days. anyone who knows me knows that i am a slow decision-maker when it comes to purchases for myself. most places we go we try to find a couple cloth napkins to bring home with us. as we sit at our own table it is a way to remember other places we have sat, meals we have shared. we didn’t find any on this last trip but at the hardware store we discovered after our river-trail hike, we picked up two tin camp mugs for our coffee. they have mountains on them and will remind us of our time this trip.

i already miss my girl and wish i had run outside for one more hug – an extra – the morning she drove off. but she was in a hurry, i knew, and i know a mom-hug can get in the way. so i held back and just waved, trying to be nonchalant about the tears running down my face.

i returned back into the space we had lived in for those fewest of days and looked around at the now packed-up airbnb. my eye caught the sun-rays through the window lighting up the hypericum berries. and i whispered back to them, “thank you.”

*****

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the last time. [two artists tuesday]

we knew it was the last evening we’d sit out on that big patio under the awning next to the garage in the backyard. and so, with a glass of wine in hand, we got a couple chairs and cushions and walked out into a gorgeous denver night. we watched as the light waned and talked about this house, the home in which david mostly grew up. i remembered the first time i was there, years ago, and how much time we have spent out on the patio, visiting, in years since. my favorite spot at that house, it’s an early-morning coffee place, an eat-dinner-out place and a late-night nightcap place. and this was our last time.

soon this house will be sold and a new family will patio-sit. a new family will plant in the garden out back. a new family will fill the old shed and park their cars in the garage. a new family will cook meals in the kitchen and play in the playroom downstairs. and this sweet house, sturdy and steadfast, will hold them safe and keep them warm and ground their dreams with the security of home. simple and mostly unadorned, it will, like it has always been, be embellished by the love of people together. but this was our last time.

driving back down from the high mountains we passed the exits that easily would take us there. in those minutes we knew that it was the last time we had the option of taking those exits to lead us to their home. we did not exit. they were not there. the time of life has flown by and new chapters were opening for them; out of necessity his mom and dad have flipped the page over and we start new times with them. change is never easy, but we seek the positive in it and lean on trust. the next time we drive down from the mountains we will take different highway exits. this was the last time these two could take us there – to what was home.

i have been past my growing-up house maybe five times in the last forty years or so, once, maybe twice, in the last decade. one time, about twenty-five years ago, i actually went inside. the owners pulled into the driveway while i was gawking at their house from the street. in an effort to help them feel safer, i explained why i was staring at their house. they invited me inside, showed me the main part of the house, brought me into the garage where my brother’s peanuts drawings still graced the walls. i can’t remember the changes they made; it’s all blurry now. i just know it was a gift to be able to step on the wood floors of that house, to touch the walls once again. it would be yet another gift to be able to show david that house, then all the stories would have a base-place, and i could linger for a few moments in the what-was.

i wonder if someday we will take the exit to his old house again. if we will drive in the double-concrete-poured driveway and walk up to the front door, trellis gracing it. i wonder if some new owner will invite us in, to peek at some of the renovating they have done. i wonder if we will step out back onto the patio, a place of so many memories.

or if the last time was the last time.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY