our out-of-town guest had never been here before. not to our state, not to our town, not to the shores of lake michigan, not to our home.
staying at the local hotel right on the harbor channel, she sent photographs right after arriving, stunned by how beautiful it was. she repeatedly expressed this – along the lakefront, on the channel, by the rocks, in the gardens, in our neighborhood, in our old house, on our patio.
through her eyes we saw Home.
this week i passed through my 37th anniversary of living in our old house. more than half my entire life, it’s longer than i’ve lived anywhere else.
sometimes – no matter where you live – you stop seeing it…really seeing it.
and you get caught up in every everything else.
and you miss the sweet creak of the floors, the breeze off the lake, summer sunlight streaming in all the windows, the fresh basil in ball jars in the kitchen, the dogga-holes in the backyard, the giant pots filled with flowers in the parks, people out sidewalk-walking together, the birds lined up for grape jelly, sunset’s eastern sky over the water, the sound of children giggling in the surf at the beach or an amplified live band drifting over from by the harbor.
it might benefit each of us – even for just a few minutes – to just follow the advice of this chalk artist:
after the fourth was over, i watched a video of the fireworks display in glenview, illinois – just down the road a-piece. by the time darkness had fallen, glenview was socked-in by fog. it looked like hundreds, if not thousands, of people had gathered, on chairs and blankets, ready for the show.
this is much like our town – our fireworks displays are held on the lakefront, over the water. there are crowds of people, gathered on bag chairs and blankets and beach towels. for the size of our city, the display – sponsored by the local grocery store – is actually amazing. though we haven’t attended the last two years, i know that it is well-done, well-timed, well-managed and safer than those people who are setting off ridiculously large fireworks – overkill, really – in backyards with houses all around.
glenview was ready for theirs on the fourth. and, as the instagram video started, there was nothing to see. until suddenly, the foggy sky lit up in waves of orange and green and then red and then pink – much like heat lightning or aurora borealis. people began to laugh and ask where the fireworks were. the fog had taken its toll on the actual display and wasn’t letting go. had it lifted during the program of pyrotechnics, i’m sure it would have revealed beautiful sparkling sparks, clear trajectories of color, a stunning show. it appears it never lifted.
it seems that the fireworks in the nation’s capitol had a, well, similar problem. in a predictable effort to havethemostfireworksever, it appears that whatever company administered the fireworks very, very late on the fourth did not write a thoughtful show, did not reasonably time them, did not take into account rests inbetween the notes. instead, the longer the display went on – a display that was only designed to be thebiggestandthebest – the more smoke filled the air until the fireworks were no longer visible but for the smoke that had overtaken them. a fog of smoke caused by a fog of arrogant pretentiousness or poor planning or ignorant superiority or just plain incompetence. it’s not a surprise.
fog is one thing, but lacking capacity to properly time a fireworks display is completely another thing. wasteful. it should be embarrassing.
in a perfect parallel of themes, i wonder when the contrived-fog that has distorted the actual capacity to think for those cheering on this current administration might lift. when those who are sycophants, those complicit, those perhaps just-too-stupid-to-care might start to see things clearly. i wonder – if they ever do see things clearly – when they might actually do something about it…push back, speak up, put down the bigotry that blinds them.
i wonder if it will be too late. so much will have been wasted. so much will have lifted into thin air – behind the fog of this unconscionably destructive administration, gone, decimated, replaced – our democracy in tatters.
there were many comments on the glenview fireworks post. some people complained that they shouldn’t have gone. some people found humor in the natural circumstance of weather wreaking havoc on their fun. some people expressed they didn’t know what they were missing for they hadn’t been to the fireworks display before. it was all perfectly innocent. no one purposely interfered with their fireworks or destroyed their event.
what will socked-in people say when they come out of the fog of complicity and cultish-reverence and realize what is gone in this country isn’t natural, isn’t funny and, for sure, isn’t innocent? will they realize how a very purposeful intention set about to destroy their nation?
and the sailboat – in a bit of misty lake fog – sails on. and we sit in a country wasting away. it’s embarrassing.
wearing a traditional scandinavian jumper, i danced around the maypole. holding a ribbon tethered to the pole, i danced to and fro with other young girls also holding ribbons. it was an ancient spring festival – at an arboretum on the island – and my sweet momma happily got us involved in taking part in it.
may day – the first of may. it seems impossible that we are already at may. time has a way of zipping by while at the same time taking-its-sweet-time. langsam – slowww – one of the few german words i remember from six years of studying the language.
but the return of spring it is and we are both grateful for it, despite its exceedingly stormy arrival.
we wake in the morning even earlier now, the sun streams in on our quilt, the breeze through the open window. everything is greening…gorgeous new-green crayon tones against easter-egg blue sky…tiny buds bursting into leaves, stalks of peonies growing taller before our eyes. the aspen is filling out, the ferns are unfurling, the daylilies are daylilly-ing – they require no help whatsoever.
and the birds and squirrels and raccoons are taking full advantage of our zeal to keep the feeders full. they linger on the top of barney, on the top of the potting stand. they gather in the pine tree next to the birdbath, waiting turns at the water.
and we can hear the call of the cardinals – beautiful song punctuated by sharp chirps. they stick around during the winter; their presence is always reassuring…a sign from the universe reminding me that my sweet momma and poppo are nearby, just on the other side, having slipped from this dimension to the next.
we’ve sat on the back patio a few times now, on the back deck in the sun. we’ve watched these creatures of our yard, narrating for them as they move about. wanting a photo of the cardinal at the birdbath, perched on its side, getting a drink, i grabbed my phone. but i was, regretfully, too late and he took off as i snapped the picture.
it wasn’t until much later – hours, really – as i looked at my photos of the day when i saw this photograph, the cardinal taking off, flying away from the birdbath.
so much better than a static perch photo, the cardinal taking flight – its may dance – its own celebration of the arrival of spring, of renewal, of new life.
we sit in our adirondack chairs and plot out our spring. we talk of our gardens, of an annual flower or two we might choose, of the herbs and vegetables we will grow on our barnwood stand.
it is hard not to feel passion for our very earth watching it come back alive all around us. it is impossible not to take deep, cleansing breaths, to turn our faces to the sun. it is time – for all good things – to dance around the maypole, to take flight.
“a ship in the harbor is safe, but that’s not what ships are built for.” (john a. shedd)
i daresay that any artist understands this. there is no pursuit of artistry without the taking of risks, the exposure of vulnerability, the stepping out of one’s comfort zone. our job – as artists – is to seek growth, to encourage growth, to open up vast space of potential instead of squeezing complacency.
our trip back reminded me of this. the sailboats, the cruisers, even the skiffs in the harbor are protected…from the challenges of the elements and any stormy surf. but these boats will not stay in the harbor. people will take them out on the sound, perhaps around the island to where the sound and the atlantic meet, perhaps further into the ocean. they will explore and adventure; they’ll follow a star they alone can see.
we followed the star here. this is my chance to reclaim it all, to find the 19 year-old i lost, to hold her and assure her that she is now safe and that i have taken on that which attempted to squelch her forever. ships weren’t built to stay in harbors.
i have found my way home – intentionally. and in that finding, i have found her. and in that finding, i hope that the so-many-years lost will come rushing forward – music in every star i can see, in every star i can capture.
and the ships in the harbor will bear wings and, all together – with me at the helm – will sail into next.
these aren’t my favorite. i don’t regularly wear my favorite jeans, wanting to keep them “for good”.
but this pair is the runner-up. pretty distressed, these ripped jeans aren’t just a bit frayed. they are downright holey.
ai says that “ripped jeans are best for people with slim or skinny body types”. goodness gracious! i mean, who asked you? i would venture to say that if one wants to wear ripped jeans, one should just wear ripped jeans – without a pretty-little-head thought to whether ai thinks it’s appropriate or not.
i’ve been wearing these for years. decades, actually. some of the time it has been by accident. my jeans just got old and worn. some of the time it has been by design. i’ll never forget – and always cherish – the days at abercrombie with my then-teenage daughter, ferreting out the best ripped jeans on the sale rack.
i have worn ripped jeans to unimportant events and important events, to beautiful places and grocery stores. i have worn ripped jeans on high mountain tops, in midwest meadows, in paris, in the canyonlands. i have worn ripped jeans in recording studios and i wore ripped jeans at my wedding. i have performed on the smallest and biggest of stages wearing ripped jeans.
so, here we are, on my 67th birthday and it is likely i will be wearing my fave ripped jeans to go and do whatever it is we will go and do – unless it is hiking – because, as you know, i have to save my fave jeans “for good”. some other destructed denim will have to do.
there have been moments when i have looked in the mirror and pondered my jeans. (and yes, also, my genes, particularly as they are aging.)
i’ve wondered if mid-sixties was ‘getting there’ – there being a place where ripped, distressed, fraying, holey jeans might be better retired.
and – after some wondering, some pondering and a little bit of googling with downright obnoxious results – like this video narrated by a twenty-something guy – guy! – informing me that “women after 40 should not emphasize imperfections” – i have decided.
just like the amish leave a slipped stitch here and there in their quilts – to allow spirit in – and maybe for the same reason – i will continue to subscribe to the jeans i love to wear. perfection doesn’t exist and each quilt is an expression of beauty-in-that-moment, of artistry, of someone’s very soul, of the chutzpah of spirit. ditto my jeans.
so…if you don’t like my ripped jeans, don’t look at them. they are me and i’m just out here trying to emphasize my imperfections – especially now.
in my son’s first year at lawrence university, i had the joy of visiting the campus fairly often. one of those times there was a comedian on campus and, along with a group of his friends, i went to her show.
it was fall 2011. tig notaro was about 40 then – though she looked way younger. i was 52 or so, not a heck of a lot older. following her bright career for a bit, it was difficult to see her deal with complicated and dangerous medical issues, the abrupt death of her mother, breast cancer, a double mastectomy, relationship breakup.
hundreds – maybe thousands – of shows in the growth of her success later, we watched her on anderson cooper’s – stunning – grief podcast “all there is”.
we stumbled upon this just a few nights ago – after you-tube-ing the news until we could no longer take any more in. anderson was visiting with ken burns and the show was titled, “the half-life of grief is endless“. there is nothing like an honest, open conversation about mortality and loss to draw you in. i repeated the words aloud: “the half-life of grief is endless” before realizing that quote had been – aptly – chosen as the title of that episode.
it feels true – in my opinion. the half-life of grief IS endless. and in that space we inhabit – that space that loss always shields with an impermeable membrane – we find so much meaning, so much life, so much right-now.
though well-acquainted with loss of dear people around her, tig spoke specifically of the loss of her friend, poet andrea gibson. she described the feeling of andrea nearby her. she read bits of her poetry. anderson cried. i cried. i think d cried too.
i never could understand how – when my big brother died – the world could just go on. i wasn’t a child. i was 33 and pregnant with my second child. but i still couldn’t grok it, even as i had lost others in my life, even as I could cognitively understand it. it was a gut-punch, yet i could feel him – wayne – nearby. i could sense his humor, his brilliant mind.
in the love letter that andrea wrote to their fiancée, they wrote “dying is the opposite of leaving…” and in the same, their words, “ask me the altitude of heaven and i will answer ‘how tall are you?'”
i cannot hike in the woods without stopping. there is so much to take in, so much for which to gently hold space, so much to be grateful for. just to see it all…washes over all the grief and enlivens all the grief. both.
and then there is this: “every falling leaf is a tiny kite with a string too small to see, held by the part of me in charge of making beauty out of grief.” (andrea gibson)
“each of us is in truth an idea of the great gull, an unlimited idea of freedom,” jonathan would say in the evenings on the beach, “and precision flying is a step toward expressing our real nature. everything that limits us we have to put aside.” (jonathan livingston seagull – richard bach)
as this new school year begins i think of all the teachers and mentors i have known – those who were my teachers, my professors, my mentors, those who taught my children, friends who have been teachers, my own time spent as a teacher, instructor, director. immensely different stories, all over the spectrum.
the common denominator – to empower others to push themselves without limits, to reach their own potential, to become the best version of themselves, to fly. jonathan’s imperative.
growing up on long island meant – in the sheer sense of the word island – that i was surrounded by water. i spent a great deal of time by that water, particularly when i was able to get myself there – by bike or my little vw. i was always enchanted with the seagulls that lined our coastline, seagulls swooping and diving and soaring. the book jonathan livingston seagull was a treasured possession, kept close on the little bookshelf next to my bed. my paperback copy is waterstained and priced at only $1.50, evidence of its long tenure in my life.
even back then – on a beach towel at crab meadow beach in the mid 1970s – it was clear that the search for a life of purpose and excellence meant, also, a life of self-discovery and risk-taking. but susan polis schutz’s words “let us dance in the sun wearing wild flowers in our hair” rang for me as joyful north stars.
and so i watched and studied seagulls flying in community, flying alone. i walked the beach together with others and alone. i studied poetry with others and wrote in my tree alone. i sat on spotlit piano benches with a boom mic on old wooden stages together with others and alone.
my son recently wrote some vulnerable words. his post ended with, “…stick with it no matter what. tell your story.”
were jonathan livingston seagull around, he’d nod and think of an elder seagull’s words to him, “you will begin to touch heaven, jonathan, in the moment that you touch perfect speed. and that isn’t flying a thousand miles an hour, or a million, or flying at the speed of light. because any number is a limit, and perfection doesn’t have limits. perfect speed, my son, is being there.”
i paged through my old book. and went back to the title pages.
there in pencil i had written one of the lines i quoted above:
on this part of our walk in the ‘hood, our shadows precede us. we follow them east down the sidewalk, never quite catching up. and, just as suddenly as they appeared, they disappear – as we turn a corner and head for home.
i, laughing aloud, wish for the long, skinny legs of my shadow. though we clearly can’t see our expressions in our shadow photograph, we both smile as i take a picture. it reminds me of times of confusion in my life when it was difficult to sort out the emotions of the time – and i smiled anyway.
when i was in junior high we were assigned the task of choosing an old radio show, writing a new script and recording the show onto cassette tape. my group chose “the shadow”. “who knows what evil lurks in the hearts of man? the shadow knows.” i don’t remember the script we wrote or the storyline we chose, but i do remember the commercial we made. it was about a product that could clean anything – from brushing your teeth to heavy grunge cleaning – the same product.
i am aware of shadow work – the shadow – the place where unprocessed trauma is found, where pain is stored, where we somehow try to protect ourselves. the work to help recognize what has become unconsciously present in our lives. it would seem important for all of us to have an opportunity for the quiet time to step into our shadow – the place that knows. because we are human, there are always places in our heart to heal.
in the meanwhile and here in the sweet phase, we walk arm in arm around the block a few steps behind our shadows. we binge on happy moments and hoard them for trying times, sad times, confusing times, times when our shadow tilts its head and asks us to feel something else.
we carry the wisdom of time we have already spent living. there’s a knowledge we gain as we experience the blisses and the traumas of this life. and smiling – even in the shadow times – stokes the fire, keeps the pilot light on, reminds us of the here and now and the evanescence of it all.
we have a front seat to the meadow. each time we hike, we are witness to the lace and humbled by powerful nature, its resilience and rejuvenation.
the lace is tightly wound in the spring, fresh, straining to burst. we watch it as it then gently opens to the sun. we watch it embrace full sky. we watch it as it folds in on itself in the fall, storing energy. we watch it as it releases seeds for next.
the lace is transcendent. it does not push back against this progress. it somehow knows that moving through phases are, indeed, all part of the journey. and nature’s lessons are clear. life is not linear. there are cycles. there is next. there is much interdependence in the meadow to sustain all life there.
and through it all, the lace is empowered. to trust the process, to keep going, to stand strong, to gracefully be open, to share in the synergy of all – all the wildflowers, all the underbrush, all the weeds, all the trees, all the insects, all the wildlife – in the meadow. to survive.
friends of ours asked if we had cicadas yet. they live a short distance away in illinois and their friends – in another close-by illinois town – have so many cicadas that they cannot sleep at night. we haven’t heard a one. at least not yet.
instead, our nights are quiet. we can hear the gurgle of our pond, maybe a little wind. seems about right for the sweet phase.
dogga wakes us early – this morning his first attempt was at 5 – jumping on the bed for pets and snuggles, he encourages us to get up and put the coffee on. but in those exquisite minutes between slumber and plugging in the cuisinart we can hear the birds greeting the morning, the spoon stirring in a mug through our dear west neighbors’ kitchen window, the quiet strains of symphony as the sun streams in through the window and spills onto our quilt. it’s a tender beginning to a day.
last night was warm – we sat out late after we ate dinner on the deck. sans air conditioning it was warm when we went to sleep. i woke up numerous times through the night…always trying hard not to start thinking – because once i go down that road – the thinking road – i have no real chance at going back to sleep. nevertheless, i went there.
it seems – most times – when you end up on the thinking road it is on autopilot, as if you have no ability to steer. last night, though, i tried to stay in control of the steering wheel. and each time my mind wanted to veer off and ruminate over something else, something of concern, i tried to gently bring it back to my breathing, to the sounds of quiet night, to the feeling of d laying next to me, to the gentle snores of dogga.
i’m pretty sure the cicadas will arrive. i hope so. i don’t know if they will be so loud that i cannot sleep. i’m not too worried. there are plenty of other reasons i don’t sleep. and i have actually been a cicada fan my whole life – i love the summer night sounds of crickets and cicadas and miss those when they disappear in the fall. i try to memorize the sound – until the next season of them. i find both reassuring and pointedly centering – “you are in summer,” they seem to say, “relish it.”
the sweet phase. it’s begun. every day. every night. we are fortunate, no matter what. because we are here. period. this is the time to remember that.
reverse threading 