reverse threading

the path back is the path forward


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a watchful eye. [k.s. friday]

should it get to the point that the vine is obscuring the metal sunflower, we will cut it back. right now the vine is in its glory, billowing on top of the wooden fence, weaving in and out of the decorative wrought iron, and tumbling down our side. it has reached out and is starting to creep over this sunflower, ever so slowly and then, suddenly, the sunflower is wrapped in vine.

we keep a watchful eye.

for the vines of the neighbors, though lovely, are somewhat aggressive and we wish to protect the plants we have beneath their spilling. they are quietly growing, growing beneath these explosive vines and it has taken us years to cultivate even this small garden.

it used to be that the snow-on-the-mountain took over…it was everywhere. it choked out the lavendar garden and its long-branching rhizomes were spreading, spreading, giving our newly planted grasses a run for their life. it was overrunning everything else and its root system sent out feelers all over the yard, even under the driveway, looking for vulnerable plants it could overtake.

now the ground elder, on the other side of the potting bench, is rampant. because it is on-the-other-side and we mostly keep it from the stone patio in our potting garden, we are not as worried. but we watch it anyway.

we’ve discovered that vigilance is key. not so shockingly, we see the vines will win.

so we keep a watchful eye. and we protect the more fragile plants. we are sure to water them and check for the invasives trying to squeeze them out.

because they are beautiful, diligent silent growers, not insistently loud snowballing vegetation, and they each deserve their own space in the sun, their own dirt, air to breathe and our appreciation.

*****

SILENT DAYS from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood

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the assault on women. [k.s. friday]

rykä: a made for women movement, where our individuality is rightfully celebrated and actions speak louder than words. because women deserve better. better shoes, better rights, a better world.

i am a sexual assault survivor. this is not new news if you have been reading this blog. but it’s pertinent, as always, and, once again.

one in five women in these united states has been sexually assaulted. (cdc.gov)

one in thirty-eight men in these united states has been sexually assaulted. (cdc.gov)

of ten persons sexually assaulted, nine will be women and one will be a man. (rainn.org)

every 68 seconds an american is sexually assaulted. (rainn.org)

rape is not a walk in the park. it does not wash past you. it leaves lingering effects. it is a violation of everything free and sucks from you everything intimacy should represent.

i was fortunate. i have lived with – and dealt with – the ugly emotional reminders of this act of control over me for forty-four years. it has played into my relationships, my confidence, my physical health. but i was not impregnated by my attacker. and for that, i was fortunate.

there is no doubt in my mind – no matter how much i value life – every one’s life – what i would have done had i been left with a pregnancy as a result of this abuse. i would have exercised the choice i had as a free woman in a country that supported my freedom to do so, my responsible freedom-to-choose in any circumstance i may have found myself in, my voice. i know that, beyond anything, that choice would have been profound and would be something i would also live with forever. but i would have ended the pregnancy. period.

in an obviously warped, personally-agendized move of a fraternity of mostly-ridiculously-wealthy-less-statistically-likely-to-have-experienced-anything-remotely-like-this narrow-viewed clearly-politically-driven non-impartial-“impartial court” conservatives failing – failing this country – to apply equal justice equally, our country is poised to eliminate the choice women have over their own bodies. and we retrograde back in time in rapid motion, like someone falling into a mine shaft.

it IS a mine shaft. it is horrifying.

and what will be next?

women deserve better.

period.

*****

SILENT DAYS

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SILENT DAYS from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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the miniblinds. [k.s. friday]

one of the first things i love to do in the morning is open the miniblinds. dogga helps me. “open up the house with momma,” i call to him and he tags along. the moments of letting in the world again.

at night i really like closing the blinds, turning on the lamps and happy lights, closing out the world and cozying into our home. but in the morning – and i attribute this to my sweet momma, the person who would flit from room to room singsonging “good morning, sunshine!” – i can’t wait to greet the day.

there have been days when this hasn’t been so. days when the cold from the outside and some despair on the inside have led me to keeping it all closed up, locking it all out. humans, with a gamut of emotion, we all have those times, i suspect. the days when looking out doesn’t seem like a good idea because you can barely get past the membrane of your own heart or the nagging of your mind. but, in the way that time does, the moments tick by and somehow you do the work – even just a little, sometimes just enough – and you move past closed blinds.

an acquaintance – who i hadn’t seen in quite a while – asked me the other day about my children…where they are living, what they are doing these days. i told her that my son was living in chicago and answered that my daughter and her boyfriend had moved to north carolina. she looked at me and said, “oh! that’s right near where you’re from!” i hesitated a beat or two and tilted my head at her. she continued, “well, you’re from new york, right? that’s right near new york!”

i didn’t quite know what to do – i wondered if she had unfolded the usa map in her head as it seemed there was a folded overlap somehow making ny next to nc – but i answered, “why, yes! they are both on the east coast and on the same ocean!” it was kind of her to ask about my family and if, by choice, you haven’t left the midwest much, save for those all-inclusive-mexican-resort places, those states ‘out there’ might be kind of confusing. it’s a big country. and it’s a big world. it can be safer to stay put, yet, like miniblinds, it might filter out the light.

though the pandemic still has its seesawing challenges, i can feel the tug of backroads and adventures. though cleaning out still has its sentimental obstacles, i can feel the urge of less-is-more. though careful budgeting is always a dominant force, i can feel the itch to freshen things in our home and yard (good grief – that dug-up front yard will be a necessity!). though i feel a little tentative, i can feel the impulse to seek out ways to let creativity bubbles float and fly.

i open the blinds carefully and look outside. the rising sun hits my face and the birds are singing. dogga is by my side, triumphant in helping me open up the house. and i think that today i will make a live-life-my-sweet-potato list. things on either side of the miniblinds. opening up, little by little. to light.

*****

that morning someday

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THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL, THE BEST SO FAR

©️ 1996, 1999 kerri sherwood


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the bass-who-used-to-be-a-soprano. [k.s. friday]

in her gravelly voice, from the back row of the choir room, i heard one of the bass singers say, “i used to be a soprano!” everyone laughed and laughed. and then we sang.

laughter was a dominant force in that room. there is nothing quite as motivating as laughter-punctuating-work, nothing quite as unifying as laughter, nothing quite as joyful as the laughter of others. we had no shortage of laughter.

for in the choir room, the ukulele band gathering, the handbell practice, the worship band rehearsal, with soloists and in ensemble, laughter and joy were how i led.

linda was the council president when she hired me as the minister of music almost a decade ago. they never saw another president who led with her understated panache and wisdom and authenticity. “a pillar of the church,” someone said. yes. a powerful woman – who was who she was.

the first time i met her – at my interview way back when – she arrived late, disheveled and with a dirty t-shirt on. i wondered who that woman was. i wondered why she arrived looking like that. as it turned out, she had been cooking for the masses – it could have been ten thousand for the enormous heapings of food she would prepare – and she had been in the basement kitchen. she pitched in, in every way. her presence – in all ways – was a given.

there is much i never knew about her, but i knew this. she was honest and blunt and generous. she was kind to everyone, adored her family, and she stood tall as she faced down loss and serious health issues. she was straight-up, as they say.

years ago she asked me to sing, on some eventual day, at her memorial service. i first waved off her thoughts of mortality – for a woman like this is needed in this world – and then i agreed. “of course i will,” i said to her, “it would be my honor.”

her service was last friday – a week ago now – and i was not there. the church to which she had dedicated her energy and love had fired me – over a year ago now. (i mean, who gets fired from a church??)

i don’t know if she knew much about that, for her world had become smaller in her struggle for health. i do know that, had she still been in the position she was when i first arrived, i would still be there. for linda had a way of making sure others had perspective, that balance was achieved, that agenda was dispelled, that conflict was resolved, that transparency was paramount and that the best interest of the whole was held in open hearts.

alas, that wasn’t the case.

i was unable to sing for her service and, much like the service for H, i was unable to be there.

we lit a candle for linda on friday. we talked about her. we told our favorite stories. we laughed. i posted a thought on facebook. it was important for me to acknowledge this amazing woman, the bass-who-used-to-be-a-soprano.

and now, the whole wide world is without her. and as the whole wide world looks on, filmy incandescent threads of her, her spirit, her dedication, her fortitude, her voice weave around us.

and the world asks: who was that woman?

*****

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HATE TO SAY GOODBYE from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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pop-up dinner. [ k.s. friday]

we popped up at the old beachhouse.

it’s under construction; they are restoring it, this beautiful art-deco historic building, finished in 1940. the southport beachhouse “used recycled materials to cut costs. this way, rather than paying for new materials, the city paid workers to tear down condemned buildings as well as build new ones. the beach house uses luxurious slate, stone and marble materials salvaged from the old kenosha post office, which would have been otherwise unaffordable.” part of the new deal and roosevelt’s wpa (works progress administration) it is a gorgeous structure on the shore of lake michigan and the place we had our reception six years ago, a bonfire on the beach to end a stunning day.

in the middle of the beginning of covid – last year – i read an article about a new york couple’s ingenious solution to the inability to go to restaurants or pubs or gather with others, instead to isolate and social distance. i saved it and thought it was something worth pursuing.

this year, after a lot of research and a couple false starts sent back, i found a lightweight (mostly plastic) folding table and lightweight (mostly plastic) folding stools. i showed them to david and said, “let’s have pop-up dinners!”. small enough to be kept in littlebabyscion or big red, it’s an intention that begs spontaneity.

our first pop-up was this past sunday after our trip to the orchard.

we carried the table and stools and the picnic basket, the one from my sweet momma and poppo, onto the beach and found a spot in front of the scaffolds on the cement by the building, lit our candle-in-a-jelly-jar, set out our plates and cloth napkins and cheese and crackers and olives, our metal stemware. easy.

i imagine this fall, and even winter, will bring many pop-up dinners and happy hours. i can already list the places at which i’d love to pop up. snowpants and mittens won’t deter us. we’ll carry blankets, maybe thermoses of warm soup.

it was a little chilly at the beachhouse on sunday. the breeze was picking up. i picked up my phone and turned on the one piece of music i have saved to it. cherish the ladies began playing if ever you were mine and i watched david rise off his stool. he came over to me, held out his hand and invited me to dance.

as the sun began to dip below the horizon and the colors in the sky began to rise above the lake, on a honeycrisp apple kind of day, we danced on the sandy beach, scaffolding and a smiling cream city brick beachhouse our backdrop, a pop-up dinner waiting.

*****

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MILLNECK FALL from BLUEPRINT FOR MY SOUL ©️1996 kerri sherwood*

*if you are near MILLNECK MANOR on long island, please visit and have a pop-up dinner for us. ❤️


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and the wind brought fall. [k.s. friday]

the wind brought fall.

iowa and kansas were full of summer-on-its-waning-edge, the sun streaming into the truck making merely having windows open not enough. the highway noise was loud and the air conditioning a welcome buffer so we could talk and ponder what the next days would bring.

we saw it from a distance and assumed it was farmers plowing in dry fields of dirt, billowing cloud dust across the horizon from afar. and then we drove into it. in minutes, touching the window glass cleared up the mysterious billowing. the beyond-blustery front was bringing cold air and as we drove from kansas into colorado, the gusts delivered autumn.

we walked into their living room this morning and the fire was lit. there is nothing like a cup of coffee by an early morning fire. the day is cool and the sun is out. those of us who traveled for yesterday’s celebration of columbus’ life and are still here will gather later around a fire out back. in the meanwhile, we’ll walk and talk and have a little quiet time after much visiting and catching up till later last night. the service is over and next follows.

when these flowers were blooming, they were vibrant and gorgeous, spilling over the old fence along the sidewalk. the petals started to drop off as fall started to arrive, dropping in little by little. bright yellow pistils started to turn mustard then cocoa brown. the picture begged to be taken – beautiful and fallow on its eventual way.

as we drive back to wisconsin, we’ll again pass fields of corn waiting to be cut down, plowed over, vast brown rolling land. we’ll miss the green, we know, even at home, even in our little gardens, on our little potting stand.

but we know that time just doesn’t jump from one season to another. it actually shows signs as it comes, gives fair warning, allows us time to process a bit and adjust. it transitions and gently encourages us to move on, into the next season.

summer yields to fall and we will bring home a little wisdom harvested from the side of the highway.

*****

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PART OF THE WIND from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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and the universe says, “shh”. [k.s. friday]

the old radiator in my studio was its home for years. i picked it up at a wholesale show…an old fencepost with equestrian leather…i couldn’t resist. it was perfect next to my piano. shh. quiet. ponder. dream.

it’s outside on the back deck now, really for the same reasons. shh. quiet. ponder. dream. it reminds us to take those moments and just be.

in the middle of the night last night we talked for a few hours. it was a big discussion…about life, about existence. we agreed that life is merely about those rare and outstandingly idyllic moments – a collection you might store in a little special box or place in photographs-in-the-round for a viewmaster – ready, at any time, for you to look at, review, be reminded of, hold close. not usually the gigantic stuff, but the slides of tiny, even silent, markers, instants you recognize as mica.

we had another water episode a few days ago. it seems the theme this summer. once again, drains in the basement yielded water instead of no water. a really lovely young man from the sewer-drain company came; it was their second time in just over a month. the tree roots they had cleared likely had left behind another piece. it doesn’t matter. he cleared it out and we moved on. it wasn’t without a ton of unexpected work…clearing all of david’s paintings out of the space to protect them, moving any and every thing out of the way of the water and allowing room for the technician to work without feeling nervous about anything around him. after he left and we cleaned everything up it was back to quiet.

we exercised down there again yesterday. it’s a peaceful place, even though it is a basement. being surrounded by the muse of david’s time at his easel brings a certain life to it. i imagine he wishes this little sign was in his studio, but there is a hush nonetheless, even without the sign.

our studios – places where time fills in the gaps between noise.

in the middle of existential questions about my wrist and hand, a screeching halt to occupational therapy imposed by the insurance company (don’t get me started), questions and the after-effects of betrayal, a silencing of my professional work, i have not sat there much. i enter to allow in light and fresh air, gaze at my piano and walk out. another silent day.

each morning, for at least a week, as i have sat with pillows propped sipping coffee, the window beside me wide open, i have been visited by a chipmunk. it sits atop the fence post across the driveway right opposite the window and looks in, chirping. i named him ‘sunny’ as it is often that the sun is just reaching that fencepost as he sits and the first time he was bathed in rays of light as he held his spot and said whatever he was saying to me in chipmunk i could not understand.

today, in the quiet of the morning, sun not even yet beginning to stream in the window, sunny was out there, chirping to wake us. i called out the window to him a good morning greeting. we chirped back and forth a bit before he left, satisfied he had awakened me. i watch for him now each day as the sun starts to rise.

three times in a twenty-four hour period over the last weekend i heard or saw the words “everything will be ok”: once written, once spoken and the third time bob marley sang it in the woods as we hiked the river trail.

sunday as we sat at the table on the deck in waning light a not-oft-seen hummingbird came directly over and hovered right in front of me. a couple days later as i stood on the deck, david watching, a monarch butterfly flew over to me and circled less than a foot above my head. and sunny, a chipmunk on a fence post, greeting me each day.

i guess that sometimes the universe is quietly whispering, “it’ll be ok. everything will be ok. shh.”

*****

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SILENT DAYS from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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grasses and gratitude. [k.s. friday]

this morning i read a lovely piece about an elderly woman who made it a point to dress each morning by 8 and was ready for her day, looking fresh, put together and smartly attired. i instantly felt guilty. it gets better, though. the piece then went on to say she had just made the decision to move into a retirement facility and was waiting in the hall for her room (note: room, not whole apartment) to be readied for her entrance. an aide was describing the room to her and this generous woman’s reply was, “i love it!” the aide commented to her that she hadn’t yet seen it and the woman nodded. she said that she had decided to love it, regardless of how it was arranged or how it looked. she added that her happiness was a choice she made each day and, no matter her aches or pains or worries, she was going to choose to be happy in the moment she was in, in the circumstance she was in. so now i felt even more guilty.

how many mornings have i risen with worry in my heart, trepidation for the day, feeling dissonance or hurt or angst-ridden?

i read aloud the piece about this sweet woman to david over coffee. he said we should print it out and hang it somewhere. i suppose that i could do that. but instead, i’d rather just try to remember it. to do the best i can each day to rise and be smartly dressed by 8 with an ‘i love it’ ready at my lips. to not worry about the guilt of seeing that printed and any shortcomings i might have, any times i don’t measure up, i fall shy of the happy-choice.

as the cooler air filled our room early-early this morning, we pulled up the blanket. it made me sigh with relief to feel the gentle breeze blowing through the window and as i look out now, there are a couple monarchs flying over our deck. a few cherry tomatoes are ready and the basil and lavender are smiling. beautiful. a fresh day. everything is green, vibrant, healthy.

there is something about green grasses i love. even out on trails i photograph grasses, on my knees at the level of chipmunks and daddy long legs. it feels somewhat dr. seuss-esque to say i love them on the trail, i love them in our yard, i love them in the mountains, i love them in our gard-en.

probably because of our proximity to the lake, our soil seems to speak to ornamental grasses. they grow really well in the gardens around our house. other people have many beautiful flowers and there have been times that i have wondered why i do not seem to be very good at growing various flowers. we have had a spot in the front that was blank. the plant we had planted years ago, despite any effort we made, was just not thriving. last sunday, in a moment of brilliance – preceded by much research that ended where we started – we bought an ornamental grass to go there. i took a peek at it out the front window while the sun was still low in the sky and it is happier than happy. and so, with my newfound wisdom this morning, i will choose to celebrate how well we grow grasses. not yard-grass, per se, for that is another one of those not-quite-there’s, but graceful ornamental grasses that send up beautiful plumes, that help with erosion control, that spread naturally and that make us look like successful gardeners…of a sort, anyway. celebrate what we do well. dressed smartly and looking fresh.

and i will remind myself, especially in these times, to rise gently. to hold this morning, tomorrow morning, that morning someday – any day – close to my heart. with gratitude. bowing to the sun and gracefully moving in the wind.

*****

THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL (kerri sherwood)

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THAT MORNING SOMEDAY ©️ 1996 kerri sherwood


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waiting in the box. [k.s. friday]

the lines are chalked slowly in many dysfunctional relationships. unaware, you carry on, not realizing that it is closing in around you. until one day, you wake with a sense of claustrophobia and it occurs to you that you are boxed in. your actions seem to matter not; instead you are subjected to being a react-er. it’s more about treading water than it is about independent movement. it’s more about illogical punting than it is about making sense. it’s more about fear than it is about breathing.

our country is in a box. we react on a daily basis to the newest atrocities of leadership, the newest lies, the newest accusations. yet, no check or balance seems to matter and there are no consequences for this unacceptable behavior.

we tread water waiting.

we are waiting for wisdom to show up. we believe in truth-tellers. we do not believe in those whose jelly-bean-jars of untruths are brimming over.

we are waiting for real answers about the pandemic. we refuse to inject disinfectant and we absolutely choose to wear masks. we believe in science and medicine and we reject hiding the facts from a suffering nation.

we are waiting for help for those who need it: those who have lost jobs, home, security, the ability to pay bills or purchase food. we believe in a government that cares about people on all steps of the ladder and does not honor the stock market over the food lines.

we are waiting for conversation to start – a meaningful first step toward eradicating the social injustice of this country. we believe in peaceful protest and listening, not turning a deaf and bigoted ear.

we are waiting for the science of climatology to hold this good earth in its gentle hands of proactive care. we believe now is the time to show that the future matters and that disregard for this place will destroy that very future for all our children and our children’s children.

we are waiting for the ability to move about in the whole wide world again. we believe that is the only way we can learn about ourselves – to learn firsthand from others who are different than us. we believe in embracing others not repelling them.

we are waiting to not be afraid. we believe in compassion and empathy, not fear-mongering and words inciting division and hatred.

we are downright waiting for the mean-spirited, arrogant, self-agendized abusive behavior to stop.

we are waiting for the dysfunction to release its hold on the lines of the box around each of us, the populace.

we are waiting to vote.

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THE BOX from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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apples and numbers. [k.s. friday]

it’s approaching. you can feel it in the morning air. fall. its scent lingers in the fields of wildflowers, succumbing to cooler nights, a lower sun on the horizon. the bees are desperately, frantically, trying to hang on for dear life. the mosquitoes, thankfully, are writing their wills and the cicadas are singing as if the judges of ‘american idol’ or ‘the voice’ were gathered beneath the trees, an audience of appreciators.

it’s different though.

this fall is all about numbers. covid-19 pandemic numbers. lethal-force racial fatality numbers. protest numbers. healthcare numbers. unemployment numbers. eviction numbers. payroll tax numbers. rally numbers. poll numbers. we are surrounded by a plethora of numbers with an increasingly urgent need to be aware of all of them.

there will be no relaxing inside starbucks sipping pumpkin spice lattes. there will be no apple festivals or street fairs celebrating fall. there will be no hayrides, bale-bouncing with friends on a rickety wagon. there will be no chili cook-offs or slow dance parties on the patio. this was the stuff of pre-pandemic. the stuff of the olden days. the stuff of 2019. the stuff of 1996. the stuff of 1973.

there will be thoughtfully attended protests. there will be emotional vigils. there will be testing sites. there will be virtual funerals. there will be video-conferenced schools and meetings and religious gatherings. there will be jobs sought, financial devastation for too many, unreachable healthcare. there will be speeches to listen to, about which to have hope. there will be speeches to fact-check, about which to have righteous anger.

the numbers have risen to the surface and rightfully demand our attention.

but there’s this – written one year ago: every fall, my sweet momma and my poppo would load us up in the dodge with the old wicker picnic basket and a small cooler.  we would drive out east on long island or head north into upstate new york.  the baby of the family with siblings already out of the house, i always had a friend along.  susan went everywhere with us.  we would take mad libs and gum, snacks and cans of soda and we would talk and giggle our way to the apple farm. it wasn’t like we couldn’t find apples near us; the jaunt away to apple-picking was the point.  the walk in the orchard, the drive through leaves of indescribably stunning color.  we’d stop at roadside picnic tables and take back country roads.

and now, a long while later, i think of those places, those times.  the memories are sweet, macintosh-apple-sweet.  but the yearning is real.  every autumn makes me just as wistful.  i think of my children jumping in leaves and pumpkins carved with silly faces.  my parents and the old dodge.  pies with homemade crust, hot soup and cocoa, the smell of cinnamon and caramel candles.  fires in the fireplace or outside around the firepit.  jeans, sweaters, boots.  and apples.

and so now that the time for jeans and sweaters and boots is in the offing, i need remember. there are still quiet fires in the firepit to have. there are pies we can make and cocoa we can brew up. there are big stock pots of soup to steep. there are trails with crunchy leaves. there are pumpkins to carve, sunflowers to vase, and backroads to drive.

there are things that must be done. the numbers insist. it’s a profound time filled with information and a call to speak up, to question, to research, to, yes, wear a mask and yes-yes, to vote.

but my wistful-near-autumn heart also needs apples.

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MILLNECK FALL from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood