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and then…wisps. [k.s. friday]

we settled into the ritual with ease. sundown came and we gently removed the tiny wax bits that were left in the menorah. we drew new candles out of the box, placed them in their spots, sparked the shamash, lit each day’s wick, reciting either the words we had researched or blessings we spoke into the universe. when the last night came, as we watched the flames dance in glassware on the table and in the window, we sang. we made up the song and intended it as words of gratitude and a wish for light in all. it has become a new tradition we will continue…there cannot be any reason to not add rituals into the darkness.

we found it to be a time of quiet, these moments as we sat and watched the flickering. we sat, silently, for the menorah was small and the candles only lasted the requisite half hour or so. but a half hour, taken as sweet lull in the day is a good reminder to be still. our days, this season, all will us to go faster, faster. yet, it seems, the best way to move into the rest is to pause.

we made dinner after we celebrated our little festival of lights. sometimes with a favorite cd, sometimes with the local chicago holiday station, music floated around us. though i love singing along to carols, and so many of our old albums conjure up piles of memories, i’ve noticed that the instrumental versions of these gently wrap around us, slow us down a little.

when 20 was over for dinner i mentioned that. “instrumentals would be nice,” i observed as yet another pop singer acrobated her way through a simple carol, over-cadenza-ing into the stratosphere. both 20 and david stared at me like i had lost my mind. they hesitated and then one of them said, “duhhhh.” i stared back, “it’s-not-like-i’m-going-to-put-on-my-own-albums-geeez.” they rolled their eyes.

in a more-is-more faster-and-faster society, there is something to be said for decelerating. there is something about simplifying. there is something about lighting candles and reciting ancient peaceful blessings. there is something about taking the time for quiet and taking the time for celebration. there is something about staring into the reflection of years past, of the week, of today.

we watched the wispy trails of smoke as they faded into the rest of the evening.

*****

still, still, still

read DAVID’S thoughts this K.S. FRIDAY

THE LIGHTS, JOY!, THIS SEASON ©️ 1996, 2003, 2004 kerri sherwood


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the common denominators. [d.r. thursday]

some things are clearly for display purposes only. turns out that, after decades of bin-living following decades of good service on our growing-up house on long island preceded by years of i-have-no-idea, these lights are not meant for real use anymore. they lit the wrought iron porch rail for four nights…happily multi-coloring the front of our house in this early part of the season.

when i stepped outside to plug them in on monday…i found that, in its last unplugging, the plug had disassembled itself and, shy of replacing the plug and then wondering what other electrical hazard might be lurking, it would be best to gently unwind and retire the lights. it is not likely, however, that i will throw them away. instead, they will go in the bottom bin with the other strands and the mercury glass ornaments.

one of these years all those baubles will come out and we will have a retro tree, full of shiny brites and vintage balls and bells and glittery ornaments from the mid-1900s, which sounds like forever ago. perhaps another tree will stand proudly with homemade ornaments and wooden stars and collectible hallmarks – late 1900s/early 2000s. strings of popcorn and cranberries and lights. our own christmas house. this year, though, we’ll keep it simple.

we haven’t decided on THE tree yet. though we have white branches wound with (white) lights and many small green and silver trees about our home, the one deemed worthy of presents beneath it has not yet been chosen. we hesitate to go to the tree lot, though i’m not exactly sure why. buying a tree at costco or menards doesn’t really have any kind of charm. we could go to a tree farm; we have done this before and sought out the strangest looking tree, trying to take home the small pine that isn’t likely to be loved. we could go to a state forest and cut one down for a mere $5, which sounds like an adventure and could be a consideration if indeed they are trying to pare down the forest for good and earth-friendly reasons. there is a large limb trimmed by the utilities guys from our big old tree out front; we saved it. if it isn’t too big we could wrap that in lights and honor its former place in our front yard. or we could purchase a live tree…i’ve done a little research on this. buying a sweet norway spruce is a grand idea when it’s a cute five feet tall. but they grow 2-4 feet a year on average and extend to 40 to 60 feet tall, a challenge for a city lot that already has trees. even writing this i am drumming my fingers, pondering. usually the answer makes itself known to us, somehow. i guess we’ll see.

in the meanwhile we’ll keep adding little by little … a few pinecones here, a few silver balls there. our display is simple, full of stories and heart, balsam and cypress-pine candles. as i look at social media and the posting of decorations and trees and lights, i can see that those – stories and heart – are the common denominators.

*****

read DAVID’S thoughts this D.R. THURSDAY

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the horizon! the horizon! [k.s. friday]

like 7th chords vs major 7th chords, some things are irrefutable. the horizon is one of them.

each and every time i take a photograph i can hear crunch in my ear, “the horizon! the horizon!”. decades have passed and i still will look at my photographs post-snap and evaluate the horizon and its relationship in the whole image. post-click i will think, “ahh, crunch would like this one!” and i’ve considered time and again to send it on to this person who has instilled his words in my head from years of taking sunrise and sunset pictures out on long island sound, on the beaches, in the boat, in-between fishing or diving adventures. there is nothing like a sunrise over the water with a crooked horizon. if one has to tilt one’s head to the side to accommodate the degree of angle of horizon, crunch -and i, now – have no forgiveness.

it’s how i feel about dominant 7th chords (using the minor 7th). i find them cringe-worthy. overused and trite, i have, many-a-time, tossed out, “major7th! major7th!” to others, much like crunch’s “the horizon!” admonishment. it’s used as a resolution pass, moving to another chord (usually a fifth below, but that’s too much information for right here). suffice it to say, we all have our quirks, the things that make us grimace or make our eyes twitch.

the gallery where david’s piece “unfettered” is showing is right on the water. the center is filled with delicious light and warm wood floors and white walls and white woodwork. it is a gorgeous place, a mecca for an eye seeking tiny morsels of photo-worthy images. i wander through, admiring pieces of the opening show and taking pictures of the space.

but i am reminded of the huge art expo we attended in chicago. winning – and mightily expensive – exhibits included jute strung across the booth with a kitchen sponge painted blue hanging from a clothespin. this was for sale for literally thousands of dollars and there were curators/representatives/dealers in the booth – those who would privately shake their heads in astonishment, giggling all the way to the bank – who would happily explain its meaning to you. perhaps i am a bit jaded – by looped recordings and garage band and auto-tune and acrobatics and the machinations of the music industry – but i have to admit that, while there were fancily-clothed-people gathered around seemingly breathless-with-anticipation, i did not stick around for the explanation. like the emperor with his new clothes, the oh-i-MUST-have-it crowd amused me and i could hear crunch in my head, “the horizon! the horizon!”.

one of my favorite experiences – albeit adding to my cynicism – was attending a talk given by a curator at chicago’s institute of art. she was speaking about the work of christopher wool and she was giddy that he was present. she had developed wordy narrative all around his work, describing his temperament, his mood swings, his supposed depression. his work is pretty blatant; he uses words and images to speak to or portray conceptual ideas. referencing one particular piece, she spoke about how his dark depression contributed to his art. she glanced over at him as he made a gesture to speak and invited his-own-perception of his-own-work, a photograph. i could see his tic from our seats. “i just thought it was a cool shot,” he interjected into her soliloquy on the spectrum of his personality. the audience laughed and i breathed a sigh of relief. some 7th chords are just overused, overplayed, over-analyzed.

i’m wondering about stringing up some jute in the sunroom and hanging this week’s scotch-brite.

*****

read DAVID’S thoughts this K.S. FRIDAY


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mike and arvo at dinner. [not-so-flawed wednesday]

mike oldfield played during our dinner on sunday evening. we hadn’t listened to his voyager cd in quite some time and put it on after arvo pärt’s piece “spiegel im spiegel”. we all sipped wine and chatted, catching up.

and then, in the way of surprise moments, i heard it. somehow i had forgotten. “mont st michel“. i jumped up to run into the sunroom, telling them, “wait! you have to listen to this. really listen. hear what happens!” i pushed the button on the cd player to go backwards on the track and found a spot before the moment. i went back into the kitchen to make sure they were listening. i pointed out the swell as it happened and my heart crescendo-ed with it, spilling into tears i could not help. stunning texture, orchestration that raises and tosses you around in mid-air, holding you up in the clouds, swirling around you, steadfastly not allowing you to fall. it opens you, gives you hope and elevates every single thing, and then gently, tenderly sets you back down again. words rushed out of me as i marveled – again – at this piece, a composer of impressive standing, mike oldfield at dinner.

because i had the floor, i put arvo’s piece back on – a definitive difference in texture and absolutely no less tantalizing, no less seductive as it draws you into the play between piano and cello. utterly gorgeous.

and then, because i had the floor – and they were encouraging me – i put on two of my own pieces: “last i saw you” and “peace“. i talked about composing and structure and the weaving of emotion, about ken’s orchestration and producing, about the rise and fall. i described the moment we slid the sliders forward on the mixing board during last i saw you – a moment i will never forget, ever. the lift.

and, then, as suddenly as it began, i stopped, realizing i had just talked nonstop for the last half hour or so. they sat quietly. so did i. the texture in the air was palpable and i was grateful to see tiny tears forming in the corners of their eyes as mine were not hidden and were threatening to overflow.

the path from dinner to dessert was full…our conversation deep with the fresh air only heartstopping beauty can bring. like this beloved path around dory lake, lined with aspen and pine, grasses and reeds, the path to pumpkin pie was lined with talk of cellos and french horns, piano lines and the effect of a crescendo on hearts hungry for a little release.

mike and arvo left after dinner, and i put away what was left of the pasta fagioli in the stock pot.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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magic fluff. [two artists tuesday]

though we are not ‘good’ at many plants, it seems, we are ‘good’ at ornamental grasses. maybe it’s the soil, maybe it’s the sun, maybe it’s location, but grasses have given us a sense of garden-accomplishment that nothing else (shy of mayyyybe the cherry tomatoes and basil and lavender this year) has bestowed upon us.

we won’t cut them down. no pruning. they will stay through the winter, magnificent plumes golden against the drear, against the snow, reminding us of good fluff of the day.

i imagine tiny animals sheltering in their masses, dense bush allowing warmth and security and invisibleness. maybe tiny chipmunks, with pantries of birdseed they have stolen from the finches and sparrows, waylaid from intrepid robins and scarlet cardinals. we’ll just keep filling the birdfeeder. judging by the birds partying in our backyard yesterday, i think we may try and find another birdfeeder to hang as well. i have turned into my parents.

dogdog comes inside each day now, laden with seed pods. if wishes were granted on seedheads, we would have so many magical dreams coming true. he seems to not mind these tiny hitchhikers tucked into his very-furry fur. we pick them off, one by one.

and now i think, who’s gonna stop us from wishing on each one? these grasses grace us in more than one way. let the magic commence.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the used-to-be’s. [saturday morning smack-dab.]

in the land of used-to-be, i used-to-be able to wait entire days before having to find a restroom. back in the day, i could drive in, set up product and play an entire wholesale show, all day, chatting, drinking coffee, playing, selling cds, without having to leave the booth space. thirteen hours after starting the whole process, my body would remind me that the ladies room needed to be a stop before getting back in the car to drive again.

but now…

these days are a tad bit different. i would laugh when my sweet momma would complain about this. i’d reassure her and stop and look for a restroom whenever she needed to stop and find one. i’d lightly toss off, “we’re in nooo hurry! no worries!”.

i have become my mother.

and – in the way that the universe is very, very fair – so has david.

our bladduhs are just not the same as they used-to-be.

and so, it is a given that t-h-i-s a-g-e comes with challenges we didn’t have to deal with when we were younger. it is a given that timing out a roadtrip will need take into account pitstops along the way. it is now a given that walking in the ‘hood will sometimes mean having the key ready-and-aimed for the doorknob.

and it is not a joke. i am NOT kidding.

laughing? yes. kidding? no.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2021 kerrianddavid.com


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way, way past time. [d.r. thursday]

“whenever you see a successful woman, look out for three men who are going out of their way to try to block her.” (yulia tymoshenko)

i read this quote on instagram. i hesitated to use it and then wondered why. it stated truth. it is a fact of life. i have lived it – exactly it – just as many other women have. so why hesitate?

the answer seems obvious. because that kind of blocking still exists, that kind of dominance is still valued, that kind of discrimination still squelches lives and careers, that kind of smothering effort – particularly with leading roles by older white men – is still not – really – questioned, nonetheless challenged in a big, broad way. it’s asphyxiating and it’s way past its time. way, way past time.

“it’s 2021 and we are talking about THIS!” they rolled their eyes and so did i. it is beyond the scope of reasonableness that we are – still – dealing with the devastating blows that those who lean into … or out-and-out embrace … the prejudice of white supremacy, suffocating gender bias, ruinous economic inequity, insufficient healthcare, deficient educational options, the loss of multitudes of innocent lives at the barrel of unnecessary weapons, exclusive immigration…

but here we are. 2021.

we came upon the hot-pink lighted ball of yarn in the garden and laughed. then we followed the string, the yarn that was unrolled over the tree branches, under the bushes, along the sidewalk edge, up the fence, down off the fence, and ultimately, to the end of it, the frayed edges.

it occurs to me we can trace the strings back and back. we can see the frayed edges of injustices, the repeating pattern of silencing, of stifling, of deliberate lack, of unacceptable levels of violence, of obstructive intention.

what now?

we need be stewards of worth, of mending, of healing, of forward-movement, of equal opportunity. we need to find ways – now – to weave an inclusive, equitable, generous, safe, egalitarian story for all. ungrudgingly and with abundant kindness and good will. it is indeed way, way past time.

2021. what are we doing?

*****

read DAVID’S thoughts this D.R. THURSDAY


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blame it on target. [two artists tuesday]

despite efforts to stay in the calendar, target has pushed me into the holiday season.

i was there for just a few items, including tissue wrap for a gift basket. thinking the best deal would be in the back left corner of the store – where they were setting up all the holiday displays and multitudes of wrap and bows and fancy-schmancy gifting options – i wandered back that way. as i meandered, stopping at a display of soft pastel body poofs, swinging by the smaller-food-processors-than-my-1982-food-processor-which-has-just-broken aisle, glancing sideways at a big display of dark chocolate truffles, i tried to ignore the tempting tiny trees, happy lights, holiday napkins, plates, cups, mugs, towels, sweaters, hats, a way-cuter-than-it-sounds-tiny stuffed gnome display, and variety packs of trinkets along the way. stay focused, i thought. go directly to the gift tissue, do not pass go, do not collect $200, pick up the gift tissue and deliberately make your way out of the department. resist, resist, resist. save it – that department – for later-later.

i was not successful.

the twinkling rice lights drew me in. tall, skinny trees caught my eye. ornaments in long bins made of boiled wool and snowflakes begged to be touched. i was a goner.

i wandered around december-in-target for probably just shy of an hour. and, though i had been prepared to push back against the urge to decorate early, i was smitten. this from a person who, along with the other half of the decision-team, has left up in our living room – for two whole years now – big branches we painted white planted in galvanized metal containers strewn with white lights. who am i kidding? the instant i headed back into that department, i was committed.

i put tiny white seed lights in my basket.

one of my favorite concerts was lit by the brilliant stage manager keith who, when i released my blueprint-for-my-soul album, set up ladders and lean-tos on stage and spotted soft white light off them. it created indirect-direct shadow, indirect-direct downlight. the perfect combination. it mattered to him.

the strands were zip-tied around the trees at the garden. long, long strands of colors, a rainbow requiring patience and long tedious hours that will ultimately premier as lightscape 2021. designers – brilliant like keith – have put together a show of festive wonder, the perfect combination to embrace all those who walk through. it matters to them.

the real question? it is whether you are a multi-colored-lights person or a white-lights person. what matters is what matters to you. both celebrate. both lift spirits and wrap the season around you. for years and years now i have been a dedicated white-lights person, really loving the dreamy quality of twinkling stars, tethered from the milky way and brought inside. all year round.

this year – in this season we jump into earlier and earlier each year – i just might have a little nod to multi-colored-lights. mm-hmm. just a little one. perhaps i’ll dig out my mom and dad’s vintage outdoor light strings, the ones with big multi-colored bulbs, some with paint flaking off the glass. i may grimace a tiny bit hanging them on our rail out front, but then i’ll think of my sweet poppo, up on the ladder every year, stringing them across the front of our house, winding them around our christmas trees. or maybe i’ll take out the smallest strand of colored lights i have tucked away and gently wrap them around a little tree, a nod to the ever-important-but-not-represented multi-colored lights. i’ll invite a little bit of lightscape to our house. a little bit of multi-colored magic. just because.

i’m guessing it will all happen a little sooner than i originally thought. clearly, it’s target’s fault.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the hush. [merely-a-thought monday]

the snow swirled outside the floor to ceiling glass – the city was blurry beyond the wind. it was brief. it didn’t stick. it was a statement. fall was gusting a bit of winter. everyone shivered, glad to be inside during the band of squall.

there is much still to be done. time seems to have raced by and we chose trails instead of pruning, talking in adirondack chairs in disappearing sun instead of packing away. procrastinating, holding onto the last vestiges of warmth and perfect autumn days, we opted to do the minimum, knowing the rest would need to be done in the colder days; the season keeps moving on.

we rise now in early quiet morning, without multitudes of birds out the windows, without sunny-the-chipmunk calling from the fencepost, without the sun beckoning us, “outside, outside.” we check the temperature…24 degrees…we reluctantly turn the heat up a smidge. we re-stock the nespresso pods, choose warm holiday teas for the coffee-pot-canisters over the counter, and seek out new soup recipes. we think about placing the shovel by the back door, its winter home. we crack the window just a bit now and sleep with an extra quilt.

the mums bow in the hush of the brisk mornings, chillier daytimes, less sun, more clouds, frost at night, all delivered by the magic wand of the calendar marching on. they are still beautiful and, from this view, we see the intricacy of the bud, sepals nestling and supporting petals, protecting the pink. we dig out my miracle mittens, his warm gloves, earmuffs, scarves, baselayers.

we talked about the silence this morning. it is still and the sun is trying. it may snow.

there were tiny flurries as we walked on the sidewalks of chicago, down coats and gloves, our heads bowed to the wind. it’s time to be inside more and we recognize – in the way of the universe – that we are much like the mums.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY