reverse threading

the path back is the path forward


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vertically. [k.s. friday]

they move them vertically. not horizontally. vertically.

the yamaha CFIIIs is a powerhouse 9-foot grand. a piano, it is a canvas waiting, blank, black and white.

they move it in, attach the legs. the technician shows up, tunes, voices, listens. the artist plays. the technician futzes some more. it’s a dance, making sure it is ready. the piano is patient and steady.

i have had the good fortune of being a recipient of these pianos. they have been delivered to recording studios, to stages, to televised venues, to big outdoor parks. the CFIIIs and the C7 are THE pianos. hands down.

at the elton john concert in charlotte, north carolina with d, my daughter and her boyfriend, he marveled at the load-in-load-out that it must take to move the ej piano, band, set, lighting, media show every night or so on the “farewell yellow brick road tour”. mostly, he talked about the piano, about how amazing it was, and how much it must cost, and how it must be moved, and how not just anyone gets to play that, for sure.

because most people believe it is moved as is – horizontally – i explained that it’s moved vertically, on its side.

but i didn’t explain how i knew. i didn’t talk about how many extraordinary pianos had been brought to me that way, how many on which i had performed or recorded. we were at elton john’s concert and he is – truly – a shining star.

inside, though, i knew. i could feel it, that urge to run up on stage, grab a boom mic, stand at the piano and play and sing. poking at me like a snickers bar. “i’m still standing. yeah, yeah, yeah.

the other day – at the daniel stowe botanic garden – there was a small grand in the atrium. my daughter looked at me when we walked in and said, “it says you can’t play it.” i went over to look at it. “no worries,” i said, laughing.

but at the ej concert….now that’s another story. he played and sang and i was proud to also be a yamaha artist.

“my gift is my song and this one’s for you.” (elton john – your song).

the words rang in my ears and my heart attached the exclamation mark. my gift IS my song…all of them…the ones with words and the ones without. the ones with music and the ones without. the ones written and the ones not written yet.

maybe there are still vertical pianos out there waiting. for me.

*****

WAITING (from JOY) ©️ 2005 kerri sherwood

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a watchful eye. [k.s. friday]

should it get to the point that the vine is obscuring the metal sunflower, we will cut it back. right now the vine is in its glory, billowing on top of the wooden fence, weaving in and out of the decorative wrought iron, and tumbling down our side. it has reached out and is starting to creep over this sunflower, ever so slowly and then, suddenly, the sunflower is wrapped in vine.

we keep a watchful eye.

for the vines of the neighbors, though lovely, are somewhat aggressive and we wish to protect the plants we have beneath their spilling. they are quietly growing, growing beneath these explosive vines and it has taken us years to cultivate even this small garden.

it used to be that the snow-on-the-mountain took over…it was everywhere. it choked out the lavendar garden and its long-branching rhizomes were spreading, spreading, giving our newly planted grasses a run for their life. it was overrunning everything else and its root system sent out feelers all over the yard, even under the driveway, looking for vulnerable plants it could overtake.

now the ground elder, on the other side of the potting bench, is rampant. because it is on-the-other-side and we mostly keep it from the stone patio in our potting garden, we are not as worried. but we watch it anyway.

we’ve discovered that vigilance is key. not so shockingly, we see the vines will win.

so we keep a watchful eye. and we protect the more fragile plants. we are sure to water them and check for the invasives trying to squeeze them out.

because they are beautiful, diligent silent growers, not insistently loud snowballing vegetation, and they each deserve their own space in the sun, their own dirt, air to breathe and our appreciation.

*****

SILENT DAYS from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

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the void. [saturday morning smack-dab.]

it’s like an ongoing game-mix of charades and taboo or catch-phrase over here.

we can’t think of a word…we act it out…we “sounds-like” it…we describe the word without using the word…we gesture wildly and stare blankly at each other. we don’t start panicking right away, but there comes a moment when the void is a little too voidish and we wonder if we will ever come up with the word at all.

since we are writers, this is a tad bit relevant. one of us invariably needs a word – we know the word – we are intimately familiar with the word – the word is like second skin – but it has gone missing.

we try to come up with the letter it starts with – say, r, for example. one-of-us insists it starts with an r and that-same-one-of-us launches a verbose description about TheWord, attempting to get the other to ThinkOfTheWord.

“r!” i repeat, “it starts with an r!!”

“and it’s pasta? something we’d have with sauce?? rigatoni?? rotini?? ravioli??”

“no! no! no!” “think!!” “we have it all the time! r!!! come ON!!” beginning to act out what it looks like, hands drawing in the air…

“ribbon??”

“ribbon?? have we EVER had ribbon pasta?? dang!! come ON!!”

“are you sure it’s not a t? like tortellini? or trofie?? or maybe a c? like cavatappi? or cavatelli??”

“geeez. no! it’s an r!!”

“well, i can’t think of another r-pasta. is it penne?”

“penne!! that’s it!!! yes!! penne!! a p!!”

the void is a moat, equipped with word magnets, it seems.

every day another word is butterfly-netted and held at bay, even if only for a few minutes, just to torture us.

*****

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SMACK-DAB. ©️ 2022 kerrianddavid.com


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not unimportant. [k.s. friday]

just like when i take a photograph of a person i try to avoid having extraneous people in the picture, when i take photographs outside i try to avoid any messy unnecessities.

this time i did it on purpose.

on july 29th i will have lived in this house for 33 years. i have sat out back watching the sky turn orange over the garage for 33 years. i have watched the trees grow up over the rooftops in my view. i have watched squirrels on their highways-of-highwire for 33 years.

it suddenly occurred to me that there might come a day when i can’t simply walk out the old screen door onto the deck, stepping onto the patio to watch the sky in the west. there might come a day when i live somewhere else and i won’t have access to this view.

and so the messiness of wires sectioning off the sky became important. important enough to photograph. important enough to remember.

we’re surrounded by things – and views – we have taken for granted. we see them every day – though we don’t really see them.

they seem unimportant.

yet, these familiar sights are the very things that help ground us. in a world that is politically volatile, climate that is destroying mother earth, bombastic leaders itching to reduce freedoms, disrespect and aggression out of control, it would seem that we need grab onto that which grounds us, centers us, slows down our breathing.

because i’m thready, i notice – and try to memorize – things like how the old wood floor creaks in the hallway, what it sounds like when the glass doorknob falls off, the feel of the small chain on the basement door and the decades-rubbed indent it has made, the sound of a double-hung window with ropes and weights opening, the deck cracking in cold weather, the cool painted-cement floor under bare feet in the basement, the places where the plaster has cracked. they all spell home.

and, with a world in turmoil, everything in flux, so much anxiety and grief and worry, things that are solidly familiar help.

*****

THE WAY HOME from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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i am an artist. [two artists tuesday]

i read it on a thread. someone commented to an author i follow. “never be shy about your work,” she encouraged. i took a screenshot.

never be shy about your work.

humility is a virtue, we are taught. desiderata reminds us, “if you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.” always.

but somewhere in there – in the spectrum between meekness and arrogance – is the space to be proud of what you do, to stand in it, to share it.

“what do you do?” people ask. many people can answer that in a word. as artists, it often takes a paragraph, all run-on sentences with no breath so as not to get that lost-in-space glazed look on the asker’s face.

when i broke both of my wrists, the medical staff wrapped up both of them, casting and explaining the possible ramifications of the breaks “at my age”. when i fell the second time on a wet floor and re-injured my right wrist to the point of it having a frighteningly small amount of range of motion, the specialists asked questions and each politely said, “i heard you play the piano” as if i sat around noodling, surrounded by porcelain figurines and teacups, playing chopin-light or maybe little easy-piano-pop-hits. i was literally hesitant (!) to speak and qualified my statement-to-come by saying, “i’m not saying this to be self-aggrandizing, but….” and then i continued, “but because it’s a fact that i have 15 albums out in the world and piano is my major instrument and this could change my life work.”

those specialists had no qualms about saying they were specialists. none. i wondered why i hesitated, why i was apologetic.

never be shy about your work.

i have worked hard in my area of specialty. i have struggled like any artist, have written on scraps of paper and flimsy napkins, have squeezed out time in-between everything else that takes time, have stood in the rain playing and singing on flatbeds, have lugged boxes and boxes and boxes of cds. i have also sold thousands and thousands of albums and have millions of streams. it doesn’t equate to any kind of riches except the kind that is the deep satisfaction of doing something you love.

i used to be much more aggressive – and assertive – about “getting the word out” about my music. though i recognize that vocal styles come and go, instrumental piano is not irrelevant…it has no shelf life. it’s just as peaceful and evocative today as the days i composed it, the days i recorded it. so that would mean that 14 of these 15 albums still have some sales merit, not just the $.000079 cent so “generously” royaltied by online streaming.

never be shy about your work.

in the last church position i held, i was in a meeting with two of the leaders. they were streaming the services and i was commenting on the level of professionalism we needed to try to achieve. i wasn’t willing to link my personal and professional social media to this online streaming until the sound quality (in particular) was indeed much better. one of the leaders stared at me, clear disdain on his face, and told me he had no idea why i would say such a thing or hold such a stance. i explained that i am a yamaha artist and that only PART of my work in the world was the job (which he deliberately pointed out was part-time) i had at that place. for the umbrella of my life i was an artist and that i have always strived to bring the best quality to my work. i told him that it was important to me to make sure that nothing i did musically in the public arena was schlocky (including at that place) and that, as a yamaha artist with fifteen albums, i would hold to my position of not-sharing until there was something more professional to share. i would not undermine my own artistry because mediocrity was ok with him.

never be shy about your work.

he – eventually – found a way to fire me. in the deep dark cloak of covid. with no one really knowing why, including me. well, except, maybe, for retaliation. que sera.

never be shy about your work.

i am proud of the albums that will eventually find their way into antique stores around the country. i see them on resale sites now.

but i also know that – from time to time – someone writes to me. and in their writing they tell me that my music has meant something to them. my music has helped them, given them a sense of serenity, made them think, made them dance.

and that is what counts.

so before the vintage-store-influx i guess it’s my job now to not be shy.

i am a composer. i am a pianist. i am a singer-songwriter and recording artist. i am a writer. i love being on stage, telling stories, playing music. i love the feel of wood under my feet, a boom mic in front of me. i have fifteen albums and a few singles. i’m researching how to get more out of pandora and itunes and all the streaming devices out there. i’m 63 but i’m thinking i might still be relevant. i may need your help because no one gets anywhere in a tiny bubble; no one walks this path alone.

i’m pulling up my not-shy-boots.

*****

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late season indeterminate. [k.s. friday]

maybe we are all tomatoes-in-waiting.

it’s easy to recognize that we have germinated, that we have early growth with initial leaves. we send down a taproot, stabilizing just a bit. we are nurtured and we learn self-care, both. changes during the vegetative stage are a little easier to see as we grow upward and outward, green and healthy.

flowering and early fruiting…these are easy to discern in the striding of early decades of life. rushing to accomplish, to get up the mountain and down, to run without ceasing, to move without pause.

the presence of ethylene – a gaseous hormone – triggers the fruit to ripen. i suppose i would like to think this is much like the graying of my hair, the wrinkles on my brow, laughlines evident, jowls mysteriously appearing. coming to maturity. ripening.

early season varieties require 50-60 days to mature. mid-season require 60-80. late season varieties require more than 80 days to reach full maturity. and later, senescence, a natural progression.

i wonder how that all translates to human years.

the fruit of determinate tomatoes ripens all at once. indeterminate tomatoes ripen fruit throughout the growing season, extending the crop harvest…longer and longer.

we can all wager our own guess; i’m thinking late season variety. this still-learning thing makes that abundantly clear.

and i’m hoping for indeterminate. never quite done.

*****

THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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it matters not. [two artists tuesday]

it matters not that our feet have walked this path before

it matters not that we have lingered under this canopy

we walk again, noticing, paying attention, in wonder.

it matters not that we have kicked the same pebbles in play

it matters not that the dirt sneaking into our socks is the same

we walk again, noticing, paying attention, in wonder.

it matters not that we recognize each bend, each curve

it matters not that we have watched the mayapple come and go

we walk again, noticing, paying attention, in wonder.

it matters not that we hear the same birdcalls, the same ribbiting frogs

it matters not that the train-through-the-trees is an amtrack we have seen

we walk again, noticing, paying attention, in wonder.

it matters not that the underbrush growth is measured by our return trips

it matters not that the wild daisies wave to us, friends

we walk again, noticing, paying attention, in wonder.

it matters not that the riverbed rises and falls as regularly as our breath

it matters not that the turtles show up where we expect them to be

we walk again, noticing, paying attention, in wonder.

it matters not that the sun dapples and hides where we know it will

it matters not that we can anticipate the sky – unrestricted

we walk again, noticing, paying attention, in wonder.

it matters not that playful chirping chipmunks are not exotic

it matters not that squirrels chastening us are not rarities

we walk again, noticing, paying attention, in wonder.

it matters not that this trail is not unusual, is not unknown

it matters not that we could likely close our eyes to hike it

we walk again, noticing, paying attention, in wonder.

because

life, we have learned, is

wondrous in its simplicities, in its familiarity, in its details.

life, we have learned, is

something to pay attention to – close attention – so as not to miss it.

life, we have learned, is

the more you notice, the more you notice.

life, we have learned, is

a walk, again and again.

*****

happy 101 birthday to my sweet momma. i will forever miss you.

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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toddler tizzy. [saturday morning smack-dab.]

they were perfect little travelers when they were little – my children – seasoned roadtrippers happy-as-clams as long as there were snacks.

not unlike the kiddos, we simply cannot get from point a to point b without snacks. roadtrips are synonymous with non-stop grazing, all bets off, things we don’t usually eat at home. though i’d like to say it’s all about trail mix and flax seed bars, the reality is that twizzlers and munchos and peanut m&ms sometimes make their way into the bags easily accessible from the front seat. carrots and grapes and cut-up apples and water bottles are in the cooler. and coffee. there’s always coffee. hydroflasks filled at home followed by cardboard starbucks cups of the boldest pour. back in the non-gluten-free days there would be those amazing lemon loaf slices too – the ones with the slightest schmear of frosting. and we’d bring along schmearless plain panera bagels, just to chew on. yes, yes, we know how to rock the highways.

lately, we’ve tried to be more – conscious – of our choices, tried to eat healthy snacks – even in the car – more kind bars, less pringles, more gf granola bites, fewer hostess cupcakes.

but then there’s david. trying to be all healthy-like, waxing poetic about the glorious bags and coolers full of nutritious, wholesome foods, robustly clapping at our roadtrip fare.

he’s all-in, a clean-snacks, upbeat good-food-eater until…that toddler-award-winning-tizzy-moment he completely loses it when he realizes that, indeed, we have not included peanut m&ms.

*****

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*using an apostrophe in a non-possessive plural really gets my inner-grammar-nerd going, so much research went into whether there is an apostrophe referring to the plural of these candies. since m & m are names and the candy is actually called “m&m’s”, i decided to go with the apostrophe referring to the complete name, but not without cringing at the use of an apostrophe sort of doubling as a plural. ugh. blame my sweet momma. 😉

SMACK-DAB. ©️ 2022 kerrianddavid.com


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kitchenaid, oh, kitchenaid. [k.s. friday]

a good self-actualizing refrigerator and freezer will keep things cold and frozen, respectively, and have no further issues. the job is simple.

now, there are fancy fridges and run-of-the-mill fridges…side-by-sides, french-door-bottom-freezer models, freezer-on-top standards, retro fridges, beverage center fridges, deep built-in fridges…but the one thing they have in common is keeping things cold, keeping things frozen. so, leaking water onto the floor is not in the list-of-things-to-do for a fridge/freezer combo that has any self-respect.

which brings me to the last two years of our kitchenaid.

back in 2013 i spent a literal fortune on a stainless steel french-door-bottom freezer refrigerator because suddenly, after merely 24 years, my fridge had failed. there is limited space in our old kitchen where the fridge goes so i had to choose carefully, measuring tape and measurements in hand.

they installed the new shiny fridge and, i have to tell you, i felt fancy. gleaming stainless steel, sunlight reflecting off its french doors, bottom freezer the coolest-invention-ever, i was pretty darn excited, despite the monthly payment to the temporary credit card issued by the local appliance store. classy fridge and all, i moved on in life.

seven years later, this fridge, that i have babied with stainless steel cleaner and soft cloths, began to weep onto the wood floor.

there was no reason for it to weep. on the contrary, i should have been weeping as i watched rust spots accumulate on its no-longer-gleaming doors. stainless steel that is not stainless. when i asked kitchenaid about the rust spots and streaks, they said, “we’re sorry you’re experiencing rust on your stainless steel fridge. we recommend using stainless steel cleaner.” well, hello. that’s the only thing i have used, frequently enough to have to purchase and re-purchase. somehow i am not feeling their remorse or sympathy.

but, back to the water-on-the-floor. the opening credits of the pandemic on the screen of life, we were not anxious to bring in a service rep, so i googled. there was a gigantic sheet of ice under the drawer of the freezer – and this was leaking onto the floor. apparently, this is a common problem. (which begs the question why this is not addressed.) i defrosted the freezer and fridge, cookie sheet catching the icebergs as i rubber-spatula-ed them off of the freezer floor. cleaned everything, dried it all off, stainless-steel cleaned the doors and body for good measure and turned it back on.

and now? i am doing this every four to six weeks. but i have it down to a science. i use this tiny fan that my sweet poppo made, a rube-goldberg special the rpms i could not guess but the pitch of the whir tells me it’s mighty fast. i only thaw the freezer floor – so i only need one larger cooler for the freezer food and i don’t open the fridge. i wipe it all down (there’s no chance for it to get icky these days) and turn it all back on.

yesterday morning…merely nine days since the last great-thaw…we woke to puddles under the fridge, clearly having a meltdown (no pun intended). we are increasing the defrost-the-freezer-frequency and looking up appliance repairmen.

my conversation with kitchenaid was…interesting and very, very long. they promised to send me a part on the 22nd. a couple days ago i checked on this. they told me the information i provided does not match their records. so i am at ground zero again. no irony there. zero. the degrees the freezer is set at.

i just don’t know. it goes without saying they just don’t make things the way they used to.

kitchenaid is leaving my heart cold.

*****

I DIDN’T KNOW from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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it’s not the spiders. [d.r. thursday]

i don’t know when it started.

maybe the day – when i was about fourteen – when i was laying in bed, having just awakened. i was on my back and curled next to me was my sweet miniature-collie-german-shepherd-mix missi. before jumping up to get out of bed i opened my eyes and stretched. dangling right above my face – merely inches away – was a gigantic spider. gigantic: of monumental proportion.

stifling a scream, not wanting to open my mouth, i limbo-ed my way out of bed, my eyes fixed on that spider. once out, i ran down the hall to the kitchen, never thinking about the fact that it was likely crawling on my pillow after my departure.

needless to say, i have a thing about spiders.

i don’t like them.

this may be problematic as we thru-hike some day. i’ll have to wave my trekking poles in front of me as we hike. and i’m not sure what i will do in our tent. i’ve camped before, though it has been a while. and my fear-of-spiders has grown through the years. i must have spider-trauma.

the first years i taught school in florida, my classroom was a small building they called “the music shed”. it was tucked into a swampy area of the school campus and they didn’t mention, on the day of my hiring, the banana spider population lurking inside that little building. inches across, these are not for the faint of heart. he brought a shop-vac one day to rid the room as best he could, but every day part of my attention was always looking for something moving – on the walls, on the floor, on the ceiling, on my desk, in the cabinets. just writing this post makes me feel a little squirrely.

so when this big ole spider was walking on the bedroom screen the other day (fortunately, on the other side of the screen) i flicked at it and was relieved to see it gracefully fall and scurry off.

i suppose there are many people who are afraid of spiders. we all try our best to avoid them, even as spiders have virtually no interest in us. they are just going about their business, unlike mosquitoes, who are seeking us out, to torture us. i read that most spiders are as harmless as ladybugs and goldfish. somehow those don’t terrify vast numbers of people.

but spiders, like snakes, get a bad rap. we think of them, creatures that do their best to get away from us, as scary and dangerous. while in reality, it’s the mosquitoes and ticks and no-see-ums and mites, stalking us, that should be the target of our ire, their elimination our focus.

funny how that works. pests quietly, deliberately, going about making our lives miserable. there, often unnoticed, often underplayed. eating away at our comfort, the freedom of our existence, bringing disease.

i don’t know why this makes me think of today’s political arena.

*****

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