reverse threading

the path back is the path forward


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our sturdy old tree. [kerri’s blog on merely-a-thought monday]

at approximately 3:48 last wednesday afternoon, in the first mighty gust of the storm, the great soul – the great tree – in our front yard – for decades and decades and decades – fell. and nothing was the same.

this sturdy old tree was wise beyond its years, withstanding all manner of weather-fury, all seasons of plenty and not-enough.

this sturdy old tree – magnificent, its canopy shading our lawn, its spirit encircling our home and family – stood vigil out in front, a talisman of protection and a peaceful adapter to the change of winter to spring, of autumn to winter, each time, bending to the rules – or whims – of nature…for at least seventy-five years.

this sturdy old tree – was what i looked at from the nursery while rocking babies, looking out the window. it marked the passage of time as my babies grew, early morning light in its leaves, the sun setting through its crown, its winter-nakedness to its verdant maple-leaf splendor, its yellow glow in fall, the way snow lay on its strong branches, its promise in early spring.

this sturdy old tree – was what i looked at from my bench in my studio, sitting at my piano composing, lyricizing, practicing. it gave me breath and reminded me to place rests in the music, to give others breath, time to process, to take in, to feel. i stared at this tree out the window from that spot, standing still or sitting quietly, pondering what had been, what was, what might be. it was a touchstone of consistency, of continuity, of the timeline that goes back and forward, dynamic.

this sturdy old tree greeted us as we came down our road, as we turned the corner. it offered shelter and filtered sunlight, framed the moon and the stars and planets, played with color at dusk. it elicited our appreciation for yet another homecoming. it was the monument, the lighthouse, the trailmarker that said “home”.

this sturdy old tree – wizened – was that which i advocated for, in times of electric-wire-branch-trimming, in times of water main work, in times of road construction, in times of other injuries it withstood.

i whispered words of – truly loving – gratitude to it, “you did nothing wrong. you did everything right,” as they began to tend to the-cleaning-up after the wind had wreaked havoc upon it. with more extreme storms coming – and a heavily one-sided bit of our beloved tree left – i knew that it was its time. and it was hard to watch, this family member which had preceded me, which had lived here the whole time i have, which had seen much life in that bit of yard at this house on this street. we were fortunate that it was our tree and we loved it for being our tree.

it feels like a marker in time to have felt and heard this great tree fall. to see its brokenness. its soul continues on with us; we need that wisdom and resilience, especially now. we need its tenacity as it aged, especially now. we need its stalwart goodness, its dedication to being the best tree it could be, especially now.

our big, sturdy old tree lives on. it will always be one of the great trees because of its great soul.

and – after its decades and decades and decades of time as a tree on this good earth – in the bowing of its beautiful canopy of leaves, its hefty rough-barked branches, its branches that curved outward with a bowl in the center of the trunk where creatures could rest and shelf fungus could excel, it reminds us of something:

there is no great anything without a great soul.

“and when great souls die/after a period peace blooms,/slowly and always/irregularly. spaces fill/with a kind of/soothing electric vibration./our senses, restored, never/to be the same, whisper to us./they existed. they existed. /we can be. be and be/better. for they existed.” (maya angelou)

*****

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daisy-path-ing. [kerri’s blog on not-so-flawed wednesday]

we took off our sunhats. it was a hot day and we had been gardening for hours. the purchased plants had been potted, all the transplanting in the yard was done. it was that golden hour after all the work and before making dinner. we poured a bit of cool pinot grigio, took a tour around the yard and then settled into our adirondack chairs in the shady corner of our deck to gaze out at the yard – one of our favorite pastimes now.

the daisy path – as d has aptly named it – is slower. it doesn’t require the striding or racing around of earlier years. it is a – rather, The – sweet phase and we are trying our best to hone it. we never expect to perfect it, so we are doing everything we can to appreciate it, be grateful for it, honor it.

every night last week we sat on our patio or on our deck, just sitting. at the end of the day – after having dinner al fresco – we – truly – just sat.

and we talked. about anything, everything, nothing.

earlier in the day – on one of the days – i got ready to plant one last sweet potato vine. d had spray-painted a plastic pot and it was ready for the transplant and to be hung on the old ladder in the corner of the deck.

d asked me if he could get me a chair – as i have found that placing a chair on the patio next to the raised deck makes planting easier on my back. i thanked him and said that i was only planting this one pot.

but then i was struck by how generous this offer was. for in the middle of everything he was doing, he was concerned that it might be easier for me if i had a chair – as i had used while potting other days – and he was going to drop everything to go get me one if i wanted or needed it.

and so, it was then – one of those rare moments you remember – not because you don’t appreciate each other all the time, but because sometimes a very intentional wave of gratitude is easy for your brain to snapshot into your memory.

i walked over to where he was weeding the cracks in the patio and bent down. wrapping my arms around him, i told him how much his kindness meant to me. it wasn’t even a few seconds and dogga was there, right in the middle of our embrace, pushing his head up into the armwrap hug, his face even with ours, in the middle of so much love.

i whispered to d, “memorize it.”

of course.

we three stayed that way for at least a full minute, which is a long time for a busy aussie. it was a magical minute. definitely daisy-path stuff.

our old dogga stuck close for a bit more, to get kisses and pets and butt-butts. he didn’t see the tears welling up in our eyes as we committed it all to visual and visceral memory.

d went back to weeding and i potted the sweet potato vine and hung it on the ladder.

it seemed right that this sweet potato would keep vigil over our little corner on our deck. my sweet momma’s words, “live life, my sweet potato,” ring in my ears.

sweet potatoes and the daisy path. sunhats and glasses of wine, a checkered tablecloth and adirondack chairs. our dogga and a sanctuary of peace. love and gratitude.

the sweet phase, indeed.

*****

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enchanting. [kerri’s blog on k.s. friday]

we’ve gotten a few plants now. a couple sweet potato vines, a couple licorice plants. we also have our basil, chives, parsley, cilantro, jalapeños, cherry tomatoes and lavender. in the last few days we transplanted them into clay pots for our potting stand or their new home on our deck or patio.

our first day at the nursery was completely about reconnaissance. the second – at a different nursery – was to be wowed and make a few purchases…four to be exact. we were directly behind someone who had ridiculously-loaded carts of plants and flowers, along with a ridiculously-loaded price tag. we were just as excited as she was, only our joy was about our four plants, not a multitude. there is a reality to budgeting and we try to plan our purchases wisely, particularly in these times.

our third day out was crowded with people, the nursery was messy and the plants were picked over, but we still managed to find some herbs and tomatoes, lavender, salvia and sweet purple flowers whose name escapes me. our fourth day we filled in the gaps. the nursery had resupplied and we picked up the mint, jalapeños, and little white with purple flowers to contrast with the purples we had already gotten.

d lined up all the pots and planters on the patio and i took out my gloves from the old cabinet we had placed on the deck. and then it started.

from individual elements – these small (though not inexpensive) plastic pots of baby plants – turning into our own backyard sanctuary, filled with potential of beautiful flowers and edible produce. exquisite. each morning we look out the window – in the earliest morning light – to see these new residents of our home. each morning they are enchanting.

one day – over a century ago – all the pieces of barney were put together into an upright piano. where he went from there is unknown, but we found him in the church’s basement boiler room, not exactly a prime location for this musicmaking instrument.

after we managed to have him delivered to our backyard instead of to the junkman, we were thrilled with his presence. his aging might have been preserved by some marine wax, but we chose to go organic with barney. he’s way more of a granola piano than a botox piano.

through the years we have now had him, he has become more and more gorgeous, more and more a part of our backyard, offering shelter to the wee critters, a landing pad for those who fly or scamper. barney’s higher-purpose presence is grounding and part of the peace we feel when we step out our back door.

it’s hard to believe that it is almost june again. already. summer is at the edges.

the last two nights we have had dinner outside on the deck. as the sun just begins to slightly wane – to fall off into acute angles with the horizon – we sit and chat while the garden lights reflect in the pond. we wait for hummingbirds to zoom to our feeder. we watch breck quake in the breeze, marvel at the play of birds and squirrels, adore our dogga laying on the deck in the shade. it is all enchanting.

as the dark begins to settle into the alcoves of our yard – the ferns breathe deeply, the peonies stretch – we yawn and make our way inside. as we settle in under our quilt we talk about our day. we talk about the delights of new plants, marvel at the perennials we are astounded to see again. we are grateful for plastic adirondack chairs, a tiny bistro set, two old gravity chairs and a couple round rugs – the trappings of our deck – a place we truly find enchanting.

as it turns out, we don’t require much to be enchanted.

*****

GRATEFUL © 2004 kerri sherwood

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setting seed. [kerri’s blog on k.s. friday]

tiny parachutes – white filament – catch the breeze and lift the seeds – about 200 of them or so – from their home – the head of the dandelion – scattering them about in the world. the dandelion plant is left behind to generate a new flower head, more seeds, more parachutes. it is not singularly connected to any of these. its job is to simply be prolific, to produce more flowers and, thus, more seeds which will germinate more plants. and the beat goes on.

i would not be a good dandelion. i could not be so disconnected, so cool-y aloof. it is not in my nature to let go so easily, to ride on the wings of apathy. my children could tell you differently. my thready connection with them hangs on, even with all their efforts at asserting their independence. my thready connection – sans parachute – will never cease. motherhood – as i experience it – is like that.

fistful of dandelions is now kind of an old song – recorded in 1999 – which is 27 years ago. i hesitated a moment before i sent it to a newer friend – someone who i doubted had ever heard any of my music. i wasn’t sure if it was the best song to send her way, since it is only the second vocal recorded professionally in the second phase of my artistry – the phase that started in 1995. i know – in my library – there are better-sung songs, better-sounding songs, better-written lyrics, better-performed tracks.

i sent it to her anyway.

because i have found that this song speaks to moms and she is a mom. because it was more raw – desperately honest – an earlier piece sort of buried on an instrumental album, whereas other vocals are more readily accessible, easier to peruse if you wish. because – maybe, hopefully, we’ll see if possibly – someday i may record others and, just as time keeps moving on, so does style and relatability and such.

and so i sent it to her.

i haven’t heard anything back, which is always a tad bit disconcerting for an artist – any artist. we all know that it is how a piece of music, of art, of writing hits another that gives it life, gives it lift, sets its parachutes in motion so that it might float and swing on a breeze, setting seed in yet another place, with other people, new gardens to receive it.

i bent way down on the trail to capture this particular dandelion. its job was not yet done – there were more seeds, more parachutes; there is more possibility.

the same is true of my children.

and i will hang back at the flower zone, in the garden, while they fly around the world seeking rich soil in which to experiment and grow, in which to continue to grow their own wings, those stunning kaleidoscope wings of color and texture and challenge and success and brilliant brilliance – those iridescent shimmers – a myriad of sheen – though invisible to the naked eye.

and i will be astounded.

“…it overwhelms me what i feel, this heart outside of mine/is walking in another person, in another life…”

*****

happy mother’s day.

*****

FISTFUL OF DANDELIONS ©1999 kerri sherwood

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every ounce. [kerri’s blog on d.r. thursday]

we have a relationship with mason jars. ball, kerr, various other brands, it doesn’t matter. we even have a relationship with faux mason jars – the smuckers jelly jars that we used to use for wine, the bonne maman jam jars we currently use as water glasses.

at our wedding we had dozens of mason jars, daisies tucked into all of them. some were ours and we borrowed some (does that work as something borrowed, something blue…?) because way back when – when i first moved to wisconsin – i got hooked on these jars.

my dear friend linda and i would attend the late 80s/early 90s craft fairs, peruse antique shoppes. her home was a celebration of all-things-vintage and i fell in love with it. there were textures and stories – a distinct warmth – everywhere and buying-vintage became a viable – and smart – option for me. we have several metal flour sifters as a result of that and a collection of old wooden textile mill spools and bobbins (from the 19th and earlier 20th centuries). when other people were buying cutesy painted tchotchkes, i was lusting over old wooden boxes, lidded crates and blue mason jars.

we stopped at a couple antique shoppes recently, looking for a small wooden garden table for a plant or two on our deck. we had purchased one last spring but then d loved it so much outside he brought it inside in the fall to serve as his bedside table. now he is a devotee to this little peeling-paint garden table and we are on the hunt for another.

i don’t suppose many people would have brought this table inside – or the old glider – or the chunks of concrete – or the birdhouse – or the chiminea. but in an effort-that-is-no-effort to have a home that doesn’t look like it’s staged-and-ready-for-sale or is a furniture-outlet showroom or magazine piece, we dive into our intuitive to use the things that really speak to us, that are organic, that have stories. i maintain that everyone should be required to purchase mostly used things – there is just too much stuff in the world and i can’t imagine why we need even more manufactured stuff. but i digress.

in that same vein, though, we have started regularly using the things that we have found in our going-through the basement, the attic, the closets. we are eliminating plastic here and there and choosing the cut-glass vessels for our carrot sticks and salty snacks. we are soon going to reconfigure the stuff in the cabinets under the counter in the kitchen – to make access easier to the old pyrex, the fenton hobnail, the cut-glass.

we have found we have no real need to purchase many things. i’m not sure if that comes with age or if that comes with a bit of wisdom – or if those are one and the same. our inclination is to use what we have, to not save things for “good” (which is particularly difficult for me), to minimize as much as we can.

every now and then we find something that just pokes at us, prodding us to bring it home. there is a raw rough-hewn clay pot from northport, a couple linen napkins from the same boutique. there is a new peace sign button hanging in littlebabyscion. but way more has gone out than come in – donated, sold on marketplace or poshmark. less is most definitely more. especially in these times.

the blue ball jars all lined up at this shoppe made me smile. the proprietor clearly loves organization; everything there was in categories, lined up or gathered for ease of perusing through. we had no impulse to buy anything, but loved our walk through.

because each time we walk an antique shoppe, we have stories to tell – about the stuff of growing-up, about things we have previously owned, about stuff we never had or never wanted, about – well – life.

if you have never taken a walk through any vintage shop, you might consider it.

it’s generative in a way you might not expect, with sudden glimpses into the decades that have past, with moments when your heart surges – focused on a memory, with a wistfulness that reminds you of how fleeting it all is and how very much we need to “wring out every ounce of life, breath by breath, [all] that this world has to offer.” (words from a text from dear friend lisa.)

*****

CHASING BUBBLES mixed media 33.25″ x 48″

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bowing to time. [kerri’s blog on two artists tuesday]

“the white trout lily humbly bows on the forest floor. much like people, though on a different scale, their presence is ephemeral, fleeting. on sunny days, their petals will curl back, up, towards the sun; on shady days these small flowers may not even open. their simple beauty a mystery to the passerby, their faces shyly downward, they fill the underbrush on the side of the trail, dotting the landscape with fragile white blooms. i trust they are not concerned with the impact they make on the world nor do they wonder about their footprints once they are gone. they are simply there – love – dressed in white floral.” (from a post on august 26, 2021)

the tiny trout lily forest – as seen from the ground – stretching on and on, dotting through dry underbrush, the accumulation of fall and winter now giving it up to spring.

the day was stunning…warm, sunny, blue skies. a gift of a day, indeed. it was our first time back on our loop since we arrived home. it was time to process it all and that trail is one of our touchstones for processing. we wandered along the dirt path, talking, being silent, noting how this new season was transforming our woods.

when you travel to or through places where you are not known – where you are a stranger – there is a sense of humility. we immerse in little towns on back roads when we can, finding our way through someone else’s place, through a community of ‘others’ – those in the know about local customs, local gems, local folklore. we are just passersby – soon to be on our way somewhere else.

but we have discovered some of our favorite spots this way. we’ve found places to which we must return some day, places with which we have connected, places that seem magically aligned with us.

discovery is like that. our steps take us past the familiar, into the unknown, the mysterious.

as i got down on my knees to photograph the trout lily forest, i imagined being tiny and walking amongst the lilies. like walking in a city of towering buildings, anonymous to most.

this trail – so familiar – each twist and turn, the spots where we know there will be standing water, the spots where the sun bathes the path, the places where the scent of pine is strong. we are lucky to know this place.

it is not likely that hikers after us will wonder about our footprints. they will be intent on the awakening forest and the swollen river, on their own silence, on their own talktalk.

but we were there.

and – again – i realize we are each just one of the trout lilies in the woods, just as fragile, just as ephemeral, bowing to time.

*****

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beauty on its way. [kerri’s blog on not-so-flawed wednesday]

in what feels like a moment of gardener glory, i suddenly noticed that the peonies are rising. because they are sooo utterly gorgeous, it always feels like great success when they return, when nothing i have done or not done has dissuaded them from coming back. these reddish-maroonish sprouts – full of promise – are growing and, one day down the road, on a warm late spring or early summer day full of sunshine, we will have stunning peonies again. beauty is on its way.

i stumbled onto a social media post with photographs of a variety of women who are now part of the current administration or somehow peripheral to it in a meaningful way. there were before and after pictures. photo shoots of women who had looked, well, like normal women living life, with faces that had faced whatever challenges or successes had come their way to date.

you know, like ours….faces that have grown up with macaroni and cheese, with petticoat junction and gilligan, with phones connected to the wall, with studying into the wee hours of the night and term papers on typewriters, with apartments or houses to decorate and upkeep, with childbirth or the hurdles of adoption, with middle of the night feedings and fevers and teenagers breaking curfews, with illness and recuperation, with job discrimination and grievances, with the loss of our parent or parents, with our bodies ever-changing. faces that have reflected back the tens of thousands of suns we have seen, the tens of thousands of moons we have stared at – wide-awake, the hundreds of thousands of stars we have wished on. faces that have aged through time, every laugh line, every wrinkle, every worry line earned.

the photo essay i saw depicted women who then changed their faces. they erased the laugh lines, the wrinkles, the worry lines, the jowls. they puffed up and exaggerated some version of youth that, in the end, escapes them. they no longer look real. they look plastic, even like the scary dolls you see in antique shoppes. and maybe that’s their point. that feels sad, but seems accurately reflective of the ideology they are choosing to embrace. which makes it even more sad.

because every day we live – we women AND we men – we are gardener glory of the universe. every day we live – we women AND we men – are great successes of endurance, of keeping on, of facing what comes.

and because every day we live – we women AND we men – are beauty on its way.

just as we are.

*****

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my jeans’ genes. [kerri’s blog on k.s. friday]

these aren’t my favorite. i don’t regularly wear my favorite jeans, wanting to keep them “for good”.

but this pair is the runner-up. pretty distressed, these ripped jeans aren’t just a bit frayed. they are downright holey.

ai says that “ripped jeans are best for people with slim or skinny body types”. goodness gracious! i mean, who asked you? i would venture to say that if one wants to wear ripped jeans, one should just wear ripped jeans – without a pretty-little-head thought to whether ai thinks it’s appropriate or not.

i’ve been wearing these for years. decades, actually. some of the time it has been by accident. my jeans just got old and worn. some of the time it has been by design. i’ll never forget – and always cherish – the days at abercrombie with my then-teenage daughter, ferreting out the best ripped jeans on the sale rack.

i have worn ripped jeans to unimportant events and important events, to beautiful places and grocery stores. i have worn ripped jeans on high mountain tops, in midwest meadows, in paris, in the canyonlands. i have worn ripped jeans in recording studios and i wore ripped jeans at my wedding. i have performed on the smallest and biggest of stages wearing ripped jeans.

so, here we are, on my 67th birthday and it is likely i will be wearing my fave ripped jeans to go and do whatever it is we will go and do – unless it is hiking – because, as you know, i have to save my fave jeans “for good”. some other destructed denim will have to do.

there have been moments when i have looked in the mirror and pondered my jeans. (and yes, also, my genes, particularly as they are aging.)

i’ve wondered if mid-sixties was ‘getting there’ – there being a place where ripped, distressed, fraying, holey jeans might be better retired.

and – after some wondering, some pondering and a little bit of googling with downright obnoxious results – like this video narrated by a twenty-something guy – guy! – informing me that “women after 40 should not emphasize imperfections” – i have decided.

just like the amish leave a slipped stitch here and there in their quilts – to allow spirit in – and maybe for the same reason – i will continue to subscribe to the jeans i love to wear. perfection doesn’t exist and each quilt is an expression of beauty-in-that-moment, of artistry, of someone’s very soul, of the chutzpah of spirit. ditto my jeans.

so…if you don’t like my ripped jeans, don’t look at them. they are me and i’m just out here trying to emphasize my imperfections – especially now.

*****

IN A SPLIT SECOND © 2002 kerri sherwood

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momma and peeps. [kerri’s blog on not-so-flawed wednesday]

my sweet momma was at the grocery store the other day.

well, ok, she wasn’t.

but as we turned to walk down the aisle near the candy section – cutting over to the aisle with the green olives we needed for our mediterranean dinner recipe – there she was.

it was a huge display of peeps – those colorful marshmallow chicks and bunnies – i could feel momma’s glee.

this was the very first year i didn’t include junior mints in my grown children’s christmas gifts. the very first year. they didn’t seem to miss them. at all. i, on the other hand, had to deal with the grief of not including this box of mints that i had included in their stockings – in person or shipped to them – for evvver. it was not easy to let these go; my thready heart struggled.

but it explained why – even though i do not like peeps, really at all – every year my sweet momma would send a box in spring and always – always – she would include peeps.

it wasn’t about me.

it was about her – continuing a tradition she had started, a ritual that meant something to her, sharing something that was a precious memory – an unwavering, ceaseless thread – part of family tapestry, even in its obvious inconsequence.

each year when i received the box i enthused to my mom – not because i loved peeps, not because i even understood at that point. but because i loved my mom and i loved that she thought about me enough to pick out whatever color – or shape – peep she wanted for me and then she set about sending it. that was the part that counted. even though i didn’t really know the part that counted. until much later.

so turning the aisle while heading for the olives i stopped abruptly…so abruptly d plowed into me. i pointed at the big display and we both laughed.

and i blew a kiss to my mom who i knew was right there – on the other side of this plane of existence – blowing a kiss back.

*****

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zig choices. [kerri’s blog on not-so-flawed wednesday]

“because of some strange little voice inside, i zigged where i was expected to zag…”(anna quindlen)

aging is a funny thing. you come screeching to a halt at this place – a kind of dr. seuss waiting place – and you have the chance to make some decisions. which way do you go now? what route do you take? where are you headed?

or maybe you come screeching to a halt – having been on this one solid path – to a place – a kind of dr. seuss waiting place – and you linger there, looking around, out of breath and a little bit tired. in front of you, choices fan out, beckoning you. you sit down, in the lazy boy of havinggottenthere and you ponder, panting, exhausted.

for, all of a sudden, you don’t feel compelled to drive forward on one straight line. you are suddenly empowered by the realization that none of it – and all of it – counts. you have begun to realize that the dust you will leave behind will not be measured by accomplishment. it, likely, won’t even be remembered by accomplishment. for those things dim and boxes of those remain in the basement, ready for some thrift store or antique shoppe. mementos have gathered dust and certificates have faded on office walls. the hills you climbed, the battles you waged, they have evanesced. the trophies, the medals, the awards, the stock options – all so greatly valued at one time – have lost their lustre.

so you take stock. your havinggottenthere lazy boy slowly rocks while you stare ahead and think about what path might “align with your purpose, peace and trust in the future” (the “best path” as defined by google).

and something is itching inside you to go rogue, to take a path no one expects, to zig where they expect you to zag.

and, as it appears on the twiggy hogweed map, you can always backtrack back to the waiting place – to re-evaluate, to rest, to try something else on for size.

there is a freedom to this aging thing. (granted, there would be more of a freedom if there was not chaos.)

this freedom to explore without expectation, to try without any measure of succeeding, to grab onto more experiences – but without preconceived notions, to discard the safe path and embrace a bit of fear, to muse-work and branch-out or sit-and-stare with abandon.

there is a freedom knowing that as much as one matters, our tiny existence is yet tiny. and what we feel at dawn as we breathe in early spring-like air or listen to birds collecting at the feeder or pull up the covers for just a little longer – all that matters.

there are moments i am stunned by the ability to feel. physically. emotionally. the ability to FEEL. it’s shocking. i recognize that there have been days – maybe even weeks or months or years – when i paid little to no heed to being able to feel. lost in the mayhem of everylittlethingthatmustgetdone i missed it. we have all been racing to finish.

and yet, here we are – in this time of utter chaos – where everything seems upside down, corruption is rampant, the country is flailing while its leaders violently push it backwards, isolate it, make it a pariah – and THIS happens to be our time.

we feel bits of wisdom pop up evvvvvery now and again, evvvvvvery here and there, through fallowed earth like snowdrops or crocuses desperate to emerge. we stand up. we speak up. we speak out. we cuss. we bellylaugh. we rail. we inhale, another deep breath.

we are feeling. we are making time to feel.

we are considering our zigs.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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