reverse threading

the path back is the path forward


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a mixed bag. [d.r. thursday]

$6.99. for ten. that’s not cheap. and i have often wondered why they are not included as a perk for city taxes or the utilities and waste pickup. i always – really always – print out the coupon for $2.00 off and have them in my purse every fall. but even then, $4.99 is still not inexpensive.

the other day we stood in the grocery store in front of the biobag display and had a few terse words. i didn’t have any printed coupons in my purse and he-who-shall-remain-nameless-in-this-story wanted to buy a couple boxes. everything inside me railed against buying them without the coupons. i even said that i would go back – after i downloaded the coupon page and then went to the officemax to print them (since our printer was on the fritz). he said my time was worth more than that. i wondered – again – why, if kenosha is providing a link for the coupons on their city site for anyone and everyone, the stores don’t just discount them at point of purchase. it seems like a ridiculous exercise in wasted paper, a little bit of irony – especially when the reason to purchase them is to be environmentally mindful. seems a little plastic if you ask me. to let you off the waiting-with-bated-breath hook, we bought the biobags – two boxes – and i tried to forget that we paid full price.

while i recognize the absolute need for biobags – and the ability for them to disintegrate – i wonder how all people can afford them. they simply cannot purchase boxes and boxes of biodegradable biobags in lieu of food or in lieu of paying the mortgage or rent or gas for the car to get to their job or the WE energies bill. there has to be a way for everyone to have access without breaking the bank. i can tell you that there were many times we stood in the store and had to think about whether or not to purchase them. and now, we are back there…thinking again about the cost.

the trees around us haven’t lost all their leaves yet. we will finish out the boxes of bags we have and then, i suspect, we will use those big black plastic bags and take them to the compost site out by the airport and dump the contents into huge piles. we can reuse the black bags for the next runs and the next runs. as we fall into winter we will definitely mulch some on the yard as well and rake some into the gardens for critters to take refuge and find warmth.

leaf-raking time is a funny time. it brings back a zillion memories of my poppo out front raking leaves and leaf-raking parties with hot cocoa and cookies (we had a zillion trees at my growing-up house) and, later down the road in a different time, a different state, my kiddos loving jumping in the leaves and despising raking. we love to swoosh our feet through the leaves as we walk and the scent of fallen autumn leaves is divine. we drive around the ‘hood, astounded at the sheer number of bags at the curb and try to remember how many weeks the city will pick them up. we can smell leaves burning as we drive to our favorite trail and we watch as people use those big blower devices to blow leaves into the street, passing on leaf-responsibility and encouraging their leaves to blow into their neighbors’ yards.

leaf mulchers. leaf blowers. leaf burns. leaf piles. leaf bins. leaf parties. leaf them alone.

it’s a mixed bag. yes. pun intended.

*****

read DAVID’S thoughts this D.R. THURSDAY


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moving on. [saturday morning smack-dab.]

most of my friends who are my age are retired. they have had long and dedicated careers and, at the time of retirement, chose to retire and were ready to change directions and do something new.

some of them are grandparents now and wee babies and rambunctious toddlers, children growing, growing, take up their time. precious moments spent with these tinies, indelibly etched on their hearts, both.

some of them have chosen to spend time immersed in reading. they have cultivated friend groups who share their passion for diving into books, they discuss and ask questions and share.

some of them have opted for sizing up, adding acreage and livestock to their lives. i can think of no better example of this than linda who, with bill, has adopted multiple alpaca and a horse and a goat and the-most-adorable-donkeys.

others have elected sizing down, heading south, condos and pools and beaches and sun in their future.

some, like the wander women, have chosen a plan, shedding much of the life paraphernalia we all accumulate – absolute free and loose adventure in their sixties, opening themselves up to thru-hike and bike and camp and, inbetween, live full-time in their rv.

and some feel lost, trying on various hobbies for size, seeking satisfaction and fulfillment, an elusive goal.

i am not retired. i am no longer holding a we-pay-you-to-do-this-job but i’m not retired. i haven’t quite figured it all out yet, much like, well, probably, many of you. but i spend lots of time creating…writing, cartooning, writing. i have found birds and plants are speaking to me more these days and i have also found that i don’t require being around a lot of people. i guess i’m a little bit more introverted than i thought.

people have told me that – in losing my last position in a four decades long career path of music ministry – i can redefine. they, in all innocence and with sincerity, have told me that it’s an opportunity for a new beginning. i hasten to say that they might be sighing inside to themselves as they say this, grateful that they don’t have to start anew. we’ve all done it…sometimes it’s easier to be generously gracious when it’s not your challenge. nevertheless, it does feel like a new beginning, so that part is right.

but, in seeking inspiration, coming from life, from the universe, from reading an article, from a conversation, from moments blowing dry my hair, i realize that maybe in looking forward i am avoiding that which is obvious.

linda had more time to pick up knitting needles after she retired. she uses the wool from her alpaca, which she has cleaned and spins, to create beautiful knitted gifts. my favorite fingerless gloves, the ones that always remind me of the canyonlands with my beloved daughter, were made by her. she returned – in this time of a-little-more-space – to what she knew, what she loved to do.

the map of inspiration may bring me forward. but in its forward-ness, it may remind me also of what i know. the map might point out my waiting piano, the pencils scattered on the music stand, the boom mic stand in the corner. it might point out the pieces of writing i’ve started and put aside. it might point out the glee i get from producing our cartoon. it might point out the camera and the poetry and the ahhh’s they bring me. it might connect the dots back. to me.

and in touching back maybe i will be moving on.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2022 kerrianddavid.com


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i am an artist. [two artists tuesday]

i read it on a thread. someone commented to an author i follow. “never be shy about your work,” she encouraged. i took a screenshot.

never be shy about your work.

humility is a virtue, we are taught. desiderata reminds us, “if you compare yourself with others, you may become vain or bitter, for always there will be greater and lesser persons than yourself.” always.

but somewhere in there – in the spectrum between meekness and arrogance – is the space to be proud of what you do, to stand in it, to share it.

“what do you do?” people ask. many people can answer that in a word. as artists, it often takes a paragraph, all run-on sentences with no breath so as not to get that lost-in-space glazed look on the asker’s face.

when i broke both of my wrists, the medical staff wrapped up both of them, casting and explaining the possible ramifications of the breaks “at my age”. when i fell the second time on a wet floor and re-injured my right wrist to the point of it having a frighteningly small amount of range of motion, the specialists asked questions and each politely said, “i heard you play the piano” as if i sat around noodling, surrounded by porcelain figurines and teacups, playing chopin-light or maybe little easy-piano-pop-hits. i was literally hesitant (!) to speak and qualified my statement-to-come by saying, “i’m not saying this to be self-aggrandizing, but….” and then i continued, “but because it’s a fact that i have 15 albums out in the world and piano is my major instrument and this could change my life work.”

those specialists had no qualms about saying they were specialists. none. i wondered why i hesitated, why i was apologetic.

never be shy about your work.

i have worked hard in my area of specialty. i have struggled like any artist, have written on scraps of paper and flimsy napkins, have squeezed out time in-between everything else that takes time, have stood in the rain playing and singing on flatbeds, have lugged boxes and boxes and boxes of cds. i have also sold thousands and thousands of albums and have millions of streams. it doesn’t equate to any kind of riches except the kind that is the deep satisfaction of doing something you love.

i used to be much more aggressive – and assertive – about “getting the word out” about my music. though i recognize that vocal styles come and go, instrumental piano is not irrelevant…it has no shelf life. it’s just as peaceful and evocative today as the days i composed it, the days i recorded it. so that would mean that 14 of these 15 albums still have some sales merit, not just the $.000079 cent so “generously” royaltied by online streaming.

never be shy about your work.

in the last church position i held, i was in a meeting with two of the leaders. they were streaming the services and i was commenting on the level of professionalism we needed to try to achieve. i wasn’t willing to link my personal and professional social media to this online streaming until the sound quality (in particular) was indeed much better. one of the leaders stared at me, clear disdain on his face, and told me he had no idea why i would say such a thing or hold such a stance. i explained that i am a yamaha artist and that only PART of my work in the world was the job (which he deliberately pointed out was part-time) i had at that place. for the umbrella of my life i was an artist and that i have always strived to bring the best quality to my work. i told him that it was important to me to make sure that nothing i did musically in the public arena was schlocky (including at that place) and that, as a yamaha artist with fifteen albums, i would hold to my position of not-sharing until there was something more professional to share. i would not undermine my own artistry because mediocrity was ok with him.

never be shy about your work.

he – eventually – found a way to fire me. in the deep dark cloak of covid. with no one really knowing why, including me. well, except, maybe, for retaliation. que sera.

never be shy about your work.

i am proud of the albums that will eventually find their way into antique stores around the country. i see them on resale sites now.

but i also know that – from time to time – someone writes to me. and in their writing they tell me that my music has meant something to them. my music has helped them, given them a sense of serenity, made them think, made them dance.

and that is what counts.

so before the vintage-store-influx i guess it’s my job now to not be shy.

i am a composer. i am a pianist. i am a singer-songwriter and recording artist. i am a writer. i love being on stage, telling stories, playing music. i love the feel of wood under my feet, a boom mic in front of me. i have fifteen albums and a few singles. i’m researching how to get more out of pandora and itunes and all the streaming devices out there. i’m 63 but i’m thinking i might still be relevant. i may need your help because no one gets anywhere in a tiny bubble; no one walks this path alone.

i’m pulling up my not-shy-boots.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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touchstones. [d.r. thursday]

yoga series: iconic (54 x 54, mixed media)

in the beginning i knew very little. we wrote every day but only talked twice. i read his newsletters and appreciated his perspective on things. i had seen only one tiny photo of him online but we shared pictures of our coffee mugs perched in different places in our homes or on our travels. and i had studied his paintings.

you can learn a lot about a person immersing in their art. whether it’s prose or song, paint or instrumental musings, the clues are there.

i am not a fan of thomas kinkade. his paintings are tight and controlled and, for me (but not for the one in twenty homes in the US that hangs one his prints), somewhat trite and contrived. i know that “tommy k” (as scordskiii and i nicknamed him) was (and his paintings still are) inordinately successful, serene, idyllic images of cottages and streams, gardens and gates. his galleries are all over the world. the “painter of light” (as he trademarked himself in a smart marketing ploy) was not necessarily the same as his paintings. i met him one evening at QVC when i was on air during a year-long or so promotion of my music. waiting to go on-stage and on-camera, yamaha CFIIIS at the ready, i met him in the hallways between dressing rooms. he was not a light and airy friendly guy that evening. i don’t know if he was having a bad day, but really everyone at these studios was normally refreshingly jovial. except for him. this did not really bother me, however, as, though i could see “success” written all over him, having tommy k greet me and have conversation was not important. dick clark, of american bandstand fame, on the other hand, was a gem. he and his wife were lovely and generous folks and it was delightful to meet them and chat in the hallways. but i digress.

when david mentioned he was a painter i did not know what to think, what kind of paintings to imagine that he painted. our developing friendship was candid and didn’t include fluffing up the other so my curiosity about the form of his art needed sating. i visited the website he had at the time. and i was stunned. one of his newest works back then – thereafter named iconic – was graceful and beautiful and full of respect for the body woman. i dove deeper into the site. each painting i studied engaged me – the color, the white space (so to speak), the balance, the composition, the texture. i was joyous. there was no need for fluff. i loved his work.

downstairs where, prior to a real painting studio’s emergence, i had thrown paint on a few large canvasses to hang about the house, sits his easel. there are paintings stacked and rolled in various places, in and amongst the boxes and boxes of cds that find themselves housed down there.

some of these – paintings and cds – are truly relics, artifacts of our art, dating back decades, skipping stones through periods of our lives.

some of these are touchstones, moments of new form, of changing form, of solidity in an uncertain world.

some of these, the relics, the artifacts, the touchstones are cairns, pointing the way to the future, suggesting we follow both paths we know and paths we do not know. art is like that.

*****

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S online gallery

visit this painting ICONIC

ICONIC ©️ 2010 david robinson


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what will it take? [d.r. thursday]

i wonder what it will take. our country – divided beyond belief – is suffering exhaustive blows. and i wonder what it will take. the dividing line – somehow as distinct as the difference between black/white and technicolor – continues to chasm us apart further and further. truth is obscured behind narrative of falsehoods and the bandwagons are lining up with flags and hats and arsenal. and i wonder what it will take.

i heard this recently: “standing up to power may lead to significant loss.” yes. standing up to power-administered-improperly does yield to significant loss. standing up to leadership-without-scruples does yield significant loss. standing up to authority that does not accept accountability does yield significant loss. standing up to holding our democracy intact is yielding significant loss.

as we watch, our country is reeling. in an attempt to protect the capitol and all it stands for, preparations are being made. yet, the nagging feeling in our collective gut signals that it may not be enough. we have been pummeled – each of us. we are exhausted – each of us. we are beyond worried – each of us. what will it take?

we quietly sit and ponder what will happen next. how will this resolve? what prayer do we have?

the excuse of many colors need be removed. the way forward is black and white. unity, as virtuous as that sounds, is the only option. or this country will be destroyed. autocracy will rule with a fascist-fist and accountability will fly in the face of unchecked authority. violence and extremism will prevail as acceptable methods of disagreement. and we will all sit in the ruins of this democratic experiment, in the depths of significant loss, and wonder what it would have taken.

in lieu of conversation, in lieu of any attempt at conflict resolution, in lieu of the vast potential of working together in community, in lieu of responsibility-taking, people are choosing sides and actions and, without heed to any kind of narrative fact-checking, diligent due process or any kind of resolute, unwavering commitment to mutuality, they are acting out of self-serving agenda laden with toxic aggression, sheer destruction and hatred leading the way.

is it worth it?

*****

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’s virtual gallery to see this painting

©️ 2019 david robinson


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the fermata. [k.s. friday]

on hold.

the fermata lingers over my days, issuing a pause of length undetermined. the baton is held in the air. there is no downbeat, no pattern of time. just prolonged waiting.

in dr. seuss fashion we wait in the waiting place.

answers are just beyond our grasp, skimming the rim of the atmosphere, invisible to us, ephemeral and flimsy, ever-changing, like trying to capture the flicker of flame from the top of a candle lit in the darkness.

so i just keep waiting. we just keep waiting. our world just keeps waiting.

we sit quietly. we rail at the wind. we speak up. we skirt to the sidelines. we ask questions. we wonder. we are met with silence. we are dissolved. we seek fairness, equity. there is none of that. we step away from the noise. it follows us, snapping at our ankles. we do good work. we seek truth. we are managed, a place of hypocrisy. our country flails. we flail.

and we wait. knowing that, indeed, better will come. knowing that, in some measures, new will come. knowing that, after the fermata, light will come. grieving all we have lost in the process, in the journey, in the waiting place.

we are holding.

read DAVID’s thoughts this K.S. FRIDAY

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it’s my *hand*. [k.s. friday]

there is nothing certain. nothing totally black or white. but this morning i am in the middle of the grey; fog has closed in and nothing is certain.

in a few hours i will know more. i will know what has happened to my hand and wrist. having already healed fractures from two broken wrists ala snowboarding this winter, i will know what changed the day that i fell recently – a serious fall, hard and directly on my reflex-outstretched hand – on an unmarked wet floor.

soon i will know why it aches constantly, why i can’t extend near an octave, why i can’t pick up my cat or the bucket to wash the car, why i can’t bend my wrist forward more than 5 degrees.

i’m pretty tough when it comes to pain; my threshold is pretty high. usually for me, it’s just a matter of dealing with it and getting used to it. and then i adjust. and people around me don’t actually know that there is any problem because i am making do.

but *this* is different. this is what i do. this is how i make a living. this is my profession. it has always been my profession. i am an artist – and a human with opposable thumbs – and this is my *hand*.

and so i am anxious to know what this hand specialist says, what he recommends, what he forecasts as the route for rehabilitation from this new injury, the arc for healing, the possibility for playing, the chance to ‘have my hand back’.

because, as i told david when we were walking on the trail the other day, this is not short term. this is long term.

there are wooden stages i want to play on, albums i might consider recording, babies i want to pick up, cars i want to wash. there are potatoes i want to mash, hand-whipped whip cream to whip, songs to write, doorknobs to turn, manual cars i want to shift. there are cellos i want to play, dishes to scrub, leaves i want to rake, jars i want to open, hard-to-reach spots on my back i want to scratch. there are boxes i want to be able to pick up, moves i want to help with, conducting batons to hold, guitars i want to fingerpick, waterski towropes i want to hold. there are bikes i want to ride, yoga positions i’d maybe like to try, reins i want to hold, clay pots i want to throw, my strong dog i want to walk on leash, mountains i want to try scrambling up. there are warm gloves i want to wear, rings i want to put back on, glissandos to execute.

but i can’t.

this is no small list. this is no small thing. this is my hand and my wrist and, like you, i have taken it for granted. until now.

there is nothing truly black or white, but i am anxious to be out of the middle, that liminal space, of not-knowing.

oh, and i want to do cartwheels.

but, then, i’ve never been able to do those.

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read DAVID’S thoughts this K.S. FRIDAY

IT’S NOT BLACK AND WHITE from RIGHT NOW © 2010 kerri sherwood


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a meeting of the minds. [d.r. thursday]

sensitive souls, dogdog and babycat study us, follow us, respond to our auras. their questioning gazes, locking eye-to-eye contact, belie all manner of thought and wondering going on in their minds. they are clearly concerned. in moments of high anxiety, moments of shorter fuses, moments of tears, they pace, uncertain how to help, uncertain of what they might do to resolve the angst. in moments of laughter, moments of gaiety, moments of teasing, they play along, happy to be a part of the joy-joy.

lately, after deep behavioral study of us and subsequent research, they have made a few requests: stop reading the news, stop wondering when orbit-people are going to be honest and forthcoming, stop checking the weather for a late warm spell, stop worrying.

they checked in with d on this; it was a meeting of the minds. “momma is clearly distressed. she is agonizing over things she has no control over. we want to help,” they told d.

as he relayed this to me, i asked, “what did you tell them?”

he said, “i told them that, though daunting, stress is a fact of life for people. i told them that fretting, even brooding on things, is a part of people’s every day, of their makeup, that there are so many things to be besieged with, things over which to be troubled.” he continued, “i tried to explain the political chaos, supreme court indignities, the financial strain, healthcare issues, the fear of the pandemic, racial, gender and sexual orientation inequality, pointed misogynistic behaviors, the isolation…”

“wow. what did they say? what did they do?” i asked.

“they stared at me, blank-eyed, and said, ‘can we have a treat?'”

read DAVID’s thoughts this D.R. THURSDAY


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so much. grateful. [k.s. friday]

the last roadtrip haiku(s):

so grateful beyond

words that won’t capture it all

anyway: aspen.

immediately,

upon arrival, our breath

dissolves to vapor.

it’s soaring mountains,

exquisite moments, beloveds,

so much. gratitude.

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read DAVID’s thoughts this K.S. FRIDAY

GRATEFUL from AS IT IS ©️ 2004 kerri sherwood


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in the middle and in the end. [k.s. friday]

were there nothing else to do, no other responsibilities, no outstanding work or chores, no cleaning or laundry or errands, no bills to pay, calls to make, jobs to seek, piles to clear, messes to sort, i could sit and stare at a fire for hours.

it’s easier to evade the thoughts that permeate your worried mind with the heat of fire on your face. it’s easier to stop strategizing around, through, beyond while watching the dance of contained flames. it’s easier to be lulled into all-is-well thinking, sinking into the adirondack chair, moonlight on your brow.

ephemeral moments – the good ones and the bad ones – slip by, each temporary, each a transitory arc, evaporating, evaporating.

yet, our eagle-focus on certain moments, certain actions, certain words, certain emotions, batters us with living, re-living, re-living, re-living.

we obsess. and in a time when there is so much to obsess about, it is none too easy to avoid.

the fire burns through the wood, despite its flammability. it does not choose only wood that is most flammable. with all the different wood in the firepit, it ignites, turning all into ash, intangible and evanescent.

we might do well to toss moments these days into a great cauldron, touch a match to it and light it. perhaps out of that might arise a bit of wisdom, a bit of certainty in the uncertainty, a bit of comfort. maybe living in the recognition it will vaporize would remind us of transience, the impermanence of it all, the pro tempore of any given heated moment, ultimately, the importance of lingering in any goodness we experience, of actually being goodness.

perhaps we should prioritize staring at the firepit. it may serve as a gentle reminder.

in the middle the fire is hot. in the end ash will be ash.

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read DAVID’S thoughts this K.S. FRIDAY

TRANSIENCE from RIGHT NOW ©️ 2010 kerri sherwood