reverse threading

the path back is the path forward


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forget-me-nots. [k.s. friday]

A0, B0, C1 are missing. entirely. gone. they have disintegrated and have dissolved into the ashy dirt of the piano. it is likely that if we planted the forget-me-not seeds we received when our beloved babycat died, tiny blue flowers would grow, for this spot – the lowest on the keyboard – seems rich soil. though we do not see A-zero, B-zero, C-one, the tones are still there, the timbre of these lowest notes ever-present, the grounding of all else still grounded.

“wherever you are, that’s where i will be…” is needlepointed in an old black frame on the wall in the bedroom. in the way that notes forever linger in the air, that frequencies dance waiting for us to listen, i know that this is also true: those whom we love surround us any where we go, any where we are, they are a whisper away. i plant virtual forget-me-nots each time i speak of or ‘to’ my sweet momma, my poppo, my big brother, dear ones who have gone on. i plant virtual forget-me-nots each time i hold close in embrace or in mind those whom i love who are here, whether near or far. the garden is lush with these tiny blooms, the wind a symphony, even maybe a gentle cacophony, of harmonics, seeding my steps each day.

in the midst of it all – changes and challenges, absolute joys and abysmal sadnesses – all that has been whirls around us, all that will be beckons us. we pick and choose the bouquet each day…our words and actions, our intentions. we learn and grow and send roots while at the same time becoming tall and independent and resourceful and capable of blooming.

yet, the wisdom of the ages, the ages themselves, are where we are. the notes play and the harmonics ring. the flowers blossom and spread and the wind takes on seeding, propagating on breezes and stout gales, encircling us. the universe cheers for us. we try to believe it is, ultimately, on our side. as albert einstein encouraged, ‘the most important decision we make is whether we believe we live in a friendly or hostile universe.’ we can bring nutrients or malnutrition to the garden.

the low notes swirl. still there. and all those who have loved us, all those we have loved, all those who love us, all those we love, the greater spiritual power in each of our lives – there. always with us. rich soil for our every single day.

*****

ALWAYS WITH US – from AS IT IS (kerri sherwood)

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ALWAYS WITH US from AS IT IS ©️ 2004 kerri sherwood


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and nature strung up prayer flags. [k.s. friday]

and the universe glanced down at planet earth.

and grimaced to see raging wildfires, upending people’s lives, destroying towns and homes and forests and tiny creatures racing to stay ahead of flames.

and the universe glanced down at planet earth.

and wept at floods sweeping over land, drowning dreams and crops and families, sweeping away livestock and animals trying to escape mudslides.

and the universe glanced down at planet earth.

and, wincing at the pain of what it saw, questioned why brilliant science could not prevail, why habitats were being destroyed, why climate change and global warming were not on the lips of all its people, why something so vital seemed so controversial.

and the universe glanced down at planet earth.

and pondered its resources, its clean water, the fruits of its ecosystem, the sustainability of food and drink for each and every one of its beloved inhabitants on its crowded globe.

and the universe glanced down at planet earth.

and grieved the ramifications of a raging pandemic, sickness and suffering, lives lost, security decimated, together slashed into separate and distant.

and the universe glanced down at planet earth.

and wondered about the division of its people, wondered about deep disagreement, hatred and the brash spewing of vitriol, wondered where truth went.

and the universe glanced down at planet earth.

and wondered about all manners of inequality, wondered about all manners of discrimination, wondered about ill treatment of its dear ones, wondered about cruelty.

and the universe glanced down at planet earth.

and saw anxiety and angst and surging mental health challenges in its own, fear and instability, exhaustion, unassailable peace assailed.

and the universe glanced down at planet earth.

and wished the most basic elements would rise to the top, tending the needs of clean air, food, clothing, shelter, education, healthcare, sanitation, protection, communication, belonging, caring about and for each person.

and the universe glanced down at planet earth.

and hoped for a better time, a better way, a resurgence of compassion, a renewing of a world commitment to collaboration, and a rebirth of what it had given each person: a heart.

and nature, well, she strung up prayer flags.

*****

HOPE (kerri sherwood)

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HOPE ©️ 2005 kerri sherwood


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fluid. with wings. [k.s. friday]

“when she transformed into a butterfly, the caterpillars spoke not of her beauty, but of her weirdness. they wanted her to change back into what she always had been. but she had wings.” (dean jackson)

“trust the wait. embrace the uncertainty. enjoy the beauty of becoming. when nothing is certain, anything is possible.” (mandy hale)

i had an IME on tuesday. an IME is an independent medical exam. it is a brief exam ordered by an insurance company and the physician is both chosen and paid for by that insurance company. it is defined as an independent assessment of an injury or illness, in my case, my wrist, and the determination by the doctor-chosen-and-paid-for-by-the-insurance-company-paying-for-treatment will be placed next to the reports of the medical hand specialist and the occupational therapist who have been treating me consistently for the last five months. a basic review of articles about IME reveals that the insurance-company-paying-for-treatment will pick the report they wish to concur with and that will decide if there is to be future, in this case, my future, treatment. so be it.

there is nothing to do now but wait.

my OT is wonderful. she has encouraged me, pushed me, held me accountable and she has brought me from twenty degrees of forward right wrist movement to fifty-five. this is big news, since, at first, six degrees was all i could muster. brutus and my OT have caused me much pain, but what’s that saying? no pain, no gain. we have worked hard. and, in the way of hard work and healing, there are things i can do now that i wasn’t able to do a few months ago. and there are things i fear i will never be able to do again. uncertainty.

there is nothing to do but wait.

sometimes i wonder what life will look like in a year or two years. i wonder what i will be doing. if i looked back a year i would never have guessed back then what this year would have looked like. no, last july looked very different than right now. it just suggests that truly everything is uncertain, that everything is in the act of becoming, in the middle of the fire, maybe everything is ashes transitioning to riches over and over again. possibility, evidenced in tomato plants bearing fruit on an old barnwood potting stand, evidenced in a nest-home created in a birdhouse hanging empty for years, evidenced in the smell of the rain bringing cool on a summer morning.

there are times, when you are simply going about your business, going about life, that you don’t expect change. you don’t expect to be thrust into ‘different’. times when you find out the caterpillars were talking about you all along. after reeling from the surprise, after trying to grab the wheel to stabilize, after railing about the unfairness of it all – for life does not seem to be fair, you find yourself out of the deep, dark water – in the shallows.

and in the shallows there is abundant life, abundant food, abundant shelter. in the shallows we can rest and nourish and breathe. we can sit in uncertainty and the unknown. we can imagine new. because anything IS possible.

there is nothing to wait for and everything to wait for. it’s now.

i’ve written here about transition before. and again. and again. and i suspect i will yet again.

because life, i am learning over and over, is one transition after another. fluid. with wings.

*****

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IN TRANSITION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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22″ of fire-bliss. [k.s. friday]

i imagined just that. staring at the flames flickering in the wind, taking in the perfect and imperfect of our lives. with the sun setting and the firepit column dancing, a rare quiet night in the neighborhood, it’s easy to lose yourself into the flicker.

the column just made its way into our backyard. it is not large. at merely 22″ it is portable and does not take up much room. there are not a lot of things i see while browsing that i lust over. this small tower-of-fire, however, was one of those things. it was not at a pricepoint i could justify, so i watched it.

sometimes when i watch items – or look at them time and again in a catalog – the yearning for that item goes away. as an artist, this is necessary, as buying whatever-suits-my-fancy is not reality. so it is convenient that my appetite for whatever-it-is is sated simply by looking at it over and over again. but the fire column didn’t fit under that category.

we don’t buy things willy-nilly these days. everything takes deliberation and an intention for the item’s use. and in my mind’s eye, i could see this firepit giving us countless hours of ambience on our deck – our sanctuary – the place we will spend most of our free time this summer. i started to give it some serious thought.

and then . . . there was a flash sale. thirty percent off. i stopped pondering, ordered it and picked it up at the store.

we really love it. funny how this tiny firepit elevated our space. we have surrounded ourselves with simple things out on the deck this year. inexpensive pillows – for the first time – on furniture that dates back and back, furniture that was handed-down, re-purposed, a wrought iron table and chair set i have painted time and again. an old door we pulled out of the basement storage room leans against the house next to a ficus we re-positioned from the sunroom. a couple old stepladders act as end tables. old barnwood and pipe hold our precious tomato and basil plants. there are a couple adirondack chairs on the patio and our wood-burning firepit; a chiminea is tucked over by the garage.

we read an article about a man who designed his outdoor space. it was pretty gorgeous. somewhere in the article the author shared the cost of this patio-deck-extravaganza: $550,000. five-hundred-fifty-thousand-dollars. seems slightly high to us; ours was just shy of that.

i seriously don’t know what we’d do if we had five-hundred-fifty-thousand-dollars to spend, but i’m guessing it wouldn’t be spending it on our outdoor space. though our grass isn’t perfect and the textures of our patio and pond and cement and stone pad don’t necessarily coordinate and dogdog has holes he loves to dig, we find this space brings us peace.

we gaze into the small flames of this tiny fire column and feel the darkness drop out of the sky around us. we are grateful for these moments of reflection, the moments when we see how perfect it all is, even in the midst of imperfection. we sit back, awash in the ahhh of having pillows behind our backs, watch the fireflies and a couple swooping bats, look at dogga laying quietly on the deck near us and take stock of our good fortune.

*****

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read DAVID’s thoughts this K.S. FRIDAY

TAKING STOCK from RIGHT NOW ©️ 2010 kerri sherwood


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our firework. [k.s. friday]

the morning dawned crisper and drier than previous days. there is nothing like sleeping with the windows wide open and a blanket on. even dogdog was feeling refreshed. we looked at the weather app. there is a tiny reprieve of the weather of late – yesterday and today. and then it’s going to soar back up into the 90s, with humidity making all the ferns and the basil outside grin.

the fourth of july will be beastly hot – as fourths often are. we may or may not walk to the lakefront. we know it will crowded and this still feels like time to be careful, pandemic-wise. fireworks will culminate the festivities with people on blankets and bag-chairs, with coolers and bugspray. there is a possibility that this plant – on the side of the trail as we hiked – may be our sole firework. and that’s ok.

each morning lately i have awakened around 4. and each morning i hear loud pops. i don’t know what these are. i assume they are fireworks, though i hardly know why someone is setting them off in the wee hours of the night. i hope they are not gunfire, though i’m not sure i would know the difference from a distance. since the violence that erupted in our town last year, merely blocks away from our home, i always wonder now. so i stay awake, waiting to hear if there are sirens. i find it unnerving.

dogdog is not a fan of fireworks; though he does not cower from them, he is clearly nervous. babycat would also be wary, sticking close to dogga and us. i know there are many people who have expressed how nearly terrified their pet is of fireworks. and, in these times we have been through, with the insane rise of gun violence in this country, i can relate to people being wary, being nervous.

i consider this too: fish and foraging creatures ingest the debris from these fireworks, often set off over water or rural areas. loud noises cause wildlife to flee. without plan and disoriented, birds and bees and so many other animals-sharing-earth-with-us panic, bringing undue harm to themselves. they are not celebrating. they are not even understanding. they are in flight mode, scared.

so this year, as spectacular as planned fireworks are, i find myself thinking that it might just be nice to stay in the backyard, quietly contemplating this democracy and all its flaws. we’ll maybe turn on the torches to keep away the mosquitoes and light the firepit tower and watch the flames in the breeze. we’ll play music and maybe dance on the deck. we’ll keep dogdog reassuringly close, sip wine and try to remember last fourth of july and the one before that and the one before that…

we’ll hear fireworks all around us. our neighborhood on the lakefront will be noisy and packed with cars – people who have driven here and parked on all the streets, toting their picnics and rolly-coolers and blankets down the sidewalks.

and i will hope that all will go well all over this country in this celebration of a day – a celebration of things so many seem to have forgotten, things written into the declaration of independence: “we hold these truths to be self-evident, that all men are created equal, that they are endowed by their creator with certain unalienable rights, that among these are life, liberty and the pursuit of happiness.”

when i was a child i didn’t know. i watched fireworks with no sense of irony. i was in awe at the spectacle of the parade and the pomp and circumstance.

but as an adult – i know.

*****

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I DIDN’T KNOW from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood


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good moments waiting. [k.s. friday]

“we’re out of practice,” writes elizabeth bernstein. her article in the wall street journal is about reconnecting with others as we move slowly and cautiously out of pandemic-mode and back into the world. since this past year-plus has levied many and varied challenges upon all of us, her words seem prudent, reminding us to realize that we are each in different emotional places and honoring those will be absolutely necessary.

as we hike on trails we are alternately silent and chatting-up-a-storm. we find ourselves reminiscing, going over the last year-plus, reviewing. we are both awed and aghast at the things that have happened through this time. simple moments of bliss and moments of raw hurt. surprise at the time flying by and impatience at the time dragging. gratitude for the generosity of others and anger and anxiety at agenda we don’t understand. much time spent as just the two of us…the two of us plus dogga and babycat. we stop – mid-river-trail – and stare at each other, remembering the time, the losses, the learnings. this moment in time – all the circumstances that have brought us to this moment in time – and we look forward, wondering.

“we’ve all been through so much. we’re all so raw. and there is a strong sense of longing,” says sociologist and yale professor marissa king. though we long to be together with family and dear friends, communities of people we have been missing, we have come to realize that we have made it through, continue to make it through, the storm of this time. we have established rituals of our own, personal reassurances, moments of goodness that have arced us into next each and every time. we have failed from time to time and we have succeeded from time to time. mostly, we have made it from Time to Time, each then to each now.

reconnecting, we understand, will be complicated, perhaps intense, perhaps exhausting, perhaps selective. but those moments will, too, be worth it, whatever concentrated effort it takes. we all have a story to tell, narratives to share, things we have gained and lost and learned and forgotten, things we haven’t shared. “reconnection is not a one-and-done undertaking,” writes ms. bernstein. like the time that has gone by and the hard work it has taken to grok the necessity of being apart, it will require some practice to be together. we haven’t walked in the shoes of others and we haven’t experienced what they have experienced. the vice-versa is also true. we all have a story to tell, narratives to share, things we have gained and lost and learned and forgotten, things we haven’t divulged, things we haven’t mutually endured. there is much ahead, likely to be profoundly emotional.

we stand on the river trail and think about belly-laughing in a circle of friends, crying in the arms of family, dancing on the patio, snacktime on the pontoon boat, ukuleles in the park, happy hour in the backyard, floating in florida pools, rooftop and mountaintop times. and we know that, though there have been many good moments and though there are many good moments right here, there are many good moments…waiting.

*****

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GOOD MOMENTS from THIS PART OF THE JOURNEY ©️ 1997 & 2000 kerri sherwood


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the sustain pedal. [k.s. friday]

the file drawers are bursting. there are three bank boxes in the closet, next to and on top of the file cabinets. there is still music to be filed away, but it’s almost done. the ukuleles and the strum stick are hung on hooks. the cello sits silently in the corner. the black metal music stands are cleared of sheets and books. everything needs to be dusted or waxed. the wood floor needs to be swept more thoroughly – to chase away the dust bunnies. a few pencils wait. the storm is gathering. the sustain pedal begs for attention.

i’ve played maybe twice since last november. i stacked music and calendars and binders of slated songs and folders of research in there. i dragged in a box or two of supplies and cantatas that i brought home. i laid the ukuleles on the rocking chair, the poster behind the door. but i didn’t play. except for a day or two after our babycat died and maybe one or two other times. the piano is tacet. and the sustain pedal waits.

because i played and sang constantly for work before the end of november, and i was surrounded in my studio by all the tools and resources i used for that work, it has been, in the these last few days, important to me to finally move all that which i had been playing, all that which is no longer relevant to my life. this studio needs to be clean. it needs space. it needs room for new. it needs to no longer represent life doing that work, that dedication, that place. my studio needs a refacing. the sustain pedal holds its breath.

i got an email from a lovely woman somewhere in new mexico. she wants to order a baker’s dozen cds and wrote that she includes owning them up in her wish list of “large sacks of $100 bills and 25 hugs and smiles received daily for life”. i’m grateful to her and her dedication to analog music. it will be fun to pack it all up and ship it to her, though i will have to direct her to amazon for a few titles i no longer have in stock. her order is a reminder. and even in these days when i have been actively submitting titles to pandora for streaming (there are now nine titles available on pandora.com and everything on digital platforms everywhere) it is refreshing to go to the stock of cds and pull out shrink-wrapped copies of music to ship off. the sustain pedal giggles.

i’m getting anxious to finish the studio cleanse. to walk in and see possibility. to sit and listen to the quiet. to see the new project, the new song, the new composition through fog, fallow and passing time. to one day again depress the sustain pedal and place my hands on dusted keys under a full stick. i don’t know when that will be.

the sustain pedal whispers, “whoosh”.

*****

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THAT MORNING SOMEDAY from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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touchstones. [d.r. thursday]

yoga series: iconic (54 x 54, mixed media)

in the beginning i knew very little. we wrote every day but only talked twice. i read his newsletters and appreciated his perspective on things. i had seen only one tiny photo of him online but we shared pictures of our coffee mugs perched in different places in our homes or on our travels. and i had studied his paintings.

you can learn a lot about a person immersing in their art. whether it’s prose or song, paint or instrumental musings, the clues are there.

i am not a fan of thomas kinkade. his paintings are tight and controlled and, for me (but not for the one in twenty homes in the US that hangs one his prints), somewhat trite and contrived. i know that “tommy k” (as scordskiii and i nicknamed him) was (and his paintings still are) inordinately successful, serene, idyllic images of cottages and streams, gardens and gates. his galleries are all over the world. the “painter of light” (as he trademarked himself in a smart marketing ploy) was not necessarily the same as his paintings. i met him one evening at QVC when i was on air during a year-long or so promotion of my music. waiting to go on-stage and on-camera, yamaha CFIIIS at the ready, i met him in the hallways between dressing rooms. he was not a light and airy friendly guy that evening. i don’t know if he was having a bad day, but really everyone at these studios was normally refreshingly jovial. except for him. this did not really bother me, however, as, though i could see “success” written all over him, having tommy k greet me and have conversation was not important. dick clark, of american bandstand fame, on the other hand, was a gem. he and his wife were lovely and generous folks and it was delightful to meet them and chat in the hallways. but i digress.

when david mentioned he was a painter i did not know what to think, what kind of paintings to imagine that he painted. our developing friendship was candid and didn’t include fluffing up the other so my curiosity about the form of his art needed sating. i visited the website he had at the time. and i was stunned. one of his newest works back then – thereafter named iconic – was graceful and beautiful and full of respect for the body woman. i dove deeper into the site. each painting i studied engaged me – the color, the white space (so to speak), the balance, the composition, the texture. i was joyous. there was no need for fluff. i loved his work.

downstairs where, prior to a real painting studio’s emergence, i had thrown paint on a few large canvasses to hang about the house, sits his easel. there are paintings stacked and rolled in various places, in and amongst the boxes and boxes of cds that find themselves housed down there.

some of these – paintings and cds – are truly relics, artifacts of our art, dating back decades, skipping stones through periods of our lives.

some of these are touchstones, moments of new form, of changing form, of solidity in an uncertain world.

some of these, the relics, the artifacts, the touchstones are cairns, pointing the way to the future, suggesting we follow both paths we know and paths we do not know. art is like that.

*****

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S online gallery

visit this painting ICONIC

ICONIC ©️ 2010 david robinson


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barney and the sunflower. [k.s. friday]

we moved the sunflower. it was on the deck for a few years now, rusting behind the aging wooden glider, tucked between the kitchen window and the bedroom window. it greeted us each day we left and came home. it watched over my girl as she house-sat during the summer, a couple ago now, when we were on island. she didn’t know it, but i had asked it to keep her comings and goings safe and each time she left and came back to smile good days upon her. it came home from a cedarburg festival with us, having called us over to ponder its purchase. we walked the length of the festival and talked about the sunflower. then we went back, after more debate than most probably make about purchases, and bought it. about two weeks ago we moved it. now its place is next to barney, surrounded by peonies and wild geranium and daylilies and snow on the mountain. it is happy there.

when you’ve lived somewhere for quite some time there are naturally places that you go that feel better than others. for me, there are places in this town that have immediate warm responses for me, places that have held me, places that are part of my cairns, places where i have dreamed and imagined, places where a community has meant the world to me. there are other places that conjure up memories i would rather forget with visceral responses i can actually feel; i generally stay away from those spots not wanting to relive moments of grief or poor judgement or anger or betrayal or grand disappointment. i have learned, though, that sometimes the best way to process those is to drive past, to acknowledge, to breathe deeply, to maybe weep. in the same way that actual places remind us, mementos from places we hold dear make it into our special boxes or find their way into our home like sticks accumulating in the walking stick vessel in our sitting room or rocks added to the stones around the pond. some mementos are bigger than others, like the sunflower from a gloriously sunny festival-going day in a town we adore browsing or the 5′ long driftwood from a long island beach that graces the mantel or the high mountain aspen branch wrapped in lights in the dining room. and then there’s barney. there’s no escaping this beautiful piano in our backyard, aging with us.

i’ve shared barney’s story before…how he escaped the junk man’s junkyard destination and, for a small price, came here to share life with us. from a basement boiler room to a place of honor near the pond in our tiny yard he sits and invites the company of beautiful plants, munching squirrels and cutie-pie chipmunks. yet he is a memento. and the place he came from is no longer a favorite place. instead, it is a place i now avoid, with emotions that elicit a physical response and a little vibration i can feel in my chest when i think about it. and so how do i avoid attaching these feelings to barney, i have wondered.

my growing-up piano is in our basement. movers moved it there many years ago, before there were walls in the stairwell. i wonder what will become of it if we ever move. it proudly holds art books and a small stereo and sits in david’s painting studio with a couple rocking chairs and his gorgeous old easel. i have thought about ways to repurpose it. and yet, it is so dear that it will, for right now, stay there just as it is, with music in its bench and the little index card on which is carefully printed in eight-year-old font “practice makes perfect”.

there is a piano of size in my studio. it sits at full stick, waiting patiently. i was in there yesterday and it whispered to me, but, for right then, i was consumed with the finishing of putting things away. there is still music to file, organ music still to go back into cabinets. i must decide what to do with the poster that hung on the choir room wall that reads, “if you ask me what i came into this world to do, i will tell you i came to live out loud” or the metal cut-out words “it’s all about music” or the white strands of happy lights that were woven around the blackboard that listed rehearsals and demonstrated strum patterns and had dates of parties for that well-loved community held at our house.

maybe once i decide what to do with all of it – including the emotional wreckage part – i will again sit at my piano. drive past, acknowledge, breathe deeply, weep. my piano is full of empathy i can feel and some day, soon i hope, i will be able to sit and play – in a studio cleaned and inviting with mementos of goodness and intentions of evolution. then i will walk out of the studio and down the hall, through the kitchen and the sunroom and outside onto the deck. and i will sit on the old settee and listen to the pond and the birds and watch the chipmunks scurry across the top of the old piano that shares space with the sunflower and a couple green-eyed metal birds.

in answers that have come with a few months of time, i have found that the piano-ness of barney has overcome the where-it’s-from-ness. the peeling back, the wrinkles, the embrace of its tiny community in our yard…these things have usurped the rest.

instead, barney and the sunflower together greet us upon leaving and greet us upon returning home. together, they both bring joy and reassurance to our backyard and they both smile good days upon us.

*****

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PULLING WEEDS from RIGHT NOW ©️ 2010 kerri sherwood


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eleanor’s tea bags. [k.s. friday]

she was a rebel. radical and progressive, eleanor pushed with all her might, a rogue in a traditional world. eleanor roosevelt is held in high esteem, a social justice mover-and-shaker, deliberate and smart and very, very strong. she wasn’t afraid of hot water. she often dove right in.

we women all know eleanor. oftentimes, intimately. for she resides in each of us – that spirit of strength and fortitude, bravery and courage, mighty in beautiful bodies.

forest trillium, in all its slender elegance, takes quite some time to mature. after years of growth, it will eventually bloom, its three leaves gently cupping the blossom. an early spring flower, white ages to pink, a color often associated with softness, perhaps even meekness. but in its ever-present flower-wisdom, trillium is anything but meek. it is particular and ephemeral, stunning as a star of the woodlands. its bloom scents as fruit or decaying meat to attract pollinating insects, its attempt to ensure its propagation. heralding spring, trillium is fragile and endangered. in new york it is labeled “exploitably vulnerable.”

the path we each choose differs. our goals, our intentions, our dedications, our wishes and dreams run a vast spectrum. we have different journeys; we have different origins. we are quiet; we are noisy. we go with the flow; we make waves. we may not agree, but we are zealous.

we are the guardians of our ambitions, the preservers of our pilgrimages, the shielder of our adventures, the great protectors of our beliefs, the fuel of our passions, the champions of our beloveds, mama bears with or without cubs. we are fragile; we are damn strong. and we are most definitely exploitably vulnerable. yet, in that vulnerability, in those moments of hot water, each and every woman i know is eleanor.

i say we tea bags stick together and celebrate each other.

*****

from my seat in 2021 sharing with you the stay strong/strong-woman song i wrote in 2002 for the album AS SURE AS THE SUN: COUNT ON YOU:

COUNT ON YOU (kerri sherwood – from the album AS SURE AS THE SUN)

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COUNT ON YOU ©️ 2002 kerri sherwood