and somehow, the universe knew and the snow began to fall.
and everything became quiet and peaceful. all forward movement ceased. we sat in the pause.
this fermata was certainly needed. we had been feverishly working, working. emotions were high and our energy was almost depleted. but then the snow came.
though spring had made an appearance and our garden – peeking out – was circumspect about the snowfall, we welcomed its hush. every flake that fell received thanks from us. and it kept falling.
our fermata in the snow granted us a bit of rest, a bit of perspective. we took deep breaths and moved slowly through our day. we gazed out the window and watched as the snow covered all – everything – in a blanket of white. it erased all the writing on the page. it shushed the noise in our busy heads. it lent ease to our weary minds and hearts. it took the astonishing – disheartening – events of the week and buried them under inches of snow. it cleared the ugly like the swoosh of lifting cellophane on a magic slate.
and when the swirl slowed a bit and i stood on the deck – giant flakes gently falling – gazing out at the pristine world surrounding us, i realized that was pretty much all that mattered. we had been granted time. time to consider and rejuvenate, time to reflect, time to clean off the shields we held so tightly – the ones that protected us. time to grasp onto snowflakes – quickly melting – and realize – once again – that life is just too short.
i don’t have track one on repeat – yet – but soon.
george winston’s thanksgiving from his december album…exquisite. a meandering of thought, a creek of familiarity. listening to that piece float around me is the same as hiking this trail – so well-known, so beautiful, so close i can feel it when i shut my eyes.
it is snowing as i write this. i am under a quilt and can see outside – the squirrel on the birdfeeder, the grasses bending from the weight of snowfall, barney’s keys covered. everything is quiet. there is peace – for a few moments at least – while i listen inside to the trail and the reverb of george’s piano.
she said, “it’s time for you to rest. find a way. a sabbath.”
sometimes shabbat is easy to find – when all is lining up in the world. sometimes, this rest is harder to find. we are embroiled in all life’s angsts, all life’s slights, all the uphills, the sudden falls. to take the time seems self-indulgent. we are wary of the judgement of others.
but tired is tired and it is neither needy nor indulgent nor irresponsible to – metaphorically – lay one’s head down.
the trail – particularly in its known-ness – grants rest. it teases with ever-so-slight changes – the turtles which were once sunning are burrowed, the meadow-flowers which were once bloomed are dried, the trees which were once leafed are devoid.
george’s thanksgiving – in its known-ness – grants rest. it teases with a pause here, the lingering of a harmonic there, melodic gestures of lift.
both – individually and in repetition – grant shabbat shalom. sabbath. and i am grateful.
my tree. i found a photograph of my tree. the one i sat in for the years i was growing up on long island. i wrote poetry and tinkered with lyrics and sorted out the pinings of teenagehood. in that tree.
things are never as big as what you remember. the maple tree wasn’t huge – but it provided solace and a quiet, private place for me. i’d climb up and sit on one of the limbs, my back against the sturdy trunk, sun filtered through the leaves, my bedroom window within view. it wasn’t in a thick forest. and it wasn’t a giant old tree. it was a younger maple, just old enough to wisely offer me space, fill the place in me that needed it.
we walked into the silo. it was silent and tall. like a tiny round cathedral, it hit us both as a place you could sit, meditate, think, pray. a place to go to when you need to get centered again, when all else is spinning, when blustering winds or words are pummeling you, when you feel you cannot stop.
as we stepped in, damp cool gentle air wrapped around us. everything slowed down – hushed slow motion in a cave. had we had a chance to sit, we would have folded our legs beneath us, closed our eyes. leaned back against the trunk … oh, wait, it was cement…
quiet spaces are like that. inordinately remarkable, uncannily ordinary. but they share something. serenity.
guided imagery meditation ushers you to a quiet place. in belleruth naparstek’s meditations she invites that space to be anywhere – the forest, the shore, the desert, the canyon. places that have brought you peace. places you hold in your mind’s eye. places that are sacred to you.
even without guided imagery we find our own corners and crannies. they are the porches of our hearts – a spot to rest and rock.
i suppose the gift of these places is the unexpectedness. the silo was unexpected. the log on the side of the mountain stream, the jetty jutting into the sound, the edge of the canyon. i guess the first time so was my tree.
it’s all in recognizing it when you feel it. and you’re forever changed as you carry that place with you.
we had never parked in that section of the daily parking garage, so we never saw it. creatures of habit, we didn’t park there this time either, but we walked across the driveway to use the elevator and the interior moving walkway on that side. for how many times i have flown out of the milwaukee airport, i was surprised to find we could walk inside instead of through the cold terminal parking garage. the walkway was much warmer than the damp parking structure and, since we were going to florida coatless, it was a much better choice.
we rounded the last corner – the one that takes you to the third-level-skywalk to the terminal – to find ancient words of wisdom marking an entrance to the airport’s meditation room. simple, beautiful, quiet – we never knew it was there, though it was completed in late 2017. “airports can be busy, hectic, and stressful places. the MKE meditation room provides a quiet, tranquil location for thought, reflection, prayer, and meditation.” (www.mitchellairport.com) we stopped into the meditation room on our way home. we sat for a few minutes, reading the inspirational words on the wall, closing our eyes in contemplation. it was surprisingly silent. it was right as the liminal space between the flight and home.
a few days ago – in the later afternoon – we hiked one of our favorite trails. we were stressed and needed the space and quiet of this familiar woods. we had been there days before, boots and snowpants through deep snow, trees stunning against the whiteness. it was beautiful. we find the ancient words of the talmud on this trail…we are sustained by its peace, we feel more hope for truth and justice as we walk in nature.
but this day was not quiet. and, though researching the mayhem revealed that it was a “woody invasive species clearing project,” we found the noise, the machinery, the devastated forest disturbing. nothing looked the same and, as much as we know this trail, it was hard to locate within it; without familiar trees and underbrush each bend in the trail looked different.
“removing invasive shrubs and trees in oak communities allows for enough sunlight to reach the ground level to encourage the growth of young native tree seedlings and other native vegetation.” (www.lcfpd.org) we felt somewhat relieved reading these words after our hike, understanding that these big changes were intentional and that the purpose was growth and sustenance of the savanna, prairie, and marsh wetland.
the talmud, the milwaukee meditation room, the preserved woods in northeastern illinois…all the same, i suppose.
it is the removal of the invasive, the obnoxious, the noise, falsity, injustice, all that is conflict-riddled, that allows the sun, that encourages, that sustains the world.
“do you have the courage to be in the pause between what is ‘no longer’ and what is ‘not yet’?” (octavia raheem)
i kneel down in the middle of the road. it is up-north and there are few vehicles. i want to be in the yellow stripes in the road, to gaze their expanse and, in seeing the curve, not be able to see beyond it. it’s visceral.
i am in liminal space – in the pause – waiting and not knowing. it feels right to stand smack in the middle of the street. to own it – these stripes, this curve in the road, these questions. it pushes me to move, and, in the way of irony, prods me to stand still. it is not short-lived. it is lostness. and, at this aarp time of life, it is a little unnerving.
though i know found follows lost, just as not yet is out there beyond no longer, it leaves me in the orange-yellow stripes.
i miss the days on washington island when we walked right in the middle. it didn’t matter. no one was coming down the road. and when someone did, so infrequently, we moved over. but there weren’t stripes in the road there; it was just asphalt. it’s when you are walking on the stripes, squatting on the stripes, kneeling on the stripes, that you feel a tiny bit of powerful.
we are broken records of liminality. we know the lyrics of the song and are disgruntled when the record skips and skips and skips again, leaving us to repeat the same over and over. stuck. surrendering into a groove in the surface of vinyl, surrendering into a groove of fallow. without reaching over and touching the needle, the record continues to skip. without reaching and touching the liminal space, sorting and reflecting and resting, we cannot see beyond the bend in the road.
none of that is helpful, though. i stand in it. on the stripes. what was is no longer. what is not yet is not even a blurry image.
i think, this time, this must be what it feels like to retire, without the benefits of retirement. to no longer do what you have done for decades, to step away (or be thrust away, let’s be brutally frank). and to realize you don’t want to go back.
to wonder what is next. to reach into all-the-stuff-you’ve-done and pull the long straw of passions set aside. to decide to ferret out, in due time, direction and sense. to not fight the fallow or the pause. to try and have courage not to just fill in the gap. to kneel on the stripes. to trust.
“when we surrender, when we do not fight with life when it calls upon us, we are lifted and the strength to do what needs to be done finds us.” (oriah mountain dreamer)
i opened my laptop to the facebook tab this morning and this picture was waiting. in the way that facebook picks and chooses memories for you to zip back to, days of throwback, this photo was labeled as “8 years ago” and immediately i was there. it was a celebratory post for the “world premier” performance of the ukulele band. a rainbow of color and delight and what an arc it had.
the best parts of a director’s job as a conductor are to see the coming-together of community, the coming-together of practice, the coming-together of confidence, the coming-together in ensemble. those moments when it all syncs into a piece of music, a song, into utter joy expressed by melody and strummed chords. these are defining moments, moments in the groove, moments when everything jibes, moments when all is in alignment. these ukuleles were a gift both to people who had played or sang before and people who had never experienced the camaraderie of music performance. these ukuleles were a gift to people who watched. i was happy to see this ‘memory’ in my facebook feed early today.
scrolling further, coffee next to me, and facebook was full of the olympics and stories of great athleticism, stories of winning, stories of not-winning.
in the last couple days simone biles withdrew from olympic events. she got a case of the “twisties” she said. in simple terms, as i am not an athlete, this is a dangerous and precarious situation when an athlete mid-air has a time of blankness and is forced to rely on muscle memory so as not to get hurt. her vault suffered and she, aware of the sheer importance of this body she had trained and relied on, turned to her trainers and coaches and stopped. they respected her decision. they respected her physical health, the importance of every appendage as an athlete. they respected that her decision to withdraw was protecting her athletic ability in the future. they did not ask her to place her physical form at risk. they did not label her decision to withdraw and rest that which gave her her life’s work – her body and her mind – as not working for them, as a demerit costing her payroll or esteem. instead, to their credit, those in power trusted and honored her decision and supported her in it, no doubt encouraging her. she placed her physical and mental health over her aspiration to win more metal and, in those decisions, has probably made more impact on the world than maybe anything else she’s done (even while recognizing that she has leaped and vaulted and hand-springed her way into most-outstanding-gymnast-ever-dom). respecting her decision and respecting her mental and physical health, not questioning but relying on her professionalism, her wisdom, her intuition, her knowledge and experience and – this biggie – upholding the value of keeping her safe and thereby keeping her future as an athlete wide open – this is vastly important and profoundly absolute.
scrolling further down facebook i came across a post about kerri strug. after a 1996 olympic vault during which she drastically injured herself, her coach insisted she go back and do it again. despite her best intuition, despite the long-lasting injury she would sustain as a result of not resting after her fall, she was pushed to go on. in some not-honoring-her-but-placing-importance-on-power moment, she pushed on. 1996. 2021. reading posts comparing these, it’s evident there has been some growth. it’s also evident there hasn’t.
i scrolled back up to the top of my feed. i stared at the circle of ukuleles. in these moments post ukulele-band-rainbow-arc, in these moments as covid continues to wreak its wreckage and its wearying challenges, i hope that those people who were in the band still take out their ukuleles. i miss them and our music-making. i hope that muscle memory reminds them how to play. i hope they sing. i hope they remember all those stunning moments of cohesion – making music.
it’s interesting the juxtaposition of what you see on facebook on any given morning.
just past the eyelash phase, in a tightly woven and protected calyx of green sepals (leaves), the gardenia bonsai flower waits. a little research reveals that it will take about two months of growing to reach the point of a cracked bud, hopefully flowering after. KC is reportedly “one of the most loved and challenging plants in the bonsai world” and i hope that i am up to the task. these beautiful and somewhat-difficult-to-grow plants offer “a unique opportunity for anyone who wishes to take the time to attend to their needs.” they are particular about sunlight, particular about direction of window exposure, particular about temperature, particular about humidity, particular about watering, particular about feeding with fertilizer, particular about shape and pruning, particular about training, particular about insects and mold, particular about repotting, particular about touch. they do well without any negative stressful environmental factors. it occurs to me that perhaps i am in the bonsai gardenia family.
KC sits together with some other lower-maintenance plants (read: succulents you can’t really mess up) and is clearly different than them. its leaves are rich in color, two whorls protecting promising buds, and its presence demands to be noticed. i talk to it every day, encouraging it, paying attention, hoping i am tending to it properly. i truly cherish this little bonsai; my beloved daughter and her boyfriend sent it to me for my birthday and it was a joyous and glittering moment to receive such a beautiful gift. i want to do my best helping this little gardenia along. and, in light of the last year, the last couple years, i can understand and relate to its eccentricities. mmm, can’t we all?
in the evening KC is bathed in the sparkle of the sunroom’s happy lights. proudly in the spot it has claimed on the table, it sits, basking. it is one of the sparkles of the year. there have been many, despite the difficulties, within the difficulties, despite the challenges, within the challenges, despite these times, within these times. if it were possible, i would set each around us in the sunroom, also bathed in happy lights, like laundry clothespinned to a clothesline, reminding us of the best times, the memorable times, the happiest snapshots, the most poignant moments, the yin-yang of relationships, reassuring love in trying-to-stay-centered, the times we balanced stress and the times we succumbed to it, successful and unsuccessful zen, and exhausted times of rest.
i would place the clothesline in the middle of the room so that you could not help but see each item, each old wooden clothespin, memory-laundry crowded onto a timeline, reminding us that the minute does not stay. that whether the minute is feverish or beauty-laden, it moves on.
we are all particular; we are all particularly needy. our lists and our baggage surpass that of the little bonsai gardenia. we are all up to the task. we do our best in each moment, whether it is dark or sparkling. and we remember we can try again. we can help each other; we are “most loved and challenging”. KC already knows that.
i am excited to see KC bloom. i wait patiently for this amazing flower to arrive. in the meantime, i light the white gardenia candle, talk to my plant and drink in the glow of the happy lights, trying. each day. living just past the eyelash phase.
ken, my producer, called it a ‘thinking note’ and he’s right. he knew i’d get to the point, but i had to get past the moment of time during which i could not think. in music, the thinking note buys that time; you are held in the shallows of suspension until released into the rest of the sentence. it slows the breathing down a little; it gives rest where there is no rest.
since the instrument of choice for politicians is spoken word, the thinking note has become “look”. i would count how often we hear it, keep hash marks to tally it all up, but that would be unnecessary and tedious. instead, i giggle every time i hear it, viscerally knowing the person who is about to speak is maybe buying a tad bit of time.
in music, the thinking note is a prelude for more, the honest line of melody, perhaps an entrance into a new theme, the slight pause of artistry, the powerful momentary suspension of new sound. it’s the “look” spoken by music. sometimes, though, for me, as ken will tell you, it is simply procrastination, when composition or improvisation falls into the moat surrounding the synapses in my brain – stopping all forward thought for the moment – as i wait for creativity to climb out of the gatehouse and make it to the next note.
in politics, i wonder…does “look” serve the same purpose? is it a prelude for more, an honest line of narrative, an entrance delving into a new topic, a suspension of speak to take a breath and gather thoughts? is it useful, preparatory, formative space between a question asked and an answer given? or is it something else? it feels a little like over-convincing when someone says “look!” to you. a snap-to-it-pay-attention admonition. perhaps an entrance into a one-way conversation. a bit aggressive.
as an artist and not a politician, i’d have to say: look…ummm…i have no idea. maybe we should ask ken.
like a non-dangerous heat-seeking missile, babycat searches for the warm spots in the house. when the sun pours in the front windows, you will find him laying on the rug in the middle of the room. when the sun is higher in the sky and no longer checkers the rug, he will seek out the next. he can be found next to the radiator in the girl’s room, on the dog (read: cat) bed next to the radiator in the sunroom, on the bed waaaay up by the pillows, just above the radiator over the windows. he seeks comfort. he’s one smart cat. especially when he is tuckered out.
as this year-of-years comes to a close, it would seem that we are all tuckered out. yesterday we saw a wooden trivet for sale – beautifully crafted with cuts made by (i’m guessing) a jigsaw or scrollsaw. the very center featured the carved number 2020. from the center, there were what resembled fragile flower petals forming the rest of the trivet. each of those petals featured was carved intricately around one four-letter word: the one that starts with an f and ends with a k. yup. we should have purchased it. it seems fitting. sooo tuckered out.
we have only a few days left of this year. what shall we do with them? it has been my tradition, with calendar in hand, to review the year – at the end of the year – to see the rise and fall of breathing through all of it, the things we accomplished, the things that failed, the places we went, the times we shared with others. you know, the whole roller coaster ride.
this year i’m not sure if that would be fun, however. we are tuckered out.
this year we might just curl up next to the radiator and rest.
with these broken wrists i have moved from a whole rest to a quarter rest. i have made progress playing my piano and my broken-wrists have told me when to be silent. in the silence the earth keeps spinning, we trek around the sun, everything keeps keeping on. but for a moment, i rest.
we are each granted rests upon entrance into this orchestra-of-earth. sometimes they are chosen, sometimes they are not. always they are necessary. it is in your quiet that others make noise, that others speak, that other timbres color the muted. the hush is yours to own; the rest is yours to take. the silence both sometimes frighteningly deafening and sometimes a grand relief. the metronome really never stops.
(a reprise of paragraphs from 8.13.2015 post): at 1am, we walked to the lakefront. away from as many lights as we could get away from, we laid on some old steps, bricks and mortar digging into our backs so that we could gaze straight up, watching the night sky for the meteor shower.
the streaks of white light across navyblueblack make us draw in our breath. i’m wondering how far away this meteor is…how it is that we, here on earth, can see this amazing sight. such a big sky. such tiny bodies in contrast lying on the ground, waiting for the symphony to start, waiting for the downbeat, the symphony that has been continuously playing, the downbeat lost in centuries upon centuries of time gone by. like any good piece of music, it’s the rests in-between the notes, the rests in-between the meteorstreaks, that build the anticipation, that create the emotionflow, that bring tears to your eyes. each burst, each streak of whitelight is a miracle, a tiny moment exploding in time, so far away, in vast vastness.
time stretches out in front of us. and behind us. we are tiny and we are big. we gather in the moments, we breathe them, we rejoice, we worry, we ponder, we move. there is no downbeat and the symphony is already playing, has been playing and will continue to play. always. it is magical. and it is vast.
reverse threading 