reverse threading

the path back is the path forward


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natgeo. [not-so-flawed wednesday]

and after we got off the train we walked in the brisk wind off the lake to the chicago auditorium. a stunningly beautiful landmark theatre, it was established in 1889, around the time my grandparents were born. the arches and tile floor and gilding tell over a century of stories. a joy to be in such an old house.

the first national geographic live event we went to was in breckenridge, colorado. the cinematographer and extreme adventurer bryan smith had breathtaking footage descending over waterfalls and climbing mountains. we sat next to the guy who owned the scrumptious soup shop in town (the one to which we quickly became addicted) and ooh-ed and ahh-ed in unison. we were hooked.

david doubilet and jennifer hayes were the speakers at this event – coral kingdom and empires of ice – and to watch the photographic essay of their work was to marvel at the life this 24/7-together-married-couple live. multiple times they encouraged people to contact them, to ask questions or ask for help. brilliant change-agent scientists. generosity and humility.

as two people who are together 24/7 we know the perils of such togetherness. artists have a wiiiiide spectrum of emotions and this can be detrimental at times, so i wondered about two explorers. david and jennifer poked fun at each other while honoring each other’s work; the dance seemed balanced. working with your life partner requires a good sense of humor and a good life raft. sometimes, getting in the river on the rapids is the only way forward. that and laughter.

the hardest time we ever had working on a project was during our rehearsals for the lost boy. a two person play written by david and inspired by his mentor tom’s family history, we were preparing it for the premier performance on stage in california. prepping was a little like two pieces of sandpaper rubbing together. the rough kind. not the fine sandpaper you use for finishing work. nope. the roughest sandy sandpaper you could pretty much find. somehow, and i’m not sure how, we made it through the memorization, the blocking, the nuances and weeks of rehearsing onto the plane to california. and mike – our director – took it from there.

at the end of the first performance we jumped and danced in the hallway, twirling around in the aftermath glee of success. i imagine this to be much like david and jennifer having made it back to the surface after sharing oceanic waters with sharks and crocodiles. the time when david – in the minutes of giant jaws within inches of jennifer – took photographs. i’m thinking they likely danced in the boat. in the category of 24/7 moments, some are better than others. they didn’t mention the “whatthehellwereyouTHINKING?!!” moments. but you know they’re there. we can attest to them.

i can imagine – one of these days – subscribing to natgeo live. there are usually three or four events a season and, in combination with the magazine that arrives every month and the tv channel we mostly land on, they would round out these opportunities to keep learning.

my sweet poppo received national geographic magazine for as long as i can remember. he’d immerse in it. just like my newer intense desire to know all the birds – like my parents – i find myself holding national geographic in high regard. my dad would have loved being in the same room as all of these explorers, sharing their adventures and discoveries. his wall-to-wall bookshelf of yellow magazine spines all lined up would vouch for that.

i guess i’ll just carry it on from here.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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the hubbabubba fairy. [two artists tuesday]

it looks like the hubbabubba fairy flew through, magic wand in hand, touching stumps and shredded trees everywhere. it is striking to see and not just a little disturbing. there is blue-fairy-dust-smattering all over the woods. trees have been felled, underbrush torn up, everything ground into rough-hewn mulch. one shade of blue and many shades of brown.

only it’s not magic dust and no hubbabubba-bubble-gum or jolly-rancher-blue-raspberry fairy has been there. instead, it’s an herbicide and part of treatment for the invasive species eradication project on our trail. it’s completely and understandably important, but it sure doesn’t look very nice. right now, it looks a tad bit decimated, but good strong organic matter remains and will grow and rejuvenate, despite the eradication of so many toxic invasives.

we need be cautious. often the invasive stands in the forest, all tall and righteous, and we are convinced that they are a beautiful partner in the woods community. or the invasive is short and squat, pudgy bushes that look lush and, again, we are convinced they are contributing members of this symbiotic woods. careful discernment is necessary, for we can be easily fooled, particularly by those invasives that look mighty or seem healthy. and these mistaken identities can – as we have learned – lead to the detriment of the very lovely and thriving woods.

that’s the thing about invasive species, i guess. you don’t recognize them as invasive. you trust – as you look around – that they are supposed to be there – for the good of the woods or the preserve or the wetland or the lake. here, in this woods, they appear to be a part of it – ever-present, growing and greening up in the spring. according to the national park service, “invasive species—nonnative organisms that cause harm to the environment, economy, or human health—have serious impacts on native ecosystems. they disrupt ecological processes, threaten ecosystem integrity, degrade cultural resources…”. they are not what they appear.

i suppose there are institutions like that as well. invasives choking out the real life, the real growth, the organic nature of the organization – all bent on preserving their own agendas, maintaining control, practicing a generalist survival strategy honed through the years. bobcats and coyotes are generalists and, i must say, i know a few.

the national wildlife federation states, “detecting new invaders quickly, and responding rapidly to eliminate them, is essential to limiting impacts and costs when prevention fails.” “many invasive species thrive because they outcompete native species for food.” i suppose it would be wise to be wary of being outcompeted.

“many invasive species destroy habitat” and “some invasive species do great harm to the economy,” national geographic warns and then adds, “invasive species are almost always spread by human activity.”

“you can treat and dispose of invasive non-native plants by: spraying with chemicals, pulling or digging out live, dead or dying plants, cutting back plants to prevent the seeds dispersing.” (gov.uk)

yes. these are some of the efforts we are seeing in our own treasured woods: the removal of the toxic longstandings – masked as steadfasts participating in the mission of the forest – for the true benefit of that forest and wildlife community.

“once invasive species become established and spread, it can be extraordinarily difficult and costly to control or eradicate them.” (national wildlife federation)

in that light and with great intention, in one dedication to such efforts, “the national wildlife federation leads the charge to prevent invasive carp from entering and decimating the great lakes.” the national park service explains, “invasive carp cause serious damage to the native fish populations in the lakes and rivers that they infest because they out-compete other fish.” http://www.invasivecarp.us asks fishermen who catch a carp to “immediately contact the appropriate agency personnel for the state you are in.” we are urged to be ever mindful, to be transparent about what we see, about that which is destructive.

yes. watch out for those carp and all the other invasives. the hubbabubba fairy has left the building.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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be a duck. [merely-a-thought monday]

“mama said there’ll be days like this; there’ll be days like this mama said.” (“mama said”, the shirelles, written by luther dixon and willie denson, 1961)

there are days in which i remind myself, time and again, over and over and over, blah-de-blah-de-blah, as i learned years ago from a cheery 95 year-old woman on an interview, to not take anything personally. this requires evolving. big evolving.

it does not come naturally to me to not take things personally. it is waaaay over on the other side of the taking-things spectrum from where i am. but, i am inching my way, crawling, scraping, babystepping my way in that general direction. ever-evolving, i intend to get there. some.day.

i suspect that, on the day that i arrive, i will find a light heart, laughter always at the ready, dancing feet, unconditional forgiveness of self and others, grace for mistakes or choices made, full nights’ sleeps, anticipation of continued bliss in the land of not-taking-it-personally. umbrage will fall like rain on duck’s feathers and the seesaw will stay level, a fulcrum of balance.

for, as any perusal through social media will remind us, we are not walking in shoes other than our own. memes as prodding cover photos or profile pictures or insta’d wisdombits or tweeted tweets, we are reminded “you never know what someone is going through. be kind. always.” yup.yup.

we each have access to the wisdom of the greatest wise ones. and we each forget. every. single. day. we don’t always think about how our words or actions will arrive on the heart of others, particularly in the moments of delivery, particularly the things that are … heartless. conversely, it, then, is likely that others, in the moments of delivery, were not thinking about how their words or actions would arrive on our hearts. we also know that it is not likely that someone else is laying awake in the middle of the dark night thinking about what they said or did, their words or lack of words. some people are better at letting things sliiiide off. me? i’m still evolving.

in a slew of bitterly cold temperatures, we passed a frozen pond the other day. there were many ducks on it and i wondered aloud if their tiny butts were frozen to the lake. in my best duck voice i implored passersby to “help us, help us. our tiny butts are frozen and we can’t get up!”. but, in my moment of intended comedy, i did not know some important things about ducks: “waterfowl possess remarkable adaptations to survive in cold weather, including dense layers of insulating feathers, counter-current blood flow to reduce heat loss through their feet and legs, behavioral modifications to reduce exposure to the elements, the ability to carry large fat reserves, and perhaps the greatest adaptation of all- migration.” (ducks.org)

“be a duck,” i said to him the other day. sometimes it is necessary. let it all roll off your feathers.

a little research had given me a tiny bit more knowledge: wear more layers. don better boots. reduce exposure to potential yucky stuff. eat and drink merrily without minding the mirror too much. and, if all else fails, move on. be a duck.

mama was right. there are days. ouch.

love oneself enough to be ever-evolving. ever and ever and ever.

ducks know this stuff.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY



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aging-ageing. [not-so-flawed wednesday]

rejuvenate. anti-aging formula. anti-aging rejuvenating serum. skin repair and firming cream. anti-aging rice phytoceramides plant-derived capsules. advanced natural anti-ageing cream complex. crepey skin repair and firming cream. anti-aging supplement and multi-vitamin for energy, skin, bone and joint support. anti-aging organic flax seed oil and phytonutrient formula. multi-collagen capsules with hyaluronic acid and vitamin c. awakening hydraskin system. ageless cell life extension. anti-aging beauty spray vacuum. age-defying face lifting concentrate. night total facial rejuvenation system.

“achieve visibly younger skin.” “who wants to look their age?” “visible results in minutes of use.” “recommended for discerning patients.” “join me in the battle against ageing.”

i am wayyy wayyy behind the curve. the pink oil of olay hydrating lotion in my small cosmetic drawer in the bathroom has been around for sixty years. hmm, i should have written that sentence in a structurally different way. the little plastic bottle has not physically been in my drawer for sixty years; the product has been produced for sixty years. sheesh. other than a few pass-me-down gifted clinique products from my sister, this has been my moisturizer of choice. simple. done. i have not researched this nor have i had long conversations with girlfriends about moisturizer. joann has absolutely lovely skin. her face glows. one day i asked her what she used and, delightedly, she told me oil of olay. yippee! samesies. so, that means if i keep using oil of olay my face will glow? hardly.

the jowls i woke up with one day that my sweet dad and gravity so generously passed on, the wrinkles around my eyes, the sweet-momma crease in my forehead – these are genetics. webmd.com says that the intrinsic aging of skin cannot be avoided. and the time: time spent outside as a child, spud and kickball in the neighborhood, swimming in our round above-ground pool, teenage time spent on bike hikes and on crab meadow beach laying on a bazooka gum beach towel playing my radio, trips to florida beaches with woven bags holding tanning oil and iced tea and potato chips, motherhood time on backyard swings, at lakefront beaches, on soccer fields, at baseball diamonds, earlier-middle-age un-thinking time on adirondack chairs basking in the sun – though perhaps innocently skin-irresponsible, cannot be erased.

aging. ageing.

my dad received national geographic magazine for as long as i can remember. paging through were articles and photographs through which i was introduced to cultures i was likely to never actually visit but from which i could gain small bits of wisdom.

though i mostly understand the medical importance of taking good care of our skin and using spf products and staying out of torrid sun and hydrating and eating proper nutrients, i could see that the women and men of these other cultures – outside of our society – did not concern themselves with aging-ageing. indeed, they were not in a battle or a race against it. instead, they upheld it, celebrated it, honored it. and while i would probably prefer less jowls and less wrinkles and less crepe and less of the other stuff with horrendous names that advertisers have come up with for natural aging processes -god-forbid- i will choose to stand in it and feel fortunate to be here.

fortunate to be aging-ageing. winning the race either way.

****

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agnes, mom, dad and dogdog. [d.r. thursday]

“whenever i feel afraid i hold my head erect and whistle a happy tune so no one will suspect i’m afraid.” the tune from the king and i has gone through my head more than once in my life. the feel-good song you carry with you can make a difference (this is directed to our jaded babycat).

we have watched national geographic’s life below zero for a few years now. it’s not hard to develop “relationship” with the people on the show, especially now, in times of pandemic when you see few others. the hailstone family is based in noorvik, alaska. it’s brutally cold, removed and not an easy place to live. agnes hailstone, the 40-something matriarch, has a can-do attitude. the striking thing about this family is their positivity. what they are like off-screen is of question, but on-screen they are encouraging, supportive of each other, never undercut what the other is doing, and always have a more positive zeal than i ever could muster out on the negative-temperatured tundra in dim light and a freezing-wind stormy day on a snowmobile going 40mph for miles and miles across a frozen lake in search of a fish or maybe two from a tiny augured ice hole. “you can do things happy or sad or mad,” agnes said on a recent show, “but it’s best to just do things happy.” she adapts to new challenges, weird-stuff-that-happens, and seasonally-repeating obstacles as they arise and has passed her can-do-ness on to her children, her grandchildren, her spouse. she doesn’t give up. she is pretty heroic in my book. she must have bobby mcferrin humming in her head, “don’t worry. be happy.”

it’s impossible to not dance when you hear black eyed peas’ “i gotta feeling that tonight’s gonna be a good night”. it’s not likely you can resist with james brown’s “i feel good” or john denver’s “sunshine on my shoulders makes me happeeee.” it’s without question that “here comes the sun, dootin doo doo” easily elicits you singing along the famous line “and i say, it’s all right!”

but what about in the quiet? what about when all is silent, when all lyrics have slipped from your ready grasp, when you can’t think of a song to save your life, as the expression goes? then what? what do you draw from?

i suppose that’s the reason my sweet momma started the day by saying “good morning, merry sunshine.” or why my sweet dad would look at things that were challenging and simply say, “well, how do you like them apples?” after living lives full of challenge and the roller coaster of emotional heave-hoes, they chose to greet the world in each of their experiences with positivity. hearing my dad’s whistling told me everything i needed to know – they were ok in the world, no matter what. they chose it.

agnes hailstone and my mom and dad would like each other. and dogdog. dogdog too.

*****

read DAVID’s thoughts this D.R. THURSDAY

AT THE DOOR ©️ 2017 david robinson, kerri sherwood


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the reins. [not-so-flawed wednesday]

my nine-year-old hands held the reins loosely. i was riding lucky, a big bay horse at the stable. it was the day we would take our horses out on the trail. i had hoped to ride mardigras, a stunning black horse with a white star tucked under its forelock. but lucky it was.

we rode out of the paddock and turned uphill toward the woods. nose-tail-nose-tail-nose-tail we rode silently, leather saddles squeaking under our tiny bodies. into the woods, our instructor let us separate out a bit, a little less interstate-traffic-jam-like, and we could each breathe a bit, enjoying the freedom of no fencing with our horses. lucky tossed his head and i bent down from my english riding posture to hug on his neck, running my hands under his mane. it was a beautiful day and i could think of nothing better to hold in my hands than the reins of a horse.

eventually we turned back toward the barn.

and in that moment, lucky pulled hard. the reins i had draped around my hands, thumbs properly placed, were wrenched from me. and lucky ran.

no one had told me ahead of time that lucky really loved the return trip to the barn. no one had mentioned that lucky, when turned downhill, would likely take his head, would likely run. no one had suggested that i pay closer attention to the reins when we were back-to-the-barn-bound.

i had never galloped before, but i was treated to lucky’s fastest gait going downhill. holding on with my knees as hard as i could i wished there was a western pommel i could grasp. i was at the mercy of this horse and he was having no mercy.

the barn came into view and lucky screeched to a stop. in the fluid move of a great white lipizzan, lucky reared up onto his hind legs and threw me to the ground. a defining moment indeed, hitting the ground. lucky, dragging his reins behind him, swaggered to the feed trough next to the barn and began to eat.

my instructor was soon at my side. she stood me up, checked me over, gave me a hug and walked me to another horse, giving me a quick peptalk on the way. she held out her hands linked together, gently but firmly asked me to place my foot into her shoe-up and immediately got me on another horse. overcome it.

and that brings me to today, a day i wish i could sit astride a horse and ride off into the woods.

nevertheless, i remember the words of sue aikens, “this will define me or i will overcome it,” and i, horse or no horse, take the reins in the middle of no-mercy and firmly hold them in my hands.

*****

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these old boots. [two artists tuesday]

old boots

these old boots.  save for the laces, which were definitely in-beaky’s-book-worth-saving, these boots are now moving on.  looking at them, side by side on the deck, i could hear my big brother playing the guitar and singing, “these boots were made for walking, and that’s just what i’ll do…”

we’ve run out of everest movies to watch.  we have seen all the hollywood movies, all the national geographic movies, all the north face and eddie bauer movies and the rolex movies.  we have watched youtubes and imax-without-the-max-part.  we have sat through short home videos and a two hour and three minute go-pro video with no narration and hardly any talking.  we’ve watched k2 and annapurna and aconcagua and denali.  we have run out.

we have now moved on to the appalachian and pacific crest trails.  these boots – neither pair – were not made for that walking.  we can both vouch for it.

these boots were different.  they were more life-boots.  mine took me through well over a decade of travel, well over a decade of wholesale and retail shows, well over a decade of schlepping, lugging, driving very long distances, more schlepping and lugging.  well over a decade of practice on wooden stages while lighting and sound engineers ran cues.  well over a decade of flatbed trailers.  well over a decade of dreaming and sweating, well over a decade of highs and lows.

i’ve been attached to them.  the soles have separated from the leather uppers and wearing them would be like wearing closed flip flops, but heavy-heavy and flopping around, looking to catch on something and throw me headfirst into the ground.

i’ve been attached to them.  in some way they became part of my uniform, the same way that the black zip-up sweatshirt that no longer has cuffs or a working zipper was.  i’m attached to that too.  somehow, it felt like those kept me safe, kept me going, and brought me back home.  i suspect it wasn’t the boots or the sweatshirt hoodie.

so i’m saving the laces.  they can be used in a different pair of boots.

and i’m wondering:  maybe we should fill these old boots up with dirt and plant some basil.

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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“it’s either joy or pre-joy.” [not-so-flawed wednesday]

pre joy joy

a fine line.  the place between pre-joy and joy.  for mike libecki there is no space on the continuum between the two.  it is merely one or the other.  pre-joy or joy.

mike is a mountain climber.  because i am an obsessive mountain-climbing-video-documentary-movie-watcher, we watched him and cory richards in their national geographic antarctic mountain climb to summits not reached before.  it was brutal.  the wind.  the weather.  the elements of the climb.  agonizingly difficult.

but mike was adamant, stating above the furious wind again and again, “it’s either joy or pre-joy.” any moment of torturous climbing or bearing the effects of the weather was a moment of ‘pre-joy’.  all other moments were ‘joy’.  it’s an amazing way to look at things.  an amazing way to look at life.  everything leads to joy.  you are always in joy or on your way there.

in what we would describe as a watershed time, this short quote is a lesson in staying grounded.  in sentiment i have heard before, but never as succinctly shorthand, a reminder to look always to the light, the horizon, not backwards, not at the dark, not measuring in the negative.  re-group, re-center, re-evaluate, re-perspective-arrange and move through pre-joy to joy.  a cup always with something in it, never empty.  always a portion waiting for you to add to it, make the best assumptions, hope, appreciate, carry the jug to the next waterhole for it is there.  “we must live sweet,” mike says.

we carry the torch so often for the negative.  we moan and complain and gossip and pick fights.  in this roller coaster of life, what about carrying the torch for joy?  what about lighting the way for yourself, for others, helping to find the light, the joy?  believe that we are only an ice-pick or a few carabiners or a length of rope away.  we are on the mountain.  all of us.

i would like to try to remember this “it’s either pre-joy or joy” and live and work and play by it.

because i believe in joy and the sheer power, potential of joy; it’s a force.  i just need remember to believe that all roads lead there.  one day is joy.  the next is pre-joy.  it is all on the same continuum.  it is all the same life.  we all share the same possibility.  all paths summit.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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everything to lose. pay attention. [not-so-flawed wednesday]

everything to lose.jpg

“one million plastic beverage bottles are bought every minute around the world. yet recycling rates remain low.”

(article:  our addiction to plastic, national geographic magazine, 12.2019)

close to midnight and the texts started arriving fast and furiously.  a warning from My Girl that she was “fighting with people on instagram”.  her passionate responses to objectors on #pattiegonia’s instagram were well-spoken, well-placed, adamant about the wellness of this good earth, vehemently supportive.  i paid attention.

pattie gonia is an environmental advocate drag queen.  a voice.  a loud, sincere, fervent, educated, inspired, contemporary, courageous voice.  pattie/wyn is out there making a difference.  it is easy to be proud of them, to stand with them.  with the partnership of rei, they have created video to draw attention to the things we, as earth-dwellers, have failed to prioritize.  if you watch their dramatic and profound videos, you will weep.  guaranteed.

we must pay attention.  what plastic bags, plastic bottles, plastic netting, garbage, waste….are doing to our mother earth is deplorable.  we would not live in such a house.  why then do we live on such an earth?

i was driven to nausea the other day when we were helping someone clear out a house.  it was our job to load things up in big red and go to the mini-dump not far from us.  we pulled up and backed up to one of many large dumpsters, all connected to a compactor, to throw in what we had in the back of the truck.   it took my breath away watching all the people throwing in all the stuff….just in this tiny corner of the world.  the great pacific garbage patch looms in my mind’s eye.  THIS is the reason we still have our 40-plus-year-old stove.  because i can’t imagine where it will go if we just throw it out to get a shiny new model before it’s necessary, just to make our kitchen look chic (which, incidentally, is impossible anyway.)

we have been conscious, using refillable water bottles, repurposing, recycling everything we could recycle, a practice of being consumers-of-less, less buying, less keeping-up-with-the-joneses, more picking up trash and, scarily, pulling up next to people who throw things out their car windows to tell them they ‘dropped something back there’.  but we have been learning. and we can do more.  we all can do more.  we have to.  pay attention.

“…right now, there are more plastic pieces in the ocean than stars in the milky way…” (everything to lose by pattie gonia)

it’s bracing.  and it’s tragic. and it needs our true attention.  as pattie gonia says, clothed in a dress made of plastic bags, fully standing in garbage, a ticking clock her companion,  “we have everything to lose.”

 

a short documentary to learn more about pattie gonia:

 

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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plan ahead. [merely-a-thought monday]

chip hailstone box copy 3

my poppo would probably have liked chip hailstone.  an as-long-as-i-can-remember subscriber of national geographic, i imagine he would have liked the show ‘life below zero’.  he was good at solving problems, figuring things out, making stuff out of nothing.  his words of wisdom were simple.  “plan ahead,” he would say.   he was a card-holding-club-member-regular-reader of the handyman magazine; he easily could have been a contributing writer.  he would have loved chip hailstone’s comment, “you can make a long piece of wood short, but you can’t make a short piece of wood long.”  ahyup.  it’s in the details.  plan ahead.

we were coffee-sitting around the kitchen table.  it was a late florida morning, years ago now, and coffee break time was an every-day thing.  my dad suddenly got up from his chair and left the room, using his “stick” to get to the bedroom and back.  he returned moments later and started to speak.  “i have something for you, brat,” he started.  “with these years on your own you have learned so much out of necessity.  it’s time for you to have this.  you have earned it.”  he handed me his handyman club membership card and said, “this is yours now.  i’m proud of you.”

it was big news to get this card from my poppo and i didn’t underestimate its import. it would not have made me more gratified to receive a grammy award.  his -my- membership card is in plain view in my studio, reminding me of my dad and his words to me.

we watch ‘life below zero’ episodes and there are simple wisdoms dancing throughout the show.  things i can hear my dad say in his brooklyn accent.  things you think, “well, duh, of course.”  the same things you realize after-the-fact that you should have thought about before-the-fact.  yup, poppo.  plan ahead.

poppo & handyman club

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bong trail, wisconsin website box