reverse threading

the path back is the path forward


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most alive. [kerri’s blog on two artists tuesday]

in a non-rigorous scientific-community-questioned experiment back around 2000, a japanese researcher exposed water molecules to positive and negative input – commentary, music, sounds that are easily sorted into validating or dissing, softer reassurances or harsh aggression. the water molecules that had been privy to positivity turned into beautiful ice crystals while the water molecules that had been subjected to negativity froze into ugly shapes. the theory was that vibrational input – all the energy input – played a part in the effect on water, and the experiment posited a direct connect to how vibrational energy affects us as people.

whether or not this experiment had all the controls and data and science it purported doesn’t really matter to me. what matters is that this makes sense.

being kind, generous, positive, encouraging to someone, stroking someone with words of goodness is entirely the opposite of berating someone, demeaning them, being hostile toward them. clearly.

when you walk into the trader joe’s grocery store nearest us, the first thing you see – on your right – are bins of flowers. it is a wall of color, of beauty. we slowly browse through them all – so many are different than what your would find at a typical florist, these are intriguing and, obviously, very popular – as there are shoppers with armloads of these bouquets.

we haven’t bought flowers often there, though i have stopped and admired them each time we have entered the store. flowers weren’t in the budget so i enjoyed them at the store and thought about one day starting a new tradition of having fresh flowers around us, any time of year. my sweet poppo would buy my momma grocery store flowers for the little table in the foyer of their house and she loved that tradition, the ritual of changing the flowers, of having beauty right by the front door.

the last two times we went – which isn’t too often because it’s about 40 minutes away – we picked up a bundle of flowers. last time we picked up red hypericum, this time purple eryngium. each time we brought home a little posey of something uniquely different to us, something just simply so pretty we couldn’t pass it by. despite other shoppers leaving with multiple bundles, we have been quite pleased with ourselves, carrying out of the store a sweet bouquet of infamous tj flowers.

at home – in a ball jar on the bistro table by the windows in the sunroom – we enjoy our flowers every single day, for this is the place we sit most often. and every single day that we have enjoyed these flowers – this $4.99 investment in ourselves – we have felt the positive self-message that we are worthy of them.

it doesn’t take much. tiny affirmations. words of support, assurance, validation, self-belief. little gestures. big empowering. everything in between.

if i had to guess, i would think that having trader joe’s flowers around might be a catalyst – one among many others – for becoming beautiful crystals. that – even more than the 60% of our bodies that are water – our body is 100% beautiful. and in the overwhelming presence of that kind of beauty, we are most alive.

“we begin to find and become ourselves when we notice how we are already found, already truly, entirely, wildly, messily, marvelously who we were born to be.” (anne lamott)

*****

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all the phases. [kerri’s blog on two artists tuesday]

the sowthistle can’t help but stand in all the phases of its life at the same time.

and i wonder what wisdom it can impart by doing just that – standing simultaneously in bud through flower through feathery seed into senescence.

being able to see the stage that is next, the stage that was before, the stage that was the beginning, the stage that will be the end – perhaps this is perspective-arranging, perhaps it zeros one in – on what is right now.

i wonder if the sowthistle thinks about any of this. does it base any of its thistling decisions on this omnipresent view of the arc of life, on the conglomerate-rock plant approach – or does it just live, detached from stressing, disconnected from the mindset of striding through stages upon which it has little impact?

and what about us? what if we could see our whole life right in front of us? what if we knew – from beginning to end – how it would all shake out?

don’t we, though? sort of?

don’t we know that we will somehow travel through these stages – the beginning, the middle, the end – that we will somehow grow and change and celebrate and grieve and jump and hang back and be active and sedentary, brilliantly productive and passively idle, bowled over and resilient, profoundly angst-filled and radically happy, loving and beloved, young and – hopefully – old.

is the sowthistle consistently sanguine, glass-half-full, amazed at simply living?

as we hiked by this bit of meadow, sowthistle wild on the side of the trail, i was struck by the all-in-one-frame of thistle – all its life cycle – a life arc in one tiny space of dirt.

and in the way that nature reminds us – all the time – i was immediately aware of my own life arc, my own mysterious timeline.

and mary oliver whispered – once again – this time from the tangle of buds and flowers and seeds – because she can never ask this enough – “what is it you plan to do with your one wild and precious life?”

*****

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facts and fire. [kerri’s blog on two artists tuesday]

i read these words recently:

“facts are stubborn things.” *

no matter what someone wants you to believe about something, facts will stand the test of time, they will rise to the surface like a bobber on a lake, floating in incandescent shine into the air, ready for discovery. facts will – and should – lead the way, speaking loudly, burning down all the detriment of machinated false narrative, twisted stories that serve no purpose to truth.

facts. the intense combust of silence.

facts. silence. fire.

i have chosen facts.

i have chosen fire.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

66 and 19 (mixed media)

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*heather delaney reese wrote these words in a recent post, but they are also attributed to president john adams in the history of this country.


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dragon in the sky. [kerri’s blog on two artists tuesday]

three million acres is no small thing. three million acres that were protected. three million acres that were grand staircase-escalante and bears ears national monuments. three million acres now open for business.

gluttony is alive and well in this nation.

it’s absolutely sickening.

and the dragon in the sky roared – fire coming from its mouth. because “these remarkable curiosities [ ] have required all the cunning skill of nature thousands of years to prepare.” (the house committee on public lands – circa 1871)

and it brings me back to this, to which i have arrived before: reverence.

they have no reverence.

and today – a few days before you will read this – the land around the boundary waters is on fire. photographs depict enormous infernos. it is all burning up.

and in colorado – fossil-fuel-fueled-climate-change wildfire in beautiful forests and on mountains and racing across open land.

and alaska and utah and florida and the pacific northwest and the southwest and the northeast and…

and major flooding in missouri, in texas.

and the mid-atlantic east coast and the southeast and the northeast and…

and cyclospora making its way into the food and water of americans across the nation. no lettuce and no berries and no produce and…

and people – on their way to work – executed by government officials who – mistakenly – identified them as targets.

and war.

and insane announcements eliminating medical research.

and social programs.

and voting rights.

and the decimation of wildlife protections.

and military spending way, way, way over the top.

and public adoration of brutal authoritarian figures by this administration.

and heartless sycophants, a conscience-less cheering squad, a team dedicated to the destruction of democracy.

and all manner of evil intentions.

no wonder there is a dragon in the sky. i can’t imagine how pissed the universe is.

*****

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indeterminate like tomatoes. [kerri’s blog on two artists tuesday]

in 1992 david sold a painting to a man he has not spoken to since. a couple days ago he received a message on his website from this person – reaching out to tell him how much he has enjoyed this painting for the last almost-35 years. they mutually agreed that the reaching-out-reaching-back was like a homecoming.

this is why painters paint, why recording artists record, why writers write.

because sometime – in the vast sometime that is time – and somewhere – in the vast somewhere that is out there – someone is touched by a work and actually reaches out to let you know.

from conception to completed work – is anything really complete without an audience? – we work to bring to life an idea, a question, a texture, a gesture, an emotion.

just like these cherry tomatoes we pay attention…check on the necessities – like sun, water and sources of inspiration, muslin-tie up the branches that grow long and lanky, heavy with early buds and new fruit – protecting the muse, watch for pests – like aphids or a lack of confidence, hope for the best – tomatoes in the end or something worthy to release into the world. and then we set it free – this piece of us – so that we can start what’s next.

i learned early in the studio that to hold on too tightly to a track of music is to never be able to move on, to never grow, to never period the sentence. despite any lack of total perfection – for is anything ever really, truly perfect? – i learned that good is – actually -good and, by accepting that, i could produce a finished product.

the recording label our son owns posted a meme one day which read, “just make it EXIST first. you can make it good later.”

I laughed reading this. it goes hand and hand with the john cage quote i have in my studio: “begin anywhere“.

it is both in the trepidation of the beginning – and the anxiety of the finishing – where artists can get lost. it takes practice – and courage – to start. it takes practice – and courage – to finish.

it never hurts to hear from someone that a work has made their world a little bit better, even that a work has accompanied them – for years and years – on their walk in the world.

the cherry tomato ripens. if all the conditions are right, it’s inevitable. and, in the way of indeterminate tomato plants – which “continue to grow and blossom and produce fruit throughout the entire season” – more tomatoes will ripen – even if you pick some and consume them, even if some fall off the vining branch. the plant keeps on, regardless. “there are no gardening mistakes, only experiments.” (janet kilburn phillips)

so, too, it is with artistry. we are indeterminate – it is the imperative – we will continue to grow and blossom and experiment and produce more fruit our entire seasons – especially if all the conditions are right, especially when we know the fruit resonated with someone in vast sometime-somewhere.

no matter, though. the tomato plants keep growing wildly in these weirdly wisconsin sub-tropical summer days. despite it all.

and the artists do as well.

“…stick with it no matter what. tell your story.” (barkersounds)

*****

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one glorious iota. [kerri’s blog on two artists tuesday]

“…and the moon rises, so beautiful it makes me shudder, makes me think about time and space, makes me take measure of myself: one iota pondering heaven…” (mary oliver – the sweetness of dogs)

in the moments we all sometimes immerse – those moments when we take ourselves way too seriously, when we feel intertwined with angst, when we foolheartedly believe there is allthetimeintheworld – we should sit and watch the moon rise.

it has risen every day whether or not the old truck’s battery was dead, whether or not all the burners on the stove worked, whether or not we wore namebrand clothing or had namebrand cars, whether or not the student loans were paid, whether or not the bedroom furniture matched, whether or not we had a few pounds to shed, whether or not we had a mighty 401k, whether or not we had granite countertops, whether or not my hair looked good, whether or not the old wood floors squeaked, whether or not we had extension eyelashes, whether or not we had plaques or certificates lining our office walls, whether or not the chimney leaked, whether or not we had visited saint lucia or monaco, whether or not we had a 72″ tv, whether or not we had central air conditioning, whether or not we had a walk-in closet or a dishwasher, whether or not we were retail fanatics, whether or not we had followers, whether or not we had fiscal or commercial success, whether or not we lived authentically.

because the moon is like that. it is incessantly dependable. it is a sure thing. it is the tide of our souls. its passing by – its wax and wane – brings us to the peaks and the abysses, both.

and though we may – from time to time – linger in the whatwedon’thaves, that moon – annoyingly – is unperturbed by it all. its rise, its fall – like breath in our chest. we, like the moon, keep going nonetheless.

and i stood and looked at the tiny crescent moon above our beloved old house and i could feel all the passage of time – zooming through me – until i arrived at the moment i was in.

and everything i had seen or felt or lived made sense. the dots connected for the briefest moment. and i was – yes – one iota.

one glorious iota.

*****

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hope. not fear. [kerri’s blog on two artists tuesday]

this is the last day of national cancer survivor month.

and in the mess of chaos that this country is in, i haven’t seen much press about cancer survivor month.

instead, in the eddy of cruelty and the deplorable diminishing of real people with real stories – the administration has slashed medical and scientific funding, particularly as it has impacted cancer research.

it boggles the mind. truth be told, i don’t hesitate from saying it should boggle your mind as well.

i spent the better part of a decade involved in oncology events, touring with my dear friend and cancer survivor heidi, to lift up survivorship, to honor research, to celebrate pharmaceutical breakthroughs, to buoy non-profit fundraising for efforts related to cancer. it was good work, these events, as they brought us onto stages to speak and sing, to bring the heart-part to events that were more left-brained, to reinforce the heart-part to events that were already immersed in emotion and hope.

i cannot imagine a civilization that does not want to protect its citizens – its adults and its children – from the ravages of disease – any disease – nonetheless cancer.

i cannot imagine a civilization that does not want to do anything it can to provide treatment to its citizens – its adults and its children – in the ravages of disease – any disease – nonetheless cancer.

i cannot imagine a civilization that does not want to dedicate intensive research and profoundly generous funding to prevent its citizens – its adults and its children – from further iterations of ravaging disease – any disease – nonetheless cancer.

national cancer survivor month is about survivorship. it is about celebrating life, prevailing over horrific disease, acknowledging and pushing back on uncertainty and fear, helping others in these circumstances. it is about hope.

we – sharing the land of this nation – from sea to shining sea – are at a crossroads of choice. is it too much to expect the government of this country to invest in taking care of its citizens – ALL of its citizens?

may we – in this choice – be as courageous as the millions of cancer survivors among us.

“may your choices reflect your hopes, not your fears.” (nelson mandela)

*****

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digging paws. [kerri’s blog on two artists tuesday]

according to AI – which is interesting to quote on a somewhat ironic level – “artistic expression is the process by which creators translate internal emotions, thoughts, and personal experiences into tangible visual or conceptual forms.” (ironic because, well, AI is doing so much creating-creating-creating, yet the question – is it even a question? -remains of the existence of any internal emotions, thoughts and personal experiences as they relate to AI, void of all of that. but i am digressing. we are talking about “artistic”” expression and the truth of emotions, thoughts and experiences.)

aussies (australian shepherds) love to dig. they not only love to dig, but they are damn good at it. dogga is not an exception. he is a next-level digger.

and so, because he is simply expressing himself – particularly at this senior point in his life – we have decided not to put boundaries on this expression. we fill in the holes so he and no one else trip and he digs them again. it is a small price to pay to see our sweet old dog in his bliss. and someday – which, no matter what, will be too soon – we can again have closer-to-perfect grass in our backyard. it’s really not important. in the meanwhile, we applaud his translation of “internal emotions, thoughts and personal experiences into tangible visual and conceptual form“.

it’s like that with all of us artists. to have others applaud our translations, rich in emotion, thoughts and experiences – whether in dirt, clay, canvas and paint, dance, words of verse or story, notes of music you can hear and feel though not touch as they float by – is to acknowledge not just our bliss, but our imperative to speak, in whatever medium fits.

it’s not applause-applauding we seek. it is freedom-to-express-applauding, the granting of the air on this earth to us – the artists – just like it is granted to all other ways of living, ways of being, all other imperatives. it simply can’t be helped or stopped. it is the way of the earth, of thinking minds, of questioning hearts, of the visceral and the emotive, of making something from nothing.

and, i guess, of digging paws.

*****

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such goodness. [kerri’s blog on two artists tuesday]

and the icefall went on and on, a looming presence as far as the eye could see, the night inky, the serac-umbrellas like mushroom caps over smooth slopes in shades of white and grey, the spectrum peeking out with the changing light. snow had fallen, stacking up in dune-piles created, urged by the wind, not yet sharpened by the coldest of temperatures. the telephoto lens captured it up close, though we were far away, many, many steps from the dangers of traversing the icefall, its chasms and crevasses.

the peony giggled, thinking it had fooled me for a moment, delighted with its fictitious story, its little tale of shape-shifting. knowing that it was just joshing me – steady in the real and good impact it has in this world – its merriment was because it was solidly based in its goodness. it had nothing to prove, no reason to make us believe it was goodness, because it just was.

and so it could play with us a bit, help us visualize, let us fly over the arctic or the himalayas in our minds. it could encourage imagination and fantasy. there was no fear of losing its way – for it would still fulfill its peony life, its peony self-actualization.

things that are good – that do no harm – do not concern themselves with convincing others that they are good. they just are. there is no reason to pretend to be something else, to permanently twist reality, to alter that which is truth.

the soft petals of the peony layered over each other, gorgeous bits of the bloom, exquisite.

we are fortunate to see such goodness, to witness it, to breathe it, to hold it.

for surely we need this in these times.

****

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stunning evening. stunning evening. stunning evening. [kerri’s blog on two artists tuesday]

a couple weeks ago, on friday night’s date-night, we had no plan – as is often the case. we so enjoy the sanctuary of our backyard that it, more than not, wins over going out anywhere. it was quiet and the sun was waning, a little cool. we added a layer and talked about watching a movie outside or taking a walk.

we hadn’t yet been – this season – to the marina in a town down the road where they sponsor live music at a biergarten on the harbor. and so we decided to jaunt down there for just a bit, walk on the boardwalk along the lake, listen to the band.

it was a stunning evening – between 7:30 and 8:30 the star of the show. the sun was setting on the western swale horizon of sand prairie grasses and fen. little to no wind, perfect temperatures, boats lining the docks, guitar strains in the air, a paramotorist sailing across the sky.

this past friday night, on friday night’s date-night, we left for milwaukee in humidity that made my hair into unkempt-fuzzy-curly-big-1980s. our third time to see our son perform at milwaukee pride, we were excited as ever. it was also a stunning evening – between 7:30 and 8:30 the star of the show – for us.

leading with the joy of doing what you really love, they took the stage and transformed the house. what had been a meager audience, with a complete lack of dance juju – with a lead-in karaoke non-dance-non-EDM-music performer inappropriately booked into a dance pavilion slot by someone who clearly did not understand how to shape the evening – well, they turned it around. in short order, there were hundreds and then thousands of people under the pavilion, dancing, raising their arms in the air, celebrating. i’m sure the next performers were grateful; our boys were one heck of a lead-in for that next slot.

we took photographs over by the water, the sky turning inkier as time went on. they went on to play a big nightclub gig and we drove home with lightning in the sky to our west, glad that the storm hadn’t arrived any earlier.

it’s saturday as i write this. tonight, i imagine, we’ll make some homemade pizza and a salad, maybe pour a glass of wine, turn on some music, and sit at the bistro table on our deck. our old dogga – who is worrying us a lot these days – will lay nearby and we three will watch the sky change as day moves to night.

another stunning evening.

*****

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