“a ship in the harbor is safe, but that’s not what ships are built for.” (john a. shedd)
i daresay that any artist understands this. there is no pursuit of artistry without the taking of risks, the exposure of vulnerability, the stepping out of one’s comfort zone. our job – as artists – is to seek growth, to encourage growth, to open up vast space of potential instead of squeezing complacency.
our trip back reminded me of this. the sailboats, the cruisers, even the skiffs in the harbor are protected…from the challenges of the elements and any stormy surf. but these boats will not stay in the harbor. people will take them out on the sound, perhaps around the island to where the sound and the atlantic meet, perhaps further into the ocean. they will explore and adventure; they’ll follow a star they alone can see.
we followed the star here. this is my chance to reclaim it all, to find the 19 year-old i lost, to hold her and assure her that she is now safe and that i have taken on that which attempted to squelch her forever. ships weren’t built to stay in harbors.
i have found my way home – intentionally. and in that finding, i have found her. and in that finding, i hope that the so-many-years lost will come rushing forward – music in every star i can see, in every star i can capture.
and the ships in the harbor will bear wings and, all together – with me at the helm – will sail into next.
the texture was different this time. being there was different.
this time i didn’t feel the same sense of deep sadness everywhere i went. this time i didn’t feel as disconnected, as unwilling to recognize the significance of these places in my life’s timeline. this time i didn’t try to stave off any feeling of affinity, any bond or relationship to these roads, the sand, the harbor, the dock, the salty air. i didn’t slink back from it all, didn’t hide instead in now, in after.
i still felt the loss. i still felt the trauma. i still felt pain.
but i also felt immense love for this place. i felt pride. i felt connection.
this time was different.
and as we walked around – arm in arm, as we do – i felt comforted being there. this visit put dots on the i’s, crossed the t’s. it gave me back my growing-up years. “i’m from here,” i kept saying.
what has happened in our lives will forever be a texture of our lives. i can look back and see how it all impacted me – really, forever.
but this time i was able to distinguish the place from the trauma. i was able to separate them out and not blame that which shouldn’t be blamed. i was able to love on my hometown while recognizing those who had tarnished it in my heart. and i was able to reclaim the place as my own.
the painted brick wall is over by the bakery. it’s gorgeous, an exterior wall of a big old long island lighting (LILCO) building built in 1924. beautifully peeling white paint, it is striking each time we walk past. the textures of this place are visceral for me.
we sat at the bar in skipper’s, sipping from wine glasses that state “since 1978”. the synchronicity is not lost on me. 1978 was the year. back then i owned this town, that place. all the world was open, people were mostly to be trusted, i was a sunrise/rainbows/poet-in-a-tree girl – a budding peony waiting to bloom, to burst into the rest of the world.
and then.
there is a reality to my trauma, like there is for anyone who has experienced the same. it has played a role in my health, my emotions, my relationships, my ability to trust others, every decision, every bit of the arc of my personal and professional life.
we brought home the wine glasses, holding onto my town and all the moments before – and after – everything changed.
this place. these shimmers of light. these sounds. this air. this salt. this place. this magic.
in the days we are there, taking it all in. i am reminded – once again – of owning it all – in the days of my growing – in the days when anything felt possible and nothing was necessary.
in the days we are there, reconnecting to plank under my feet, waterfront air in my hair, soft ink falling on the dock, clanking masts.
in the days we are there, the pride of where-i’m-from returning, the tethers of heart, sand in my shoes, salty waves at my horizon.
in the days we are there, revisiting, reclaiming, restoring, recognizing the waters of before and after and – then – in the same way the waves of the inlet and the sound meet, allowing it all to mesh into one.
in the days we are there, standing in the sun, standing in the dark. it is night and it is day. and this is my town and i am wrapped in it.
in the days we are there, i become the wake – following all that has come before, choosing to ride the triangle of waves behind the rest of life. and i discover – it’s all one.
and then.
i am shimmering too.
***
night dock (jan 12, 1977)
clanking of metal-rigged sails / politely interrupt the still evening. /
the water below is soft, shadowed chasms away, yet close and quiet.
orange and pink hues fade from the night / and are enraptured by the hushed harbor.
faint strums of a guitar revolve in the mind / and in the silence of dark.
i recently had a conversation with someone i haven’t seen or spoken to in almost fifty years. we held space together on the phone gently, tenderly. for this wasn’t a social call where we spent time reminiscing about lovely memories and silly anecdotes. instead this was a call that transcends mere words, that was opening doors long-closed, turning metaphoric knobs for access into painful times and angst-filled recollections. i was shaking and weepy when i got off the phone, but grateful to have had the chance to meet together on empathetic ground.
there are some doors – that in the turning of the knob, the opening of the door – are most difficult. i am learning – at this time in my life – that these doors, though they make me shudder, even squeamish – are worthy of opening. these doors will eventually lead to the place that will ease the constant butterfly-like-vibration in my chest. these doors will set free the ramifications of all that happened long ago. these doors promise new. they promise perspective born of process. they promise light – granted to the dark of way-earlier life.
this call – like others in recent times – was somewhat excruciating. it was hard to dial up – to open that slammed door. yet, i was grateful to feel the undeniable comfort – coexisting with deep grief – that came in its aftermath. profound.
not alone, understood, we both knew without saying that we ‘got it’ on its most cellular level, the granular place of shared traumatic experience, the inevitable sisterhood beyond the opened closed-door.
i’m having a chance to renew my relationship with the harbor town. a tiny spurt of time here, a tiny spurt of time there. one of my favorite places on earth – the dock, at night, clanking masts, the sound of small fishing boats and soft troll motors – it is a good thing for me to revisit all this at a new time.
i didn’t know how much i needed to re-create this tie, to heal it. i didn’t know how much i needed to walk the pebbled beach, to scout for rocks and shells and driftwood, to sit and stare at the waves coming in.
when we left the last time we brought home this driftwood garland. we hung it in the place in our sunroom that seemed to be waiting for it. we sit next to it every day. and in the night that was draped in darkness from the storm, we sat next to it in candlelight.
we’ll go back. we’ll maybe pick up some more rocks for our rock garden. we may find a shell or two. we may bring home a piece of driftwood or other sea treasure. we’ll see.
the thing i do know is that each of these times i find another piece of me there. i rejuvenate another memory, process another bit of it all, feel affirmation.
somewhere on that beach, on that dock, in that town are pieces of my 19 year old self. the girl with the dog who climbed on the jetties and danced on the sand, who ran on the boardwalks and soaked in the sun on big old beach towels. there are pieces of me to reclaim, to go pick up in the corners of my memories, to re-empower. there are truths to release into the air of the world – finally. there are notes poised, floating in the air to compose, words in peripheral vision biding time to be written. i can feel the vibration of it all – that flutter in my chest.
and, though it is now a fancier bistro, the next time we’ll go – this place that was a pub where i’d fill up on baked clams and salty air. we didn’t go the last time because we knew it would be expensive and we are careful about our budget.
but the next time – yes – we will go.
because there is no price that you can put on the restoration of power, the retrieving of juju, the butterfly-net-capture-and-healing-release of muse that had been muted, stalled from trauma. to sit on those stools – even if they are different stools – is to sit on the sacred ground of yesterdays ago. it is something to celebrate.
the driftwood next to me in the sunroom taps my shoulder and my heart. it tells the story of ebb and flow, of survival and resilience, of transformative renewal and of a metamorphosis into something that has ridden the waves of the sound and – ultimately – emerged stronger.
we had a list of possibilities. it was a list of things to do, places to go before or during christmas. since our adult children and their partners would not be here, we knew we needed to keep busy, to create more hustle and bustle. missing your grown-up kids is ever-present, even when you are happy for them.
so we started a list: the botanic garden lightscape display, the garden domes, splitting a burger at a favorite bistro in a little town square across from the gazebo lit with christmas tree and menorah, a park festive with big illuminated balls of color. we included luminaria, a bonfire on christmas eve, singing carols around the piano in my studio.
as it turned out, we lit three luminaria and, on a rainy christmas eve, placed them inside, in front of our fireplace.
and we hiked on christmas day. bundled up, we took to our loop – this place where – for years now – we have sorted through life.
yesterday (which isn’t really yesterday now but is last week) we had a hard day. i wonder how many of us had a hard day. it was the day after christmas, the day when you realize all the hoopla is over, all the preparations done, the anticipation breathing a sigh. it is the day that sort of places you back into the calendar, a place that had – temporarily – been suspended in celebration, big or little.
it was on that day i realized we had not stood at the piano and sang carols.
this is the fifth year we – or even i – have not stood at the piano – any piano, any where – and sang carols.
i thought i was ready.
because five years is a long time for someone who spent most of her adult life – at christmas – creating experiences through music – for christmas.
i thought that carols would be the way back in, the easiest path back.
but somehow it got lost in whatever else we did on those two days of christmasing.
and, when it dawned on me we hadn’t, it didn’t fall gently.
in some self-indulgent raw disclosure to you, i can say this fiveyears has taken a toll. i can see now that being fired broke my spirit, that being fired triggered unmentionable earlier pain that further entrenched the breaking.
and i wonder now if it wasn’t so much about stopping my music. i wonder if breaking my spirit was actually their intention.
wow.
healing takes a long time.
and now this is the last day left to this year and we will cross into the year when i will turn 67. and i shake my head – vehemently, to unstick the clinging tarry goo – and throw a rope to my spirit that is trying to tread the water of eh-it’s-ok.
it’s done. it’s enough.
i have decided to decide.
i’m not positive that is possible; i’m not even sure that is possible.
but this piano-less existence is hard and i wonder if it is harder than what it will actually feel like AT the piano.
it won’t be carols.
but it will be something. something gut-worthy of answering the tug, something that makes me show up, that makes the walls of my studio vibrate with fortissimo and neck-crane to hear breath in the rests.
in the new year, little by little. kintsugi-ing.
and – even now – even in the middle of deciding to decide – part of me wants to add: maybe.
in earlier years – for decades – i would have been consumed with shaping advent and christmas services, designing music that lifts the story of this holiday, that spreads the message of love, of light, of the season.
it’s been a bunch of years now that I haven’t been a minister of music and i trust that each church i’ve served before will again have ringing of handbells, choirs in harmony, cantatas with wonderful narrative, pipe organ music reflective of this time of light…perhaps even a ukulele band strumming some favorite carols. i hope that the music programs i started in churches in new york, florida, wisconsin all have grown and that they carry on in the same spirit of joy i brought. it is different to not direct, but the space allows for introspection and reflection.
several years ago – as a piece for one of the cantatas i composed or arranged – i wrote the song “you’re here”. as i listen to my own song – recorded as i sang it at a piano into my phone – these lyrics: and now, you’re here, in a world of hypocrisy and your love can heal us all…”
and it occurs to me that we are all mary – holding space for love, for light, for hope. even outside a tradition that celebrates christmas or hanukkah or any other specifically religious holiday – it is love – period – that can heal us. OUR love. love for one another, love for equality, love for goodwill, love for kindness. it is holding up compassion, concern, tenderness, empathy. it is recognizing brokenness and despair. it is valuing humanity itself and leading with heart and generosity.
in this season, i have found myself humming another of my own personal favorites: hope was born this night.
i could see the maple tree up over the roof of the house. it had really grown a lot in the decades since our family lived there. i thought about all the time i had spent in that tree…an innocent poet trying to piece together the world, make sense of it. back then, i was proud to spend time with my family, my beloved dog missi, on the piano bench or the organ bench or tucked against the trunk of my tree, riding my bike (or, later, driving my little vw bug) to the beach or the harbor, studying, doing homework. i taught piano lessons and worked at various part-time jobs – all on or adjacent to larkfield road – the main artery through our town. going back to these places after long years away makes one realize how small it all was – this world around me – with everything nearby and a steadfast belief in rainbows and sunrises and seagulls.
i wasn’t street-wise back in those days – not at all. the guys i worked with loved to test my naïveté by telling jokes and laughing before the punchline. in an effort to mask that i never really got the joke (particularly if it was a “dirty joke”), i’d laugh when they laughed. they caught me every time. but i didn’t care. it was a happy life and i was ever-so-slowly learning about the real world.
i wondered how it would feel when we first drove down into northport from high above the harbor. this cherished town, this dock – a place of inspiration for me – had taken on different meaning from the time long ago, when i left so abruptly. the sadness i felt leaving a place so ingrained in me had never left. there was grief, deep grief. as my innocence was shattered, my home – these shining places that were part and parcel to who i was had been tarnished. nothing was the same and i wondered what that would feel like, if i would feel misfit.
at first – as i’ve written – there was a disconnect. i’m certain it was a protective measure, something that would maybe prevent me from feeling the grief, touching it, maybe releasing bits of it. but the spirit – of the little village, the harbor, the dock, the gazebo, the beach, the maple tree in the distance – all swirled around me. and, as d and i created new memories there, my guarded heart opened.
the sunsets over the harbor are stunning. the inky nights on the dock are magical. i took them with me as we left, this time slowly, not fleeing.
and as we sit at the little bistro table in our sunroom, with driftwood and rocks from that place, it’s a different kind of grief i feel now. it’s the grief of missing a place that is indelibly etched in me, that is part of what has made me who i am, that is woven into what will heal me.
i hadn’t had manhattan clam chowder in forever. but it was on the menu and the day in the village was sunny. with the scent of fresh bread baking wafting around us, we ordered a couple bowls and a couple kaiser rolls. we took it all outside to a tiny bistro table on the street next to the harbor. if we could, we would go back today.
when it was time to head out of town, we walked there early in the morning. a few blocks from the little apartment we were renting, we just wanted one more bakery visit. so in early sunlight, with a brisk breeze off the water, we walked over and placed our order for breakfast sandwiches – on the traditional kaiser roll. they wrapped them up for us to take.
there is comfort in the kaiser roll. it is most definitely a new york thing and, for me, even more specifically, a long island thing. growing up, my dad used to make breakfast sandwiches after church on sundays. he and my mom continued the tradition when they moved to florida, seeking out the best kaiser rolls they could find in bakeries run by people who had also retired from up north.
the bakery became our favorite place – in the several times we went there. witness to the ever-present crowd of patrons, you could feel there was a generous spirit there – of community and well-loved staff – diverse and embracing. because we aren’t really fancy-restaurant-types, in close second was the bar that had baked clams. the rest of the time we cooked.
somewhere down the highway on the way back, i realized we should have purchased a dozen or so kaisers to take with us. or one of the amazing loaves of bread stacked warm on metal pans or neatly in the display. because, then, we could have carried this community’s comfort with us.
back at home, i am feeling wistful for that small harbor town. not because it is beautiful. not because it is totally charming. not because it feels like a place straight out of a hallmark movie. but because – despite a feeling of sad, complicated, emotional disconnect when we arrived there – i left having been nurtured by that town. i left having reconnected with a place i have always cherished but had lost to trauma. i left feeling again the part of me that always loved it, that always felt it was a part of me, that always felt like it “fit”.
there was comfort in the kaiser rolls, comfort in my rocky beach, comfort in my old harbor town.
and, now, there is comfort in – truly – missing it.
we had the gazebo all to ourselves. it is likely that the tropical-storm-nor’easter had something to do with this. no one seemed inclined to be strolling about, nonetheless lingering on the gazebo.
so we danced. on the rain-soaked boards of this beautiful age-old gazebo, we waltzed to the music on my phone – the cherish the ladies instrumental if ever you were mine – the very piece we irish-waltzed at our wedding, surrounded by a circle of family and friends.
and on this dark starless night, with rain drifting in under the domed wood of the gazebo, it was not only magical. it was a little bit healing. it was sacred.
for here we were – both literally drenched – all alone on the gazebo of my youth – lifting the cellophane of the old magic slate – starting a new history.
just a couple people passed by in the park, walking the edges of the harbor. they paid no attention to our slow dancing. much is the way of new yorkers: you do you they imply.
we weren’t looking for an audience, so that was good. we were just sinking into the night – in the middle of the storm – in the middle of the storm.
and i could begin to feel the old break away a bit and new replace it as our feet got jumbled together in the waltz we hadn’t waltzed in a while.
i clicked play a second time, lifted the cellophane a second time.
reverse threading 