we can’t wait for this evening. we will drive the backroads with hundreds of thousands of others in wisconsin – all out on a friday night.
we can’t wait for this evening. we will join with fifty-thousand others in milwaukee attending one of the three days of PRIDEFEST.
we can’t wait for this evening. we will be with the tens of thousands wandering the summerfest grounds for the friday evening shows.
we can’t wait for this evening. we will stand in the dance pavilion – out in front, in the house, or backstage – either place – with over five thousand other people in that same pavilion and gathered all around its edges – and we will watch our son perform.
we can’t wait for this evening. we will have the moment of his first downbeat, the moment he raises his hands in the air, the joy on his face under spotlights and between pyrotechnic fountains of sparkling stars and confetti releases. we will likely be standing and dancing and cheering with a group of his friends, a group of deric’s friends – deric who shares the stage with craig as they perform together as EDM artists DOGGPOUND.
we can’t wait for this evening. we will hug him after his performance, ecstatic with him on this day, on this journey. our own pride will be bursting and he will absolutely know it. just as he has absolutely known – since the very moment he came out – that he is loved and – with-no-exceptions – completely accepted, embraced and supported.
we can’t wait for this evening. we’ll watch him and a large contingency of friends and fans as they all go on their way, celebrating peaceful coexistence at this celebratory festival. we will walk around, buy rainbow trinkets, happily ensconced and feeling a sense of belonging.
we can’t wait for this evening when we drive home on those same backroads and talk about the night. we will be exhausted and exhilarated. we will be thrilled to have spent such amazing time with our son – we will be looking forward to the next.
and then, we can’t wait for chicago’s PRIDEFEST when we’ll take the train down and spend an afternoon and evening in the streets of boystown. we’ll stand with the setting sun on our faces and – again – watch our son perform. there will be many hugs – his friends will surround us and make us feel at home. and at the end of that day, getting back on the train, we will again feel exhausted and exhilarated, both. we will sit back and talk about the day and the people – the people – all of whom are there to just simply honor each other and their very important place in the world – peacefully together.
we can’t wait for a day when all the world is a continual pridefest, when all the world honors each other’s place in the world, when all the world feels that kind of love for one another, when all the world lives in peace.
it is with great anticipation that i wait for the peonies. it’s a long process, from the ground up. from the tiniest maroon sprouts to buds just waiting to burst furth into the world – it’s glorious and wonder-full, and each year now i am thrilled to see the arc of these beautiful blooms.
my son said something in a social media post the other day that really stopped me. i went back and listened again. and again. he said that music waits for you…it waits for you to “come to it on your timeline”…it waits for you to come back…”it waits to accept you, ready to understand you.” it’s “never gonna go away and it’s always going to be there for you.”
and in those words, he brought tears to my eyes. not only because what he was sharing in that post about himself was vulnerable, not only because part of what he was sharing made me very sad to hear. but because his joy in the journey back to music – his music – was so clearly buoying, so very triumphant, a mighty trajectory of his creating.
i’ve been turning on the salt lamp in my studio lately. it’s like i want it to stoke up good energy in there.
standing next to my piano, i held the crystal divinatory pendulum in my hand, thinking about what questions to ask it…understanding that my subconscious would likely dictate what the answers would be. there are times that one is not really sure of one’s own subconscious thoughts or biases, the ability to translate from desire or idea into reality, into do-ing. times when pain pushes aside artistry.
i purchased this pendulum in a cool hippie store in northport, my hometown. on purpose. i thought it was striking – even in its simplicity – but i also wanted to bring home a bit of the internal-intuitive-wisdom and lighthearted belief-in-the-universe i had lost in that place decades ago. in these days of falling back in love with that harbor town, i wanted ways to surround myself with what i remembered about myself from the olden days of being in love with that water, that sand, that place. twelve dollars wasn’t too much.
and so, the other day i took it out of the small suede bag and held it first in my hand, reminding it who i was. and then i held it up and asked it to show me yes – it circled around. i asked it to show me no – it moved in a straight line back and forth.
and in the following minutes i asked it – words to the effect because sharing my exact words is just a bit too much right now – whether i would return to the music that was waiting for me.
it was still and then – i suppose after accessing my heart, the wistful tendrils of hope, the very tentative wisps of maybe-it-can-be-so, it circled wildly.
i thanked it and quietly put it away, not wishing to go any further right then. it was enough. we’ll see. the arc is not closed. the peony is going to bloom.
“music…it’ll be waiting there, ya know,” my wise son said.
we had a list of possibilities. it was a list of things to do, places to go before or during christmas. since our adult children and their partners would not be here, we knew we needed to keep busy, to create more hustle and bustle. missing your grown-up kids is ever-present, even when you are happy for them.
so we started a list: the botanic garden lightscape display, the garden domes, splitting a burger at a favorite bistro in a little town square across from the gazebo lit with christmas tree and menorah, a park festive with big illuminated balls of color. we included luminaria, a bonfire on christmas eve, singing carols around the piano in my studio.
as it turned out, we lit three luminaria and, on a rainy christmas eve, placed them inside, in front of our fireplace.
and we hiked on christmas day. bundled up, we took to our loop – this place where – for years now – we have sorted through life.
yesterday (which isn’t really yesterday now but is last week) we had a hard day. i wonder how many of us had a hard day. it was the day after christmas, the day when you realize all the hoopla is over, all the preparations done, the anticipation breathing a sigh. it is the day that sort of places you back into the calendar, a place that had – temporarily – been suspended in celebration, big or little.
it was on that day i realized we had not stood at the piano and sang carols.
this is the fifth year we – or even i – have not stood at the piano – any piano, any where – and sang carols.
i thought i was ready.
because five years is a long time for someone who spent most of her adult life – at christmas – creating experiences through music – for christmas.
i thought that carols would be the way back in, the easiest path back.
but somehow it got lost in whatever else we did on those two days of christmasing.
and, when it dawned on me we hadn’t, it didn’t fall gently.
in some self-indulgent raw disclosure to you, i can say this fiveyears has taken a toll. i can see now that being fired broke my spirit, that being fired triggered unmentionable earlier pain that further entrenched the breaking.
and i wonder now if it wasn’t so much about stopping my music. i wonder if breaking my spirit was actually their intention.
wow.
healing takes a long time.
and now this is the last day left to this year and we will cross into the year when i will turn 67. and i shake my head – vehemently, to unstick the clinging tarry goo – and throw a rope to my spirit that is trying to tread the water of eh-it’s-ok.
it’s done. it’s enough.
i have decided to decide.
i’m not positive that is possible; i’m not even sure that is possible.
but this piano-less existence is hard and i wonder if it is harder than what it will actually feel like AT the piano.
it won’t be carols.
but it will be something. something gut-worthy of answering the tug, something that makes me show up, that makes the walls of my studio vibrate with fortissimo and neck-crane to hear breath in the rests.
in the new year, little by little. kintsugi-ing.
and – even now – even in the middle of deciding to decide – part of me wants to add: maybe.
in earlier years – for decades – i would have been consumed with shaping advent and christmas services, designing music that lifts the story of this holiday, that spreads the message of love, of light, of the season.
it’s been a bunch of years now that I haven’t been a minister of music and i trust that each church i’ve served before will again have ringing of handbells, choirs in harmony, cantatas with wonderful narrative, pipe organ music reflective of this time of light…perhaps even a ukulele band strumming some favorite carols. i hope that the music programs i started in churches in new york, florida, wisconsin all have grown and that they carry on in the same spirit of joy i brought. it is different to not direct, but the space allows for introspection and reflection.
several years ago – as a piece for one of the cantatas i composed or arranged – i wrote the song “you’re here”. as i listen to my own song – recorded as i sang it at a piano into my phone – these lyrics: and now, you’re here, in a world of hypocrisy and your love can heal us all…”
and it occurs to me that we are all mary – holding space for love, for light, for hope. even outside a tradition that celebrates christmas or hanukkah or any other specifically religious holiday – it is love – period – that can heal us. OUR love. love for one another, love for equality, love for goodwill, love for kindness. it is holding up compassion, concern, tenderness, empathy. it is recognizing brokenness and despair. it is valuing humanity itself and leading with heart and generosity.
in this season, i have found myself humming another of my own personal favorites: hope was born this night.
it’s the last two. the very last two jalapeño peppers. today or tomorrow we’ll make ann’s jalapeño poppers recipe and celebrate the crazy-abundant harvest of these two relatively small plants. their season is clearly over; there are no tiny flowers left, there are no miniature peppers. these plants are done producing. but, in a new discovery, i have found that we can overwinter these perennials (more easily sustained in warm climes) – if we bring them indoors before the first frost we can give them a headstart for next year.
last year we only had one plant. its harvest is what convinced us to have two this year. maybe next year it’ll be three. in these last years, we have discovered the equation of this garden – what we get out of this garden is a direct result of what we put into it. it – and the experience of it – remain part of us, for we have paid attention to it.
like artistry – if you follow the imperative – being true to who you are – and who you’ve been and who you are becoming – and not beholden to societal expectations or fiscal returns – its produce potential is crazy-abundant. amorphous, ethereal, it will shape and re-shape, build and break down, condense and stretch – you are feeding it always. in the quiet and in the noisy, in season and out-of-season, overwintering. it’s all fluid, continuous.
i wonder when i will compose again. sometimes i can feel it building – the tension of the imperative. on those days i walk into my studio and touch my piano. it’s just a gesture, an acknowledgement. but it counts. it connects me back and forward, both. it is perennial.
and i can see – they are one and the same – these jalapeños and my music.
“not even the tiniest perennial grows only to die. it comes back again and again when the season and the time is right.” (kate mcgahan)
“you are a child of the universe. no less than the trees and the stars, you have a right to be here.” (desiderata)
i don’t suppose i ever really fit in. i was the youngest in my family – separated by a decade – while most of my friends had siblings their own age. i grew up in a neighborhood where the kids were somehow athletically gifted, while i took organ and piano lessons and sat in my tree writing poetry. an early entrepreneur, i pulled a wagon around our neighborhood selling baby cactus cuttings and candles i had made. i didn’t go to – or get invited to – wild parties or cut class or skip my homework. i took bike-hikes and walked on the beach in the winter while everyone was at the mall or the bowling alley or the movies. i didn’t listen to the stones or grateful dead or led zeppelin (with the exception, of course, of stairway to heaven – everyone’s prom theme). i listened to john denver and gordon lightfoot and the carpenters. i wore off-brand clothing and didn’t keep up with fashion trends. my momma bought me less expensive boy-pants and found the offbeat stores for shoes-that-look-like-trendy-shoes-but-are-not, like my cherished construction boots. my first car was my dad’s vw beetle, nothing fancy but beloved. i had numerous part-time jobs through high school and then in college and knew the joy of serving corn flakes to both me and my dog missi for dinner. i never thought of myself as weird. but i suppose – if one considers the definition “may have unusual habits, interests or ways of thinking that set them apart” it could be true. i don’t see that as negative, though i also suppose that – depending on the way you see yourself fitting into the world – one might consider it such.
so the sticker “stay weird” hung upside down and backwards made me laugh aloud. somehow my laughter summoned mary oliver and she and i enjoyed a good chuckle about the infinite extraordinary of the insignificant and the everyday, the value of seeing the usual through a filter of unusual.
weird took a very long hiatus – it was safer, less vulnerable, and kept me out of trauma i had shelved. i pursued the inevitability of having to make money, to help support a household in a more meaningful way than the way of an artist. for this society – though its love for the arts is profound, its support of the arts is less so.
it was after my children were born, after the imperative was too loud to ignore, after the perils shushed a bit – when it was time to start releasing music. writing, practicing, recording, performing, marketing, booking, hawking – none of this is necessarily standard-work fare – it is unusual, it is tenuous, it requires a bit of courage. it doesn’t have the same parameters as a workday in corporate or structured america. it has no guarantees of reward, no regular paycheck. it is steeped in personal challenges, the need to be scrappy and the sisu to put it out there.
in the time that was the heyday of my recording career i would call absolutely anyone, regardless of their position. as the owner/artist of my label i have talked directly to vice presidents of sales of barnes and noble and borders books and music, owners of publishing houses, the personal managers of ridiculously successful recording/performing artists. i’ve sat in j. peterman’s messy office chatting (of the j.peterman catalog and seinfeld fame) and in the spare chair of radio program directors. i’ve danced across the stage at qvc-tv under a disco ball and played songs live over phone conferences with oncological pharma higher-ups. i’ve stood in the rain on flatbeds playing, embraced boom mics over my piano on theatre stages of all sizes, sang in front of 35000 people in support of cancer survivorship in central park. pushing the boundaries, carrying a little chutzpah along with belief in my own artistry was everyday life – and necessary. and i’d remind myself each time i picked up the phone or stepped into the unknown the very fact that we all breathe in and out the same way. this thing we have in common, i would tell myself – breathing. surely i could connect on that most basic of levels.
as outside the conventional box as it all seems, i didn’t feel weird. i felt in my skin.
and so, apparently, the weird continues. we know we are different than others. we have a certain run-and-jump into vulnerability that others do not. we have a certain pull towards creating, experimenting, learning – all in the public eye. we share because we have to, not because anyone has to receive it.
so, yes, the “stay weird” sticker really spoke to me.
though my life – and our life – is quite a bit different than the traditional lives or retirements of lovely people we know and care about, it is somehow just right for us. i never forget the corn flakes and he never forgets the sleeping bag in his studio space. every everything counts and we are reflexively careful about not being frivolous. for us, weird has granted us a certain appreciation of the littlest things, honoring simplicity and leftover pasta, redundant black thermal shirts and a shared bin of socks, used notebooks and repurposing taken to a new level.
what one does with one’s “wild and precious life”*…
we venture out of the mind-boggling absorption of what’s really happening out there every now and then. and sit in the sun. or browse plants and flowers at the nursery. or take to the trail. or pet the dogga.
because we all need a break from it at some point, this devastation that wracks our hearts…just a few tiny moments away from thinking about it.
the rest of life is going on. people are working and sleeping, having babies and leaving this earth, healing and fighting disease with all their might, doing real life. right smack in the middle of horrific – – real life.
and sometimes that is enough.
really.
enough.
the rest of all of it is just too much.
“…well, everybody’s heart needs a holiday some time…”
it is hard for me to avoid. i simply cannot help it. or maybe i just can’t resist the impulse.
we play rummikub every monday and thursday with 20 after we share dinner together. and – every single time – something one of them – d or 20 – says, makes me break into song.
we were talking about the obvious – you know – the state of our country. it was in an unusual fit of optimism. it was right after we talked about bernie sanders and aoc and the pushback of intellectually woke people against authoritarianism etc etc etc (i know you hear that line now – from the king and i – uh-huh, uh-huh – etc etc etc).
it had been a week since we had seen 20 (which is also unusual) and much had happened – on both sides – so there was a lot to talk about.
in that week we had found a different trail. it wound its way through a rural landscape and we enjoyed its newness. and then there was this tree. one sturdy old gnarly oak in the forefront of a blank field. stunning. perhaps a hundred years old. perhaps more. its silhouette against the sky so intense, strikingly gnarly in a good way.
we have such an appreciation for these lands of space through which we hike. we have hiked out east, down south, out west, up north. we’ve hiked in county parks, state parks, national parks. we dream of thru-hiking one day on one of the national trails. we hold these places in high regard, grateful for the glorious beauty, the potential for peacefulness, the celebration of the wild.
and so our conversation of late and of that night – of course – is also about the threat to these places (in addition to all the other gnarly-extremely-twisted corrupt threats of the administration too long to list or even grok in any conscience-based way.) we talked about our new forest preserve hike and we talked about national parks. and it feels sickening inside to think of the decimation of any of this. and all for the wealth of the wealthiest.
in the middle of our rummikub game – me…stuck with gnarly chips – a double of black 13s and a double of 1s and the grasp of the plastic trophy seeming bleak – and in the middle of the accompanying punctuations of news-chaos-of-the-day conversation – it suddenly came to mind, rose to the top.
the song ooh child was written about times of strife.
i started singing.
and hoping.
that some day we – this broken country – will put it together and get it undone. and then we’ll walk in the rays of a beautiful sun – when the world is much brighter.
they rolled their eyes, poking fun at the records spinning in my brain. and, for a few minutes, we all laughed.
“the longer i live, the more beautiful life becomes.” (frank lloyd wright)
if it wasn’t ‘copying’ i would also get this inked on my body. but my beloved daughter – a bunch of years ago now – chose this as a tattoo and copying it – despite the clear wisdom of this quote – would be taboo.
it is intensely true.
the longer you live, the more beautiful life becomes.
if you take sweet time to notice.
in a most wonderful day tuesday we jaunted about, gathering knowledge and trying on new hiking boots. we joked about falling arches and bunions, our feet – somehow – getting substantially bigger, the trail-running we won’t attempt, heck, the running we will never do again, pinky toes resistant to closed shoes. it is somewhat liberating to not have the same expectations we once had. there is a different bar.
at the end of this wonderfulday i stepped outside and was struck by the moon. we immediately took off – practically sprinting (note: not running) – down the road to the lake, so that we could watch the harvest moon rise and feel its moonbeam as it chased us on the shoreline.
we sat on the deck after a long walk in perfect night air along the lake. and we celebrated our day. for in it we had tended to things that feed us – writing, exercising, eating well, planning for future hikes, laughing.
we know that our next will not resemble our past. we know that there are no corporate or organizational positions in our future. we know that aging is perceived differently by the hiring crowd than by the aging. we also know that we have aged each and every day of our lives so we don’t place parameters on what is possible. we don’t underestimate the wisdom of the ages or the insights of aging, though the word sort of makes me shudder.
and then I wonder why. why does the word “aging” give me a bit of the heebie-jeebies? I looked up the word. multiple sources. and each time i discovered that 65 is considered “elderly”. sheesh. no wonder ageism is alive and well in this country. developing nations base their assignment of old age on a person’s ability to actively contribute to society. though the united nations considers old age to be 60 and beyond, i also discovered research that suggests only a tiny percentage of adults 65 and older actually consider “old” to happen before the age of 60. we are most definitely in the camp that rejects old-before-old.
according to britannica.com, “there is no single theory that explains all of the phenomena of aging.”
no single theory. well, of course not!!
barney is still out back, soaking in summer sun and winter snow and everything in every season. he houses chippies and is a resting place for birds and scampering squirrels. he doesn’t serve as a piano now, but his soul is still a piano. barney is more beautiful than the day he came out of the dank basement boiler room and arrived in our backyard.
“i go to nature to be soothed and healed, and to have my senses put in order.” (john burroughs)
to draw a paddle through silky water, to listen to the call and response of the loons, to feel the breeze off the lake and to catch the first and last glimmers of sun rising and dropping through the trees…it is completely unremarkable to say this is soothing, that these moments are healing. it is unremarkable because it is obvious, because these are so remarkable – each – and because our senses rise to these offers of peacefulness, to these opportunities for rejuvenation…every time.
we have viewed each night of the democratic national convention. the joy, the energy, the hope – they are palpable. to say that our nation needs all this is an unremarkable statement, because – of course – it is obvious. we need joy. we need energy. we need hope. we need this kind of light. we need to be soothed and healed. and we need our sense put in order.
it should be unremarkable to have – to own – this kind of hope and light and joy in this country. it should be a given. this is supposed to be the fruitful land of opportunity, a place of freedoms, a nation where – with goodness our north star – we may be who we are. and, when our senses are put in order, we remember this…each and every one of us.
when we are in chaos, when there are those wreaking ugly havoc, when division and mean-spiritedness are being stoked, when soothing and healing is far from the minds of those who wish to be leaders, it is a time we must rejuvenate our country. we must move forward, not back. we must seek the best in each other, aspire for unity, clutch onto fervent hope with all we’ve got, put our faces to the sun and get sensical.
because it should be obvious in these united states of america that democracy and freedom are the only choice, that kindness and loving one another is the way of life, that equality and acceptance and inclusion are undeterred, that sense – real sense – is in order. and that – in all its brilliant remarkableness – pointing out that those are fundamental to these united states of america is completely unremarkable. because it is obvious. because it is the way.
we drew the paddles of the canoe through the glassy water, exploring the crannies and coves of the lake. to say we were soothed, healed – even momentarily – from worries pummeling our minds, that we were able to return to our senses would be an unremarkable statement. obviously we were.
living in this country – as a place where peace and freedom and forward movement and opportunity and goodness toward each other abounds – should be as obvious.
please vote with your senses and sense in order. let us promise a soothing, healing, joyful, intelligent, abundant future to all who come behind us.
reverse threading 