reverse threading

the path back is the path forward


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both-and. [merely-a-thought monday]

ricko and nick could be friends. they are on the same page…that trite-but-true one of potentiality.

in “my big fat greek wedding” nick portokalos quotes dear abby, “don’t let your past dictate who you are, but let it be part of who you will become.” out in the middle of the arctic tundra, ricko dewilde firmly states, “the best way to lose an opportunity is to believe it’s not there.”

john denver in “looking for space” lyrics writes,

“on the road of experience
join in the living day
if there’s an answer
it’s just that it’s just that way

when you’re looking for space
and to find out who you are
when you’re looking to try and reach the stars
it’s a sweet, sweet, sweet dream
sometimes i’m almost there
sometimes i fly like an eagle
and sometimes i’m deep in despair…”

we are all out there – looking for space. no matter the ladder rung, no matter the age, no matter the skill level, no matter the lifeline of work and education and privilege and lack thereof, no matter the past, no matter what we believe, no matter the matter we are looking for space. the place to stand and breathe and be exactly who we are.

this week i flew like an eagle. this week i was deep in despair. i would guess – were we all to be candid – there were many with me up in that eagle-sky and many with me scrambling in muddy-despair. it’s both-and. life is a correlative conjunction.

and – in that infinitely latent and screaming way of possibility – the space we inhabit on this good earth is full of it.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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any. thing. [saturday morning smack-dab.]

there’s no telling. no way to know. really anything. any. thing.

the mystery of the new year is enormous. giant arcing things will happen, life-changing. tiny morsels of moments will happen, life-changing. we have no way to truly predict. there is no artificial intelligence that can tell us the spectrum of life that we will experience in the new year. it is hidden in holiday wrap, too much scotch tape, gift tags that have become mixed up, like luggage on southwest airlines right now.

to greet it without a hint of anticipation, without a breath of celebration, without acknowledgement of the brevity of time, is to maybe miss it.

stardust falls on our shoulders as we walk into the turn of the year under the big, big sky.

anything is possible. any. thing.

*****

happy new year.

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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in the questions. [k.s. friday]

i cleaned my studio.

finally.

took everything off every surface. dusted everything. put some things away. moved things around. got rid of excess. hung a favorite print. and – with great care – gently vacuumed the inside of my really beautiful piano, for full-stick is an invitation to dust.

i stood back, stood in the doorway, looking in.

the room was breathing. deep breaths.

i was breathing. immersed.

there is still more to go through. there is more to file away. there is former work-trauma to discard and there are calendars of choir music and ukulele band books and handbell arrangements and contemporary solos to box up. the first pass didn’t get all those and now, two years later, i am still a little paralyzed by all of it. that’s why it all needs to go. this process is taking longer than i would have anticipated. “mind, body, spirit,” she said. “it’s not likely others will understand all the layers. they will expect you to just move on, to get over it. they will not grok the wounds; it is all fraught.”

but there were staff lines in the sky. and the universe prompt is haunting me a little.

it’s always had a purpose – my studio – a direct line from standing or sitting in there to actual work. i’ve not just noodled or played because i was just playing. i’ve stood in there to write – to flesh out an album, to practice, to plan – the arc of music for a concert or for a church calendar, to teach – so many students through the years. it hasn’t been a place i go to without purpose, without an end-product, without a result i could see. as an adult, my studio has represented the potential for income; it has been a professional place. now there are questions. many of them. like living in a blank staff, i live – lost – in the questions.

i played my piano. a few carols.

there is one more day this year. and then 2023.

and i won’t carry carols into the new year. it will be time for something else, something less dusty.

there’s some way to go. it’s not as simple as it sounds.

the staff lines in the sky hold no clues, have no notes.

maybe – instead of reading that as tacet – silent – i might – and “might” is the operative word here – read that as a composition without designated key, without predetermined time signature, without definitive expression markings, sans any direction or boundary.

vacuumed and breathing.

an empty notebook on the stand. pencils.

full-stick.

we’ll see.

*****

lost. in the questions. – kerri sherwood

download music from my little corner of iTUNES

stream on PANDORA

read DAVID’S thoughts this K.S. FRIDAY


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under the flowbrella. [d.r. thursday]

back a while ago – in 2018 – we were designing up a storm. we offered prints, throw pillows, tote bags, phone covers, shower curtains, coasters, leggings. i spent hours designing hundreds of products. it was a blast! one of our designs back then was “go with the flow” and you can still see (and purchase) items on society6.com.

because “go with the flow” still fits – and, i suspect, forever fits – when we passed these napkins at festival grocery store, it was on a day when they were the perfect companion to our happy hour. a reminder. a keep-perspective nudge.

i have learned that going with the flow is really an umbrella mantra. everything else can get neatly tucked in underneath the flowbrella. for what choice do we really have? pushing back causes undue stress and anxiety. hiding in a cave is just downright depressing. moving on – in the flow (picture yourself on an inner tube in a lazy river under a soft sun in 75 degrees with a gentle breeze) – is likely the best option.

having been raised in new york, i must say that goingwiththeflow doesn’t really come natural. there’s a little pushback in each o’ us and the older i get, the more i realize the uselessness of trying to dig in. my heels are not strong enough to withstand the force of the big river and it’s hard to curl my toes in the cold water to grip the riverbed (without getting a foot cramp, which is a whole ‘nother post).

in these days of getting older – and perhaps a tiny bit more sage but not too much but maybe a little – i have learned that the future comes – at least the next day – whether i agree with the present day or not, whether it’s my best day or not, whether i am wrong or right, whether i am blissfully happy or gutwrenchingly sad.

we are all kintsugi vessels. we keep our eyes peeled above the water, through the challenges of being human, and focus on whatever is our “go” lighthouse.

*****

read DAVID’S thoughts this D.R. THURSDAY

our sweet Chicken Marsala


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that lake. [not-so-flawed wednesday]

whether we acknowledge it or not, it sits next to us, powerful. some days it forces us to pay attention. the waves roar, the wind blows, it is colder near the lake. other days, it is silent, just a presence, like something you feel but can’t see.

i remember when we first arrived here – 34 years ago. the lakefront was different. there was a big engine plant in prime real estate on the lake. it all looked drab and run-down and giant smokestacks lined the sky.

when they didn’t call my husband back for weeks about the position he had interviewed for, i felt lucky, like i had escaped. wisconsin wasn’t on my radar much back then and i wasn’t so sure i wanted it to be.

but, in the way of irony, after six or seven weeks, they did contact him and offered him the job. and the rubber hit the road. i left florida – where we were living at the time – pretty much kicking and screaming, though silently, inside.

eight to nine months later we moved into this house. and, as a dear friend wrote to me, [my] “dna is probably embedded in almost every inch of it.” wisconsin, indeed. 34 years.

as life goes and time moves on, it’s a little uncertain where we will be in years to come. as an ever-increasingly ominous climate change rears its ugly head, we see the potential wisdom in remaining where we are – close to a huge fresh water source in a place where most weather is not too extreme. we have only a short list of places we’d move, a couple of them in a heartbeat.

and then we take a walk. it’s very early morning and we are returning from dropping off littlebabyscion at our mechanic’s shop, choosing to walk home. he’s an early bird so we are walking before a lot of the town is awake for this summer dawn.

the lake is mostly still. it blends into a cloudy sky and takes our breath away. we’ll turn right – west – and walk a block to home. the lake will stay where it is.

and a little while later, over a fresh pot of coffee, we will look at the photographs. to our side, the lake will be quiet as we comment on its stunning personality.

i’m still not sure if i’m crazy about wisconsin. i’m not from here. and that changes things in this town.

but lake michigan – just steps away – knows that. and every now and again that lake, while we are walking in our old neighborhood along its shore, nudges me and makes me pay attention. it pokes at the heartstrings that are tied to this place – through the good, the bad, the ugly, the marvelous – and reminds me of its presence.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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we’ll see. [saturday morning smack-dab.]

i read it on facebook. her daughter had fallen in love with the perfect home and had made an offer, only to lose this perfect house they had been saving and saving and saving for to someone who offered $200,000 (that’s two-hundred-thousand-dollars) OVER the asking price. all cash. it’s insanity!

we ponder the next chapter often. we have dreamy homes in our mind’s eye and on my laptop screen, plans i have saved, photographs of houses over which we have lusted. out the window are mountains and space, oftentimes water. and never perfect grass. i’ve noticed a theme of more natural settings, without the greenscape of manicured lawn, edged and treated and de-dandelioned.

but i cannot imagine how any of that is possible. we are fortunate to live in our old house in a beautiful old neighborhood near a giant great lake. we don’t usually have tornadoes or hurricanes, ice storms or lengthy periods of time over 100 degrees with feels-like humidity pushing us to stay inside. we have winter, yes. we have snow, yes. we have very-late spring, yes, sort of. we have gorgeous fall, yes. we have thunderstorms and sometimes windy derechos, which are scary as heck. every now and then we have ice and every now and then there will be a period of time with hotter-than-heck temperatures. and we love our home…the creaky wood floors, the fluted glass doorknobs, the high ceilings, the six-panel doors, the nooks and crannies, the light. even with all its idiosyncrasies and the ever-present maintenance list, we are grateful for it.

but…the next chapter. i hear about people retiring and moving south – to florida, most often. i hear about people moving southwest – to arkansas, to arizona. these aren’t places we would choose. we have a short list at the moment: colorado, north carolina, vermont, maine. i think that’s about it for now. i’m not sure how we could afford any of those places. we don’t have two-hundred-thousand-dollars-cash-money-over-and-above-the-selling-price to entice a seller to accept our bid. my heart goes out to my friend’s daughter. buying a home these days cannot be easy – for most.

so every day, really, i tool around online looking at our top destinations, dreaming. i jaunt over to airbnb to see what it would be to live in those spots for a couple months, enough time to immerse and feel like we have gotten out of dodge. i show david pictures and we chat about the possibilities of someday. i look at calculators and equations and budget projections. yikes!

and we start to make a plan. our roadtrip. i guess we’ll see.

there’s a lot to consider and, clearly, we need a much bigger piggybank.

mostly, though, i’m guessing we will follow our hearts.

*****

read DAVID’s thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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the pod of our diapause. [two artists tuesday]

the color of a palomino, the pod of milkweed off the side of the trail captures my attention. though i want to touch it, to feel what looks like a velvety ear, i don’t disturb it. this pod has burst open, its seeds scattered, waiting for verdant spring and the eventual arrival of monarchs. the butterflies left the midwest for the winter, migrating, traveling up to 2500 miles to shelter and hibernate through winter in coolness that is not cold.

their diapause is a period of suspended development. it is common in the insect world, this inactivity: “a state in which their growth, development, and activities are suspended temporarily, with a metabolic rate that is high enough to keep them alive.” it’s a kind of dormancy. it sounds a little like isolating in the middle of a pandemic, a little like a response to a few more-difficult years. a slowing down, an insulating, a turning-in, heartbeats enough to sustain yet not enough for vast inspiration. hmm.

back on our favorite local trail, we are watching it wake. we take note of the changes in color, the changes in the woods, in the meadows. sipping coffee this morning we listen to the new sounds – birdcalls we have missed in the quietude of winter, the middle of our diapause.

we start to feel the pull of the outside more, the draw of places to see, the falling-off of quilts we have wrapped around us. i begin to wonder – with a little more energy – what next and next look like. the sun streams in the window and stays up later, pushing back night like feet on a crab soccer ball.

we begin to break open the pod of our diapause, long after milkweed but before the butterflies come back.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the glow. [d.r. thursday]

even on a foggy, overcast day, looking down from the ridge the glow was unmistakable. the everciduous beech trees stubbornly held their leaves, dying the brown woods a shade of cantaloupe or hard-to-identify pantone.

the forest floor below our feet was shuffling-full of leaves, oaks and maples and a variety of brown county timber. vines curled their way around trees in attempts to find the canopy. on this winter day, were it not for the marcescent beech, we could see further than any other season in the woods.

marcescence, i’ve learned – for this is not a word that sprang to the forefront of my mind – is the retention of leaves through winter. it isn’t until the leaves are completely brittle and wind takes them that they drop. and in the meanwhile, new growth – new leaf buds – have been protected and had access to nutrients and moisture, a sort of still-on-the-tree mulch.

it occurs to me that marcescence is like changing jobs. one generally holds onto a job until retaining the next, the security of employ feeding confidence and necessities while new awaits. it’s always a little disconcerting to leave before next is there, a leap of faith, sometimes, a premature leap, with regret.

yet sometimes, it is absolute. we drop our leaves. we stand naked in the forest, tall and exposed, willowy trees waiting for spring. sometimes we shed all that protects us and take risks and go fallow in liminal and shiver in cold winds. we gaze around and see everciduous folks nearby, confident, predictable, stalwart. we dig in, deep roots of belief in ourselves despite weather that tests us. we draw from the ground, are fed by what we know, what we have learned, what we have created. we hold onto tiny bits of light. we protect the glow. we push on.

and new buds show up. spring always follows winter.

*****

read DAVID’S thoughts this D.R. THURSDAY


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unfinished. [not-so-flawed wednesday]

while she explained to me the presence of the cross on the back of the donkey, he explained to david how he installed the sun-seeking solar panel in the barnyard. both exist here. the old world donkey and the twenty-first century solar panel. together.

he told us that they were about our age when they started to make plans for next steps. they sorted and listed and researched and made decisions for their next phase, moving to acreage further south – in a bit more temperate clime – closer to some family, out in the woods with ridges and ravines, living their dreams for the next of life. “you should start thinking about that now,” he encouraged us. he’s right. we think about it all the time.

“the world never comes at you all at once,” john o’donohue wrote. “you are not simply here. neither are you definitively and forever ‘you’.” … “no person is a finished thing.”

things you can count on. change and change and change.

we know change is imminent. and change has already arrived. and we have exited change, taken the doorway that reads “next”. and we can see more doors and more doors. they are a little further away, like trail markers, choices to be mapped, routes to follow, narratives with gaps to fill in.

maybe a coupla donkeys, a coupla horses, dogdog, mountains, cherry tomato plants, and trees. our lives will evolve.

in our mind’s eye, we paint ourselves older – hopefully wiser, but i know there’s no guarantee of that. we paint the hue of early morning sunrises over peaks near and far. we paint old porches and adirondack chairs. less stuff and more time. old world and new world. much like now, we paint in mugs of coffee and glasses of wine bookending the day. we paint in people we love. we paint in hiking and writing and new recipes and doing the art we do. it’s unfinished, this canvas.

life is not a paint-by-number. and solar panels and donkeys co-exist in barnyards. and we are not definitively any particular colors in any particular place doing any particular thing. we are made of dreams and change.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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the gig economy tapestry. [ saturday morning smack-dab.]

i was going to write about the gig economy. about how living a life – mostly – in that world has given me a perspective about work that is maybe a little less rigid than the perspective of one who has worked outside the gig economy. always piecing it together, always scrappy, always thinking of the next new thing to create – these are second nature. not having as much, worrying, repurposing, having thinner margins – these are also second nature. in the middle of the middle of what-next thinking, outside the box of indeed and monster and ziprecruiter and simplyhired and random sites that seriously suggest i apply for positions as a neuroscience researcher. “now what?” people will ask – mostly who don’t really know me or who are drawing comparisons with their own lives. i was going to write about all that.

but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see what which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.

there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com