reverse threading

the path back is the path forward

Tag Archives: our life's work


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flowers in the sky. [two artists tuesday]

were i to be on jeopardy – and were there to be a topic called “agriculture” – and were i forced to try and answer any question at all – $1000, $800, $600, $400 or even $200 – i would fail miserably. the tools of the trade are foreign to me, just as, i suppose, sheet music for the rachmaninoff piano concerto no.2 in c minor might be for the farmer skilled at using the farm implements. different languages entirely.

so, for us, sitting outside the iowa farmhouse, gazing around at the unfamiliar, it was both mysterious and magical. interesting textures and things with wheels had us guessing and googling. everything begged to be photographed. for us, the unfamiliar is novel and, through our eyes, doesn’t represent the hard work it actually stands for. instead, the wheel hay rake is flowers in the sky, metal petals reaching out from the center on thick metal stems connecting to the machine. the tractors and disc cultivators and harrows and silos – all unknown and a little exotic. it is easier to see beauty in that which is simply shape and texture than when it is the embodiment of the toil and worry each farmer faces each and every year.

i suppose that should make it easier for me to understand why others can generously send notes and email messages to me about my music, about how the piano piece or a song resonates with them, yet i – at this moment in time – see toil and worry. worry about how – in a new world – to put out new music. worry about how to sustain it all financially. worry about how – with a significantly-reduced wrist – my music may differ from what it has been. new crops, new agricultural costs, new limitations. what is that expression about perception? one man’s trash is another man’s treasure. that might be true also as – one man’s albatross is another man’s beauty.

yet, despite the decidedly different ways we perceive things out of our realm of familiarity, we are all spokes in the big wheel. we honor all the tools of our different trades, the languages, the expressions of work, the products of toil.

to be fascinated by another’s work is to appreciate it. to appreciate another’s work is to respect it. to respect another is to live together, under one sun … flowers in the sky.

*****

on this two artists tuesday, we’d like to make a clarification. i received a text asking me about what “buy me a coffee” meant. just as i was given to misunderstand this platform, i’m not sure we have done an adequate job of explaining it. so, please forgive any redundancy as i take a moment to clarify:

the arts don’t generally have the same avenues for payment as other professional routes, so there has been an effort for more crowdfunding types of options. both BuyMeACoffee and Patreon are platforms in which content creators can receive support from people who appreciate their work.

http://www.buymeacoffee.com is a casual way to support creators. when you “buy a cup of coffee” it transfers $5 per “cup” (minus a small percentage) directly to an account for the artist you have chosen to support. it is called a virtual tip jar because it is not a recurring payment – it is a one-time tip for something that has resonated with you. you can opt for 1, 3, 5 “cups of coffee” or any number you wish (in the square box) and the application will do the math. when i first encountered it on a site of wonderful thru-hikers we follow, i mistakenly thought it literally was sending them coffee – or – sending them money they needed to use for coffee-and-only-coffee. silly me. it is simply providing helpful funding – a lovely way for us to tell them “thank you” for inspiring us. a “cup of coffee” is a way to support them in any number of five dollar increments.

patreon (which we will have shortly) is an opportunity to subscribe to an artist’s work on a monthly, recurring basis. people who wish to support the arts have an ongoing and dedicated way to do this through patreon, choosing a monthly dollar amount. again, a small percentage is taken out and the rest is made available to your chosen artist(s).

either way, artists everywhere appreciate the generosity of those who take the time and the resources to help them keep doing their work in the world. all spokes in the big wheel.

that gratitude goes for us as well. we appreciate you and are grateful for your support of our work. you are flowers in our sky.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

click here or QR above for the “tip jar” offered by www.buymeacoffee if you wish. xoxo


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squeaking. [not-so-flawed wednesday]

“squeaking with joy, ” cousin kate wrote – all in caps – “the turtles are back!”.

at the exact time she sent that, we were on our trail, on the bridge over the river, gazing down at the turtles. we had seen a couple earlier in the spring, but then it got cold and they disappeared. now, they are back – seemingly for good – and we, too, are squeaking with joy.

earlier in the winter, i had written:

“i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

and waiting. and the river freezes. and then it thaws.“

and then i had this idea walking down the hall the other day. it was a the-turtles-are-back idea.

in my mind i named it “out of fallow” or “out of the mud” or even “the relevant challenge” or “on the fly” but the name is fluid. the idea floated around and landed tiny feet on my brain, so i eventually told david about it.

it’s relatively simple. we choose ten destinations – in wisconsin, in the midwest, on the northeast coast, in the high mountains, on quiet southern beaches, in the canyonlands, in the grand national parks – all different projects. taking a yamaha portable battery-operated keyboard (with recording/disc drive capability), ten canvases and paint, both laptops, and a couple spiral notebooks – we go to each destination for a pre-determined amount of time (say, three hours). while there, i compose on the fly – what that place feels like – and he paints on the fly – what that place feels like. on the fly – spontaneous creation – is not for the meek at heart. it requires focus, has a terminal product necessary at the end – a short time after beginning – and necessitates a degree of letting go. it pushes us back into the active-art-place and pushes us past edges. it gets us out of the muddy bottom. it produces the raw pieces of an album to be orchestrated and a collection of paintings to be framed. it needs some support to get off the ground. it has me pondering, swimming to the surface with the turtles.

our snouts will pop out of the river and we’ll look around some, trying to figure it out. we would definitely need some encouragement, some warm sun, some help.

and, if we move forward, out of the suspension, we – turtles, too – will definitely be squeaking.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

turtles love coffee.


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and the beach. [k.s. friday]

i lived in florida. merely 14 miles from the gulf of mexico. for eight plus years. yet, i can count the number of times i went to the beach while i lived there. likely on two hands. i spent more time on the gulf before living there and after living there. just not during.

as a teenager and young adult i was at the north shore all the time. biking there, vw-ing there, boating, diving, fishing, walking, climbing the fence to take sunrise pictures – winter, spring, summer, fall. all the time.

in recent years i’ve yearned for the days on those long island beaches. and, though they are remarkably beautiful and warm and sunny and tan-producing (definitely not important anymore), i can’t really say the same for the florida beaches. i don’t find myself pining for them.

maybe it’s just my history with them. or, perhaps, the lack thereof.

the other day we went to the beach. on lake michigan. we walked and walked for a couple of hours, searching for hagstones and paintable flat rocks. then we settled down on a big log of driftwood in soft sand and sat and watched the waves. we wished we had a picnic lunch with us and a good book. it was that kind of day. the only thing that drove us out was hunger.

but we’ll go back, because the beauty of that beach was powerful.

when you live with someone who also likes to walk, you will walk anywhere. strolling in the ‘hood, hiking on the trail, trolling for stones on the beach. it’s the thing we do when all else stops – all work, all tasks. it’s the thing we do when we want all else to stop – all wistfulness, all thought, all worry, all out-and-out angst.

it’s funny to me that there was this big chunk of my life when i wasn’t walking, wasn’t hiking. just like this big chunk of my life when i wasn’t going to the beach – to stare at the waves, to watch gulls swoop and dive in the wind, to find the gifts of the air and the water – tuning into soul and energy, soothing and healing.

i’ve pondered, before, what would have happened had i walked. now i ponder what would have happened had i gone to the beach.

*****

DAWN AT CRAB MEADOW ©️ 1996 kerri sherwood

download music from my little corner of iTUNES

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read DAVID’S thoughts this K.S. FRIDAY

share coffee or share the post or forward the blog or talk to us – thank you 🙂


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natgeo. [not-so-flawed wednesday]

and after we got off the train we walked in the brisk wind off the lake to the chicago auditorium. a stunningly beautiful landmark theatre, it was established in 1889, around the time my grandparents were born. the arches and tile floor and gilding tell over a century of stories. a joy to be in such an old house.

the first national geographic live event we went to was in breckenridge, colorado. the cinematographer and extreme adventurer bryan smith had breathtaking footage descending over waterfalls and climbing mountains. we sat next to the guy who owned the scrumptious soup shop in town (the one to which we quickly became addicted) and ooh-ed and ahh-ed in unison. we were hooked.

david doubilet and jennifer hayes were the speakers at this event – coral kingdom and empires of ice – and to watch the photographic essay of their work was to marvel at the life this 24/7-together-married-couple live. multiple times they encouraged people to contact them, to ask questions or ask for help. brilliant change-agent scientists. generosity and humility.

as two people who are together 24/7 we know the perils of such togetherness. artists have a wiiiiide spectrum of emotions and this can be detrimental at times, so i wondered about two explorers. david and jennifer poked fun at each other while honoring each other’s work; the dance seemed balanced. working with your life partner requires a good sense of humor and a good life raft. sometimes, getting in the river on the rapids is the only way forward. that and laughter.

the hardest time we ever had working on a project was during our rehearsals for the lost boy. a two person play written by david and inspired by his mentor tom’s family history, we were preparing it for the premier performance on stage in california. prepping was a little like two pieces of sandpaper rubbing together. the rough kind. not the fine sandpaper you use for finishing work. nope. the roughest sandy sandpaper you could pretty much find. somehow, and i’m not sure how, we made it through the memorization, the blocking, the nuances and weeks of rehearsing onto the plane to california. and mike – our director – took it from there.

at the end of the first performance we jumped and danced in the hallway, twirling around in the aftermath glee of success. i imagine this to be much like david and jennifer having made it back to the surface after sharing oceanic waters with sharks and crocodiles. the time when david – in the minutes of giant jaws within inches of jennifer – took photographs. i’m thinking they likely danced in the boat. in the category of 24/7 moments, some are better than others. they didn’t mention the “whatthehellwereyouTHINKING?!!” moments. but you know they’re there. we can attest to them.

i can imagine – one of these days – subscribing to natgeo live. there are usually three or four events a season and, in combination with the magazine that arrives every month and the tv channel we mostly land on, they would round out these opportunities to keep learning.

my sweet poppo received national geographic magazine for as long as i can remember. he’d immerse in it. just like my newer intense desire to know all the birds – like my parents – i find myself holding national geographic in high regard. my dad would have loved being in the same room as all of these explorers, sharing their adventures and discoveries. his wall-to-wall bookshelf of yellow magazine spines all lined up would vouch for that.

i guess i’ll just carry it on from here.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

coffee or share this or forward it or talk to us 🙂


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we are all in our underwear. [not-so-flawed wednesday]

with great fervor, he said, “we are all desperate to make sense out of this life.”

“play the fool,” ethan hawke’s words of wisdom.

every day of this mysteriously unknown-unrevealed-unmapped extended journey of life we have been granted – we are seeking to make sense.

and – in the moment of moments – the ones when the abyss is evident or the peak is present, the ones when confusion reigns supreme, the ones when you cannot imagine any more bliss or any more dread or any more ardor or any more devastation, the ones when complexity is the starting gate, the ones on the roller coaster you wish someone would stretch out flat – in those moments none of this – any form of art – any medium, any life-giving expression of creativity – is a luxury. it surely does sustain, heal, breathe life into the motionless heart of fear or sadness. it is the music, the paintings, the photographs, the lyrics, the poetry, the clay pot in your hand, the dance. it is what the pads of your fingers touch just simply by seeing, hearing, reading, smelling, tasting, watching. necessary. of the essence. crucial. fundamental.

“give your heart to everybody you meet. the rest is pretense.” (e.h.)

and – the creators – each of us – stand by, fools all of us. humankind. finding who we are, what we love, expressing, connecting.

“showcasing a piece is allowing it to come to full bloom, to let it breathe in the world, to share it. but showcasing a piece is not for the meek at heart.

in the way you would likely feel standing in your underwear in a town square, introducing the world to some new piece of your heart is raw. on old wooden stages with a piano and a mic, centered on a wall with a tiny price tag placed nearby, during poetry-reading night in the corner of the general store, sharing with the novel-writing club every first thursday, skating the first performance on ice, tapping “publish” on a blog each day … pieces of your heart float shakily about as you try to hold onto sisu and stay grounded. it matters not how many times you have done this. your heart has been unbridled and you are allowing others in. each and every time.” (the underwear moments* – kerri sherwood)

“but then i thought about beauty. i thought about how artists dive below the surface, try to find the depth of meaning, try to hear and see that which others might pass by, not noticing. i thought about stages and boom mics and connection and standing in front of a diebenkorn – or a robinson – deep inside, marveling. i thought about arvo pärt and his absolute tug on my heart. i thought about john denver and simplicity. i thought about recording studios and soaring string sections, cello lines that make clouds rearrange to allow in light. the weaving of intricate relationship between people and nature, between people and art in any form.

there have been moments – and i can actually remember them – when i have been driving and listening to a song and i weep or hiking and seeing something so stunning i stop and cannot move. these moments when i know, without a doubt, that it was right to turn down the business-school-accounting-program acceptance. these moments when i know, without a doubt, that i will not have the same security as the person-i-would-have-been following that route. moments when i feel a sense of pride to be a tiny part of the tapestry of what people turn to in time of rejuvenation, of rest, of crisis, of pure bliss. these moments when i know, without a doubt, that somewhere along the way what i have done with my time has touched someone, has opened them, has taken them diving with me. below the surface of this great big world – to beauty.” (the gig economy tapestry – kerri sherwood)

“…boldness. the uninhibited freedom of expression – artistry come to fruition in the moment of utter sharing. terrifying and liberating. raw and real. the underwear moments.”(*)

this great big planet earth. sedimentary layers of beauty. we are all in our underwear.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

www.buymeacoffee – a link or this QR code – if you wish


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helping us thrive. [merely-a-thought monday]

the chicago botanic garden spring field guide arrived. a really beautiful small magazine of images and quotes and information, i have kept it nearby to peruse from time to time. on the last page – under a stunning close-up photograph of the bud of an orange tulip poised to open – are the words “thank you for helping us thrive.” the text goes on to express appreciation for members who “allow our community of plants and people to flourish.” without members and their support, the garden would falter. instead, they are thriving. “come alive this spring at the garden,” they encourage.

there are moments – as an artist – that you feel truly alive…even more than other moments.

the moment the theatre audience stands at the end of your concert. and – maybe even more – the moment of hush at the beginning when first sitting at the piano, boom mic poised.

the moment – performing in the glaring sunlight on a flatbed trailer or in the artificial light of a wholesale or retail show – people come to the very edge of the flatbed or the edge of your booth to tell you that your music has comforted them in a time of sorrow or has accompanied them in a time of joy.

the moment you open email to find a message – someone has taken precious time to write to you – that says, “our favorite piece of yours came on dish radio and we danced!”.

the moment someone orders twenty copies of a cd to give to all their family members.

the moment someone writes to comment on the many-many words you have penned.

the moment someone comments on your cartoon “i can relate.”

the moment someone says, “you have no idea how much of an impact you make.”

that is true. we actually don’t. have any idea.

it is with an abundance of gratitude that i think of anyone who has supported my – and our – creative work in the world: purchasing cds or tracks or tickets to a concert, forwarding a blogpost or cartoon, hanging a painting, sending us a written card or a virtual coffee. you have helped us thrive.

when you wear the shoes of an artist, you are not necessarily aware of any dent in the air you have made. you are not aware of the seeds of thought or questions or perhaps, hopefully, goodness that are scattered in concentric circles or in the breeze around or after you.

this minute magazine is full of inadvertent wisdom.

“love in bloom” is the garden’s initiative june 3 – september 24. magnolias and redbuds, tulips and shooting stars, azaleas and irises start off the spring. “blooms aplenty.”

you’re an artist and you know that your life is different; it lacks the security – particularly financial security – of others’ lives. the moment you look at the total bill for one of your full-length recordings you are reminded. the moment you open your meager royalty checks – in these days of online streaming – you are reminded. the moments you ponder what’s next. you are encouraged by people to make another album, author a book, produce more cartoons, yet you know that any of these are without the good heart-and-mind-fertilizer of solid footing, as there is no promised return on your dedication or time or that vulnerability that comes with the territory. yet, i stand next to my piano and ponder the scraps of songs, i linger over the keyboard of my macbook, wordsmithing manuscript, i lay out the next smack-dab and write the next blogpost. blooms aplenty. yes. asking for help? not so much.

“we hope you find inspiration in the brilliance of spring,” on a page listing 80,500 bulbs planted-last-fall.

you’re an artist. and you hope there is inspiration – even an incandescent filmy thread – in your work.

“the woods are a recovery story of resilience and bouncing back…” writes the managing ecologist, woodlands.

the albums, blogs, manuscripts, paintings, cartoon strips – all recovery stories of resilience and bouncing back. we – artists – are on tiny trampolines in the world, trying.

“consider making a gift so that we can protect and celebrate the natural world for many seasons to come,” rounds out the garden’s “thank you for helping us thrive” message.

share. pass on. join. follow. gift. donate. purchase. download. consider coffee. consider being a patron to an artist – of any medium – who helps you move from one day to another, one season to another.

“discover the world of spring ephemerals. the garden’s mcdonald woods…ephemeral wildflowers make their brief appearance.”

we – artists – are ephemeral wildflowers, making a brief appearance in this universe, ready for anyone who wishes to catch a glimpse, to share in the synergy of our art.

“in years with little to no spring rain, ephemerals produce fewer flowers and less seed, which can impact their ability to bounce back in future years….if plants are healthy enough and if they have the right natural disturbances such as fire, they are resistant to annual variability in the weather and can adapt to longer-term climate change.”

“i want to know if you will stand in the fire with me and not shrink back.” (oriah mountain dreamer)

we – ephemeral artists on our tiny trampolines – need the rain. we need the fire. we need you to stand in the fire with us. we need your help.

and then, we will thrive.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

www.buymeacoffee.com – this link or this QR if you would like to help

and thank you.


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forsythia. home. [k.s. friday]

forsythia.

it’s coming-home for me.

at the front corner of my growing-up yard on long island was a forsythia bush. and many years, at the march of my birthday, i remember having my picture taken there. home. spring. there are few things that make me think of Home like forsythia does.

except for maybe the voice of my beloved daughter on the phone. she is forsythia for me. for just moments or for an extended conversation or – if i am fortunate – in person together, the sound of her voice, her zeal, is Home.

and except for watching the way my beloved son immerses himself in his music. his hands – now all-grown-up man-hands – moving dials and sliders, his voice and body dancing, his explanations – it’s forsythia for me. Home.

and except for the look across the room from david – the moment he touches his hand to his chest while in his gaze – forsythia. Home.

and dogga – at the door with his angel-babycat greeting me – thrilled, once again, to see us. forsythia. Home.

and the love and care and concern that are abundant in our lives – our family, our friends. forsythia. Home.

and the work we have chosen to do – create – music, paintings, many-many words, cartoons. forsythia. Home.

it’s not a yellow brick road. it’s forsythia.

*****

THE WAY HOME ©️ 1997, 2000 kerri sherwood

download music from my little corner of iTUNES

stream on PANDORA

read DAVID’S thoughts this K.S. FRIDAY

www.buymeacoffee.com – a link – if you would like to support our content creation


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this is the stuff. [not-so-flawed wednesday]

the may apples stood on risers in the forest, singing to spring, singing to any audience who might be there, singing their glorious song. just like a choir. unified. united. elated to be in harmony. creating four-part jubilation to be alive. making music.

the singtolive choir stood on risers in the sanctuary of the beautiful church, directly in front of the organ pipes. their joy was palpable and, if i closed my eyes as they sang their program of the great american songbook, i could imagine the record albums of my parents playing and the choirs of 33rpm singing into our living room. they were cohesive and gently exploring the expanse of the songs chosen for the evening. and then, at the end of the concert – this concert dedicated to breast cancer survivorship – the singers left the risers and came out to stand among us, the audience.

to say that their last song was touching would be an understatement. a trademark of this marvelous group, why we sing was exquisitely performed. we all had eye contact with singers surrounding us. you could feel hearts swelling and tears forming. they delivered this emotional piece like no other preceding it in the program. i whispered to david, “this is the stuff.”

there is a lot of choir music ‘out there’. for the decades of my career as a minister of music, i was shipped an enormous number of catalogs, of listings, of cds with samples of songs. and then, there were charts to study, trends in music. and then, arrangements and reviewing lyrics and the range of my singers – in note as well as in degree of difficulty. i reviewed all this music always seeking that which would resonate, that which would help a person’s heart and mind connect with their faith, with the questions they had in this world, with good intentions and their community. it’s not a small responsibility to choose that which a choir – any choir, any worship band, any ukulele band, any choral ensemble – will sing in public – no matter the venue.

heidi and i stood in front of thousands of people through the time we worked together, performing “celebrate sweet life” – our breast cancer survivorship programs. with audiences of 35,000 in new york’s central park to hundreds in a medical center to a few thousand in the chicago sun with lance armstrong’s tour of hope to a more intimate group in pjs at md anderson to sharing a long island stage with hillary clinton to oncology pharmaceutical sales conference in puerto rico, it was our privilege to share messages – of hope, of healing, of making a difference for each other, of being alive – with audiences all over the country.

there is a video from one of our performances that touches me each time i see it. it is a bit blurry, not captured with the best of equipment. yet, at the end, as the audience has risen to their feet, there is a man in the foreground. as heidi speaks her last words and i sing the last lyrics of one of my songs, this man wipes at his eyes, stirred. and each time – no matter how many times i have viewed this – i am profoundly moved.

the may apples – gleeful in their rising out of the eradicated forest, now clear of invasives and plants with ill intent – stand proudly. they are furled at first and one might think they are quiet, meek, hiding. but as the sun warms them they arise. they will give their performance their all, joining together as one umbrella of green. the trillium will watch in the forest as audience members. and then, pure white flowers will form under the may apple parasols. and the trillium will turn to each other and whisper.

in the moments of performances under my choir baton or concert stages under my feet, there has been nothing quite like thinking that someone out there is whispering to the person next to them, “this is the stuff.”

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

www.kerrisherwood.com

itunes: kerri sherwood

www.buymeacoffee.com in case you would like to support our content creation


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non-fiction. [d.r. thursday]

there are days that the clouds form lower elevation mountains along the horizon and you are certain that land is not far away.

there are days that clouds – skybluepink, puffy white, ominous grey – float by, high in the sky or dipping down into the camera lens, and land – on the other side of lake michigan – is nowhere to be seen.

it depends on the day. it depends on conditions. it depends on tiny atmospheric changes. “air can reach saturation point [forming clouds] in a number of ways.” (noaa.gov)

we are reading john denver’s autobiography. it is a perfect example of all the conditions aligning for clouds to form, a perfect example of the fragility of saturation point. in a series of miniscule decisions, moments, meetings blessed by timing, john denver is catapulted into success. we are almost halfway through, reading aloud and relishing it. john’s music, his messages, his work in the world – most definitely crystals in the atmosphere.

we returned the measure to the library. we didn’t finish it. i look at the stack of books next to my side of the bed and realize that it is not necessarily a light-fiction-time for me, though i am quite sure there might be exceptions and i know that there are profound novels, deeply rich. this bedside stack is non-fiction, informative, questioning. it wasn’t that the measure didn’t seem a good read. it was more that it didn’t hold me, my attention. after the first couple days of blanketed-both-ends-of-the-couch reading snippets as there was time, the book sat atop the throw and just waited and – then – became overdue. the quarters accumulated for a few days and i thought we’d sit down to finish it, but we never did. eventually, we mutually decided to bring it back. and then we talked about it on the trail…why it didn’t seem to appeal to us right now.

i suppose there are times in life when all you need is a giant stack of romance novels or mysteries. maybe those times are periods of comfort – skybluepink times – when you are freer to languish, freer to relax into life. these are the times when you don’t see any horizon – the lake is endless and there are no looming summits to climb.

and then, there are other times in life – when escape would seeeem like a good idea – when, instead, the books you choose are steeped in reality, steeped in others’ challenges and successes, telling stories of grit and fortitude and good luck and the help and support of others, the stories of getting-there. the books ask questions you might ponder in sorting out next or the books outline ways to approach that which you are facing down. non-fiction is more of a unpredictable day out there over the lake, getting unexpectedly sopped by rain, seeing mountains to climb on the other side, wondering if the sun will ever shine.

john denver wrote, “i’d learned that powerful songs are powerful not because they’re pretty or bouncy or funny, but because they’re about the human condition and what we all aspire to; i’d learned those were the songs i loved.”

a pretty sky – or song or book – doesn’t hurt – in fact, it can fill one with much contentment. but only pretty skies could be suffocating. we need the rest – all the atmospheric conditions to really feel the yin-yang spectrum, to know we are truly living, to be reminded of how crystals in the sky are formed and to know the sun is shining – regardless.

*****

read DAVID’S thoughts this D.R. THURSDAY

www.davidrobinsoncreative.com


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a visit with RBG. [not-so-flawed wednesday]

she was out on the deck, momentarily. stopping by to give me words of wisdom and courage, former u.s. supreme court justice ruth bader ginsburg stood in the sunshine. she leaned over, in emphasis, and the sun streamed through her collar, reflecting through the window onto our dresser. i held her words close to me. she reminded me, “but when i talked about sex-based discrimination, i got the response, ‘what are you talking about? women are treated ever so much better than men!’” then we both laughed, her eyes gleaming with the intelligent fight of a strong woman.

ruth continued, her sage words a repetition of something she had said, quoted back in 2020, “it’s an unconscious bias. it’s the expectation. you have a lowered expectation when you hear a woman speaking; i think that still goes on. that instinctively when a man speaks, he will be listened to, where people will not expect the woman to say anything of value. but all of the women in my generation have had, time and again, that experience where you say something at a meeting, and nobody makes anything of it. and maybe half an hour later, a man makes the identical point, and people react to it and say, ‘good idea.’ that, i think, is a problem that persists.”

her parting words, before she vanished from our deck, before her tatted collar no longer formed a sunlit shadow on our dresser, “whatever you choose to do, leave tracks. that means don’t do it just for yourself. you will want to leave the world a little better for your having lived.” i nodded. it’s our responsibility as women (and yes, as men) to make sure that we leave to those behind us a place that is better for those who follow, a place that is transparent and that rebels against agenda, a place that treats all fairly, a place that is dedicated to the resolution of conflict, a place of compassion and truth. her gaze was steady before she disappeared, encouraging me to stay grounded, to “breathe free,” to “speak your mind, even if your voice shakes.”

“i would like to be remembered as someone who used whatever talent she had to do her work to the very best of her ability.”

hell yes, RBG!!!

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY