they will come back to grind out the stump. the crew said it will likely be a few weeks before the grinders get around to it, but eventually they’ll come and remove the last vestiges of our sturdy old tree.
after that we can get on a list for a new tree, the cost partially underwritten by the city. there’s a list of tree varieties one might choose from, depending upon availability. we’ve printed the current list and have begun studying trees – like one studies refrigerators or washers and dryers when you need one – immersing in photographs and information and reviews.
when we are officially on the list we will request our tree; we are actually hoping – with all the space out front – we might be able to purchase two. we’ll see. and then, maybe in the fall (or next year?) it (or they) will be planted in our parkway and we will start a new relationship with our tree or trees. it will signal a new time, a new era. and, in the way that these things go, it will also mark time. a new tree for both of us in this time of daisy-pathing.
there is something about a fresh start, something inviting, even compelling. a chance to write new narrative, from a different starting gate.
i can feel it – that fresh start – peeking out from around the corner. it has showered me from time to time with its freeing grace. and when it does, it is euphoric, a buzz of sorts – intoxicating like dopamine. releasing all harm that has been tightly held – stored – a toxic i did not choose but which has stayed with me through all the silent times.
and i hope – against hope – that soon i will also be a new tree. soon, there will be a sapling i can nurture. soon, there will be new growth, new branches and leaves. soon, all manner of the old pain-inducing stump inside will be gone.
and our new maple – or honeylocust – or ginkgo – and i will freshstart together.
there is something about a train platform that makes you feel like an explorer. not necessarily like ferdinand magellan or lewis and clark or amelia earhart or jacques cousteau or edmund hillary and tenzing norgay or jane goodall or neil armstrong or sally ride, but maybe something more along the lines of maybe erma bombeck on errands or a fantastically prolific carole king in a new recording studio or an unabashed meg ryan on a new romcom set, slightly more tame, but nonetheless full of infinite possibility that might inspire your muse.
we have been on this particular platform many times – well, for people who live in wisconsin, anyway. it is often relatively empty when we wait on this side – the northbound side – later at night.
it is always after a really full day – rich in time with our son, eventful, fun, alive. we are usually pretty tired on this platform as we wait for our train, incoming from downtown. and we are usually talking about the day, reviewing all we have seen and heard and how really full the day was.
and there are always moments we realize that it feels like we have been away from home – like this one day – when we spent many hours traveling down, being in the city and then traveling back – it feels like way more than just the hours in one day.
exploring is supposed to be like that, i believe. you are supposed to feel like you have been away – away from everything that is usual. instead you have stepped away into time that is reserved for new experiences, for new people, for new ideas, for expanding what you knew into more. even if only to the metropolitan city that is just down the road from you, exploring opens you.
it’s one of the reasons we love watching youtubes of people doing thru-hikes, people climbing ridiculous mountains, people free-soloing and people snowboarding in the back country. it’s one of the reasons we love non-fiction and autobiographical/biographical narrative. it’s all different from our own lives and some of it is crazy stuff, but – vicariously – we can feel the energy of exploration and it feeds ours.
though right now we are minimally physically exploring ‘out-there’ – not traveling the way we would – we are reading, viewing, researching, adventuring as we can.
wide-open exploration is not something insurmountable – it is as minimal as reading an opinion that is opposite of yours, it is questioning what you know, it is trying something new, it is pushing one tiny self-imposed limit, it is going away even if you don’t go away, it is opening your mind to the imaginings of an empty train platform late at night.
it’s a new season. the signs are all around us. the windows are open, letting in cool breezes.
and yesterday – of all days – i opened instagram to the suggested reel of a small child i had never seen before, never heard of.
there she was – the tiniest little imp of a girl – all buckled into her carseat, saying: “you can’t worry about what other people think. i mean, have you MET other people?”
this darling little girl – maybe 4 or 5 in this video.
and then, a few more words, words to work on taking straight into my heart:
“people don’t have to like you. people don’t have to love you. they don’t even have to respect you. but when you look in the mirror you better love what you see…you better love what you see.”
though we love-us (as they say) a familiar trail, we found a new trail to hike recently.
it was a really windy day and we set out knowing we would not-know what we might find along the way. that – in itself – is one of the gifts of hiking. even on trails we know like the back of our hands.
i knew being a minister of music like the back of my hand. and, as the easter holiday just passed by, i thought a lot about the 35 or so easters for which i had been responsible – the decades i had shaped the music of these seasons. i always believed it was my job to help people connect to that which they could not see – thus, ultimately, to touch faith, to touch love.
a dearest friend of ours retired this past week. with great joy, we celebrated his new freedom and listened as he told about the party his colleagues had thrown for him. he told of their stories, their comments, their appreciation – it was a powerful validation for him and for all the time and energy and life he had spent working in that place. he finished with a flourish – full of affirmation – ready to walk into next. one door closed, others ready to be opened.
it brought up personal grief.
for my very last days – of that career – one of the professions in which i used my knowledge of music – that spanned three and half decades – these days were not lined with validation or gratitude or even a nod of thanks. instead – for me – they were fraught with being fired, what felt like a plethora of undistilled meanness, full of unanswered questions, betrayal and shock and – then – absolute quiet. an assault.
i never finished. there was no brunch, there were no casseroles, no sheet cake, no jello mold. there was no t-shirt, no mug to carry off and use each morning, warmed by the memories of time spent.
this was an awakening.
i suddenly realized that i wasn’t done.
for all the sorting and cleaning and throwing out, there was still something incomplete.
there was no flourish; there was no affirmation.
this was an epiphany.
since i can’t go back literally, there is something in me that wishes to find a way to closure. maybe it is to go back to this place we found on this new trail. to this gate that stands in the messy field of wild grasses next to the birch tree just a bit back from the meadow. maybe if i lift up that gate and just step – even just one step – into what is past it – what is on the other side – maybe it might feel – in some metaphorical-retirement-party-crepe-paper-streamers-strewn way – like there was a little flourish. that i will grant myself the validation, the affirmation – the acknowledgment of a great deal of dedicated time of my life – that others tore from me, disregarded – that i will know – deep inside me – that i gave that place – and all the 35 years in that particular spoke of my sedimentary-layered life of music – giant pieces of my creative soul and that i can finally – finally – leave the familiar behind and get about the new. whatever their agenda or issues – in an end that was not of my choosing – it should not detract from my own celebration of me.
i will never be a minister of music again. that part of my life – that arrow of dedication of the music within me – has finished. and – i was damn good at it. i understood it. i knew it like the back of my hand.
and now it’s time for a new trail.
right after i pull down all the streamers and toss them out.
“neither be cynical about love; for in the face of all aridity and disenchantment, it is as perennial as the grass.” (desiderata – max ehrmann)
we wander down roads peppered with aridity and disenchantment. the impact is exhausting. the fallout can be long-lasting. they – aridity and disenchantment – wind around our fragile hearts, pressing, making us short of breath.
we are disappointed. we believed that others were different. we believed we were cared about, appreciated, that we were held in grace.
we are shaken. for some things take us by surprise, some people take us by surprise. we flail and stumble over these rugged rocks slyly hiding just beneath the road’s surface.
we are hurting. for we feel betrayed. aridity and disenchantment pale; they are dim heartbeats of betrayal.
and we find we must take a moment, a respite on the side of the road. our hearts are floundering.
and – somehow, somewhere – we are reminded. just as we were about to pick up the cynicism white flag, we can see it: love.
and we can feel the river flowing through us and we can feel hope rising. for under the snow the grass is greening.
and we turn away from that which causes us profound thirst, that which prevents growth. and we discard that which has been a rude awakening, that which has elicited utter disillusionment.
the tracks tell the story. they came in and mowed down underbrush and trees, grasses and cattails. all in the name of habitat restoration. apparently, there are buckthorn and cottonwood and boxelder and various other invasive species that are suffocating the growth of young native tree seedlings. it looked absolutely devastated. as did the back half of the woods earlier this year after they attended to that section. but there was space for the sun to get through, for air and a bit of new growth. it was necessary.
now, admittedly, the back half doesn’t look as raw as it did right after that earlier eradication. but – it does look different. just as – i suppose – this section of the woods will look…eventually. it’s the meanwhile that is a bit tough to take. it’s stunning to see such emptiness where there was lush. it’s bracing to recognize how long it might take for this area to grow back – to fulfill the potential the ecologists plan for.
but devastation is like that.
in devastation-light we have the basement/attic project. this will all look decidedly worse before it looks better. the categories – keep, donate, sell – are staged all over the basement and have spilled into other rooms in the house. eventually, this will get better. it will look different. right now, though, it is a ruckus of stuff.
all this review of the past, though…it’s good for my heart. tiny salvageable moments derived from these seeming willy-nilly piles…i am wrapped in the after-devastation feels. for this is chosen devastation – choosing to touch all that is in the house and decide about its fate. and maybe devastation isn’t a good word for that kind of parsing out. just because it looks like devastation doesn’t mean it is devastation.
but there will be more culling before there is something that looks and feels good: the cleared out, organized space that honors the before-stuff and makes way for the next. the same way it is for emotional clearing-out. it will all get much messier before it gets air.
the tracks from the backhoes and heavy equipment punctuate the trail. we may wait awhile – maybe a few rains – before we take that loop again. in the meanwhile, we’ll go along the river where the trail is longer and quiet and the trees and underbrush are untouched – at least for now.
we’ll continue our quest in the basement and the attic and every other nook and cranny. we’ll make messes and piles and categorize each thing we unearth.
and the emotional stuff, well, it will surface and it will recede – both. it will be like a tide – just like the basement, it is a choice to pull things out of their previous compartmentalization. just like the basement, it has the potential to be really messy. and, just like the basement, it will be tedious and time-consuming and it is possible for a bit of anxiety to creep into the spaces previously left wide open by keeping it all in boxes and on shelves. suddenly, it’s all free-floating and there are fragments of emotions and tangible pieces of the past right there in front of us.
so we climb aboard our front loaders and excavators and bulldozers. and we start plowing down all the invasives.
and we just may feel restored after it all. we will have relived many memories, touched – really touched - the evidence of time passing.
and we just may be rejuvenated. the new saplings will be free to grow.
and we will look forward to lush, breathing easier and feeling the sun on our faces.
and today – despite the dirt and the dried stems, vestiges of life-gone-past – despite the cold and the snow and the ice and the rain and all the elements that have torn into this plant and the critters that have refuged under its branches – despite the sun and the drought and no added nutrients and almost no attention whatsoever – small clusters of brassica-like buds have sprouted out of the ground.
they have persevered, they have sought rebirth, they have wiped away their tears of disappearance and their underground fallow and they have risen up, one tiny millimeter at a time, unnoticed until now, shoots of green in all the brown.
they have not been considered marvelous. they are not rare. they are not exquisite blooms, fragile petals, filmy tendrils connecting them to their lifesource. instead, they are curled cabbages, tightly wound and unwinding.
they are a little bit haughty at the spring and its sweet-time-taking. they are persistent, resilience at their core, hardy, paying no mind to the rules of march or april or, really, any season. they wait for no one to move the leaves and debris of winter. they are independent.
this new year of growth, this new season of their sedum-lives is pushing out of the good earth – despite all odds. they keep on keeping on, mustering up next and next, pushing aside all doubt, surely panting in their phoenix.
one of nature’s market umbrellas, this toadshade. research states that its prairie trillium leaves – in a salad – taste a little like sunflower seeds, though the idea of harvesting as we hike is not really appealing to me. in due time we will be on the trail and the sessile blooms will burst open, deep red flowers punctuating the woods. the mayapple will spread and vast areas of decaying leaves will be covered by its natural awning. it is a joy to watch the forest wake.
soon i will move into the studio to pare down and rearrange. it has needed this for some time. like decaying leaves, but without the nutrients those generate, i will put away vestiges of places or times i simply cannot tolerate thinking about any longer. a plastic bin will hold the artifacts and, in that clearing out, i suspect light will stream in. i will not merely glance into the studio. i will walk in, breathe, and step the next step of whatever the journey in that studio is. even if only to watch it wake right now.
with the cantilever umbrella of my piano full-stick, maybe i will sow mustard seeds of possibility. and, maybe, just like toadshade, blooms will burst open.
in these times, we often hike the same trail. there is not enough time for long-distance travel right now. but we are comforted, nevertheless, by this same place, again and again. it has become an old friend and there is nothing better than someone or something you know really well and love in all its moods and through all its seasons.
it was easter sunday and, for only the second time in decades, i had no obligations. it was cold – almost miracle-mitten cold – and we were trying to choose between meandering through the early spring flowers at the botanic garden or hiking “our” trail. we suspected that the botanic garden would be crowded; we believed the trail would be almost empty. we chose the trail.
you might think we would tire of this trail. you might think we would choose something else, somewhere else. you might think there would be nothing new to see. on the contrary.
i am reminded, as ever – again – now that i am, finally, just the tiniest bit wiser – of marcel proust’s words, “the real voyage of discovery consists not of seeking new landscapes, but in having new eyes.”
there was lots of trailside vegetation coming alive, tiny buds, green sprouts. the familiar turns in the path led us past busy squirrels, chipmunks we could hear but not see scurrying in the underbrush, birds and geese and ducks.
after a couple hours, we set up our pop-up bistro table and chairs in the middle of the woods. surrounded by tall pines in a spot that would be underbrush-inaccessible in the summer, we sat, in the cold, snacking on cheese and crackers, quinoa tabouli and a few sips of wine in small yeti tumblers with lids, springtime napkins reminding us of the season. we took our gloves off, had a few schnibbles, put our gloves on, chatted and repeated. we pulled up our hoods and turned our backs to the wind picking up. mostly, we sat in the quiet.
and we looked up.
and there, that which we could have easily missed, was this magnificent view of the blue sky and the towering tops of pine trees that had endured the same forest for a very long time.
there is nothing ordinary about a view like that.
an idiosyncrasy, a quirk, a hallmark, a side you hadn’t yet noticed. such is the complexity of an old friend. such is the charm of discovery.
i did a photo shoot with my cello. it’s a gorgeous instrument, elegant and full of tear-your-heart-out melodic possibility.
i am sitting at the edge.
i clutch onto it tightly, yearning to yo-yo-ma, yet knowing this edge is somewhat irrefutable. in my heart, my wrist, the tendons of my fingers ache to bow, to press string to fingerboard. the edge pushes back. i know that it is time and that no dream in the night – onstage with soaring, weep-worthy lines – will change that.
my edges – like conglomerate rock, a mixture of wishes and knowings and new – reorganize in the kaleidoscope of life. and, because life is like that, surprises will show up, lit by spotlights and sunlight.
and, once this stunning instrument has moved, as it should, from my studio to the embrace of someone else, i understand that, though my hands will not touch its graceful lines and resonant soul, there will be other learnings, other touches. and always, other edges.
“though i play at the edges of knowing, truly i know our part is not knowing, but looking and touching and loving.” (mary oliver)
reverse threading 