anna quindlen, in her book a short guide to a happy life, says this: “yogi berra’s advice seems as good as any – when you come to a fork in the road, take it.”
we have arrived. it doesn’t come with directions. no gps. no warranty. no guarantees. no table-of-contents-glossary-index-laden information booklet. nothing. just a choice. well, always a choice.
there’s something amusing about signage that points both ways. there aren’t a lot of things making me giggle right now. but, although we have passed this spot on the trailhead many times, this signpost made me giggle the other day. i am at a crossroads. we are at a crossroads. which way?
“…a dividing line between seeing the world in black and white and in technicolor.” (anna quindlen) i suppose the spectrum is meant to be seen in its entirety. all the colors. not a flattening out of the incandescence of life. i suppose it’s not as scary as it seems. i suppose luminous scrappy will rise up, face the signpost and decide.
it’s all fluid. we are all fragile seedlings bending in the wind. invisible forces, gravity, dark, lost-ness, steadfastness, weightlessness, light, found-ness buffet us and brace us, both. and we orient. we stand at the signpost on the trailhead and choose, knowing there will be another moment when we will choose yet again.
“and whether or not it is clear to you, no doubt the universe is unfolding as it should.” (max ehrmann)
either way. either direction. either path. i just start. we just start. again.
and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.
the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.
i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.
it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.
and now.
i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.”(john o’donohue)
it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.
upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.
my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.
“the north texas food bank distributed more than 600,000 pounds of food for about 25,000 people on saturday.” (cnn.com) thousands of cars were lined up at the mobile food pantry. “54 million people in america face food insecurity during the pandemic.” (aamc.org) and we give thanks.
on november 23, at the noon hour, over 12,175,921 million americans had contracted covid-19. the omnipresent global pandemic has killed 255,958 americans since january 21, 2020. (covid.cdc.gov) with a gaping hole in leadership it continues to rage. and we give thanks.
“of the roughly 20 million americans now receiving some form of unemployment benefits, about half will lose those benefits when two federal programs expire at the end of the year.” (apnews.com) layoffs will likely accelerate in the next weeks and months. and we give thanks.
“gaslighting is deeply rooted in societal structure and social inequalities. women are more likely to experience gaslighting both in professional environments and in their personal lives due to these inequalities.” the term “racial gaslighting” is used “to describe a way of maintaining a pro-white/ anti-black balance in society by labeling those that challenge acts of racism as psychologically abnormal.” “racial gaslighting maintains a pro-white/anti-black balance in society.” “so many of the examples of racial gaslighting we’ve experienced and looked at are embedded in the structure, history and culture of the united states.” (bbc.com) the ugly truths. social injustice. where does a country go from here? and we give thanks.
“the coronavirus disease 2019 (COVID-19) pandemic has taken a toll on the mental health of millions of people around the world.” (who.int) “capsized travel plans, indefinite isolation, panic over scarce re-sources and information overload could be a recipe for unchecked anxiety and feelings of isolation.” (adaa.org) the struggle is real. and we give thanks.
there is so much. so much overwhelm. we look to the stars. we reel, we grieve, we ponder. we wonder how we can withstand any more.
and we are resilient. more than we can ever really know.
we surround our brutalized hearts with the love of family and friends, with memories of times past and wishes for times to come. we keep on keeping on, just as our intrepid ancestors did. we recognize the utter fragility of the moment, the immense journey we are on and the tiny bit of space we actually have on that journey. we stand tall, in the waning sun of late autumn. together. we are grateful. and we give thanks.
“never be bullied into silence. never allow yourself to be made a victim. accept no one’s definition of your life; define yourself.” (harvey fierstein)
“to thine own self be true,” my sweet momma would say. she and harvey fierstein would have been pals. heck, i should be pals with harvey.
there is a cost. we all know that. coloring outside the lines requires sisu, gumption, chutzpah. speaking up, speaking out, speaking for, speaking against. a cost.
like you, i have been bullied into silence in my life. i have been harassed and i have been victimized. i have been liquified and poured into molds that don’t fit. i have been vaporized. i have allowed it. i have not allowed it.
i am a woman. and with that comes bullying, harassment, victimization. with that come molds, generalizations, inequalities, assumptions.
i am not naive enough to believe that were i to be a man i would never face any of these crushing blows. but i do believe that i would have faced seriously fewer.
it is not as likely, were i to be a man, that i would have been sexually assaulted at an innocent 19. it is not as likely, were i to be a man, that, in reporting the abuse of many underage young women, i would have my life threatened at 21. it is not as likely, were i to be a man, that i would have been scarily pursued by a man-with-a-foot-fetish at 35. it is not as likely, were i to be a man, that i would have been terrifyingly stalked at 50. it is not as likely, were i to be a man, that i would have been verbally and professionally assailed at 60.
were i to be a man, the men who wielded the power in each of these might have tucked his superman cape away, might have had a second thought, might have played out his control-game-fantasy somewhere else.
but i am a woman. and, for some reason deeply embedded in society, that changes the rules and empowers the mongers.
the flutter in my heart, my racing pulse, uneven breathing.
i tug at the bootstraps.
i don’t have a choice.
i am an artist. bootstraps come with the job. they are inherent. they are undeniable. they are a burden. they are a release. they are imperative.
we cannot hide from the here and now. we cannot hide from the truth, be it light and airy, be it ugly and heavy. we speak to now; we help provide access to truth, to raw emotion, to the basic fundamental sameness – and yet individuality – of humans. to where the rubber meets the road.
we pull up the bootstraps and take a deep breath.
we dive in.
“just when you thought it was safe to go back in the water,” the infamous tagline from the box office movie hit “jaws”. we are shocked by the cold water, the lurking sharks, a symbiotic ocean with underlying danger. we muster on.
the art, the music, the prose, the poetry, the dance gently ease us all into a place of rest, of reassurance. the art, the music, the prose, the poetry, the dance prod us all out of a place of mediocrity, past complacency, past laissez-faire. the art, the music, the prose, the poetry, the dance urge us into thought, into action, revitalize our fire. this is the job of an artist.
i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the curtains part. i walk to the apron, bow my gratitude, take the bench. hands on the keys, boom mic inches from me, i begin to speak.
i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes and the score in my hands. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the musicians take their places. i walk to the front, sweep across the singers and accompanying instrumentalists with eye contact, appreciation and love, stand in front of the piano. hands on the keys, all at the ready, we begin to speak.
i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. i pace. i glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. i stand in my boots. i walk to the front, bow my gratitude, nod to the empty bench. hands trembling, no microphone, i am escorted out the exit.
the headline from business insider magazine reads, “chris krebs firing from CISA (cybersecurity and infrastructure security agency) was evidence of his success.” the united states top department of homeland security cybersecurity official was fired this week after spearheading efforts to protect the democratic process of the election. he spoke to the truth; he exposed the falsehoods, the mismanagement of factual information, the peril to free and fair elections, his ignored answers to questions about an election that was “the most secure in american history.” he was removed. democracy is at stake.
defense secretary mark esper, apparently not loyal enough to a president who seeks not truth, but rather, compliance, was fired early in november, injecting uncertainty into an already perilous global climate. he was replaced. our country is destabilized, put at greater risk.
lt. col. alexander vindman, a national security council staff member, raised his hand and swore to tell the truth, the whole truth and nothing but the truth. after speaking to the truth in impeachment hearings for the current president, he was fired by the president, the same man who was impeached. his error? speaking the truth, citing facts, about a man who demands only absolute alliance, disregarding truth. that man, along with those complicit to him, exacted revenge.
dr. anthony fauci, the director of the national institute of allergy and infectious diseases since 1984, speaking to the truth, the inconceivable and unconscionable peril that this country is facing in the middle of this raging global pandemic, has been minimized and tossed off, threatened with being fired by a president intent on absolute control, absolute obedience. factual information needed to protect a vulnerable populace has been withheld, experts with words of wisdom have been held at bay. more people will contract this disease. more people will die.
“transparency, in a business or governance context, is honesty and openness.”
“transparency is the open sharing of information from a business to its consumers. it creates brand trust, good communication and perceived good citizenship.”
transparency is not the utterance of pretty words. it is not relationship participating in hiding the truth, sweeping it under the rug. it is not silent. it is not intentionally deceptive. it is having hard and healthy conversations, respectfully taking responsibility, navigating difficulty, meeting and addressing problems head-on, collaborating with maturity, eyes toward progress and shared authenticity.
our election process. our national security. the integrity of our leadership. our collective health.
the fermata lingers over my days, issuing a pause of length undetermined. the baton is held in the air. there is no downbeat, no pattern of time. just prolonged waiting.
in dr. seuss fashion we wait in the waiting place.
answers are just beyond our grasp, skimming the rim of the atmosphere, invisible to us, ephemeral and flimsy, ever-changing, like trying to capture the flicker of flame from the top of a candle lit in the darkness.
so i just keep waiting. we just keep waiting. our world just keeps waiting.
we sit quietly. we rail at the wind. we speak up. we skirt to the sidelines. we ask questions. we wonder. we are met with silence. we are dissolved. we seek fairness, equity. there is none of that. we step away from the noise. it follows us, snapping at our ankles. we do good work. we seek truth. we are managed, a place of hypocrisy. our country flails. we flail.
and we wait. knowing that, indeed, better will come. knowing that, in some measures, new will come. knowing that, after the fermata, light will come. grieving all we have lost in the process, in the journey, in the waiting place.
i don’t understand this painting. nor do i feel connected to it. art is like that. sometimes it resonates, sometimes it does not. and in just the way that it does not vibrate within you, it still stirs something else.
for me, this has stirred up images of one of my beloved nieces. her wedding, now years ago, was a blur of blue sky, warm sand, rich brown gowns, the setting sun and her, in stunning white. her home combined these tones; it echoes the sentiment of that landscape and never will i see blue and brown together without thinking of her. art is like that.
we each carry a palette of color at our hips. we carry tunes of music in our hearts. snippets of image, of music that evoke memories of other times.
right now, in the middle of this raging pandemic perhaps this is most important. we have nary a chance to have new treasured times with our loved ones. we face quiet thanksgivings, quiet holiday seasons. we wonder what it will be like, we wonder how we will get through it.
walking through the neighborhood yesterday, we took note of how many people had already decorated for the holidays. lights and giant hard plastic snowmen, candy canes adorning sidewalks, stars lighting up gardens. there were yards that looked like a cacophony of giggling sound, competing with other yards for attention. while this seems early for all that, it made us smile.
for, in all that wiring and plasticware, was a trove of memories. each homeowner must have yearned for the resonance of that magic. each homeowner must have had stories of years-past echo through their heart and mind. each homeowner created art – their own art – chronicling their life and experience through time, re-telling a story, expressing what they feel and creating a rich offering for others.
grateful for their gift as we wandered home through the darkened streets, i thought about holidays past, traditions on hold, gatherings at bay, much longing. it stirred a deep store of memories, made me hope yet even more for the pandemic healing of the world.
and it made me wonder if this is the year to consider having a “regular” christmas tree, bright with lights. if this is the year to respectfully light a menorah, tend a kinara, break open a star pinata…
i wonder if this is the year to celebrate the story of life with the whole world, full of color and sound, vibrating loudly and ever so quietly. art is like that.
if you look at the leaves on our front lawn in this photograph, you will see splotches of green. this is the path that some incredibly audacious person took walking from the sidewalk to our front brick wall in order to steal our two biden/harris election signs. yes. STEAL.
that morning – the saturday that joe biden was declared the new president-elect and kamala harris was declared the new vice-president-elect – someone had the gall to walk into our yard and take the sign out of the middle of the yard. then that person continued walking – right up to our old brick wall – and took our other sign.
now, i have never had election signs in my yard before. ever. but this year was different and, in addition to a couple other social justice signs, i was proud to have “biden/harris” gracing our home. i was looking forward to rolling one of them up for our special box, a remembrance of this turbulent time.
opening the miniblinds and letting the sun in the front windows i immediately saw that the signs were gone.
what was this person thinking?
did he/she think that they could prevent the inevitable? did he/she think that taking our signs would mean that the election results would shift? did he/she think that stealing from someone else’s property would be ok, acceptable, appropriate? that stealing candidate signs is not petty and immature? is that what this current president has taught them? that their angry opinion and their inflated sense of ego and importance would give them permission to steal? that their bullying would actually change anything? that their malfeasance would warp voting results that have everything to do with actually saving the soul of this nation, of democracy? that stealing signs would stop any new-day-for-america change of this nation toward equality and hope, a trajectory so needed for so long? that they don’t think crybaby tantrums and an obvious desire for retribution undermine the (supposed) value set they proclaim? did it occur to this person that we might have a security camera on the front yard? did it occur to them it is a misdemeanor? did they think that their whiny, pouting, coddled leader himself, all the way from his time-out corner in the white house, would pay their legal fines?
it is apparent that we were not the only target of this infantile and illegal behavior. many other biden/harris signs were gone from yards we had smiled at while passing and the bigger wooden signs that had been erected were pushed over. yes, now there is a display of puerile behavior. to have followed this/these person(s) around our neighborhood, triumphantly snatching signage out of the ground, would be to witness the asinine.
maybe the next time they steal something from someone they’ll smile and wave. candid cameras can be ruthless these days.
oh. and by the way, stealing our signs did not change the results. your guy lost.
“sometimes beauty is that unpredictable; a threshold we had never noticed opens, mystery comes alive around us and we realize how the earth is full of concealed beauty.” (john o’donohue)
a simple errand. we needed to pick up some furniture to transport in big red for a friend. destination: ikea.
there is something magical about ikea. we hadn’t been there in ages and were relieved to find few people there and everyone masked properly. vowing to hopefully come back soon and browse a bit, we pulled the boxes off the shelves on our pick list. pushing our cart to the front checkout lines, david, more than once, had to re-focus me away from the enormous displays of product. iphone in hand, we wove our way through the covid-floor-circles-disney-style line, waiting our turn at the cash register.
every where i looked, we were surrounded by interesting color, repeated pattern, textures that begged to be touched. david, more than once, softly called my name from the other side of the pushcart, gently spurring me out of the threshold-of-alive-mystery-of-concealed-beauty, snapping pictures with inordinate joy. “k-dot,” he would quietly prod.
the spatulas called my name too, repeating patterns of red-mama-dear-lips making me smile. spatulas are usually not mysterious creatures, but their color, design, stacking lures you out of ordinariness, opening that threshold, the place for glitter to be seen.
it wasn’t just the spatulas, though. i was victim to the lint rollers, the stainless steel utensil holders, the cork trivets. hidden beauty everywhere. i could feel my sweet momma and poppo cheering me on; they were likewise entranced by ikea.
if safety allows, we will return. there are a few small things on my own pick list i’d like to consider purchasing. but mostly, i just want to wander the aisles with my camera, noticing the unpredictable beauty.
yes, not a bad way to spend any day. noticing the unpredictable beauty.
reverse threading 