reverse threading

the path back is the path forward


1 Comment

rag rugs and quilts and wood floors. [k.s. friday]

mama dear made rag rugs. i still have a few of them. for a long time, a rag rug served as a faux tablecloth on the kitchen table. eventually, after years of washings, the stitches loosened up and i tucked it carefully into the drawer of a cupboard in the dining room.

my grandmother also made yoyo quilts. she took outgrown clothing and bits of leftover fabric bolts and cut circles from them. sewing a running stitch along the perimeter she pulled and it gathered into a rosette-round. hundreds of rosettes later, even thousands, she stitched them together into quilts full of visceral memories of moments spent in party dresses or aprons or simple a-lines. yoyo quilts sell on etsy for a few hundred dollars, but i would never sell mine.

some day i’d like to make a yoyo quilt. i had envisioned my children cherishing one made from clothing they wore as little ones, but i realize that their level of thready is nowhere near mine, so i will have to make the quilt for myself. i have saved their clothing to do just that – tiny overalls, sweet sundresses, toddler leggings, mini blue jeans, printed onesies and receiving blankets – for a yoyo or even for a traditional quilt, both projects which seem like mindfulness exercises even with the tedious work needed to create them. someday.

we walked into the door of the farmhouse. it was our second time there. i remembered it as homey and just perfect for what we needed – as a gathering space for the family, the rest of whom were staying in a hotel. i remembered the blue walls, the chalkboard cabinet doors with messages, the photographs. i remembered the cheer.

but i had forgotten about the rag rugs. instant bonding.

in early morning, the sun rose past the horizon, peeked under the porchroof, around the adirondack chairs and the swinging platform, past the sleeping gracie-cat and up and over the fern perched on the rusty-red outside cellar doors.

but at just the right time, in later afternoon, it curled around the silo and the barn out on the west side, streamed in through the screen door and bathed the old wood floor and the rag rug in light. like a spotlight on something simply beautiful, it called out to be noticed.

i wonder how hard it is to make a rag rug. mama dear never showed me how she made them. i suppose i could take them out of the upstairs closet where they linger, waiting for the right chance to use them again. maybe i could figure it out. it can’t be too very difficult to discern the process. but my grandmother was a talented seamstress and i remember mama dear sewing and sewing, her hands moving quickly – at her singer or with needle and thread – and talking, talking, talking as she sewed. the only time she didn’t speak was when she would (don’t try this at home) store pins pursed between her lips. i thought that straight pins needed ‘spittin’ on’ in order to use them. it wasn’t for a few years until i learned that my grandmother was not spitting on the pins before she used them. perception – as a child – is a funny thing. what i did understand was how much she made things for all of us. no spit needed, just lots of love.

rag rugs and quilts and wood floors. they go straight to my heart.

*****

WHERE I’M FROM ©️ 1996 kerri sherwood

download music from my little corner of iTUNES

stream on PANDORA

listen on iHEART RADIO

read DAVID’S thoughts this K.S. FRIDAY


1 Comment

and you know. [d.r. thursday]

it stands on a small-town iowa hillside. it’s been there well over a hundred years, this carved headstone at almost-the-highest-point of the pioneer cemetery. in front of us, the earth falls off into fields and fields of green. if you didn’t know it was there, you wouldn’t know it was there.

we spent the afternoon on the lake michigan beach, searching for hagstones and leaning against a big piece of driftwood watching the waves. mostly deserted, the stripes of soft sand, rocks, aqua, blue sky were serene. we had stumbled upon this beach, discovering it. if you didn’t know it was there, you wouldn’t know it was there.

there is a spot high in the mountains surrounded by lodgepole pines, the scent strong and inviting. it is cool under the canopy of trees and the log sits next to the stream in a bed of pine needles. an upstream glance reveals a snow-covered summit; downstream is a tiny waterfall. it is a slice of heaven. if you didn’t know…

another spot, a different mountain, we have hiked past the aspen stands and are past the end of the trail. we sit on rocks and play in the brook that swims past us, curling around red rock and granite. there is little noise, save for the babbling. if you didn’t know…

high on the edge of a deep canyon, the sun set over us as we echoed our voices into the deepening dusk. my daughter brought me here and it will always be a pinnacle moment in my heart. that very spot – that canyon – that sunset – that breeze – that stillness – that echo – that power – that humbling – that love – is profound. but if you didn’t know…

places that have made an enduring impact. places unmarked by signs, specific places many do not even know exist, they are carved into my mind’s eye. places – specific spots – of relative anonymity. places that changed me.

it is likely that hillside, that beach, those mountains, that stream, that brook, that canyon will maybe last forever. they will certainly be there long after i will be here. it’s sobering. it gives one pause for thought. it seems a natural hop and skip to: if you didn’t know i was there, you wouldn’t know i was there.

but the hillside, the beach, the mountain stream, the end-of-trail brook, the canyon became a part of me, of the stuff in my tapestry. and, in symbiotic turn, i became a part of them, of those spots.

and somewhere along they way, we have done the same – a tiny part of us has become a part of someone else and they a part of us.

and the beat goes on.

and you know.

*****

read DAVID’S thoughts this D.R. THURSDAY


1 Comment

natgeo. [not-so-flawed wednesday]

and after we got off the train we walked in the brisk wind off the lake to the chicago auditorium. a stunningly beautiful landmark theatre, it was established in 1889, around the time my grandparents were born. the arches and tile floor and gilding tell over a century of stories. a joy to be in such an old house.

the first national geographic live event we went to was in breckenridge, colorado. the cinematographer and extreme adventurer bryan smith had breathtaking footage descending over waterfalls and climbing mountains. we sat next to the guy who owned the scrumptious soup shop in town (the one to which we quickly became addicted) and ooh-ed and ahh-ed in unison. we were hooked.

david doubilet and jennifer hayes were the speakers at this event – coral kingdom and empires of ice – and to watch the photographic essay of their work was to marvel at the life this 24/7-together-married-couple live. multiple times they encouraged people to contact them, to ask questions or ask for help. brilliant change-agent scientists. generosity and humility.

as two people who are together 24/7 we know the perils of such togetherness. artists have a wiiiiide spectrum of emotions and this can be detrimental at times, so i wondered about two explorers. david and jennifer poked fun at each other while honoring each other’s work; the dance seemed balanced. working with your life partner requires a good sense of humor and a good life raft. sometimes, getting in the river on the rapids is the only way forward. that and laughter.

the hardest time we ever had working on a project was during our rehearsals for the lost boy. a two person play written by david and inspired by his mentor tom’s family history, we were preparing it for the premier performance on stage in california. prepping was a little like two pieces of sandpaper rubbing together. the rough kind. not the fine sandpaper you use for finishing work. nope. the roughest sandy sandpaper you could pretty much find. somehow, and i’m not sure how, we made it through the memorization, the blocking, the nuances and weeks of rehearsing onto the plane to california. and mike – our director – took it from there.

at the end of the first performance we jumped and danced in the hallway, twirling around in the aftermath glee of success. i imagine this to be much like david and jennifer having made it back to the surface after sharing oceanic waters with sharks and crocodiles. the time when david – in the minutes of giant jaws within inches of jennifer – took photographs. i’m thinking they likely danced in the boat. in the category of 24/7 moments, some are better than others. they didn’t mention the “whatthehellwereyouTHINKING?!!” moments. but you know they’re there. we can attest to them.

i can imagine – one of these days – subscribing to natgeo live. there are usually three or four events a season and, in combination with the magazine that arrives every month and the tv channel we mostly land on, they would round out these opportunities to keep learning.

my sweet poppo received national geographic magazine for as long as i can remember. he’d immerse in it. just like my newer intense desire to know all the birds – like my parents – i find myself holding national geographic in high regard. my dad would have loved being in the same room as all of these explorers, sharing their adventures and discoveries. his wall-to-wall bookshelf of yellow magazine spines all lined up would vouch for that.

i guess i’ll just carry it on from here.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

coffee or share this or forward it or talk to us 🙂


1 Comment

and then, lacy cirrus. [two artists tuesday]

there is a plethora of information about contrails. and when i say a plethora, i mean a lot. you can glean all kinds of knowledge – the kinds of planes that emit contrails, the weather necessary, specific atmospheric conditions, the altitude likely for formation, the effect on climate, additives to the engine that preclude the emission of a contrail. three kinds: short-lived, persistent non-spreading, persistent spreading. tons of information about something to which we pay scant attention.

sitting on the adirondack chairs on our back patio sipping wine early in the evening, we both leaned back against last year’s pillows. the sun streamed at us through the gap between our house and the garage and we gazed at the blue blue sky at this end of an unusually warm early spring day.

contrails.

it’s not unusual for us to see planes – our home is located between two major airports. milwaukee’s mitchell airport is to our north and chicago’s o’hare is to our south. the only times i truly remember the skies being quiet were right after september 11th (2001) and in the earliest days of the pandemic (2020). otherwise, we regularly have planes on final, planes circling, planes practicing aerobatics, helicopters big and small, air ambulance helicopters, helicopters transporting dignitaries, helicopters doing rescue maneuvers over the lake, news helicopters. add in drones and it’s busy airspace. because we are who we are, we always ponder who might be flying over, where they are going, what they are thinking as they look down, where home is for them.

there was this one day – years ago – when we were walking along the lakefront. we looked up to see a fiery flying object moving at a fast rate of speed over the lake. very high in altitude it made an abrupt turn to the east and disappeared into the distant sky. to this day we talk about that, wondering. we have absolutely no idea what it was; it seemed propelled with this fiery exhaust. we googled, but to no avail. who were they? where were they going? what were they thinking? where was home?

in 1986 i was living in florida. if we stood on our driveway and looked up in to the eastern sky we could witness the space shuttles as they were launched into the atmosphere. the contrails were fiery, smoky vapor, and the anticipation always left us marveling. it’s astounding to think about taking off into space. the day of the challenger space shuttle dawned just as thrilling. we planned around the launch so that we might again bear witness to this scientific achievement, these explorers. but, as we stood on the driveway and peered at the sky, it was obvious – even to us 130 miles across the state – that something was amiss. the contrails were wrong. and, in those moments, breaking down into tears, the contrails told a different story.

there isn’t a contrail that goes by now that i don’t have a throwback to that profound day late in january in 1986.

we are all explorers. we have varying tasks of courage, summits that require us to trust ourselves, to trust others. i can’t help but think of this every time i board an airplane, every time i drive a car on a road with rules for all drivers, every time i partake in a community, every time i try something unknown-to-me or dream a new dream.

we all leave contrails behind us, though the vapor trail itself is not necessarily visible. what will the answers be when people wonder who we were, where we were going, what we were thinking, where our home was. were our contrails fiery or short-lived, thin-lined or ever-spreading? were they full of hot air and blather? were they generous, kind-hearted, remembered with a softness?

i think i would choose to be a persistent spreading contrail, eventually a lacy cirrus cloud. floating out-out-out.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


1 Comment

daisy dust. [d.r. thursday]

there is a single dried daisy on the dashboard of littlebabyscion. it’s been there now for just shy of ten years. i don’t suppose it really even looks like a daisy anymore, but it is. it’s one of the first daisies – well, one of our first daisies – from our first meeting a decade ago.

when we clean the inside of littlebabyscion, we are careful around the daisy – for surely, it could easily turn to dust after all this time tucked into the dash. if that happened, i’m quite sure we would survive. it is merely a marker, a relic of the start. time – and the we of this story – continue on. even – someday – after the dust.

she told me that she could see a small green shoot. in between all the beautiful dried daisy dust and the dust of fallow and the dust of disappointment and the dust of challenge, a small green shoot. she reminded me that all of creation is starting anew now in this season of spring and that we are no more and no less of creation than the new daisies or striped squill or dandelions or grand tulips and budding aspens and flowering dogwoods and early redbuds or cherry trees. we are no more or no less than the creatures busily preparing their nests for new birth. we are no more or no less than any planets lining up in the night sky. we are, like everything else, shimmering stardust.

i can feel the green. it shows up with the open window to my side. it shows up with the sun on my face. it shows up – roaring – in the wind from the west and it shows up – quietly – in the east side of the sunset.

in the decimated woods of the trail we love there is green sneaking up between the mulched branches and underbrush. the energy of the green is contagious. new possibility on the horizon…to abstract, to notice, to build upon.

nothing can quell the energy of stardust. no matter when. it – like everything – continues on and on, vibrating in absolute connection. a metamorphosis of seasons. daisies on the dashboard.

*****

read DAVID’S thoughts this D.R. THURSDAY


1 Comment

castings. [two artists tuesday]

back in the day, when i was a small child, we laid shells in sand cavities we had carefully dug out of the beach, filled in plaster of paris and a little water and made sculptures, castings of shapes. mine was a fish. not a very good fish, i might add, but a fish nonetheless. my brother made an anchor and my sister made a seahorse. the castings instantly came to mind when we passed by this leaf impression in the snow.

soon, others would walk on the trail and it is likely that their footprints covered the leaf. or, possibly, the sun came out and the edges of the leaf – so clear on our passing – melted. i don’t know. what counted is that the leaf was there when we passed by.

the last time i sat by my brother’s side, he told me a few stories about being my big brother. i still remember how that felt. his words – a little fuzzier, with a little less clarity – echo in the bank of memories i have, my heart ever-full, his little sister. though the impression has melted a bit with the thirty years of sun since he died, it is no less profound than it ever was.

even if it doesn’t look quite like a fish – or a leaf – each impression is actually indelible and its invisible sculpture takes up a tiny space in our hearts and minds. castings you can look at any time you want.

kind of makes you want to make sure each moment is worthy of plaster of paris, a few shells and a little time to cure.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


1 Comment

footprints. [d.r. thursday]

one single deer walked across this frozen marsh. it left its footprints behind and we could see that it was alone, at least as it crossed. we wondered where it was going, if it would be meeting other deer, if it was young or older, if it had been seeking food or a little open water. we’ve seen many deer on this stretch of trail. they are usually in the woods, gazing out at us as we pass. they stand silently and watch, making sure that we mean no harm. and, of course, we don’t. i always whisper to them how very beautiful they are and i thank them for their quiet presence.

i wonder – after we leave and our boots are printed in the snowy trail – if the deer ponder us. if they wonder where we are going, if we are meeting others, if we are young or older, if we are seeking food or open water.

one of the reasons we love being on the trail is to mutually share that space with wildlife as it surrounds us. we know that there are many creatures, many critters we will not see, though they likely see us. and while we can usually identify them and whether we are in jeopardy – if we see them – we know that identifying humans is harder. for creatures and critters do not know the intent of humans as they pass. they do not know who humans are nor if they are in danger because humans are nearby. the sun rises and sets in their neck of the woods and they must always be vigilant. few natural predators, their vigilance is mostly because of the humans.

they do not realize that it is also necessary for humans to be vigilant of humans. for not all are well-intended and some mean harm. some are singularly focused on hurtful agenda, some are dedicated to marginalizing others, some are dangerous.

i hope that our footprints – now and later – reveal goodness, cause no alarm, are no menace. there’s already enough of that in this world.

*****

read DAVID’S thoughts this D.R. THURSDAY


Leave a comment

the kitchen counters. [k.s. friday]

there used to be a lot of stuff on the counters. a breadbox, coffeemaker, fruit basket, basket with random mail and school dittos, microwave, paper towels, cookie jar…it makes me shudder now. the counters – back then – were yellow formica – bright yellow circa 1960 or earlier. i suppose the stuff on the counter helped disguise the counters a bit, but the backsplash was the same bright formica and there was plenty of that as well. i tried to think of it as cheery – every kitchen needs to be cheery. but…

the people who owned the house before us – back in the 80s and prior – had applied woodgrain contact paper to the counters and to all the shelves in the pantry and to the inside of the drawers, really anywhere it would stick. when we bought the house they asked us if we wanted a lesson on re-applying contact paper. i was horrified at the thought, and we politely said no. after we moved in i peeled all the contact paper off the counters and backsplash and elbow-grease-scrubbed off the sticky residue. yikes. what a mess. it was bright and it wasn’t without dings, but the kitchen went from peach cabinets and woodgrain to white cabinets and yellow. it seemed freshened, even with the yellow. it was supposed to be temporary.

there were other oddities – there was a door from our kitchen to the sunroom which they had kept on its hinges, blocking space that we filled in with an antique kitchen table that my dad refinished. we still eat around that table now. i suppose anyone touring our home who might consider it as theirs would utter “gut job” entering our kitchen but that’s for some future time. though we will make some updates to it, we love it the way it is. even temporarily.

at some point – a few years back – we decided to see what was under the formica. climbing into the cabinets i looked up and saw really lovely panels of good wood. we assumed that was the counter prior to the yellowness. it wasn’t so, as the first peel revealed. plywood was the countertop material and i literally starting panicking, running to the computer to google how to fix this dreadful mess. a sander, sandpaper, chalkboard paint and food-safe wax was the prescription and it achieved a kind of black soapstone look. black and white. it was supposed to be temporary.

we have pared down what’s on the counter. just the coffeemaker, the microwave and a wooden bowl of fruit – oh, and the roll of paper towels on a wrought iron stand. less busy, it makes it all feel less frenetic, tidier. it feels more orderly and that makes it feel more serene.

the florida national cemetery is the epitome of orderly. it is pristine and it invites you – without words – to wander. it would be easy to spend hours of time just walking among the big oaks and the lines of headstones, to weave in and out of the columbaria. its orderliness lends peacefulness and reassurance, its vastness a reminder of the temporal nature of this life – transitory, fleeting.

we arrived back home after a few days in florida with family, after interring my sweet momma’s ashes, after spending time with the adorable non-stop two-year-old and sat at our kitchen table with 20 who had soup and bread and glasses of wine waiting for us when we got there.

i love traveling and exploring and – simultaneously – always have a little homesickness when we are away, so i gazed around at our old kitchen and all its supposed-to-be-temporary fixings. my heart was full and i could feel all the time spent in there – my dad proudly placing the refinished table, my mom waxing poetic about the happy-yellow, my children in high chairs and suddenly on college breaks and suddenly adults. my kitchen counters and their timeline of transition, their sweet legacy.

one of these days we will update. but, in the meanwhile, i know it’s all temporary anyway.

*****

LEGACY ©️1995 kerri sherwood

download music from my little corner of iTUNES

stream on PANDORA

read DAVID’S thoughts this K.S. FRIDAY


1 Comment

the same old tool with a whole buncha history. [merely-a-thought monday]

it charmed me to think that the tool that was used on our sidewalk when the latest iteration of it was poured – decades ago – probably in the 1960s – was the same tool that they used last week.

he said, “i think i still have the tool my dad used. i was a little kid, but i remember this house. i remember the sidewalk and how he scribed in the concrete. i think i know exactly where it is!” a full circle story.

there was one sidewalk square left after the world’s longest water line get-the-lead-out replacement project, which literally started in november 2021. nevertheless, it is now completed, merely a year later. these things take time, i have learned. and nothing moves fast when the city is involved. and no one wanted to pour this last square. until them.

we loved the sidewalk-square-concrete-contractors. full of stories and some parallel experiences, david shared how his dad was also a concrete guy – in colorado – and g, one of the two gentlemen pouring and shaping and scribing and finessing our front walk, knew his company. d and fb, the owner of the company and just the nicest guy dedicated to good work, chatted together about – well – cement and stuff and fb clearly was eager to scribe the lines his dad had scribed way back when. the torch had passed and it was easy to see that his dad would be proud.

now, these guys clearly live by my own sweet poppo’s rule: don’t get rid of anything; you might need it later. my poppo always wanted a big ole barn to be out back so that he could put everything in it till it came ’round again.

maybe the concrete guys have one. a big ole barn or workshop. someplace where this tool sat on a shelf or in a toolbox – unused for decades – until one day when it made all the difference on our front walk. a piece of history coming back to be used for our home – again. something about that is truly heartwarming.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY


1 Comment

indelible. [d.r. thursday]

indelible. the way of impressionable cement, not-yet-set or after much falling rain. the new sidewalk around the corner and down the street will forever look like autumn to me. until the impression of fallen leaves fades, i will always think of fall and raking leaves and stoked bonfires in the cool night air.

indelible. the way of scent. the whiff of a beloved’s cologne or perfume and you are catapulted in time to shared space with that person. the aroma of a certain cake in the oven or simmering sauce on the stove or how rye toast makes me think both of my sweet momma and my grandmother mama dear. the way walking through even a tiny pine forest both brings back the tall pines of florida and the sparkling air of colorado high mountain forest.

indelible. the way of taste. how you know exactly what a hot chocolate chip cookie tastes just out of the oven, without having one. how you anticipate that first cup of coffee in the morning. how you roll around the werther’s caramel and other times and places flit through your mind.

indelible. the way of color. how army green makes me think of the vietnam jacket my brother-in-law gave me. or how there’s a certain red that makes me think of moab and the high desert. how rich black makes me think of my piano. how blue makes me think of one of my sweet nieces and purple makes me think of the other. how pink is now a color my sister is rocking. how black and white together make me think of our babycat.

indelible. the way of sound. the seagulls in the air make me think of home – long island beaches – the surf pulls at me. bluejays bring me immediately back to my growing-up back yard. loons and i am up-north, hanging out with the gang. the sound of john denver music and the list of images in my mind’s eye grows; his music has accompanied me near and far. the echo of a sustain pedal takes me to quiet stages and dark theatres, practicing, a concert in the offing. the train at night, likely to always make me think of laying in bed, here, at home. the foghorn, the same.

indelible. the way of touch. the sensation of petting our dogdog. of holding hands. of scuffing feet in fallen leaves. of the cold water of a stream running over my feet – instantly transported to an aspen brook, hidden way back on trail. the certain way someone hugs, the one-in-a-million dna of that hug.

indelible. the way of first impressions. we have this chance many times a day. the first impression we have on the cashier or associate at the store, the first impression we have on the person walking the other way on the sidewalk, the first impression we have with the person on the other end of the phonecall, the first impression we have with strangers and, i suppose, those close to us each new day. and more, intimately, close-in, how we start our days. the indelible way we come home. how we greet each other. with joy or abstracted, aloof.

i saw a video of a young woman, a social worker steeped in education and research, speaking about how she learned a simple lesson about relationship from her dog. each day, each and every time, she would return home and her dog would be filled with zealous and passionate happiness at seeing her. she had no doubt about its love of her and how it felt when it saw her. dogdog jumps higher than the back doorknob every time we come home, with ardent wagawag. yes. important to remember as we see our beloveds, our family, our friends. the impressions we give them.

they are indelible.

this branch of leaves will eventually fade from this sidewalk square. but i know i’ll keep remembering these leaves as we pass this spot, enduring till they are the lightest light and blend, disappearing, into the cement.

i hope that i will remember that my impression is also indelible. first impression, every impression. even as i blend into the cement.

good lessons from rye toast. good lessons from our dogs. good lessons from the leaves.

*****

read DAVID’S thoughts this D.R. THURSDAY

EARTH INTERRUPTED V: 53″ X 29″

EARTH INTERRUPTED V ©️ 2018 david robinson