“a ship in the harbor is safe, but that’s not what ships are built for.” (john a. shedd)
i daresay that any artist understands this. there is no pursuit of artistry without the taking of risks, the exposure of vulnerability, the stepping out of one’s comfort zone. our job – as artists – is to seek growth, to encourage growth, to open up vast space of potential instead of squeezing complacency.
our trip back reminded me of this. the sailboats, the cruisers, even the skiffs in the harbor are protected…from the challenges of the elements and any stormy surf. but these boats will not stay in the harbor. people will take them out on the sound, perhaps around the island to where the sound and the atlantic meet, perhaps further into the ocean. they will explore and adventure; they’ll follow a star they alone can see.
we followed the star here. this is my chance to reclaim it all, to find the 19 year-old i lost, to hold her and assure her that she is now safe and that i have taken on that which attempted to squelch her forever. ships weren’t built to stay in harbors.
i have found my way home – intentionally. and in that finding, i have found her. and in that finding, i hope that the so-many-years lost will come rushing forward – music in every star i can see, in every star i can capture.
and the ships in the harbor will bear wings and, all together – with me at the helm – will sail into next.
this place. these shimmers of light. these sounds. this air. this salt. this place. this magic.
in the days we are there, taking it all in. i am reminded – once again – of owning it all – in the days of my growing – in the days when anything felt possible and nothing was necessary.
in the days we are there, reconnecting to plank under my feet, waterfront air in my hair, soft ink falling on the dock, clanking masts.
in the days we are there, the pride of where-i’m-from returning, the tethers of heart, sand in my shoes, salty waves at my horizon.
in the days we are there, revisiting, reclaiming, restoring, recognizing the waters of before and after and – then – in the same way the waves of the inlet and the sound meet, allowing it all to mesh into one.
in the days we are there, standing in the sun, standing in the dark. it is night and it is day. and this is my town and i am wrapped in it.
in the days we are there, i become the wake – following all that has come before, choosing to ride the triangle of waves behind the rest of life. and i discover – it’s all one.
and then.
i am shimmering too.
***
night dock (jan 12, 1977)
clanking of metal-rigged sails / politely interrupt the still evening. /
the water below is soft, shadowed chasms away, yet close and quiet.
orange and pink hues fade from the night / and are enraptured by the hushed harbor.
faint strums of a guitar revolve in the mind / and in the silence of dark.
it’s not just because i am prone to motion sickness; it is magical to look out the window at the earth passing below us. and now, the window next to me looked cracked, as tiny droplets skirted across. so much to look at in lieu of staring at a tablet or screen.
i am the geek taking pictures out the window of the plane – as if it was my first time flying.
but i don’t care. i take pictures anyway.
a few days ago i spent over two hours on the phone with an old friend i hadn’t spoken with for – if i’m remembering correctly – over four decades. in that strange way that you can pick up where you left off – despite the fact that there are blanks spanning decades – it felt like we had just danced the night away together, laughing and talking, at one of the discos on long island… just like we did back in the day.
she and i met at college and were instantly friends. i was pretty naive back then, but she had a savvy i could draw from and we had many adventures together.
it was a joy to be on the phone together again – i remember hours tethered to the wall, making plans or discussing crushes. this time i wandered around the house, chatting and trying to picture her now – after so much life had gone by.
and i heard my voice change. suddenly, there it was. the new york accent, back. it doesn’t take much – i am impressionable with others’ voices. the kiddos used to know when i had just talked to my nashville producer – i’d be drawling afterwards. so, long island came roaring back and we interrupted each other with abandon, punctuating our conversation with much laughter.
and there was this. this candor i remember, a not-beating-around-the-bush-ness – a bluntness – an assertiveness – that is visceral for me. i could feel it bubbling up, cracking through my learned midwest reservedness, my keeping-the-peace-ness.
“this used to be me,” i thought.
i – admittedly – have a whole bunch of leftover newyorkness in me. but much of it has been tempered by life in places outside of the northeast. it is pretty much necessary for survival – and for friendships outside of a place left behind, where conversation is more open, more sharing, more – well – raw.
it didn’t take much time to crack through to that place, shifting to this-doesn’t-need-to-be-polite, to this-doesn’t-need-to-be-filtered. i jumped back into a conversation where we – without words – assumed the other was a mature adult, sharing intimate details and what-could-feel-like risky stories with each other, instead of accommodating the other’s comfort level.
it was incredibly refreshing.
when i got off the phone i realized that i missed this. the cracked veneer – the truth of life – minus the filtering, minus the concern about judgment, minus storytelling sans the sordid details, the guts, the ugly as well as the pretty.
i missed the real-real. i missed the interrupting. i missed the accent. i missed the new yorker in me.
i shared snippets of our call with d, laughing at my slowly-shifting-back voice. i felt different.
“i’m no mary poppins,” my girlfriend said on the phone.
aware that i was thinking about how the midwest might feel about admitting one was not at-every-moment ‘too good to be true’, i proudly answered, “nope. neither am i.”
those cracks. the kintsugi. damaged and filled with tears and laughter, hopes and dreams and disappointments. truths and failings and forgiveness and grace.
and always at least one little spot that is not perfect, that is left open – where spirit can enter.
reverse threading 