reverse threading

the path back is the path forward


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autographs. [d.r. thursday]

“this is my autograph, here in the songs that I sing. here in my cry and my laugh, here in the love that i bring. to be always with you and you always with me.” (autograph – john denver)

on my 30th birthday – a sunny and auspicious day more than thirty years ago – at the zoo, in a freshly poured cement sidewalk, i wrote my name with a stick. i was not alone; i had witnesses to this moment in time. my mom and dad and niece and husband cheered me on as i left my tiny mark. years later, upon return to that zoo, it was still there. there was something encouraging and reassuring about that. i had not disappeared.

we were way up on the mountain, at the highest point of the trail we were hiking. the meadow stretched out of the woods and we sat for a time on a log, watching the breeze move the wildflowers as they bent to autumn. with a sharpie we left two tiny dots on that log. we had been there. we would remain there.

right off the side of the meadow as we re-entered the woods, there was this stump. like an opening flower blossom, it begged a look inside. i was surprised to find rocks of all sizes in there. a container of autographs, evidence for those who had passed by. we added ours to the assembly, rocks specifically chosen by hikers who placed their i-was-here into the hollow cavern of the stump. there is something about leaving a token behind, yes, encouraging and reassuring that upon our return someday – should we return to that very spot – it could be there and we would be reminded that we had passed that way.

the music, the art, the words – all linger temporarily. a little noisy. we have passed this way, that way, these very spots. music, the art, the words – they are expressions that give a bit of definition to the amorphous life we live. they say who we are and stamp our love into the world. and then they evaporate into the atmosphere.

and we know that, even if we never pass that way again, even if we never come across the hollow stump again, we have still left a silent autograph.

*****

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enchanted. [two artists tuesday]

and golden was the glow from the forest as we walked

into the sun low on the horizon,

our feet swishing through leaves on the trail,

our gaze above us, to the canopy.

the quaking aspen invited us, “stay,”

rustling in percussive background

to our hearts beating and wishing.

the respite in the woods,

the time on mountains,

the black and white of this stand,

we immersed in immense beauty.

stopping in the middle, the path forward and back,

we stood tall,

breathing deeply,

and shimmered with them,

enchanted.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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i left it there. [two artists tuesday]

i left it there.

we had a few hours and needed a fix in the mountains. just a short distance away from congested civilization was a trail that lead into higher elevation and quiet. everything else slipped away as we climbed and followed the columbine.

i was moved by this fragile blossom on the side of the trail. delicate and perfect in every way that flowers are perfect, i picked it up, turned it over, felt its short life. like the sun, its tiny petals radiating from the center. its flawlessness is simple; its budding-lifeline complete. it was laying in the mountain meadow, waiting to be noticed. not much different than any of us.

and then, i laid it back down where i found it. and it will be there for the next person who hikes by, glances over and sees it. one sun-low-on-the-horizon-fall-dried-flower-blossom, past its season but not past its beauty.

that’s why i left it there.

*****

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mini-marshmallows and gogo boots. [merely-a-thought monday]

if you are wondering where mini marshmallows come from, wonder no more. clearly they grow on white baneberry bushes in dr. seuss-land. passing it on the trail i could not get over how oh-the-places-you’ll-go this bush was. a standout in a green forest floor, confidently colorful and nicknamed “doll’s eyes” for obvious vintage-china-doll reasons, it got my attention and it piqued my curiosity.

we watched a silly movie a couple nights ago. my sweet momma loved sandra bullock so every time i watch a sandra bullock movie i feel like my mom is right there with us, giggling or cheering her on. the movie was “all above steve” co-starring bradley cooper. its silliness is comedic fun, particularly on an evening we were not looking to be intellectually challenged. but there was an unexpectedly sweet message in this movie. mary (sandra bullock), a brilliant young woman who is a crossword puzzle constructor and has a brain full of random knowledge and would kick anyone’s patootie playing trivial pursuit, is trying to be “normal” to fit into the world. in the end she discovers the power of standing in her own shoes, which were, in her case, red gogo boots.

artists are often looked at as misfits, a little outside the box, not quite fitting in. perhaps more colorful, perhaps louder, perhaps more questioning, the job of an artist is to elicit movement in thought, in action, in emotion, in sensitivity. we are hot-pink-stemmed mini-marshmallow plants in a world of green underbrush, ever being told that exposure will grant us the ability to live in this world, to pay our bills, to get ahead. artists everywhere under the sun shudder upon hearing those words, “think about the exposure.” we don our courageous metaphoric gogo boots, go to town trying to be ‘normal’ and realize that we were really ok all along, in our own skin.

often i have heard others comment on the re-purposed stuff in our house. empty window frames, screen doors, travel-worn suitcases, branches wrapped in lights, old coffeepots doubling as canisters. we’ve been asked, “how did you think of that?” i don’t know how to answer that other than “how couldn’t i?”

i’m guess i’m not ‘normal’. in the world of christian louboutin and jimmy choo footwear desires, i’m wearing old navy flipflops and hundreds-of-miles hiking boots. in a world of oscar de la renta and ralph lauren aficionados, i’m wearing my dad’s old flannel shirt and jeans. in a world of cle de peau beaute and guerlain and creme de la mer, my face is lucky to see an oil of olay original and coppertone 30spf combo.

and i, just like artists everywhere, love to be reminded, time to time, that we were all born to stand out. each and every one of us. artist or not. no matter the road we walk. no matter the red gogo boots or hot-pink stems. stand out. in our own skin.

mini-marshmallow, anyone?

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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free-hearted. [two artists tuesday]

with a cowboy hat perched on his head, he rode toward us on the trail through the woods, his gorgeous horse nickering as they approached. as he passed by he looked down at us, smiled and said, “you look like you like each other.” we squeezed arms, already linked and thanked him, telling him that we do like each other, most of the time.

as we left the trailhead parking lot that day, an athletic-shirted mohawk-haired motorcycle guy looked over at us crossing the lot to littlebabyscion and gravelled, “you two look good!” we are not even close to cool and gravelly in appearance, but this guy’s comment warmed our hearts and put a little jaunt into those last steps after a few miles of hot and humid hiking.

we have been the recipients of many sweet comments along the way. i don’t know if it’s simply because we usually walk – and hike – arm in arm or if we are just somehow comment-magnets. it is usually something like what these gentlemen said to us and it’s always unexpected. the guy trimming his trees, the woman stepping out of her car in her driveway, the guy passing us in gunnison on the sidewalk, the gal in the grocery store…all positive words which have upped the ante of our days, the free-hearted surprise-gifting us.

my momma was like this. she would speak simple kindnesses to people she passed by, gentle words of compliment to people she knew, generous encouragement and – even unruly – cheering on for those she loved. it makes a difference. in each case. just a little positivity wave starts concentric circles outward. every time.

i don’t know if that cowboy speaks to everyone, but i know he impacted our day. he could have just ridden past, me gazing back at his horse, pining, as he rode on. but instead, he spoke and, in seven words, he reminded us of goodness. i wonder how many people he touched that day on the trail.

any time i have reached out to another, recognizing to them something beautiful, something helpful, something of gratitude, something in their demeanor or their appearance, something touching, it has been restorative for me and, though i will never know, i hope it circled out from them. on or off the hiking trail. on or off the sidewalk. in or out of the store.

i know – that on any given day – i have seven extra words to give away. even ten. or more.

i’ll just grab my virtual cowboy hat on the way out to the world.

*****

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the waxing moon. [not-so-flawed wednesday]

“the beauty of the earth is a constant play of light and dark, visible and invisible.” (beauty – john o’donohue)

i prefer to think of it as waxing, not waning. growing in illumination, not heading toward darkness. the moon on our ceiling just above the crown molding shows up from time to time. the conditions need be right, the lighting need be perfect. and then it’s there, waiting to be noticed. i ran for my camera the first time i noticed it, afraid the shadow-and-light interplay would quickly disappear.

like everything else around us – waiting to be noticed – we are always in choice about noticing or not. we can take the time or not. we can nuance our time to scurry past or we can slow down, just a little, to see.

i recently saw an article about spain, a country that embraces the siesta, a time of rest within the day. there is consideration there to move to a four-day work week in an effort to balance work and life. it is hard to imagine that there is much more important than paying attention to that balance. what else is living? why are we rushing through it?

i really love to take photographs. our hikes in the woods and walks in the ‘hood and time-just-being-time are punctuated with my stopping-stopping-stopping to grab a photo here or there. some things are just blatantly beautiful, visible and full of light. they need not beg to be captured on film. others are not so obvious. they are not so visible, darker, perhaps even invisible, courting imagination. on the trail they disappear silently behind the woods-models, the fashionable haute couture of the forest. instead, they are quiet and steadfast. they have a certain je ne sais quoi that cannot be easily named. and they are indeed beautiful.

on the trail, the tiniest pink petals rising from the decayed leaves, the green-and-green variegated leaves tucked behind the flowering shrub, the fallen tree – home to symbiotic white rot fungi – in and amongst the stately, the healthy. the thistles, dried and browned wildflowers, inosculated trees sharing soil, underbrush, like understudies, taking their usual back seat to the crowns of the woodland.

in our daily routine, the way the spring rain forms a heart-puddle on the patio, the way the snow piles on the wrought-iron table, the way rays through the miniblinds shadow the wall, the way barney ages in the backyard, the way wine glasses clinking catch the light, the way the quilt gathers the morning sun, and the way the light in the living room gifts us a waxing moon.

the balance of the obviously beautiful with the less-obviously, less-definitively beautiful.

we take a bit of time as we can – we slow down just a little as we are able – to make sure that we notice the play of light and dark, visible and invisible.

we look around us, through waxing and waning, standing in the light and the dark. to make sure we notice all the beauty of the earth.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY