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Tag Archives: society6.com/davidrobinson


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our mélange. still a toddler. [two artists tuesday]

every weekday for four years is kind of a long time. we kicked off our mélange on february 12, 2018 with the intention to blog each day using a mutual image. we’d see where those images would take us: down backroads of memory, forays into wondering, dropping into the tiniest cracks of things that happen in our days. they would generate stories and pondering and poetry and a dedication to a practice we both love: writing.

1106 blogs later – in the context of the mélange – and we are just as committed now as we were then. in these tens of hundreds of posts, we have been both succinct and verbose, grateful and snarky, questioning and certain. mostly, we have sat next to each other – every single post – typed on laptops and read aloud to the other what the chosen image evoked. it has been an absolute gift.

from an analytical standpoint, we can see that people all over the world are reading. we marvel at the number of countries where someone has opened up what we have blathered. it is not without wonder that we -every so often- hear from someone from afar. and then, there are those days that the analytics suggest perhaps no one is interested and our writing is for naught. yet, we write anyway. because, we have discovered, this is for us – a gift we have given ourselves.

in the beginning our monday-friday topics included two cartoon days: chicken marsala monday and flawed cartoon wednesday. those days have since morphed and changed into merely-a-thought monday and not-so-flawed (and sometimes flawed) wednesday. in the beginning, too, every day had products i designed for that day. we had (actually, still have) five stores on society6 where people could purchase prints and canvases and tote bags, mugs and phone cases, throw pillows and leggings and shirts with our original work. hundreds upon hundreds upon hundreds of products. and so much fun to design. we have featured morsels of david’s paintings and youtubes or mp3s of my music, tiny snippets of color and texture and devoted artistry. we dove into the telling-the-tale of these pieces and we have shared the soul of our work.

soon it will be a year since we first added saturday morning smack-dab, our smack-dab-in-the-middle-of-middle-age cartoon. we’ll be setting up an additional separate page for smack-dab, the cartoon. some people want less words and that will be the place to go for the less-is-more approach. this cartoon is one of the delights of my week and the scripting, layout, colorizing, design work give me a distinct honor of co-cartoonist.

we have learned – in this practice – to photograph, to look, to listen – even more carefully and intently than before. so much to notice, to pay attention to. life is about how you take it in and respond to it all.

the learning curve on anything worthwhile can be steep. toughing out the vulnerability factor, finding your voice, using it to write, putting-it-out-there, brings a mélange of emotion. for us, it has been about 1106x joy.

thank you for reading.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

our first mélange post

click here for our mélange

and – if you are in the mood for browsing:

CHICKEN MARSALA SOCIETY6 STORE

TWO ARTISTS TUESDAY SOCIETY6 STORE

FLAWED CARTOON SOCIETY6 STORE

DAVID ROBINSON SOCIETY6 STORE

KERRI SHERWOOD SOCIETY6 STORE

THE MÉLANGE ©️ 2018-2022 kerri sherwood & david robinson


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touchstones. [d.r. thursday]

yoga series: iconic (54 x 54, mixed media)

in the beginning i knew very little. we wrote every day but only talked twice. i read his newsletters and appreciated his perspective on things. i had seen only one tiny photo of him online but we shared pictures of our coffee mugs perched in different places in our homes or on our travels. and i had studied his paintings.

you can learn a lot about a person immersing in their art. whether it’s prose or song, paint or instrumental musings, the clues are there.

i am not a fan of thomas kinkade. his paintings are tight and controlled and, for me (but not for the one in twenty homes in the US that hangs one his prints), somewhat trite and contrived. i know that “tommy k” (as scordskiii and i nicknamed him) was (and his paintings still are) inordinately successful, serene, idyllic images of cottages and streams, gardens and gates. his galleries are all over the world. the “painter of light” (as he trademarked himself in a smart marketing ploy) was not necessarily the same as his paintings. i met him one evening at QVC when i was on air during a year-long or so promotion of my music. waiting to go on-stage and on-camera, yamaha CFIIIS at the ready, i met him in the hallways between dressing rooms. he was not a light and airy friendly guy that evening. i don’t know if he was having a bad day, but really everyone at these studios was normally refreshingly jovial. except for him. this did not really bother me, however, as, though i could see “success” written all over him, having tommy k greet me and have conversation was not important. dick clark, of american bandstand fame, on the other hand, was a gem. he and his wife were lovely and generous folks and it was delightful to meet them and chat in the hallways. but i digress.

when david mentioned he was a painter i did not know what to think, what kind of paintings to imagine that he painted. our developing friendship was candid and didn’t include fluffing up the other so my curiosity about the form of his art needed sating. i visited the website he had at the time. and i was stunned. one of his newest works back then – thereafter named iconic – was graceful and beautiful and full of respect for the body woman. i dove deeper into the site. each painting i studied engaged me – the color, the white space (so to speak), the balance, the composition, the texture. i was joyous. there was no need for fluff. i loved his work.

downstairs where, prior to a real painting studio’s emergence, i had thrown paint on a few large canvasses to hang about the house, sits his easel. there are paintings stacked and rolled in various places, in and amongst the boxes and boxes of cds that find themselves housed down there.

some of these – paintings and cds – are truly relics, artifacts of our art, dating back decades, skipping stones through periods of our lives.

some of these are touchstones, moments of new form, of changing form, of solidity in an uncertain world.

some of these, the relics, the artifacts, the touchstones are cairns, pointing the way to the future, suggesting we follow both paths we know and paths we do not know. art is like that.

*****

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S online gallery

visit this painting ICONIC

ICONIC ©️ 2010 david robinson


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the tiny vibration. [d.r. thursday]

i can feel the fluttering. it is just a tiny vibration but it’s there. it’s pretty new. i don’t remember this feeling before, i guess, a year ago or so. though i suppose it could be one of those things that happened but which i never noticed, i’m noticing it now. it doesn’t hurt; there is no pain. it’s just this little vibration inside that speaks up every now and then, some days more than other days. in the way that most physical things are somehow connected to anxiety or stress, i am thinking there is a correlation and so when this silent little buzzing starts i patiently wait for it to cease. and i wonder about it.

it is astounding what stress can do. it is a statement, particularly of these times, to hear all the ways it exhibits in people, all the ramifications, all the fallout. in a world filled with self-help ways-to-find-zen books and videos and suggested practices and therapies, stress still abounds and people – its number one target – are subject to it. no matter your constitution, we are each vulnerable, a mere event or two away from feeling utterly pummeled by angst. we seek ways to alleviate stress and it returns, like this tiny vibration. no matter how many times i speak to the tiny buzzing, it seems to stick around.

perhaps an answer is in this painting surrender now. the holding of each other in this world, the intimate sharing of worry and humanness, the giving over of pain or grief or anxiety or stress. perhaps the presence of a little bit of grace. maybe then the tiny vibration – or however each of our bodies respond to the complexities of life – will ease.

*****

read DAVID’S thoughts this D.R. THURSDAY

visit this painting on DAVID’s gallery

view or purchase this painting as a print

SURRENDER NOW ©️ 2016 david robinson


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something’s different. the morning after. [d.r. thursday]

dogdog is right. the sun IS out. and you can feel the difference in the air. it is palpable. it is the morning after.

the morning after – when we woke up, it was the 21st day of the 21st year in the 21st century.

the morning after – when we woke up, we were in a better place. a place of hope, a place where unity is that which we are striving for, a place where the poetry of a young black woman is the ultimate prayer of gratitude, of healing, of work to be done, of aspiration.

the morning after – when we woke up, we did not sink in despair into the news of the day, we did not grimace in disgust nor did we feel sickeningly without prospect.

the morning after – when we woke up, we spoke of yesterday, a day of moments, each one lifting us just a wee bit more, higher, higher. a day of firsts, a day of confidence, a day of celebration, a day of music and prose and prayers and pledges and promises, fireworks that lit the sky and drew tears on our faces, a day without parallel.

the morning after – when we woke up, we spoke of the daydream of more new mornings, more new days – just like today.

the morning after – when we woke up, we had a new president and a new vice-president. we have bright light and responsibility, authority and accountability, brilliant minds and the power of working together, truth and science, deep empathy and a commitment to the most basic of all – decency.

the morning after – when we woke up, we stepped forward. we carry all we have learned – the good and the ugly – and we intentionally forge ahead.

*****

read DAVID’S thoughts this D.R. THURSDAY

AT THE DOOR ©️ david robinson, kerri sherwood


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but it’s not. [d.r. thursday]

the cold air was stinging my face. i pulled my scarf up further, to block the wind a bit more. as we rounded a curve in the trail, the breeze was biting. it seems early for this kind of cold. but it’s not.

it’s december and the official start of winter is right up around that bend in the trail. the cold is predictable. this is wisconsin.

i walked away from the stockpot of chicken soup i was stirring, waiting for a warming dinner. i sat on the steps in the hall, overwhelmed. i keep hearing and picturing the words of my firing, the non-explanation-explanation given to others. it may seem like it’s time to be over it. but it’s not.

it’s only been three weeks and even sitting on the steps doesn’t yield an explanation or comfort. it just creates more questions, more astonishment, more hurt. the distress is predictable. this is shock.

i look, again, at the christmas list in my hand, trying to summon up the energy to shop and wrap and ship. it seems like the time is going slowly. but it’s not.

the holiday is rapidly approaching and, like many of you, we face it alone, wondering how to celebrate without our loved ones. we grieve traditions set aside, normal ways we honor these holidays. we ponder what we might do anew. the sadness is predictable. this is loneliness.

the night sky is filled with stars, the cold air beckoning them. the moon out the window is steadfast. the vast universe is vast. our tiny world inside, away from the biting wind, down the hall from the steps, at a table with a steaming bowl of chicken soup and a tiny christmas tree, is tiny. it seems that real peace is somewhat elusive. but it’s not.

it’s ever there.

*****

read DAVID’s thoughts this D.R. THURSDAY

and, if you like, browse PEACE ON EARTH products here – be sure to scroll down the page


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reach to the sky. [d.r. thursday]

“the collective sense of closure we’re all longing for may never arrive. instead, brace for a slow fade into a new normal. … there will be no clear moment when we can all move on.” joe pinsker’s opinion in the atlantic “there won’t be a clear end to the pandemic” is bracing. people will come to individual ‘ends’ as the fear and risk-taking factor start to feather out. there will be no treaty or declaration of peace; instead we will start to move back into life with a little less trepidation, a little more sure-footed.

libby wrote in her post that as she looked at the photograph of people gathered together she wondered where their masks were, she wondered why she was speaking so closely, horrified she was emitting aerosols into the air so close to them. it was a photograph of 2018. but you could choose a photograph of 2019 or even early 2020 and think the same. we watched a dvd movie and it was jarring to see masses of people together, unmasked. the unthinkable has become normalized. the pandemic is here and it is now and we have no idea when or how it will end or what it will look like.

the wildfires rage in the west, the hurricanes come and flooding devastates the south. the adrenaline of social unrest is racing. the pandemic is still in bloom, whether or not people are acknowledging it. jobs and homes and healthcare and bills and security are compromised. the political climate is in chaos and full of arrogant missteps and loud untruths. we are left to sort through the apocalyptic ruins.

we look to the sky, reaching out our arms, asking the universe for a tiny break in the storms.

we pick up our masks, go outside and take a long walk under the setting sun.

visit the full painting CHASING BUBBLES in david’s virtual gallery

read DAVID’S thoughts this D.R. THURSDAY

REACH – a mo️rsel of CHASING BUBBLES © 2019 david robinson


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the indefensible. [d.r. thursday]

my sweet momma would say, “teasing is a form of affection.”

in fourth grade it was a thing for boys to run after the girls on the playground, catch their arm and hold it with one hand while twisting their wrists in a move that had a terrible politically incorrect name.  it was painful and undeniably punishable.  no matter the circumstance, it was not defensible.  tommy a. always chose me and i would go back into the classroom after recess with a reddened wrist, tears in my eyes and an infuriated heart.  my teacher would tell me that tommy really likes me; my classmates would sing the “kerri and tommy sitting in the tree….first comes love…..” song.  but tommy’s aggression was never a question.  no, in this case, teasing was not a form of affection.

the metaphoric wrists of our country’s populace are being twisted day in and day out these days.  have you not yet wearied of the rhetoric that, with no effort to quell it, is permeating the soundtrack of our lives?  the sad thing is the gross advancement of this kind of muck, excrement of lies, wildly distorted narratives, convoluted lawlessness. 

this is not the stuff of a fourth grade boy.  indeed, this is the stuff of the president of the united states.  the most powerful man in the free world. 

weary doesn’t capture it.

how is this behavior acceptable, this distortion of truth, these made-up stories, this bold vitriol of violence, of division, this self-riddled agenda, this absolute hatred of the premise of equality in the entirety of this country based on one-and-all-regardless-of-gender-race-religion-socioeconomic-status? 

the wrists are twisting in his party and they are doggedly, obediently following along, quietly rubbing their red wrists, checking their bank accounts and stock market holdings, gripping their offices with nary a glance to the physical, emotional, financial well-being and safety of their constituents.  is this the reason to defend the indefensible? 

tommy a. would invariably get in trouble.  even in fourth grade, he was held accountable for his misdeeds.  he was directed to apologize to me and to any other girl (or boy) who he had hurt out on the playground or the asphalt.  his repeat offense yielded further punishment until he no longer equated his aggression with a “form of affection”.

when is it that these repeated offenses by the president of the united states and his pandering minions will yield punishment?  when is it that this aggression will cease? 

our country sits in the middle of a global pandemic that has killed over 185,000 americans.  are you ready to die for the furthering of this president’s agenda?  defend the indefensible.

our country sits in the middle of social, racial, gender injustice, a system broken and drowning in evil inequality, furthering the chasm between peoples of this nation.  are you ready to be divided from family, from friends, from people you love, from neighbors for the furthering of this president’s agenda?  defend the indefensible.

our country sits in the middle of the playground, its shores are disappearing, its forests are burning, its air is unclean, its water is toxic.  are you ready to sit back in a lawn chair and watch as the world self-destructs for the furthering of this president’s agenda? defend the indefensible.

is this his form of affection?  is this the way he shows love for this country?

do not defend the indefensible.

read DAVID’S thoughts this D.R. THURSDAY

view this complete EARTH INTERRUPTED VI painting on DAVID’s virtual gallery

 


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we hold our heads. [d.r. thursday]

morsel

our go-bags are packed.  the dog crate is in the car and the cat crate is in the sitting room, ready.  important papers are in a tote bag and the backpack awaits our laptops and all the related power cords.  one more bag sits open for a few clothes and toiletries.

i feel unhinged.

i wrote to my children that it is unbelievable and real at the same time.  this is true.  we have no idea what dusk will bring, what the dark hours of the night will be like in our downtown, in our neighborhood, a city wracked in pain and fraught with the tension of social injustice gone exponential.

we sit.  holding our heads.

we drove through downtown today for the first time.  it was the first time since sunday that we had even been out, beyond taking a short walk in the neighborhood.  we went to the grocery store where they had humongous stacks of water bottles near the door, ready for protesters, first responders, law enforcement, anyone thirsty in near 100 degree feels-like temperatures.  we picked up a few things and headed home, taking a slight sidetrip through our very-nearby downtown.

it was stunning.  heartbreaking.  it made me cry.

we had seen pictures of the downtown all boarded up, but we had not been there yet.  we did not ambulance chase nor were we there to help board up or bring food or water in the last few days.  we, paralyzed and from our home, wrote about this experience, wrote about the surreal feelings we had listening to the sounds of inequality, the smoky smells of injustice, the taste of fearful adrenaline all must feel in the situations that have brought us here.

and so we hold our heads in our hands.  we weep for the families of every person victimized by violence.  we stand in the muck of a society that has perpetuated this unfair treatment, that has made excuses for it, that has steeped itself in hatred and bigotry.

and we fear what is to come when the sun sets.

read DAVID’S thoughts this D.R. THURSDAY

view or purchase the full painting, THREE GRACES

stick people website box

THREE GRACES ©️ 2012 david robinson

 

 


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“an old river” [merely-a-thought monday]

an old river

it is our meditation, our respite, our rejuvenation, to hike.  so we find trails everywhere we go.  our old hiking boots have stories of mountains and deserts, forests and rivers, dunes and sidewalks.

we choose to trek instead of anything else.  for we have found that “in every walk with nature, one receives far more than one seeks.” (john muir, naturalist)

in these times of pandemic, our travel has been of limited scope.  we have taken seriously the words of fervent scientists and medical experts to stay close to home, to wear masks, to social distance, to be always aware of putting self and others at risk.  and so our spectrum of hiking trails has been reduced in range, the radius from our home none too large.

the river we hike along is well-known to us now.  we know the curves in the trail; we know the bend in the river and where the water laps at the bank.  we anticipate the small turtles on the rock in the tributary; we expect the butterflies to be numerous as we pass the field of wildflowers.  we know where the mile markers are before we see them.  we know where the mosquitoes will swarm.   it doesn’t change anything for us.  we still go.  we still hike.  for “into the forest i go to lose my mind and find my soul.” (john muir)

each time we start we are aware of how very familiar this place is.  each time we finish we are aware of seeing it with fresh eyes.  marcel proust’s words, “the real act of discovery consists not in finding new lands but in seeing with new eyes” comes to life with every booted step.

the place we go, the haven we seek, are trails that let us be quiet, trails that let us talk, trails that make us tired, trails that invigorate us.  they need not be new.

each time we take any of our beloved trails or walks in the general radius of our sweet home we breathe air into anxious hearts, solace into worried minds, we stretch stress-tensed bodies, we are mindful of glimpses of eased souls, we draw inspiration from this good earth, we find the new in old.

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

curve in the trail website box

 


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make us all instruments of peace. [d.r. thursday]

InstrumentofPeace copy

it is what it is.

where has this country come?  we need so much more.  for survival.  understanding, compassion, commitment to unity, justice, truth, equality, equity, love of one another, peace among peoples.

the last days we have watched the democratic national convention.  we have connected with the real-ness of regular folks, politicians, celebrities across the country who have had something to say.  we have listened.  we expected words of encouragement, words of hope, words of comfort, words of healing, words of promise to unify and not divide, words we could trust, words of truth.  and we have heard them.  our hearts swelled with a bit of optimism; our pulse slowed and calmed.

we heard the poignant words of michelle obama, speaking about the promise of this country.  we heard the tenderness in jill biden as she spoke about the empathy of her husband, about the import of love and understanding and kindness in this nation.  we watched people from each state and territory, on their own stomping ground, cast their delegates for the democratic presidential candidate.  we listened and teared up and, mostly, we hoped for these instruments of peace to rise above the noise and the furor of division in this country, slobbering all over itself with rabid foam, inviting ultimate disaster.

we will watch next week as well.  the republican national convention will be different than the democratic national convention, for sure.  in a climate where i’m not sure everyday republicans even have a grasp of what the party means anymore, it will be important for us to glean that for ourselves.  in an effort to attempt to understand the position of others we know and love, it will only be fair to watch both conventions.  we will expect words of encouragement, words of hope, words of comfort, words of healing, words of promise to unify and not divide, words we can trust, words of truth.

we live in community.  this country’s backbone is the melding of many peoples working to form a “more perfect union” together, to build together, to grow together, to share a common purpose.  we shall never arrive as instruments of hatred.  we shall arrive, however, as instruments of peace.

it is what it is.  what will we choose to do?  who will we choose to be?

read DAVID’S thoughts this D.R. THURSDAY

to purchase this painting or merely to look at it in david’s online gallery, click here

peace sign website box

INSTRUMENT OF PEACE ©️ 2015 david robinson