reverse threading

the path back is the path forward


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snack-time! [saturday morning smack-dab.]

there are many days that we are a bit anxious for snack-time. we work on projects and check the clock, clean the house and check the clock, feed dogdog and check the clock. happy hour is a must and snack-time accompanies it. much like toddlers, we love snack-time.

right now i am thinking that late july chips might want to sponsor smack-dab, as we are dedicated to their organic, non-GMO, gluten-free, dairy-free, soy-free, chia, quinoa, millet, amaranth and flax tortilla chips. with hummus, with salsa, in chorus with kalamata olives or maybe those tiny sweet pickles or even pickled beets that make me think of my sweet momma. there is nothing like a circa 1940s cut-glass crystal bowl filled to the rim with chips and a couple of wine glasses with our tried-and-true apothic red blend or bogle’s old vine zin. (more sponsors! we are not proud.)

there are moments – mostly the ones when i look in the mirror – when i wonder if we are eating too many chips. one has to ponder who really sticks to the serving size. i suppose a little will power would go a long way.

but i’m thinking that the up-north gang and jen and brad and 20 would all poo-poo that. “who needs will power?” they’d all say. “happy-hour-snack-time is non-negotiable!”

nevertheless, excused or guilty, we have a way of justifying snack-time. we figure at least we aren’t gorging on hostess cupcakes – you know, the chocolate ones with white filling and chocolate frosting on top with a little white swirly. at least these tortilla chips are contributing to our good health.

or not.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ kerrianddavid.com


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artists and bootstraps. [two artists tuesday]

the bootstraps are getting a good workout.

the flutter in my heart, my racing pulse, uneven breathing.

i tug at the bootstraps.

i don’t have a choice.

i am an artist. bootstraps come with the job. they are inherent. they are undeniable. they are a burden. they are a release. they are imperative.

we cannot hide from the here and now. we cannot hide from the truth, be it light and airy, be it ugly and heavy. we speak to now; we help provide access to truth, to raw emotion, to the basic fundamental sameness – and yet individuality – of humans. to where the rubber meets the road.

we pull up the bootstraps and take a deep breath.

we dive in.

“just when you thought it was safe to go back in the water,” the infamous tagline from the box office movie hit “jaws”. we are shocked by the cold water, the lurking sharks, a symbiotic ocean with underlying danger. we muster on.

the art, the music, the prose, the poetry, the dance gently ease us all into a place of rest, of reassurance. the art, the music, the prose, the poetry, the dance prod us all out of a place of mediocrity, past complacency, past laissez-faire. the art, the music, the prose, the poetry, the dance urge us into thought, into action, revitalize our fire. this is the job of an artist.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the curtains part. i walk to the apron, bow my gratitude, take the bench. hands on the keys, boom mic inches from me, i begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. pace. glance in the mirror. look at my notes and the score in my hands. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. the musicians take their places. i walk to the front, sweep across the singers and accompanying instrumentalists with eye contact, appreciation and love, stand in front of the piano. hands on the keys, all at the ready, we begin to speak.

i take a breath. try to slow my pulse. feel the slight flutter in my heart. take another deep breath. i re-tie my boots. i pace. i glance in the mirror. look at my notes. say a quiet prayer. breathe. shift from one foot to the other. breathe. my pulse runs faster. i stand in my boots. i walk to the front, bow my gratitude, nod to the empty bench. hands trembling, no microphone, i am escorted out the exit.

i pull up my bootstraps.

read DAVID’s thoughts this TWO ARTISTS TUESDAY