reverse threading

the path back is the path forward


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fuchsia shibui. [k.s. friday]

“rather than being a fall away from beauty, ageing can be the revelation of beauty, the time when the inherent radiance becomes visible.” (john o’donohue)

perhaps i would have noticed these leaves in the prime of their life, clotheslined on the branch, hanging in the sun. their verdant green might have captured my attention and the focus of my camera. but i kind of doubt it. for, indeed, they would have blended into the rest of the woods, the rest of the underbrush, the colors, the shrubbery, the landscape.

in the autumn of their lives, these leaves are ravishing. they gesture to the camera and invite my study. their ageing is their invitation to relish their presence, the visual “hey! look at me!”.

these days it is predictable. there is something – each day – we will say that is a reminder, though gently and with soft humor, of the very fact that we are ageing. we poke at ourselves, with self-deprecating comments about wrinkles or crepey skin or bellies changing or achy joints. we roll our eyes and then one of us reminds the other to be present in it and joyful and grateful, mostly grateful. we are not eloquent in those moments. they involve words like “sheesh!” or “stahhhhhhhhp!” or comparisons “but look at MY wrinkles!”. to suggest we are ageing gracefully is to ignore the american cultural emphasis on youthfulness, with ageing depicted negatively. in contrast, ageing in japan is revered. the elderly have the utmost respect. in the autumn of their lives, turning toward mid-life and beyond, the flaws earned throughout life are considered the very things that intensify beauty. shibui, it is said, is an aesthetic turn toward subtle and unobtrusive beauty, textural in elegance and roughness, diverse in spontaneous and restrained, a balance of simplicity and complexity, understated but not innocent, gorgeous words about meditation over spectacle. (wikipedia)

yesterday, in the middle of thinking about kneeling on the stripes, i found myself stumbling upon hearts. there was the heart – a random piece of ripped tissue – on the hinged lid of the stainless wastebasket. the hearts on the shower curtain, light somehow filtering through the holes holding curtain rings, reflected down onto the curtain itself. the heart leaf on the sidewalk. this morning the heart, shaped from the skin of the potato, on top of the tiny wedge of breakfast potato. it was a little uncanny. but was it?

or perhaps it is some kind of universe message – raising its voice over the din of flaw-noticing and in-the-pause-thinking and liminal-space-white-noise – reminding me of being loved. in this autumn-of-my-life. that the fuchsia is showing up, is a statement in the middle of a dense forest, raising the ordinary to extraordinary, the natural presence of shibui.

*****

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EVERY BREATH from AS IT IS ©️ 2004 kerri sherwood


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out that window. [not-so-flawed wednesday]

first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.

that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.

taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.

this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.

and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.

*****

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pop-up dinner. [ k.s. friday]

we popped up at the old beachhouse.

it’s under construction; they are restoring it, this beautiful art-deco historic building, finished in 1940. the southport beachhouse “used recycled materials to cut costs. this way, rather than paying for new materials, the city paid workers to tear down condemned buildings as well as build new ones. the beach house uses luxurious slate, stone and marble materials salvaged from the old kenosha post office, which would have been otherwise unaffordable.” part of the new deal and roosevelt’s wpa (works progress administration) it is a gorgeous structure on the shore of lake michigan and the place we had our reception six years ago, a bonfire on the beach to end a stunning day.

in the middle of the beginning of covid – last year – i read an article about a new york couple’s ingenious solution to the inability to go to restaurants or pubs or gather with others, instead to isolate and social distance. i saved it and thought it was something worth pursuing.

this year, after a lot of research and a couple false starts sent back, i found a lightweight (mostly plastic) folding table and lightweight (mostly plastic) folding stools. i showed them to david and said, “let’s have pop-up dinners!”. small enough to be kept in littlebabyscion or big red, it’s an intention that begs spontaneity.

our first pop-up was this past sunday after our trip to the orchard.

we carried the table and stools and the picnic basket, the one from my sweet momma and poppo, onto the beach and found a spot in front of the scaffolds on the cement by the building, lit our candle-in-a-jelly-jar, set out our plates and cloth napkins and cheese and crackers and olives, our metal stemware. easy.

i imagine this fall, and even winter, will bring many pop-up dinners and happy hours. i can already list the places at which i’d love to pop up. snowpants and mittens won’t deter us. we’ll carry blankets, maybe thermoses of warm soup.

it was a little chilly at the beachhouse on sunday. the breeze was picking up. i picked up my phone and turned on the one piece of music i have saved to it. cherish the ladies began playing if ever you were mine and i watched david rise off his stool. he came over to me, held out his hand and invited me to dance.

as the sun began to dip below the horizon and the colors in the sky began to rise above the lake, on a honeycrisp apple kind of day, we danced on the sandy beach, scaffolding and a smiling cream city brick beachhouse our backdrop, a pop-up dinner waiting.

*****

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MILLNECK FALL from BLUEPRINT FOR MY SOUL ©️1996 kerri sherwood*

*if you are near MILLNECK MANOR on long island, please visit and have a pop-up dinner for us. ❤️


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enchanted. [two artists tuesday]

and golden was the glow from the forest as we walked

into the sun low on the horizon,

our feet swishing through leaves on the trail,

our gaze above us, to the canopy.

the quaking aspen invited us, “stay,”

rustling in percussive background

to our hearts beating and wishing.

the respite in the woods,

the time on mountains,

the black and white of this stand,

we immersed in immense beauty.

stopping in the middle, the path forward and back,

we stood tall,

breathing deeply,

and shimmered with them,

enchanted.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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at the lake. [d.r. thursday]

we brought the jelly jar and the tealight with us, anticipating a chance to privately and quietly celebrate his life.

the lake was the place. there were clear fishing bobbers on the shoreline, waiting for us to discover them, to wonder if somehow they were his. there were glowing golden aspens and burning orange underbrush bushes, crows crowing and fishermen cussing the ones that got away. and it was perfect.

we lit the candle and found the right flat rock to place it on. we toasted columbus and sat back and watched the candle dance and burn and flicker.

we were there way longer than we thought we’d be. it was serene; it was a direct line to him. and it was exactly where we needed to be.

we had no place to stay that night and i wished we had our tent, sleeping bags and camping stove. the lake asked us to stay. we asked it for a rain check. another day, we promised.

we will come prepared to stay, to watch the sun set and a new day rise. and he’ll be there, cheering us on.

*****

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i left it there. [two artists tuesday]

i left it there.

we had a few hours and needed a fix in the mountains. just a short distance away from congested civilization was a trail that lead into higher elevation and quiet. everything else slipped away as we climbed and followed the columbine.

i was moved by this fragile blossom on the side of the trail. delicate and perfect in every way that flowers are perfect, i picked it up, turned it over, felt its short life. like the sun, its tiny petals radiating from the center. its flawlessness is simple; its budding-lifeline complete. it was laying in the mountain meadow, waiting to be noticed. not much different than any of us.

and then, i laid it back down where i found it. and it will be there for the next person who hikes by, glances over and sees it. one sun-low-on-the-horizon-fall-dried-flower-blossom, past its season but not past its beauty.

that’s why i left it there.

*****

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and the wind brought fall. [k.s. friday]

the wind brought fall.

iowa and kansas were full of summer-on-its-waning-edge, the sun streaming into the truck making merely having windows open not enough. the highway noise was loud and the air conditioning a welcome buffer so we could talk and ponder what the next days would bring.

we saw it from a distance and assumed it was farmers plowing in dry fields of dirt, billowing cloud dust across the horizon from afar. and then we drove into it. in minutes, touching the window glass cleared up the mysterious billowing. the beyond-blustery front was bringing cold air and as we drove from kansas into colorado, the gusts delivered autumn.

we walked into their living room this morning and the fire was lit. there is nothing like a cup of coffee by an early morning fire. the day is cool and the sun is out. those of us who traveled for yesterday’s celebration of columbus’ life and are still here will gather later around a fire out back. in the meanwhile, we’ll walk and talk and have a little quiet time after much visiting and catching up till later last night. the service is over and next follows.

when these flowers were blooming, they were vibrant and gorgeous, spilling over the old fence along the sidewalk. the petals started to drop off as fall started to arrive, dropping in little by little. bright yellow pistils started to turn mustard then cocoa brown. the picture begged to be taken – beautiful and fallow on its eventual way.

as we drive back to wisconsin, we’ll again pass fields of corn waiting to be cut down, plowed over, vast brown rolling land. we’ll miss the green, we know, even at home, even in our little gardens, on our little potting stand.

but we know that time just doesn’t jump from one season to another. it actually shows signs as it comes, gives fair warning, allows us time to process a bit and adjust. it transitions and gently encourages us to move on, into the next season.

summer yields to fall and we will bring home a little wisdom harvested from the side of the highway.

*****

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PART OF THE WIND from BLUEPRINT FOR MY SOUL ©️ 1996 kerri sherwood


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past the curve in the tracks. [not-so-flawed wednesday]

somewhere along the way someone impressed upon me not to ever walk on railroad tracks. and so i never have. until the day i stood in the middle of these tracks and took a few pictures.

railroad tracks intrigue me, whether teetering on the edge of a mountainous precipice or crossing the great plains. i was astounded the day i drove along the arkansas river in red rock canyons, tracks by my side. i could not imagine the arduous, back-breaking, dangerous work it took to install those tracks. at home, the sound of the train whistle at night is reassuring. the whiz of the train passing by the trail is a blur of amtrack cars, headed for mysterious destinations; i reluctantly hold back waving to the engineer as the train passes the crossing.

we’ve missed taking the train to chicago to see our son or for adventures in this last year-plus-of-covid. for that matter, we’ve missed airplanes as well. we’ve driven anywhere we have gone. and today is no exception.

today we are driving. yesterday as well. long days in big red across acres of corn-states, browned, tinges of color in the trees. the sun rises out the hotel window as we prepare to leave and we ponder what we will see today, what markers of this new season will be side-of-road. in the wide open spaces trains will appear, seemingly unending freight trains, the stuff of yesteryear ‘boxcar children‘ and reading books with my kids. time and years and planting and harvest and fallow and regrowth. corn and soybeans, bending sunflowers, leaves beginning to acknowledge golds and reds – all remind us.

we’ll arrive in colorado, attend a come-and-go dinner (i believe this is the same as an open house, though i haven’t heard that terminology before). tomorrow’s schedule is all set; all the while we will be processing the reason we are there – the loss of david’s dad. somewhere in the middle of the scheduled events and the eating, we will walk in quiet under the colorful-colorado sky and grasp that which seems surreal right now. we’ll talk a little about time passing and stories of days gone by. we’ll gaze out at the mountains and see the past, the future. we’ll say goodbye to columbus, all the while knowing, in the way of the death of a parent, he’ll stay right here with us.

and we’ll wonder what’s around the curve in the tracks.

*****

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the shadows. [d.r. thursday]

we can see the shadows getting longer. earlier in the day, the sun is lower in the sky and fall is on the rise. the wistful-autumn-thing is starting. picking apples and going to the pumpkin farm are on our list-of-things-to-do and i’m pulling out soup recipes, planning ahead. i’m hoping the cherry tomato plants will sustain longer. and the valentino basil has rejuvenated; dinner last night was red pesto pasta – thanks to this very plant. we need to order some wood and i’m keeping my eye out for the perfect mums. and socks made a cameo appearance the other day. blue jeans and boots, the stuff of happiness, are itching their way back into our world, having been buried under summer and no-airconditioning wear. i love fall. and nothing stops the melancholy.

we didn’t sleep again. i’m writing this on wednesday, so last night – tuesday night – was a long wakefulness with a smidge of dozing around 6am. i was aware that i was feeling anxious, worried. no amount of tossing and turning helped. once you are traveling down that road, there are no u-turns. i watched the shadows change in the room, listened to the rain, rearranged my pillows a time or a hundred times. insomnia is a resolute challenger. and, in the middle of the night, every question you have ever perseverated over, ever pondered, that has ever even remotely teased you for an answer is present and accounted for, lined up, waiting for answers or action plans. meanwhile, any even breathing of your spouse, and even the dog, wreak havoc with your impulse control.

the coffee this morning tasted especially good. the day is grey, though the sun is supposed to appear this afternoon. i wrote in my calendar, as i do each day, and was, once again, flabbergasted that it’s just shy of the end of september. equinox as i write and tomorrow we fall deeper into fall. equal parts of darkness and light on this day. that might explain my lack of sleep – equal parts of dark and light – the chiaroscuro of the wee hours – when we would rather languish in light, literally and metaphorically.

a year ago today my daughter facetimed me from the top of a 14’er. it was a scramble to the top, rocky and treacherous. and then, there she was. 14,000 feet up, in the sun, sunlight bathing her radiant face. she panned the camera around so i could see the vastness of it all. mountains and canyon and brilliant uninterrupted light and deep shadow. an equinox perhaps by calendar, but overtaken in any soul-sense by the gleaming luminescence of arriving at the summit.

we each have our own personal night-shadows, building blocks of angst and anxiety, dark caverns filled with life events and life decisions and being wronged and wronging. morning usually helps. it’s when what is real-now shows itself in three-dimension and that which is shadow fades just a bit. the existential questions of the night shrink ever-so-slightly. we look at our to-do lists and pencil in time to take a walk, to hike, to feel the sun on our faces.

we know – despite the neverending pondering of the night – that the questions matter less than the moments. we have learned it time and again – watching the cycle of life, sand running through our fingers, holding mica in our hands. we will, undoubtedly, learn it again.

we know we can make it to the top of each mountain. the equal or unequal division of darkness and light will not stop us. and neither will the shadows. each step counts. we put our faces to the sun and get on with it.

*****

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CHASING BUBBLES

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momma birds. [k.s. friday]

the cicadas are loud outside already. the windows are open and, though it will be ridiculously hot today, tomorrow will be their field day. it’s the end of august and, no matter who i speak to, the common marvel is how quickly summer has passed. a dear friend wrote to me, “it is the clove of seasons.”

i was behind him at office max. waiting in line six feet back, he was checking out. the checkout gal was pleasant but uninterested as the enthusiastic dad chortled about how his wife had forgotten to buy sharpened pencils for their children going back to school. he asked for separate bags so that he might bring them home to his kids in individual packages to add to their school supplies. he was excited, so excited, telling anyone within earshot of his errand to finish up prepping for the beginning of the school year. i couldn’t help but smile back as he walked past me with an elated look on his face.

i checked out and intended for the exit. it was the backpacks that got me first. the big four-sided display drew me over. there was this great floral backpack. . .

i started to wander a bit more, the calendars and notebooks and mechanical pencils making me wistful. stickynotes and highlighters and packs of gel-tip pens and fine-line sharpies beckoning.

these people knew how to place things in the store. i was not quite leaving.

i was catapulted back in time and meandered a little lost in thought about days – years – gone by, an empty nester’s trap of remembering with both joy and sorrow. all those years of school lists and target runs and picking out backpacks and first day of school walgreen’s or back-to-target fill-ins, things we hadn’t anticipated needing or somehow forgot. the piles on the dining room table as my beloved girl and boy selected their supplies and maybe their pencil case. they put looseleaf paper in their trapper-keepers and loaded up spiral notebooks and the required box of tissues, a few dry erase markers, a ruler and maybe a calculator. absolutely heavenly to be surrounded by school materials, stationery supplies, new reusable lunchbags and two mostly-excited children.

this time of year does it every time. even though it is extraordinarily hot i can feel it knocking. and i can feel the sadness of letting go of summer freedoms, of children, late-morning, still in pjs, of no alarm clocks and no dread of early morning crabbies. i can feel the elation of the bus arriving at the end of the day or sitting outside the school watching for a glimpse of my own beautiful children in a throng of beautiful children.

every year i feel it. that feeling watching them walk out the door to go to school, to go to college, to go into the world. even now i am immersed in it. i miss them.

i’m sure the momma bird was elated too when the eggshell cracked open and her tiny baby bird was born. she probably chortled to her bird-friends about her little miracle and its entrance into life. and then, after a time, bird-school over, she realized she was suddenly an empty-nester, her sweetest with wings that would carry it into the world to adventure and explore and conquer abounding opportunities. though the nest would remain, and would always be there, rooting and rooting, both, it was merely a launching pad to everything else.

and one day, as she was waiting in line at office max, as tears threatened to roll down her face, she would be grateful for all those times before and she would wrap herself in the memorized feel of freshly-sharpened pencils, late-summer cicadas and small hands in hers.

*****

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GIVE ME ROOTS, GIVE THEM WINGS from RELEASED FROM THE HEART ©️ 1995 kerri sherwood