reverse threading

the path back is the path forward


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sustenance. [kerri’s blog on k.s. friday]

we waited for it. and the bit o’ sun showed up on christmas morning – after several days of fog. it was a moment of hope – to see that shining orb trying to burn its way through. it didn’t last long – it ended up raining – but it counts that it was there.

i woke early the other morning. snugged under the comforter and the quilt, open window by my side, i could hear birds. it’s unusual to hear them quite so zealous in the winter, but for a few minutes – on this not-as-cold winter dawn – they were there and it was exquisite.

we walked through the antique shoppe and stumbled across the frame of a lampshade tied with bits of muslin, satin and gauze. i was immediately back in the old farmhouse in iowa where several fabric-ed repurposed lampshades hung in a corner. we walked on, but that time-spent surrounded me for a few minutes and i texted the owner of the airbnb – just to let her know about this visceral fondness – the memories. they were there, swirling around me.

some things are indelible. they etch into us as touchstones of comfort. the sun, early-morning birds, memories. they feed us in times of extreme hunger, times when we really need something to hold onto that is somehow tangible even in its fleeting.

and some things are meant to be laid down. they are shadows. they starve us, they compel us into deeper waters where it’s harder to differentiate good from not-good and we feel a bit lost, out to sea. it’s too noisy, too raucous, too frenetic – when we are merely seeking serenity. we work to lay it all down – that which impedes us, which makes us stumble, which blocks us.

in this very first week of the new year i am hoping that this is the year i personally may be able to put a few things to rest. we all have them – those open manila file folders in our heads or hearts. i – like you – yearn to take a sharpie, label them “done”, slap the folders closed and staple them shut. 

but even in this rapidly-approaching-medicare age of mine, i know there is work to get there. nothing worth doing is easy…isn’t that the saying? though i don’t have the flip-the-page-a-day-over-the-metal-u-rings-at-a-glance calendar that my sweet momma had, i want to flip the pages over to get there.  

we all take out the manila folders and peek inside. it’s a hunger. to get to “done” on those folders and to get to “start” or “start again” on others. 

and sustenance helps. the generous. the most basic. even crumbs. even the most transitory, the most evanescent. if it was there – if it fed us – it counts.

*****

NURTURE ME from RELEASED FROM THE HEART ©️ 1995 kerri sherwood

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pussywillows. [k.s. friday]

with gordon lightfoot crooning in my ear, i stroked the pussywillows on the trail. i can’t remember seeing these on trail before. i know i would have noticed – their softness begs touch.

“pussywillows, cat-tails, soft winds and roses
rain pools in the woodland, water to my knees
shivering, quivering, the warm breath of spring
pussywillows, cat-tails, soft winds and roses”

(gordon lightfoot, “pussywillows, cat-tails” 1968)

smooth silvery-grey under our fingertips, we each took time to touch, to marvel at the beauty. and gordon lightfoot sang on in my mind.

as a writer, composer, lyricist, there are decisions one must make along the way. we place ourselves in a vulnerable spot, not for our own purpose or indulgence, but, instead, in the hope of resonating with someone who needs the words or music or lyrics we write, in the hope of reaching someone else walking in similar shoes, in the hope of assuring someone out there who needs to know they are not alone. and so, at the risk of thus vulnerably over-sharing, i offer this:

but some things are triggers. and, as the verses and guitar continued, this particular gordon lightfoot song is one of them. my #metoo was at the hands of a musician, a serial predator who walks freely even today. he played guitar and charmed his way into the never-to-forget-lives of many susceptible young women. a man who softly sang gordon lightfoot and james taylor, who wrote love songs, new lyrics for gorgeous SATB hymns, and taught guitar surely was to be trusted, right? wrong.

i can appreciate these beautiful pussywillows, another harbinger of spring and new life. but i stop a moment and give nod to my much earlier self. in a watershed, i recognize the parallel of this earliest time working in the church and my latest work. bookends.

riding on the roadside the dust gets in your eyes”

it’s not the dust that brings tears to my eyes, it’s not the spring air laden with newness of pollen, the turning of season. it’s the raw bookended time in places i trusted as safe. i cannot help now but examine it all up close, process it, grieve the loss of innocence, the devaluing of women, abhor the loss of respectful truth and the reign of agenda. the bookends hold upright the time in-between, all the books of life, times and experiences and mistakes and successes, the laying down of any attempt to process, to make right, of any ramifications for the wrongdoer. the bookend of late was a stunning surprise. i am astonished at its destruction, now, no longer a teenager. i find it all shockingly galling.

“slanted rays and colored days, stark blue horizons”

the horizon is much like the horizon all those decades ago. it’s surprising to return to that feeling. i want to leave, to run, just like that other time, that other bookend. my physical life, however, is not at stake this time. it is me, my loss of community, my loss of position, stolen integrity. i cannot wrap my head around the slanted rays, the starkness.

“treasuring, remembering, the promise of spring
pussywillows, cat-tails, soft winds and roses”

treasuring, remembering. promises. but roses…the flower of love…it is hard to hear lyric of roses…my hope is to only hear gordon lightfoot in my mind’s eye and to forget the echoing bookends.

“shivering, quivering, the warm breath of spring”

to remember – spring is beginning to spring. the catkins of the willows are soft, cattails seed in the wind, warm circles us on the trail.

*****

WATERSHED ©️ 2004 kerri sherwood

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daisy dust. [d.r. thursday]

there is a single dried daisy on the dashboard of littlebabyscion. it’s been there now for just shy of ten years. i don’t suppose it really even looks like a daisy anymore, but it is. it’s one of the first daisies – well, one of our first daisies – from our first meeting a decade ago.

when we clean the inside of littlebabyscion, we are careful around the daisy – for surely, it could easily turn to dust after all this time tucked into the dash. if that happened, i’m quite sure we would survive. it is merely a marker, a relic of the start. time – and the we of this story – continue on. even – someday – after the dust.

she told me that she could see a small green shoot. in between all the beautiful dried daisy dust and the dust of fallow and the dust of disappointment and the dust of challenge, a small green shoot. she reminded me that all of creation is starting anew now in this season of spring and that we are no more and no less of creation than the new daisies or striped squill or dandelions or grand tulips and budding aspens and flowering dogwoods and early redbuds or cherry trees. we are no more or no less than the creatures busily preparing their nests for new birth. we are no more or no less than any planets lining up in the night sky. we are, like everything else, shimmering stardust.

i can feel the green. it shows up with the open window to my side. it shows up with the sun on my face. it shows up – roaring – in the wind from the west and it shows up – quietly – in the east side of the sunset.

in the decimated woods of the trail we love there is green sneaking up between the mulched branches and underbrush. the energy of the green is contagious. new possibility on the horizon…to abstract, to notice, to build upon.

nothing can quell the energy of stardust. no matter when. it – like everything – continues on and on, vibrating in absolute connection. a metamorphosis of seasons. daisies on the dashboard.

*****

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the burn. [k.s. friday]

they chopped down, chainsawed, mulched, chemicalized, burned. they decimated the whole forest to eliminate the invasives. and – in the way of oncological medicine, of environmental eradication programs, of corporate and organizational ousting – the good cells may somehow survive, burned edges and all.

to be a tree with burn marks is to be human. one cannot traipse through this life without them. we all carry with us whatever balm has helped us get through the fires. we lean on the surety that spring will come, eventually.

as we hike the trail, we know that it is not one hundred percent that only the good will keep on. it is not a certainty. instead, it is a risk, a gamble, that there may be cells that escape treatment, there may be invasives that escape annihilation, there may be people-in-power-with-ill-intent who either escape the pointed fingers or are the ones corruptly pointing them.

and in those cases, the worry is that those cells will reproduce, those invasives will take over and choke out the organic, those people will destroy the place. a ravaging burn. devastation. and the good cells, the good plants, the good people will be left to fend for themselves, to remain upright – stalwart – to grow despite the odds.

it is good friday for those who are keeping a religious calendar. a day of destruction following betrayal and many burned edges. as this sacred story goes, three days later there is a resurrection. and the targeted jesus rises.

as we hike the trail, we notice the green shoots growing out of the ground, their top leaves still blackened. we marvel at the tenacity of these plants as they garnered energy best-as-they-could, regardless of the burn. the good xylem and phloem somehow survived.

there are naturalists who are watching closely, tending to the native plants best as they can. there are doctors and nurses and researchers and clinical trial experts who are watching closely, tending to patients and health and life best as they can. there are, therefore, it would seem, allies who are dedicated to the truth, to transparency, to the best parts of an organization who are watching closely, tending to the burns of the sacrificed.

“i want to know if you will stand in the centre of the fire with me and not shrink back. (oriah mountain dreamer)

shrinking back will allow the devastation. standing in the fire – the center of the fire – will allow the resurrection.

*****

and you were there in all of my suff’ring.

you were there in doubt, and in fear;

i’m waiting on the dawn to reappear...” (you were on the crossm.mayer, k.butler, a.assad) 

TRANSIENCE ©️ 2010 kerri sherwood

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interruption. [flawed wednesday]

i had had a life interruption.

i hadn’t thought of it in those terms before. but – suddenly – it was just as obvious an interruption to me as night is to day.

resilience is a support organization in chicago – “empowering survivors ending sexual violence” is their byline. their presence is powerful, necessary, moving survivors forward in healing and advocacy, providing education and empathy. there was nothing like that on long island in 1978.

my life was forever interrupted. and i just realized that. because – back in 1978 – i filed it all away – all the trauma, all the grief, all the stripping of innocence, all the betrayal – i placed it on a shelf in my heart i didn’t want to access, a place i didn’t want to go. no one really talked about it. i moved on.

only i didn’t.

the night-that-turned-my-day-dark wrapped itself around me and, in all likelihood, affected every single decision – good and bad – that i made from that day forward. it acted like a filter – like the kind you screw onto the front of a 35mm camera lens, coloring every scene in the aperture, every experience in life. just as in so many of these stories, no one was made to take responsibility for this act of life-interruption, for the thing that would skew everything in my heart. i was nineteen and he was free. he still is.

there are defining moments in our lives that lay down a blanket of circumstance, that wound in all directions. sexual violence is one of those.

even now – 45 years later – though i cannot dredge up all the minute details as they seem locked up on that shelf – i can feel the interruption of my life – the unmooring – the visceral line of before and after.

the sun is setting through the trees and i suddenly see clearly through the woods, without underbrush. i can feel the night fall.

the thing that has helped is that 45 years has granted me people who have been there, who have held me in grace despite it all, who have loved me even as i – at times – flailed.

i wouldn’t hope for anyone to experience the pain of sexual violence of any sort. but, because women are insanely statistically likely to be victimized and betrayed in this way, i would hope for their resilient spirits and bodies to see the enormous life interruption for what it is and to rise in the sun the next day – surviving – accessing hope, surrounded by loving support, empowered.

*****

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buffalo plaid and stardust. [d.r. thursday]

tucked in my mind’s eye, along with sugar plum fairies and gingerbread houses, twinkling lights and sleigh bells and tiny trees, are matching red buffalo plaid pjs.

old navy made it happen.

for a few days now we have worn our matching red buffalo plaid pj pants. flannel and cozy, we knew better than to purchase long flannel pjs for our kiddos. old navy had already thought this out – they also had flannel red buffalo plaid pj boxers. score! we bought them and wrapped them into stockings. we have no idea if they will wear them or not, but my momma-heart knows we all have them – match-the-family pjs – and just the knowledge makes me happy.

the other day – on christmas evening – they made their first appearance, under a sherpa blanket on the couch watching “love actually”. since then they have appeared under a different sherpa on the couch in the sitting room, dogga curled up on the rug, reading a book together. we are reading aloud the third bestseller by raynor winn, “landlines”, a tale of two long-walkers hiking through scotland, a tale of hope and renewal and restorative juju for them. it’s descriptive and we find ourselves lost in the highlands, step after step in the rain, with them.

our new year’s eve was quiet. we ran a few errands and settled in on the couch to read, had a couple phone calls, prepared a late dinner and settled back on the couch. but our smack-dab cartoon had told a different story. though sometimes-but-not-always a straight-line-to-us-autobiographical middle-age-cartoon, it told the story on new year’s eve of two people who had to get outside and who went walking before midnight so as to be outside – along the lakefront and under the stars – at the turn of the year.

we were having trouble staying awake. it did not seem likely that we would actually see the new year arrive, sleepy eyes and all.

but then – somehow, the two of us, who are now earlier-to-bed-earlier-to-rise, got to the 11 o’clock hour. and we knew – prepare yourself for the double negative – we could not not do it.

hats and gloves and down coats and boots and the night wasn’t as cold as it seemed at 7 or 8 or even 9. the lake is a block away and we walked along it, enjoying the holiday lights still up and lit on our route. we cut in to the path that is right next to the shore and strolled slowly, watching the fireworks in the sky around us.

and, though it was cloudy and we could not see the moon or the stars, we could feel the stardust falling on us, with the promise of a new year.

surely the stuff of sugar plum fairies and twinkling lights, gingerbread and sleigh bells and red buffalo plaid flannel pjs.

*****

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both-and. [merely-a-thought monday]

ricko and nick could be friends. they are on the same page…that trite-but-true one of potentiality.

in “my big fat greek wedding” nick portokalos quotes dear abby, “don’t let your past dictate who you are, but let it be part of who you will become.” out in the middle of the arctic tundra, ricko dewilde firmly states, “the best way to lose an opportunity is to believe it’s not there.”

john denver in “looking for space” lyrics writes,

“on the road of experience
join in the living day
if there’s an answer
it’s just that it’s just that way

when you’re looking for space
and to find out who you are
when you’re looking to try and reach the stars
it’s a sweet, sweet, sweet dream
sometimes i’m almost there
sometimes i fly like an eagle
and sometimes i’m deep in despair…”

we are all out there – looking for space. no matter the ladder rung, no matter the age, no matter the skill level, no matter the lifeline of work and education and privilege and lack thereof, no matter the past, no matter what we believe, no matter the matter we are looking for space. the place to stand and breathe and be exactly who we are.

this week i flew like an eagle. this week i was deep in despair. i would guess – were we all to be candid – there were many with me up in that eagle-sky and many with me scrambling in muddy-despair. it’s both-and. life is a correlative conjunction.

and – in that infinitely latent and screaming way of possibility – the space we inhabit on this good earth is full of it.

*****

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edges and kaleidoscopes. [two artists tuesday]

the edges come fast. a blink and they’ve arrived.

i did a photo shoot with my cello. it’s a gorgeous instrument, elegant and full of tear-your-heart-out melodic possibility.

i am sitting at the edge.

i clutch onto it tightly, yearning to yo-yo-ma, yet knowing this edge is somewhat irrefutable. in my heart, my wrist, the tendons of my fingers ache to bow, to press string to fingerboard. the edge pushes back. i know that it is time and that no dream in the night – onstage with soaring, weep-worthy lines – will change that.

my edges – like conglomerate rock, a mixture of wishes and knowings and new – reorganize in the kaleidoscope of life. and, because life is like that, surprises will show up, lit by spotlights and sunlight.

and, once this stunning instrument has moved, as it should, from my studio to the embrace of someone else, i understand that, though my hands will not touch its graceful lines and resonant soul, there will be other learnings, other touches. and always, other edges.

“though i play at the edges of knowing, truly i know our part is not knowing, but looking and touching and loving.” (mary oliver)

*****

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the miniblinds. [k.s. friday]

one of the first things i love to do in the morning is open the miniblinds. dogga helps me. “open up the house with momma,” i call to him and he tags along. the moments of letting in the world again.

at night i really like closing the blinds, turning on the lamps and happy lights, closing out the world and cozying into our home. but in the morning – and i attribute this to my sweet momma, the person who would flit from room to room singsonging “good morning, sunshine!” – i can’t wait to greet the day.

there have been days when this hasn’t been so. days when the cold from the outside and some despair on the inside have led me to keeping it all closed up, locking it all out. humans, with a gamut of emotion, we all have those times, i suspect. the days when looking out doesn’t seem like a good idea because you can barely get past the membrane of your own heart or the nagging of your mind. but, in the way that time does, the moments tick by and somehow you do the work – even just a little, sometimes just enough – and you move past closed blinds.

an acquaintance – who i hadn’t seen in quite a while – asked me the other day about my children…where they are living, what they are doing these days. i told her that my son was living in chicago and answered that my daughter and her boyfriend had moved to north carolina. she looked at me and said, “oh! that’s right near where you’re from!” i hesitated a beat or two and tilted my head at her. she continued, “well, you’re from new york, right? that’s right near new york!”

i didn’t quite know what to do – i wondered if she had unfolded the usa map in her head as it seemed there was a folded overlap somehow making ny next to nc – but i answered, “why, yes! they are both on the east coast and on the same ocean!” it was kind of her to ask about my family and if, by choice, you haven’t left the midwest much, save for those all-inclusive-mexican-resort places, those states ‘out there’ might be kind of confusing. it’s a big country. and it’s a big world. it can be safer to stay put, yet, like miniblinds, it might filter out the light.

though the pandemic still has its seesawing challenges, i can feel the tug of backroads and adventures. though cleaning out still has its sentimental obstacles, i can feel the urge of less-is-more. though careful budgeting is always a dominant force, i can feel the itch to freshen things in our home and yard (good grief – that dug-up front yard will be a necessity!). though i feel a little tentative, i can feel the impulse to seek out ways to let creativity bubbles float and fly.

i open the blinds carefully and look outside. the rising sun hits my face and the birds are singing. dogga is by my side, triumphant in helping me open up the house. and i think that today i will make a live-life-my-sweet-potato list. things on either side of the miniblinds. opening up, little by little. to light.

*****

that morning someday

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THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL, THE BEST SO FAR

©️ 1996, 1999 kerri sherwood


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the glow. [d.r. thursday]

even on a foggy, overcast day, looking down from the ridge the glow was unmistakable. the everciduous beech trees stubbornly held their leaves, dying the brown woods a shade of cantaloupe or hard-to-identify pantone.

the forest floor below our feet was shuffling-full of leaves, oaks and maples and a variety of brown county timber. vines curled their way around trees in attempts to find the canopy. on this winter day, were it not for the marcescent beech, we could see further than any other season in the woods.

marcescence, i’ve learned – for this is not a word that sprang to the forefront of my mind – is the retention of leaves through winter. it isn’t until the leaves are completely brittle and wind takes them that they drop. and in the meanwhile, new growth – new leaf buds – have been protected and had access to nutrients and moisture, a sort of still-on-the-tree mulch.

it occurs to me that marcescence is like changing jobs. one generally holds onto a job until retaining the next, the security of employ feeding confidence and necessities while new awaits. it’s always a little disconcerting to leave before next is there, a leap of faith, sometimes, a premature leap, with regret.

yet sometimes, it is absolute. we drop our leaves. we stand naked in the forest, tall and exposed, willowy trees waiting for spring. sometimes we shed all that protects us and take risks and go fallow in liminal and shiver in cold winds. we gaze around and see everciduous folks nearby, confident, predictable, stalwart. we dig in, deep roots of belief in ourselves despite weather that tests us. we draw from the ground, are fed by what we know, what we have learned, what we have created. we hold onto tiny bits of light. we protect the glow. we push on.

and new buds show up. spring always follows winter.

*****

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