reverse threading

the path back is the path forward


Leave a comment

blame it on target. [two artists tuesday]

despite efforts to stay in the calendar, target has pushed me into the holiday season.

i was there for just a few items, including tissue wrap for a gift basket. thinking the best deal would be in the back left corner of the store – where they were setting up all the holiday displays and multitudes of wrap and bows and fancy-schmancy gifting options – i wandered back that way. as i meandered, stopping at a display of soft pastel body poofs, swinging by the smaller-food-processors-than-my-1982-food-processor-which-has-just-broken aisle, glancing sideways at a big display of dark chocolate truffles, i tried to ignore the tempting tiny trees, happy lights, holiday napkins, plates, cups, mugs, towels, sweaters, hats, a way-cuter-than-it-sounds-tiny stuffed gnome display, and variety packs of trinkets along the way. stay focused, i thought. go directly to the gift tissue, do not pass go, do not collect $200, pick up the gift tissue and deliberately make your way out of the department. resist, resist, resist. save it – that department – for later-later.

i was not successful.

the twinkling rice lights drew me in. tall, skinny trees caught my eye. ornaments in long bins made of boiled wool and snowflakes begged to be touched. i was a goner.

i wandered around december-in-target for probably just shy of an hour. and, though i had been prepared to push back against the urge to decorate early, i was smitten. this from a person who, along with the other half of the decision-team, has left up in our living room – for two whole years now – big branches we painted white planted in galvanized metal containers strewn with white lights. who am i kidding? the instant i headed back into that department, i was committed.

i put tiny white seed lights in my basket.

one of my favorite concerts was lit by the brilliant stage manager keith who, when i released my blueprint-for-my-soul album, set up ladders and lean-tos on stage and spotted soft white light off them. it created indirect-direct shadow, indirect-direct downlight. the perfect combination. it mattered to him.

the strands were zip-tied around the trees at the garden. long, long strands of colors, a rainbow requiring patience and long tedious hours that will ultimately premier as lightscape 2021. designers – brilliant like keith – have put together a show of festive wonder, the perfect combination to embrace all those who walk through. it matters to them.

the real question? it is whether you are a multi-colored-lights person or a white-lights person. what matters is what matters to you. both celebrate. both lift spirits and wrap the season around you. for years and years now i have been a dedicated white-lights person, really loving the dreamy quality of twinkling stars, tethered from the milky way and brought inside. all year round.

this year – in this season we jump into earlier and earlier each year – i just might have a little nod to multi-colored-lights. mm-hmm. just a little one. perhaps i’ll dig out my mom and dad’s vintage outdoor light strings, the ones with big multi-colored bulbs, some with paint flaking off the glass. i may grimace a tiny bit hanging them on our rail out front, but then i’ll think of my sweet poppo, up on the ladder every year, stringing them across the front of our house, winding them around our christmas trees. or maybe i’ll take out the smallest strand of colored lights i have tucked away and gently wrap them around a little tree, a nod to the ever-important-but-not-represented multi-colored lights. i’ll invite a little bit of lightscape to our house. a little bit of multi-colored magic. just because.

i’m guessing it will all happen a little sooner than i originally thought. clearly, it’s target’s fault.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


Leave a comment

more ellsworth than i thought. [d.r. thursday]

i like fine-tipped pens, both regular ink and markers, though i do love the wrinkle sound and feel of a notebook page written on all lines on both sides with a medium-tip pen…the physical-fingertip bumpy-words-on-the-page and that crunchy sound it makes when you turn it over or flip to the next. so there is definitely merit in medium-point. but fine-tip? there’s a grace and allowance of white-space that fine-tip encourages.

this tall red pole installation at the chicago botanic garden makes me think of a ball jar i have holding an assortment of wooden paintbrushes. standing and waiting. because i’m not sure if these poles are part of the lightscape show or an art piece, i am drawing my own conclusions about its presence. somehow, this striking stand of red seems to communicate an invitation to the sky and, in its simplicity, was one of my favorite pieces on our walkabout. stark color, plain. i suspect ellsworth kelly would have loved them too, regardless of their context.

there were lots of people there on sunday, a picture-perfect fall day. our drive down and our return were on the back roads, keeping the lake close, past ravines and through beautiful neighborhoods filled with sprawling yards and wise old trees touting autumn. the trip there – for us, we agreed – is just as important as the time spent at the garden. we love the-back-way and never take the interstate down if we can help it. even to visit our son, we build in the time it takes to meander to his home. we’ve encountered magical snowfly on the return home at night, flakes illuminated by our headlights and sunday didn’t disappoint, as golden and crimson leaves fell around us as we drove this windy-back-road-route.

although i prefer to walk in the woods on some trail in the quiet with hardly anyone else around, our time with our dear friends at the crowded garden was the perfect early november gift-of-a-warm-day escape. we picnicked on a blanket, chatting. we wandered, chatting. we took pictures and googled interesting plants, chatting. we admired installations and gardens with themes, chatting. there are ornate sculptures and formal walled gardens. there are fantastically groomed flowers and trees. there are preparations for an intricate holiday light celebration.

we took our time together, the four of us, promising to return again soon, and then d and i drove back on the roads through northern suburbs, wishing we had time to stop and sit at one of the tiny restaurant bistro tables we saw, spaced on sidewalks, against brick walls with the later afternoon sunlight warming the faces of many people who had chosen to dine al fresco.

when we spoke of our time at the garden, it wasn’t the intricacies i remembered, walking in beauty. it was the simplest stuff. the vertical slices of rock in a pondside rock garden. the candlepots on the rails in the lake. the lone rosebuds on a bush inviting fallow. golden grasses waving in the breeze. the evergreens up close. the past-waning bowed blooms on the hosta. the white birch calling out from the green. and the red fine-tipped pens reaching for the sky. there was definitely something about those.

though i – at first introduction – questioned his work, i guess there’s more ellsworth in me than i thought. we really never stop discovering. any.where.

*****

read DAVID’S thoughts this D.R. THURSDAY

his gallery website – this link is to the EARTH INTERRUPTED series, but a cup of coffee in-hand and i know you’ll enjoy perusing around