reverse threading

the path back is the path forward


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a heart. of course. [kerri’s blog on d.r. thursday]

just over a month later, the tree crew came back.

our treasured tree had been shorn but its main trunk and some branches remained after the city arborists cleaned it up post-storm that split and felled it.

now they were back.

i knew as soon as i saw the trucks pull up that this was the day. this was the day that i would say my final goodbye to this beautiful tree, the guardian of shade in our front yard, the stalwart maple next to our driveway’s apron. this was the day i would whisper – once again – “you didn’t do anything wrong. you did everything right,” to the tree that pre-dated our family here by at least four decades and still grew up with our children. this was the day i knew would be hard. last goodbyes are like that.

they showed up around 11 and, even with a lunch break, they were deft and efficient and the last big piece of sturdy trunk was lifted into the bed of the dump truck at 1:15. they raked and blew some of the sawdust off the driveway, got in their trucks and, before 2 or so, drove away.

when i brought them bottles of water i asked them, “do you guys get attached to trees, too?” they all said, “no” and i wonder if that’s because they aren’t thready or sentimental or if that’s because we are only talking about trees or if that’s because it is their livelihood to trim and take down trees. any way you look at it, they knew that i was really sad – and they were actually quite kind about it.

the guy on the lift had a giant chainsaw. there was one more big branch to remove from the trunk – a big branch whose upper branches they had already trimmed. this branch arced upward from the main trunk, up toward our house. it had been the branch responsible for shading our front garden, the branch that towered over much of the yard, that shielded the daylilies from too much sun, that held a bit of a flat space where it met the center trunk – a perch for weary critters. this was the branch on which the kids would grasp to try and swing up into the tree. this was the branch i saw the best when i rocked babies in the nursery and gazed out the window. this was the branch i looked out upon – in all seasons – from my studio – composing, practicing, answering the muse. this big branch was central – a sturdy, steadfast piece of a long-beloved tree.

the big claws swung around to hold this branch as the arborist began to cut through the dense maple. it took a surprisingly short time for the chainsaw to make its way through – and then the big branch let go of its tree and it swung freely, held by the claw.

and then you could see it.

right where the branch had met the trunk – right where the branch separated from the tree and the very last offshoot from this very old tree trunk was gone – was a heart.

of course.

*****

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tabouli party. [kerri’s blog on d.r. thursday]

in dramatically exciting news, this has been the week of tabouli. with heat indexes off the charts, it’s a refreshing change of pace.

it’s only mid-july and already our little potting stand garden is rocking. we have sooo much mint, a wild burst of chives and some curly parsley (our flat parsley has been the incredible-shrinking parsley – which must be because it’s on the preferred diet choices of our local squirrels.) the first batch of jalapeños are ready to harvest, many of the cherry tomatoes are orange-ing up, the basil is happily basil-ing along.

in an effort to use the herbs of which we have plenty, it brought to mind our quinoa tabouli – which uses the harvest we already have at our fingertips.

in these days of sickly sticky parasites invading the fruits and vegetables of these united states it feels extra good to have just gone a few steps outside to clip off what i needed for this fresh salad. it is a weird world with way too many things to worry about.

pasta with basil, homemade pizza margherita, jalapeño poppers, pesto, mint and lemon suntea that basked on the deck…and soon…more of our own cherry tomatoes for everything under the sun…the recipes line up in wait.

our adirondack chairs adjacent to our little burgeoning herbandveggie garden, we sat outside – after dinner – after sunset – while the fireflies danced through the backyard – and talked. our tiki-type torches lit, dogga conked out on the deck, we reviewed yet another strange set of days – strange in an insane number of ways. we wondered – yet again – what we can do.

we are beyond saddened by the schisms that deepen with every single corrupt thing that is reported (leaving us to truly ponder what is too opaque – too silenced – too hidden – to be reported, even by hardworking alternative media sources.)

and yet we know – even with our intense sadness – that there is no going back. anyone who thinks that all this is acceptable in any way – including what seems too easy to avoid – the new veggiefruit parasites running rampant because of this administration’s gluttonous greed and incompetence – is lost to us. that loss is mindboggling. it is heartwrenching.

and so, i guess we’ll just party on with our tabouli.

*****

WEEPING MAN mixed media 48″ x 36″ (available for purchase)

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on the horizon. [kerri’s blog on d.r. thursday]

in the “what’s in your wallet” series of ads, adorable jennifer garner is featured as a fixture of the marketing campaign. pictured everywhere, she quips, “what’s in your wallet?” advertising for the capital one credit card.

staring south down lake michigan we can sometimes see itty-bitty evidence of the chicago skyline. the curvature of the earth…the line of sight – slightly angled upward looking south – appears farther east, the right atmospheric conditions and refraction of light in the atmosphere…bending light’s path, the time of day…best when the sun is lower in the sky: all factors in the the ability to see even portions of that incredible skyline. the words “what’s on your horizon?” come to mind.

as the sun set in the west, the east put on a show the other day. with shades of trader joe’s dried mango slices and glasses of provence rosé dancing along the horizon, i waved at chicago, fully believing our son could see it. the magic of the horizon is like that.

i suppose that we don’t know – day to day – what will really be on our horizon. there are no guarantees and so we really should do the best we can to live best each of these days – chock full of horizon possibilities. like my sweet momma said, who would have been 105 a few days ago on the 5th, “live life, my sweet potato”.

but in these uncertain times we find we also have to draw some lines – on our horizon. we cannot pollyanna that which is ‘out there’. there are things we refuse to ignore, things that impact people we love and care about and, yes, even people we do not know, things that are based on cruel and extremist ideologies (if you can even call them ‘ideologies’ – which seems generous, considering the intentions behind them). there are things that color our days, whether or not they directly affect us. we can’t look away or be dismissive. we can’t become part of a kind of conscious avoidance, of avoiding the seeing of or learning about what is really happening in an escape to having to push-back against it, or – even worse – a denial of knowledge of its existence. the horizon is all of it. all the layers.

and even in the day to day of our lives – with all the layers of personal stuff to deal with on our own horizons – it is impossible to not feel the burden of trying to save this democracy, the heavy weight of trying to hold true to the constitution and its amendments, all the colors of what it means to live right now coalescing to make our horizon complicated.

we look down the lake, squinting to see chicago. sometimes the view is clear and sometimes – when the conditions are not in place – it is totally obstructed.

maybe we need to keep looking – to view, to discern our horizon at all different times of day and night, during all different weather circumstances, at all ages and stages – in order to get an accurate picture of what’s really out there, to grok the magic and the challenge of the horizon: all its choices and decisions, all its beauty and its ugly, all it can show us about living authentically – so that we can honestly answer “what’s on your horizon?”

*****

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cosmos. [kerri’s blog on d.r. thursday]

cosmos. this incredible flower is a cosmos. it is flawlessly beautiful.

each time we have passed these in the ‘hood i have stopped and just stared – their whimsical look is enchanting. i have said – more than once – that we should consider potting this and enjoying it ourselves. i’ve been thinking maybe one of these hot days we will go to the garden center and see about it.

and then i read that cosmos flowers “symbolize order, harmony, balance, peace and tranquility” which moved the needle from ‘maybe’ to ‘definitely’ because we sure could use some order, harmony, balance, peace and tranquility.

matter of fact, it wouldn’t hurt to have the cosmos as the new national flower (now that the rose garden – and its roses – are destroyed in vulgar favor of cement and patio umbrellas).

gifting cosmos to others – is, apparently, a gesture of deep appreciation, conveying the message, “your presence brings peace to my life“. i can’t imagine how much it might mean to our allies around the world if we gave them all cosmos and stood behind that message.

clearly an idealist.

marc-in-high-school used to accuse me of being the rainbows/bubbles/sunrise girl and i suppose he was – is? – right.

but what if?

what if order and harmony and balance and peace and tranquility were valued more than money? more than power? more than control? more than carrying an elite attitude of ethnocentrism? of supremacy? of nationalism? of xenophobia? of privilege?

what if we could all live under this great big sun, this great big universe, with love for one another in our hearts, with care and concern and compassion and an unwillingness to caste – or cast away, for that matter – anyone?

what if?

reading further i see that cosmos are also widely seen as symbols of resilience and healing.

wow. damned if i can think of a better flower for right now.

*****

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CHASING BUBBLES mixed media 33.25″ x 48″ (available for purchase)

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the pale blue dot. [kerri’s blog on d.r. thursday]

it’s been 38 years since i’ve moved here. thirty-eight. it even takes me by surprise. when we moved here, the deal was “three to five and then we move on”. uh-huh.

but it’s where we bought this old house, where the children were born, where life was lived – good and bad, happy and sad – and time seemed to fly by. truly. and now it’s 38 years later.

in the time i’ve been here – this place where i was transplanted – i cannot remember weather that has been as ornery as this spring and summer.

yesterday, while trying to keep up with yet another tornado warning coming from the west, i was on jake’s weather page on facebook – a local and much-appreciated meteorologist. he was reporting on the progress of the storms heading in our direction, with his predictions about them.

i read the comments on his latest post and totally agreed with a few, particularly:

“good grief! not again!” and “i can’t believe these storms this year.”

exactly.

because climate change is real and our extreme weather is directly related to it.

because global warming is real and our extreme weather is directly related to it.

because ecology and green sustainability are real and dealing with our extreme weather is directly related to both.

because caring about our resources, our natural environment, our atmosphere, our forests and seas and aquifer and pollution control and this good earth is real and we should care about all of it, protect all of it, invest in all of it. our extreme weather – and the extreme weather around our state, our region, our country, the global world depends on us and what we choose to do.

the survival of this place we call home – whether it’s wisconsin or any other place on this planet – is dependent on us to make good choices.

there is no way around it, despite any twisted misinformation that the current administration wishes one to believe.

make good choices. time flies by.

our world becomes our childrens’ and then their childrens’. our home becomes theirs.

“preserve and cherish the pale blue dot, the only home we’ve ever known.” (carl sagan)

*****

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no outlines. [kerri’s blog on d.r. thursday]

a full box of crayolas at my side, i, too, in my itty-bitty chair at the itty-bitty table, would outline the image on the coloring book page and then color it all in. like there was some artistic reason for outlining – making a definitive and clear break between the image and the background. for a non-artistic-in-the-sense-of-drawing type, it seemed to make my coloring page look better, cleaner, more striking. i’m not really sure. but it was a popular thing to do – this outlining thing – and, though i don’t know who initially suggested it, nearly everyone colored their pages that way. you could see it on the ever-important bulletin board wall.

if i were to pick up a coloring book and crayons now i might even just fall back into old patterns, grasping the crayola stub in my hand tightly, pursing my lips and concentrating on not drawing off the line. then i would color it all in – in the lines – and my page would be neat and tidy and whatever other adjective might apply, synonymous with success.

when i color in “adult-colored-pencil-coloring-books” i have found that i don’t do this – i just color with my pointy pencils – no outlines, no outlining. is it the difference between the paraffin wax/powdered color pigment combo of crayons and the pigments/binding agents/fillers/casing used in pencils? is it some leftover art lesson from elementary school – where the emphasis was on some sort of impossible sought-after perfection for our coloring sheets? and why – knowing me – did i not color out of the lines? well, i can answer that one. back then i was an in-the-lines colorer, going with the crowd, hoping to get my picture on the bulletin board wall.

i move up close to the peonies in our garden out back. they stand their ground as i move around, right in their little peony faces, alternately snapping photos and taking big whiffs of their intoxicating scent.

there are no outlines here. everything up this close blurs as my depth of field changes, my point of focus changes, my intent changes.

were i to make this photograph a coloring sheet – an accurate coloring sheet – it would require fuzzy lines – no clear outline – instead, a fade of one color into the next, maybe difficult to capture with a stub of crayon looking to make something definitive.

but life is more like that. less definitive, more fuzzy. it is less distinct and more out-of-focus. it is less green and white, and more grey. there are no outlines and, if you really get it, there’s no ever-important bulletin-board-wall upon which to hang up your life.

it just is.

and the moments we get to sniff peonies or color out of the lines, to allow the unfocused to swirl around us, to not get all caught up in the bulletin-board-wall – those are the moments to grasp, to hold onto, to store away as balm for those other moments – the ones that test us, that hand us crayons with impossible confidence-taxing expectations, that, somehow, in all the chaos, make us forget that peonies exist. craziness.

and so, no outlines. just color.

“…you write about my flower as if i think and see what YOU think and see of the flower – and i don’t.” (georgia o’keeffe)

*****

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it has the heart of… [kerri’s blog on d.r. thursday]

the question “when does it cease being a peony?” never occurs to me. because it never ceases being a peony. it is intrinsic, even as its extrinsic identity falls – petal by petal – to the ground.

the storms came. and wind and heavy rain. and the peonies bowed to them. the blooms were large – triumphant pink – but couldn’t withstand and, though some blossoms remained intact, many began to lose their velvet petals as the deluge let up and the sun came out.

there was not a peony on that entire plant, though, that was not still a beautiful peony. even with pistil exposed, with stamen missing, with wrinkled or missing petals. through the storm – and after – it remained – drumroll – a peony.

the storm has been brewing. apparently, there is more to the storm than i understood – as i now realize that there has been much in the history of our country i did not learn – so much was about teaching to the test we missed the dualistic humanity of the narrative. the story is not so innocent; the intentions are not so magnanimous. there is much malevolence in the story of this country and current events are mimicking the evil of earlier times.

but the democracy has been in place now for two hundred and fifty years.

yet, devastatingly, we celebrate america’s birthday just as we are watching the takedown of america’s freedoms, laws, its very constitution.

when does it cease being a democracy?

that question had never before occurred to me with such a sense of urgency. until now.

now i am worried.

the peony is a peony any and all times because it has the heart of a peony. it is nothing else. it hasn’t been anything else. it won’t be anything else.

but what about these united states?

*****

read DAVID’s thoughts this D.R. THURSDAY

WEEPING MAN mixed media 48” x 36” – available for purchase

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braided days. [kerri’s blog on d.r. thursday]

“in contrast to our frenetic, saturated lives, the earth offers a calming stillness. movement and growth in nature takes time. … there is something in our clay nature that needs to continually experience this ancient, outer ease of the world. it helps us remember who we are and why we are here.” (john o’donohue)

this must be what’s missing. as we get besieged with new news – all pretty horrible, the stuff of gluttony, haughty entitlement and bigotry truly beyond belief – i have wondered what it is in these people that is missing, what it is in these people that doesn’t grok the evanescence of life, what it is in these people that drives them to push for – or cheer for – a world without natural beauty, a world that seems twisted, that convolutes nature – botoxing faces and bodies, annihilating parks and resources, canyons and forests, waterways, wildlife, wildflowers that will never bloom.

if you never stand in nature – still – never even for a moment in the tiny – or vast – space just outside wherever it is you hang your hat, you miss the air that swirls around you, the recognition of another-day, the exquisite velvet softness of a peony petal in the growth stage of a bloom when it has just begun to open.

how can you carry that – the grace, the scent, the unbelievable creation of peony pink – and be anything but awed? how can you watch the play of light on tight buds opening before your very eyes and consider your self-serving dystopian game more important? how can you ignore the explosions of color, the frequencies of sound, the vibrations under your feet and all around your body even when you are still? how can your gaze glance over beauty and not have any pondering about who you are and how you – a humble minute being of clay and stardust – fit in with all the rest? how can you breathe air – feeling the world in your lungs – and be unconcerned about the air and the world future generations will breathe? what is missing in these people?

“when you take the time to travel with reverence, a richer life unfolds before you. moments of beauty begin to braid your days.” (john o’donohue)

reverence.

it’s reverence that is missing.

*****

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big water. [kerri’s blog on d.r. thursday]

we sometimes forget.

as close as we are, as much of a presence it is for us, we sometimes forget that this giant lake is right there.

we walk along it, we drive past, we linger – staring at it. but we still forget the magnitude of lake michigan, its oft-seemingly-own weather pattern, the big-water force it has on us.

i’ve never not lived near water, big water. my growing-up town on long island is between the atlantic ocean and the long island sound. i lived in florida a hop, skip and a jump to the gulf of mexico. on island we were right on water’s edge on the lake michigan side. and here – a block or so off the lake. i don’t know what it is like to live in an area that doesn’t have big water, that’s land-locked. i suspect i could find it difficult. so, near or on a lake will have to be the future minimum standard. somehow, big water all makes me feel closer to the far horizon, closer to the universe, closer to a two-way with god.

valerie bertinelli in her book enough already wrote, “i [] had long since lapsed in terms of structured religion. but i [] had develop[ed] a recipe for my own spiritual soup. it still included a belief in god, a higher power who accepted collect calls in emergencies.”

i, too, have lapsed in terms of structured religion and i, too, have my own spiritual soup. after thirty-five years of working for churches plus all the rest of being at churches, i have had enough of it all. i realize now that my last church job did me a favor when they fired me. they broke the continuity, making it possible to NOT do that which seems obvious TO do. i am grateful. it was a long time and i endured much at churches that you would likely rather not know. it was time to stop.

but my faith has not stopped. and as i stood at the edge of the sound a couple times in last months, as i stand at the edge of our lake michigan, i can feel the tidal strength of the universe. i can feel the days sink into nights into days into nights. i can start to understand the stars and the vast-ness. i can feel the connection to that which is so much bigger than me.

maybe that is what big water does for me: a place that brings the divine closer, just across the waves, just beyond the shore, just brushing the sand and leaving shells and rocks in its wake, just right here for me. a place to gaze and stare, a place to ponder and pray.

*****

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stars. particularly now. [kerri’s blog on d.r. thursday]

d just painted over a huge canvas that prominently featured a star. i asked him why he painted over it, for i like stars, the universal message of stars, just the whole thing of stars. he said he thought that the painting looked like a hotel print, so ixnay on that aintingpay.

he has since continued painting this canvas – with earth-toned hues. day is done is clearly – to me – a portrait of the end of day beyond a dramatic hill landscape, the sky glowing a pre-dusk orange, the sun setting.

“day is done/gone the sun/from the lakes, from the hills, from the sky/all is well, safely rest/god is nigh.

fading light dims the sight/and a star gems the sky, gleaming bright/from afar, drawing nigh/falls the night.

thanks and praise/for our days/’neath the sun, ‘neath the stars, ‘neath the sky/as we go/this we know/god is nigh.” (“taps”)

star-flowered lily of the valley are important pollinators and – later in the season – develop berries which are a perfect food for birds. they truly hold an important place in the ecosystem in the woods…’neath the sun, ‘neath the stars, ‘neath the sky.

the star-flowered lily of the valley is native, its white star-shaped flowers delicate. they are little constellations of beauty, nestled in the green of their frond-y leaves. they are joyful little flowers; they simply make me happy as we hike.

because stars are like that.

and we can all use a reminder of comfort and protection of the universe. particularly now.

*****

DAY IS DONE

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