reverse threading

the path back is the path forward


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digging paws. [kerri’s blog on two artists tuesday]

according to AI – which is interesting to quote on a somewhat ironic level – “artistic expression is the process by which creators translate internal emotions, thoughts, and personal experiences into tangible visual or conceptual forms.” (ironic because, well, AI is doing so much creating-creating-creating, yet the question – is it even a question? -remains of the existence of any internal emotions, thoughts and personal experiences as they relate to AI, void of all of that. but i am digressing. we are talking about “artistic”” expression and the truth of emotions, thoughts and experiences.)

aussies (australian shepherds) love to dig. they not only love to dig, but they are damn good at it. dogga is not an exception. he is a next-level digger.

and so, because he is simply expressing himself – particularly at this senior point in his life – we have decided not to put boundaries on this expression. we fill in the holes so he and no one else trip and he digs them again. it is a small price to pay to see our sweet old dog in his bliss. and someday – which, no matter what, will be too soon – we can again have closer-to-perfect grass in our backyard. it’s really not important. in the meanwhile, we applaud his translation of “internal emotions, thoughts and personal experiences into tangible visual and conceptual form“.

it’s like that with all of us artists. to have others applaud our translations, rich in emotion, thoughts and experiences – whether in dirt, clay, canvas and paint, dance, words of verse or story, notes of music you can hear and feel though not touch as they float by – is to acknowledge not just our bliss, but our imperative to speak, in whatever medium fits.

it’s not applause-applauding we seek. it is freedom-to-express-applauding, the granting of the air on this earth to us – the artists – just like it is granted to all other ways of living, ways of being, all other imperatives. it simply can’t be helped or stopped. it is the way of the earth, of thinking minds, of questioning hearts, of the visceral and the emotive, of making something from nothing.

and, i guess, of digging paws.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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smitten. [kerri’s blog on two artists tuesday]

the boulders. the lake. the obvious. 

beyond the boulders – trees, deep in fog. fuzzy.

minus the beyondness, minus the trees, one would barely know it was foggy. 

but context is everything. 

up close, the boulders are clear. they are like the notes on the page, the score. technically, they are vital. but context is everything and it is the artist’s job to look beyond the obvious, to seek that which tells the whole story, that which evokes more. it is the musician’s job to play that which is beyond the obvious, to play that which evokes. more. 

peter spering, in an online forum that was great-debating which – of technical wizardry and feel – was more important in playing music, wrote the words “…technically great but creatively dull”. 

the boulders without the foggy trees: we have all heard this music, seen this art, read these words, watched this dance. if you have listened to a computer rendering of a piece of sheet music, you are aware of neat and tidy technicality, seamless, even perfection. you are also aware of the lack – of any emotion, any expression, any air, any space. boulders will only sound like boulders. there will be no question. there is no beyond. there is no fog.

to answer the this-or-that question from the forum – technical chops or feeling – is both impossible and necessary. music is the expression of the human condition. music is love in sound. it is a marriage of both the technical and the evocative. 

yet…if art is to convey questions and answers, to explore and navigate, to inform, to find meaning…if the recipient is to be moved, to be smitten by life, then music – the simple and the complex – must be played with heart. and technical wizardry will cease to matter if it falls upon souls with nary a touch, without any dents or brushmarks or trace that it had been there.

“it is enough when a single note is beautifully played.” (arvo pärt)

because a single note – played with heart – will impact you. it will bring you to a place where – even without standing on the shore – you can see the fog, the trees, the dim horizon.

and you are able to “feel the world stand still”. (arvo pärt)

smitten.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

like. subscribe. share. support. comment. ~ thank you. xoxo