reverse threading

the path back is the path forward

Tag Archives: possibility


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waiting there. [kerri’s blog on two artists tuesday]

it is with great anticipation that i wait for the peonies. it’s a long process, from the ground up. from the tiniest maroon sprouts to buds just waiting to burst furth into the world – it’s glorious and wonder-full, and each year now i am thrilled to see the arc of these beautiful blooms.

my son said something in a social media post the other day that really stopped me. i went back and listened again. and again. he said that music waits for you…it waits for you to “come to it on your timeline”…it waits for you to come back…”it waits to accept you, ready to understand you.” it’s “never gonna go away and it’s always going to be there for you.”

and in those words, he brought tears to my eyes. not only because what he was sharing in that post about himself was vulnerable, not only because part of what he was sharing made me very sad to hear. but because his joy in the journey back to music – his music – was so clearly buoying, so very triumphant, a mighty trajectory of his creating.

i’ve been turning on the salt lamp in my studio lately. it’s like i want it to stoke up good energy in there.

standing next to my piano, i held the crystal divinatory pendulum in my hand, thinking about what questions to ask it…understanding that my subconscious would likely dictate what the answers would be. there are times that one is not really sure of one’s own subconscious thoughts or biases, the ability to translate from desire or idea into reality, into do-ing. times when pain pushes aside artistry.

i purchased this pendulum in a cool hippie store in northport, my hometown. on purpose. i thought it was striking – even in its simplicity – but i also wanted to bring home a bit of the internal-intuitive-wisdom and lighthearted belief-in-the-universe i had lost in that place decades ago. in these days of falling back in love with that harbor town, i wanted ways to surround myself with what i remembered about myself from the olden days of being in love with that water, that sand, that place. twelve dollars wasn’t too much.

and so, the other day i took it out of the small suede bag and held it first in my hand, reminding it who i was. and then i held it up and asked it to show me yes – it circled around. i asked it to show me no – it moved in a straight line back and forth.

and in the following minutes i asked it – words to the effect because sharing my exact words is just a bit too much right now – whether i would return to the music that was waiting for me.

it was still and then – i suppose after accessing my heart, the wistful tendrils of hope, the very tentative wisps of maybe-it-can-be-so, it circled wildly.

i thanked it and quietly put it away, not wishing to go any further right then. it was enough. we’ll see. the arc is not closed. the peony is going to bloom.

“music…it’ll be waiting there, ya know,” my wise son said.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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don’t be a dreamdasher. [kerri’s blog on k.s. friday]

a few yesterdays ago we were at the apple store, asking questions, learning, dreaming, stoking up on what new technology is “out there”, what we might eventually need to replace my no-longer-with-us hand-me-down 2008 crashed computer, this 2014 mini ipad, etc etc etc.

in a remarkable three hours or so – that we stood and talked to mike and then nate – we jogged our braincells into grokking new information, new terms, new device potentials and we entertained dancing with visions of artistic sugarplums. it was a joyous time, filled with others teaching us, punctuated by laughter.

toward the end of our visit at the store, a couple – a bit older than us – walked in. both were dressed to the nines (in direct comparison to our ripped jeans, flannel shirts and hiking sandals).

the woman walked over to the table with ipads and pointed to one as an-even-older-than-them-and-us saleswoman looked on. she asked what it was. the evenolder saleswoman – let’s just call her “dreamdasher” – immediately said this while body-guiding her away from the very tablet that was inviting in the customer: “ohhh. that’s verrrrrry expensive. it’s fancy. it’s an ipad proooo. it’s for proFESSionals.”

i was taken aback and stared at them. since we were just across the table from this debacle – about three feet away – i said aloud, “did you just hear that? what on earth was THAT??” our nate – who we have now adopted because he was young, bright, informative, told great stories, was pretty adorable with great hair and tolerated our three hours worth of information-gathering – said, “everyone has their own approach, i guess.”

i continued to rant – about assumptions, about dashing someone’s dreams, about ageism (which was funny because the salesperson was perhaps older than the customer!), about did-i-mention assumptions. who was to say that the customer wasn’t a professional? who was to say that the customer didn’t have goals to be a professional? who was to say that the customer wasn’t buying for someone else? i was flabbergasted that a woman (dreamdasher) would be so rude to a woman (dreamingperson). it is truly amazing that i did not walk over to dreamdasher and quietly ask her where her generosity went, how she could just dis-count dreamingperson’s curiosity and possible purchase, how she could – in the instants since that couple had walked in – put them in the tire-kicker category and body-guide them down the row of ipads to a lower level of tablet.

i went on and on in big red for a while too. it did not sit well with me.

because we were there to dream, to imagine. we did not look the part of people who could slap down some cash and purchase the row freaking row of tablets. we were clearly behind the eight ball on device capability and terminology. and yet nate – and mike – were generous and careful teachers, on point with what we described as possibilities, lifting us – and our visions – up, not trouncing on them.

wow.

still a little miffed, as you can see.

as human beings – particularly in a time when our very country seems to want to drown every floating dream – isn’t it our obligation to lift others up, to not make unfounded and discriminatory assumptions, to be kind? isn’t it our responsibility to feed others’ creativity, to encourage and bolster their life goals as much as we can, to hope for the best for each other? is it not in our nature to wish to elevate other humans, to boost them up, to animate their dreams, to delight in ambitions and initiatives of goodness? to make a difference in the lives of others – no matter their fortune? to say “i believe in you”? to be light in the dark?

dreamdashers be damned.

grateful to the dreamlifters around us.

*****

YOU MAKE A DIFFERENCE © 2003 kerri sherwood

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PS. if you are a “romper room” fan, please sing to the tune of the do-bee song:

“…don’t be a dreamdasher, don’t be a dreamdasher/do be a dreamlifter, do be a dreamlifter…..”


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setting seed. [kerri’s blog on k.s. friday]

tiny parachutes – white filament – catch the breeze and lift the seeds – about 200 of them or so – from their home – the head of the dandelion – scattering them about in the world. the dandelion plant is left behind to generate a new flower head, more seeds, more parachutes. it is not singularly connected to any of these. its job is to simply be prolific, to produce more flowers and, thus, more seeds which will germinate more plants. and the beat goes on.

i would not be a good dandelion. i could not be so disconnected, so cool-y aloof. it is not in my nature to let go so easily, to ride on the wings of apathy. my children could tell you differently. my thready connection with them hangs on, even with all their efforts at asserting their independence. my thready connection – sans parachute – will never cease. motherhood – as i experience it – is like that.

fistful of dandelions is now kind of an old song – recorded in 1999 – which is 27 years ago. i hesitated a moment before i sent it to a newer friend – someone who i doubted had ever heard any of my music. i wasn’t sure if it was the best song to send her way, since it is only the second vocal recorded professionally in the second phase of my artistry – the phase that started in 1995. i know – in my library – there are better-sung songs, better-sounding songs, better-written lyrics, better-performed tracks.

i sent it to her anyway.

because i have found that this song speaks to moms and she is a mom. because it was more raw – desperately honest – an earlier piece sort of buried on an instrumental album, whereas other vocals are more readily accessible, easier to peruse if you wish. because – maybe, hopefully, we’ll see if possibly – someday i may record others and, just as time keeps moving on, so does style and relatability and such.

and so i sent it to her.

i haven’t heard anything back, which is always a tad bit disconcerting for an artist – any artist. we all know that it is how a piece of music, of art, of writing hits another that gives it life, gives it lift, sets its parachutes in motion so that it might float and swing on a breeze, setting seed in yet another place, with other people, new gardens to receive it.

i bent way down on the trail to capture this particular dandelion. its job was not yet done – there were more seeds, more parachutes; there is more possibility.

the same is true of my children.

and i will hang back at the flower zone, in the garden, while they fly around the world seeking rich soil in which to experiment and grow, in which to continue to grow their own wings, those stunning kaleidoscope wings of color and texture and challenge and success and brilliant brilliance – those iridescent shimmers – a myriad of sheen – though invisible to the naked eye.

and i will be astounded.

“…it overwhelms me what i feel, this heart outside of mine/is walking in another person, in another life…”

*****

happy mother’s day.

*****

FISTFUL OF DANDELIONS ©1999 kerri sherwood

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bubblepokers. [kerri’s blog on k.s. friday]

from our perch in the sunroom we can watch it snowing. surrounded by glass, we have a good windowseat to the weather as it changes. it looked really beautiful ‘out there’ we agreed, also agreeing to throw on some warm jackets and boots and go ‘out there’ for a walk a bit later, as the snow accumulated.

we lasted sixteen minutes.

the wind was whipping off the lake and the snow was stinging our faces. brutal. it was not fun and it was definitely not comfortable. we pretended to be in the sierras on the pct, trudging our way to camp, to pitch our tent in the snow and rest. sheesh. just the thought of that made us consider a flipflop instead of a thru-hike. same miles, same terrain, different seasons.

“my comfort zone is like a little bubble around me, and i’ve pushed it in different directions and made it bigger and bigger until these objectives that seemed totally crazy eventually fall within the realm of the possible.” (alex honnold)

we both really respect alex honnold. he is an incredible athlete with downright top-of-the-heap courage. he constantly pushes himself, way, way past comfortable, every time expanding where his boundaries of comfort are.

in these years we have found that pushing the boundaries of comfort are necessary. we have found that immense amounts of courage are necessary. we have found that poking that safety membrane around us – as if inside a big luminescent bubble – is necessary. poking from the inside out, not the outside in. no bubble-bursting here.

we’ve made big steps in that poking.

it’s not like we haven’t poked-the-bubble before in our lives, individually or together, as artists, as humans. but – and i’m betting this is a common truth – poking-the-bubble is harder the older you get. and so, as we step out of our c-zones and into things more unknown, hard things, complicated things, scary things, we have a tad more trepidation, a bit of reticence, some good old-fashioned fear. we keep on.

so we are not intrepid snowwalkers, we see today.

no worries. there are workarounds. (not to mention a mostly-warm sunroom where we can sit at a bistro table and watch out the window.)

besides, our pokes are saved for other bubbles.

“the one thing you learn is when you can step out of your comfort zone and be uncomfortable, you see what you’re made of and who you are.” (sue bird)

*****

WATERSHED © 2004 kerri sherwood

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read DAVID’s thoughts this K.S. FRIDAY

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tacet season. [kerri’s blog on not-so-flawed wednesday]

in the initial moments when we clear our barnwood potting stand – pull all the plants for composting, stack the clay pots and garden tools to be put away, brush off the stand, close the wrought iron gate, and then step back – i feel a sadness for the loss of our tiny garden. this year yielded a wild crop of herbs and tomatoes, jalapeños and lavender. we thoroughly enjoyed our sweet potato vines and our miniature licorice plant, the sweet dianthus, our peonies. this summer’s heat and humidity was a boon to our backyard. so it is somewhat hard to see it ending.

but the tacet of our garden – after such an amazing fully-bloomed tutti – is just as important in its performance. the quiet of this time will serve to gather its energy, to bring impact to subsequent growth, to give rest to roots bound by pots.

this winter we will propagate some of our summer plants. it is a new venture, introduced to us by the gift of our dear friend – a small indoor greenhouse. we will be learning what these tiny plants need, trying to help them root, keep them alive, bring them back – out of silence – to a spring in which we have a bit of a headstart.

the clearing of our house is kind of like that, too, as we move from room to room, closet to closet, drawer to drawer, bin to bin. we are still in phase one of all this, but each bit of giveaway, of throwaway, of repurposing gives air to some more space and in that space i can hear the vibrations of possibility gathering.

there are two new fuzzy white pillows in my studio on a metal strapped swivel patio chair we brought up from the basement. it feels like sitting in that chair – sinking in – could lend itself to the expression of the tacet i’ve been in, the long time of fallow. i don’t know what that means. it could just mean gaining clarity. it could mean setting it all aside. it could mean a few new notes that lead to a few new songs. the times d mentions the word “when” i counter with the word “if” because i really don’t know. there’s been a lot of pain and the wounds haven’t yet healed over. the tacet and my reticence continue.

but the potting stand reminds me: even after a period of silence, a period of fallow and nothing really happening, there is actually much in play. energy is stoking up. the time of rest is giving import to the time of sprouting. and, though this summer’s heat and humidity were incredibly generative – much like the middle years of my artist life – so will be next summer’s heat and humidity, even if the conditions are different, even if the heat and humidity are less intense. it is still a growth season.

just like now. the season has not ended with the pulling of plants from pots. negative space defines positive space, silence creates tension, the narrative of our plants continues.

just like mine. i am still in a season of growth.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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when? [kerri’s blog on merely-a-thought monday]

on the same night we waltzed in the rain, we strolled up and down main street, window-shopping. we were too drenched to go in anywhere and that wasn’t the point anyway. we just wanted to etch it all – best as we could – memorize it.

the harbor had always been a refuge and i was grateful to see the post at the information booth – in several languages – declare “may peace prevail on earth”. this tiny microcosm of the world – the village park – this space that drew people and strollers and children and dogs and laughter and music – this space certainly was shining a light on the possibility of community…shared community.

but peace is not prevailing on earth these very days. the people of our country are struggling as are people around the globe. my heart sinks as i think of all the places where real-live people are fighting for their very lives, where real-live people are being dehumanized, where real-live people are starving, where real-live people are being run over by self-centered, extremist regimes.

and i wonder, if not now, when? when might compassion rise among all people? when might we all realize the immortality of our time here, living it with generosity toward each other? when might warring cease? when might evil forces slink away in humiliation – forever defeated?

when might this world come to its senses – to actually prevail in peace?

when, indeed.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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children and dreams. [kerri’s blog on merely-a-thought monday]

it made me cry. it was all i could do not to down-and-out messy cry. had i lost control it would have been ugly. i grieved for every single american child as i struggled and hiccuped my way back to some semblance of calm. phil vassar’s lyrics were poignant and profound and deeply troubling.

the concert was amazing. phil vassar is a prolific songwriter, a consummate performer, his voice strong, his ballads clear. i’ve seen him in concert several times and was thrilled to see him again. he is now 63 and, having had both a heart attack and a stroke, he is making his way back – to the attention of the public – for the public forgets quickly.

there are artists you hold onto, particularly when you are an artist yourself. you know when there is something absolutely special about someone – you can feel it. every song, every note, every sung lyric – this man is a master singer-songwriter. there’s nothing really fancy about him…he plays a painted acoustic yamaha piano, often standing (which i can totally relate to). his band is extraordinary and tight, the perfect backup for him.

“cause 419 lakewood had no silver spoons/just an old beat up upright that played out of tune/now i’m singing and living the life that i love/and when i count my blessings i thank god i was an american child/an american child/’cause dreams can grow wild born inside an american child.” (american child – phil vassar)

every american child.

and that’s why i cried. because it’s no longer the same. i cried for my adult children. i cried for my friends’ grandchildren. i cried for the children i don’t know. i cried for what this country has lost, the dreams that have been violently stolen, the hope that has dissolved, the democracy that hangs by tiny filaments.

at the end of the concert, phil vassar – in seemingly no hurry at all – sat on the edge of the stage and chatted with people, took selfies with his fans, signed shirts and hats and cds.

i stood at our seats and watched, both proud of him and a little bit stunned at how very gracious he was – his obvious, deep gratitude to a concert hall that should have been filled.

i knew he couldn’t hear me – and i didn’t go up to tell him – but as i stood there i whispered, “you’re relevant, phil vassar. you’re so relevant.” deep down, he already knows. he’s always been relevant.

an american child. the american dream.

“there is no trust more sacred than the one the world holds with children. there is no duty more important than ensuring that their rights are respected, that their welfare is protected, that their lives are free from fear and want and that they can grow up in peace.” (kofi annan)

“a promise once made/will it shine, will it fade/will we rise with the vision or fall?” (american child – john denver)

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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that place. [kerri’s blog on two artists tuesday]

i couldn’t begin to guess how many times i have sat on that beach. i couldn’t begin to describe all the life i have navigated there, all the pondering i have pondered, all the sun and the snow and the rain, the early dawns, the inky skies i have shared with that place. in the mystery that connects you to certain places, it was always my go-to.

and the mystery continues.

we shared time with that beach again. profound time. time wherein i stood by the water’s edge talking to the universe. once again, feet in that sand, touching that water, eyes to that sky.

some of the benches just off the boardwalk have been there forever. the curve of the metal arm, the weather-worn wooden seat – familiar touchstones that date back and back. the seagulls diving, riding the waves, rising in air currents and dropping crabshells to the ground – their caws lodged in memory.

this is not the island’s finest. there are many beaches with less rocks, fewer shells, more shoreline, softer sand, less seaweed, stronger surf. but this is the one.

i left a piece of me – a free-to-be–crazy-with-potential–wildflower-growing piece – behind on this island.

and so i thought that maybe – just maybe – i could go put my feet on this very sand, touch this very water, drink in this very salt air to both reclaim that piece and set it free.

there was no drumroll, no hoopla, no folderol. there were no fireworks or lightning bolts.

as the wind became gusty and it got colder, i merely turned reluctantly away from the water’s edge.

he was waiting for me about halfway up the beach and he held me as i stood in that very sand under that very sun, taking it all in, grateful.

we walked arm in arm to the benches and sat on the oldest one.

it was a long time before we left.

but not before i wrote my name in the sand.

and not before i held her hand – that wildflower.

“i got you,” i told her.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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kinship. [kerri’s blog on d.r. thursday]

were this monarch to have the tiniest of notebooks and a tinier pencil, i would feel even more kinship with it.

i can imagine that it – perched on the vine-wall that has taken over the fence – is writing gentle poetry, haikus about flying and how sunshine feels on its wings. i can imagine that it – late in the summer, maybe a super-generation butterfly – is pondering the freedom of a bit-longer lifespan, the sky-trip it has booked to mexico as summer ends. it might write of adventures and exploring, of new discoveries, milkweed and other plants it now feeds on.

i wonder if it feels the same way i felt – so many decades ago – sitting in my maple tree, perched against the trunk, writing. it felt like there could be nothing at all wrong in the world, and that, like the monarch’s vibrant colors warning of toxins, my coca-cola it’s-the-real-thing pants and floppy hat would keep away any predators. i wonder if its words flit over sunrises and sunsets, grown-up seagull dreams, innocence and possibility.

we’re sitting in the old gravity chairs we unearthed from up in the rafters of the garage. our feet up, pillows behind our backs, we quietly watch the busy life of our backyard. there’s so much space to just think, to ponder.

the butterfly floats past us, over us, behind us. it lands on the burgeoning vine, the natural privacy screen growing helter-skelter on the fence. it is free to roam. it is free to be.

and then.

i overheard, “he got a monarch.” the butterfly’s vivid orange and black and broad stripes didn’t protect it from the cat prowling for prey next door.

i felt my heart sink. in like manner, my coca-cola pants and dr scholl’s, hard-held value set and a sunrise-sunset horizon full of possibility didn’t protect me either.

*****

read DAVID’s thoughts this D.R. THURSDAY

66 and 19 © david robinson (mixed-media)

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an endless list. [kerri’s blog on not-so-flawed wednesday]

he says that one day we must go on a trip that is specifically about photography. that we will slowwwwly stroll – wherever it is we are – and i can stop and linger – at any time – and take a picture – or twenty – of any single thing along the way. i am excited about that and we have a really, really long list of the places we might choose as destinations. an endless list, actually.

the funny thing is – this is pretty much how i do every day. on the trail, in our backyard, at the garden center, at our potting stand, in the antique shoppe, at the grocery store, in our ‘hood, in the mountains, on the beach – anywhere.

i have always loved taking photographs. even a dear old friend, who i hadn’t spoken with in about four decades, remembered that i always had a camera in my hand whenever she and i were together. it goes way back…for me, to those pocket instamatic cameras and the cameras with the square bulbs on the top that rotated for the next shot. in college i did photo shoots with my new 35mm manual camera for extra money. i climbed fences to take sunrise shots on beaches. i hiked in rivers to capture the fauna along the edges. i adored being the photography editor of my college paper, toting my camera to disco parties, softball games, campus events, college-sponsored ski trips, lunch with paul simon. if there were no pictures of something or someone from back then, there were good reasons.

there have also been times – along the way – when i have realized that taking photographs would take away from the moment – and, in those times, i have chosen to put the camera away – to simply memorize the moment instead. but this thready heart of mine loves to scroll back through images that place life and time.

it feels somewhat like cheating when you take photographs at a nursery such as i did for today’s image. i wandered about the aisles and aisles, greenhouses and gardens of nearby milaegers, entranced by the vast opportunity to capture color, texture, utter beauty. there is no end to it. even the flowers that are wilting are absolutely divine. i walk, arm in arm with david, and i feel fortunate to see so much that touches so many senses. it is impossible to not feel it. we are surrounded by the glorious.

and so we plan – one day – to take a trip sheerly about photography. i will be excited to plan it, to choose idyllic places and vistas that offer moments like the shimmer of sun on iridescent raindrops.

in the meanwhile, i will carry my iphone and its remarkable camera everywhere i go, capturing everything else that is beautiful, that is evocative, that means something, that will be a source of joy or heart or memory, that is life.

it is an endless list.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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