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Tag Archives: dance


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good for the soul. [two artists tuesday]

the smell of weed wafted around us.

their genre is listed as: jam band, bluegrass, country music, psychedelic rock, neo-pyschedelia, progressive bluegrass, rock and they are fearless about crossing all the invisible lines.

i don’t think i have been at a concert where absolutely everyone stood up and where absolutely everyone spanned the widest-ever spectrum of age. tie-dye, flannel, jeans, bell-bottoms, patch-laden vests and jackets, leather, maxi dresses – it was an everything-goes phenomenon of fashion. mostly, people wore their love of this band and gigantic contagious zeal.

“you’re going to do so much dancing,” our daughter texted, laughing. she was right. the dancing never stopped. everyone – again, absolutely everyone – danced with everyone, absolutely everyone.

the sidewalk and lobby outside the theatre in milwaukee made me feel a little out-of-body and a little like it was 1976. security officers, metal detectors, bag searches, lots of cigarette smoke and that distinct smell of pot…yes…a little out-of-body. there were so many people. it’s been a minute since we have been in a mob. we wove our way through, ordered a wine at the bar, asked if we could bring it inside and found our way to our seats.

the adorable couple next to us were probably the ages of our kids. they had left their three year old and their one year old at home with his mom. they were at their fourth string cheese incident concert. they had hard seltzers in their hands and seemed to be in bliss. the guy on the other side of me was already a tad bit wasted. he must have decided that i was not a worthy neighbor because he and his seatmate moved somewhere in the first few minutes. i wasn’t totally unhappy about that. to reiterate, a little out-of-our-element.

SCI played non-stop for hours, only taking an intermission break. their energy ignited the happy-factor in the audience and the whole concert was one giant ovation.

we laughed as we made our way out through the crowd, found littlebabyscion in its parking garage and drove home. sometimes a little out-of-body is good for the soul.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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fluff and pine and raynor winn. [d.r. thursday]

and we will give thanks over costco rotisserie chicken and homemade mashed potatoes.

and we will play favorite cds in the happy-lit sunroom as we set a table, thoughtfully choosing cloth napkins, deciding which place, which memories we want to evoke.

and we will speak of others gathered around tables and tv trays, spilling into family rooms from dining rooms and kitchens filled with light and food and conversation.

and we will call and have chit-chat, maybe even a facetime visit.

and, if the rain holds off, we will take a hike in the woods. it will be slightly warmer and there are few dishes to wash.

and, maybe, we will read poetry or the new raynor winn book, if our copy arrives soon enough.

and it’s possible we will watch a movie or two, with a duraflame log burning but not stressing the fireplace and chimney.

and we will dessert on brownie bites, perhaps a dollop of whipped cream, perhaps a few raspberries. or ice cream from our yonana, still a dollop, still a few berries.

and we will miss those not here…those gathered with others, those too far away, those on other planes. we will speak of them in our gratitudes and hold them all close.

and we will sit – and stand – and maybe even dance – in the day, even in its liminal space.

and we will begin to decorate with fluff and pine to welcome the season, earlier than usual.

*****

read DAVID’S thoughts this D.R. THURSDAY


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i’m from new york. [not-so-flawed wednesday]

towering cloud. monochromatic tones. i took this photograph. i may not have taken a second look but for the wire cutting diagonally across it. it was the interruption that made it – a gorgeous cloud – even more interesting.

i’m not from here.

i am proudly from new york and sunday night out on our deck i reveled in feeling new york. i haven’t felt as new york as i felt that evening in a long time. we were playing records outside and painting rocks. i had selected a few albums – dan fogelberg, john denver, michael murphey, survivor, fleetwood mac – and i was playing dj, picking and choosing the songs to play. we sang along, somehow remembering lyrics of songs we hadn’t heard in ages, a mondegreen or two slipping in.

then i went inside to find a certain album, leaving david to pour a little wine and wonder what i was searching for.

i came back out with the double-album-set of saturday night fever. there is nothing that quite defines 1977 like that album and the bee gees. instantly transported back to the discos and beach bars of long island, i got up and, in the new privacy of our backyard, danced. the more i danced, the more i danced.

i texted a few friends, asking them if they remembered the steps to the hustle. crunch wrote back that he didn’t remember all the steps, but he remembered the spins and sent a picture from a beach bar on the island he was at as he typed his message. marc reminded me he didn’t dance – which i, of course, remembered – and told me – if i was indeed sending him snippets of “stayin’ alive” simply to annoy him – not to be such an “assassination” (which, back in the day, i would say for the word “ass” so as not to cuss. friends would tell you i have come around from those days.)

interrupting our 70s mostly-mellow flow, saturday night fever disco drew a line through the soft wash of memory in which we sat. it invigorated us. it made us dance and it made us laugh. it made a perfect night even more perfect. and it woke up the new york in me, never too far away but always a little at-bay, a little tempered.

new york is a little noisy for wisconsin. new york is a little demonstrative for wisconsin. new york is a little talkative for wisconsin. new york is a little emotional, a little animated for wisconsin. new york is a little exuberant for wisconsin. new york is a little brash for wisconsin. it’s a little center-stage, a little aggressive, a little assertive, a little interruptive.

i’m not from here.

i’m from new york.

and i’m damn proud of it.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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dish rack with orange cup. [two artists tuesday]

whoa. if the simplest sh*t does not interest you, you will not likely want to read this.

we bought a new dish rack.

we also bought a new dish drain.

we are ridiculously happy with our new dish rack and our new dish drain. we dance the dance of thing1 and thing2 in the kitchen and are most pleased with ourselves and our two new purchases (total at target: $21.10).

at a time – still – when pandemic limits in part – at least our – movements and choices, we are choosing to celebrate the littlest things. granted, there are no monumental purchases or excursions TO celebrate, but we are not terribly high-barred in our experience of happy-happy-joy-joy. for two people who have no working dishwasher, a new dish rack and dish drain – sans the yuckiness and the forming-rust of the old ones – make all the difference.

in like story, we painted the main floor bathroom. as you know, we purchased a big jug of vinegar, a big can of zinsser, an expensive can of benjamin moore aura bath and spa, and a can of ben’s slightly-less-expensive eggshell paint. chantilly lace white – “a classic go-to white that elicits images of fresh cotton and pure silk.” and we purchased a new faucet. it’s matte black. now, that – the faucet – i must say – was a big deal. and frankly, that – as is often the story – was what started the whole rigamarole. we re-decorated the bathroom, simply moving things from other parts of the house into the bath and giving ourselves permission to actually use the guest towels we had in the guest bath upstairs, bath towels reserved only for guests. a big deal, we both find ourselves standing and gleefully staring at “the new bathroom”.

and we’re dancing in the kitchen.

yup. it doesn’t take much.

our still life – dish rack with orange cup – signed – is available for purchase, should you want to be reminded of the simple stuff in life. we are choosing to go with christopher wool print and poster pricing – it’s only $40,000 for the original print and we will generously throw in the new dish rack, the new dish drain and, even more generously since it is part of a pair, the vintage metal orange cup we use for espresso. just use our contact form and we’ll call. trust us. we will.

the simple stuff. every day is a day to celebrate it.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

dish rack with orange cup ©️ 2022 kerrianddavid.com


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pointers. [d.r. thursday]

“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)

in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.

the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.

we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.

for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.

“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.

each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.

to pay attention, this is our endless and proper work. (mary oliver)

*****

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’s online gallery



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and then mother earth will dance. [d.r. thursday]

dancing in the front yard – mixed media 24″ x 24″

how many times we have danced there. in the front yard. with abandon.

how many times we have danced there. in the back yard. with abandon.

how many times we have danced there. in the kitchen. with abandon.

how many times we have danced. with abandon.

this morning, the sun streaming in through the windows mottling the old quilt with warm bright light, the birds singing in tall trees, the sky azure blue with promise of a crisp spring day, and i am reminded that it is earth day. penzeys, a company hugely invested in the people and endurance of this good earth, reminded me in an email, “time to breathe in all the goodness this world gives us and rededicate ourselves to not destroying that goodness for all the generations that come after us.” this year’s official earthday.org theme is “restore our earth” which “focuses on natural processes, emerging green technologies and innovative thinking that can restore the world’s ecosystems.”

this focus – moving us all toward responsibility – learning, growing, changing, restoring. necessary. vital. life-giving. every little action requires thought. every little action requires accountability to this place we call ‘home’.

yesterday i drove past somers house tavern in kenosha. it’s merely four miles up the road from here on the lake route we often take. leaving to drive north i wasn’t really thinking about anything. but suddenly there it was, on the left side of the road. the feeling of devastation – this was the place that three people’s lives had ended just a few nights ago. their end. the moments that day that got them to that place disappearing into a void. suddenly, tragically, they were no longer on this earth. someone with a gun walked into that tavern and took their lives. and i couldn’t shake it as i drove. i called david and wished i could turn around and go home and take a moment, in the middle of our own patchwork of challenges and joys, to remember to dance.

“world climate leaders, grassroots activists, nonprofit innovators, thought leaders, industry leaders, artists, musicians, influencers, and the leaders of tomorrow will come to push us towards a better world” at the earth day live event today.

head-on, with our future at stake, we must also address issues of gun control, social justice, police reform, inclusivity, healthcare, hunger, homelessness, a seemingly endless list. so much responsibility. on each of us. we need not fear the other’s opinion; we need address the needs of living together on this earth.

“we can’t just hope for a brighter day; we have to work for a brighter day.” (dolly parton)

and if we do, then mother earth will dance too. with abandon.

*****

read DAVID’s thoughts this D.R. THURSDAY

DANCING IN THE FRONT YARD ©️ 2013 david robinson


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so, dance. [d.r. thursday]

TANGO WITH ME

when my daughter was a baby, the thing that could calm her, quiet her unhappy crying, was to hold her tightly and dance with her. her favorite back then was the sound of marvin gaye’s heard it through the grapevine and i can remember it on repeat in the sitting room while we danced and danced and danced.

it seems perverse to think about dancing in the middle of a raging pandemic, in the middle of intense concern about david’s dad’s declining health, in the middle of being fired from my job. so much to worry about, the list seems expansive and ever-growing. i wonder what will calm us, what will quell the fears that keep us awake at night.

jonathan wrote to me, in the wise way of jonathan, and said to “get the water boiling and the corkscrew; it’s time to celebrate!!” he left no room to push back. “take stock,” he texted.

i’m wondering if i should put on the big chill soundtrack and put #1 on repeat. maybe the music of marvin gaye and dancing would help.

*****

read DAVID’s thoughts this D.R. THURSDAY

this amazing painting – TANGO WITH ME – is sold, but you may visit other paintings online here

TANGO WITH ME ©️ 2018 david robinson


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artists and bootstraps. [two artists tuesday]

the bootstraps are getting a good workout.

the flutter in my heart, my racing pulse, uneven breathing.

i tug at the bootstraps.

i don’t have a choice.

i am an artist. bootstraps come with the job. they are inherent. they are undeniable. they are a burden. they are a release. they are imperative.

we cannot hide from the here and now. we cannot hide from the truth, be it light and airy, be it ugly and heavy. we speak to now; we help provide access to truth, to raw emotion, to the basic fundamental sameness – and yet individuality – of humans. to where the rubber meets the road.

we pull up the bootstraps and take a deep breath.

we dive in.

“just when you thought it was safe to go back in the water,” the infamous tagline from the box office movie hit “jaws”. we are shocked by the cold water, the lurking sharks, a symbiotic ocean with underlying danger. we muster on.

the art, the music, the prose, the poetry, the dance gently ease us all into a place of rest, of reassurance. the art, the music, the prose, the poetry, the dance prod us all out of a place of mediocrity, past complacency, past laissez-faire. the art, the music, the prose, the poetry, the dance urge us into thought, into action, revitalize our fire. this is the job of an artist.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the curtains part. i walk to the apron, bow my gratitude, take the bench. hands on the keys, boom mic inches from me, i begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes and the score in my hands. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the musicians take their places. i walk to the front, sweep across the singers and accompanying instrumentalists with eye contact, appreciation and love, stand in front of the piano. hands on the keys, all at the ready, we begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. i pace. i glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. i stand in my boots. i walk to the front, bow my gratitude, nod to the empty bench. hands trembling, no microphone, i am escorted out the exit.

i pull up my bootstraps.

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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a dance in the night. [k.s. friday]

slow dance

to sit in the dark.  to watch the flicker of flame on the yard torches.  to stare into the bonfire.  to listen to the crickets.  to feel cool air brush your face.  to walk barefoot in dewy-damp grass.  to slowly swirl, in time to music, in time to your heartbeat, in time to deep breaths.

we all need a break.

instead of a mind racing-against-itself in the middle of the night, we need a dance with slow.  we need a dance of hope.  we need a dance of release.

do you remember how to slow dance…in the middle of the night?

even in the bleakest of times, even in the dark.  the tiniest pinprick of light through an inky sky will remind us of the trillions of stars that are always there.

 

download SLOW DANCE on iTUNES

read DAVID’S thoughts this K.S. FRIDAY

single tiki torch at night website boxpsd

SLOW DANCE ©️ 2002 kerri sherwood

 


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sweet ballet. [k.s. friday]

sweet ballet songbox.jpg

photo credit: kirsten

in sweet pink ballet shoes, they flitted across the stage, little girls in plié and arabesque, little frowns of concentration mixing with smiles as they moved into practiced positions.  sparkles of light played across the theatre, the spotlights catching the rhinestones and sequins on tutus, the treasured stuff of these little ballerinas.  in my mind’s eye i remember my own little girl, hair piled high on her head in a bun, grown-up makeup on her be-still-my-heart beautiful face, as she carefully performed her memorized dance to this piece of music.  a moment in time.  sweet ballet.

each saturday morning we would sit on the wooden floor of the ballet studio.  royanne, the world’s best ballet teacher, would transform these little girls from sneaker-wearing to ballerina in moments, patiently, with great care and a profound love of ballet, teaching and children.  the parents would gather in the back, a seeming group meeting with conversation that flowed easily, yet softly.  friendships began on that wooden floor in the back of the studio; friendships that have prevailed through all of life’s changes.  one of my very best friends, the person my big brother seemed to handpick for me as a brother to stand-in after he could no longer be on this earth, 20, sat on that wood floor those mornings.  you just never know where or when you are going to meet someone who will be in your life forever and ever.  sweet ballet.

after class ended we would go across the street to jack andrea’s.  the girls would order ice cream sundaes and make paper dolls out of straws and napkins.  my boy would order chicken or potato soup (the kind of soup race cars eat – another story) or english muffins with saltines and pickles on the side.  20 and i would order coffee and watch this amazing time of life dance, moment by moment.  sweet ballet.

purchase RELEASED FROM THE HEART cd or download on iTUNES or CDBaby

read DAVID’S thoughts this K.S. FRIDAY

heart in sand website box

SWEET BALLET from RELEASED FROM THE HEART ©️ 1995 kerri sherwood