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why the heck not? [kerri’s blog on two artists tuesday]

in the hope of emotional diversion, we have taken to watching videos and video research about bigfoot. yep. sasquatch. yedi. call it what you may.

when we stayed in a mountain town in north carolina – in the pisgah national forest and close to the edges of the nantahala forest – there was a house near us that had large metal sculptures and paintings (or decals) of bigfoot proliferating their house and yard. i now wish we had spoken to these people, to inquire about their experiences and why they were so enthusiastic about this mysterious being. people are either immediately discarding of this “creature” or they are rabidly zealous about it. there’s not a lot of in-between, though i’d say we are somewhere in the in-between space, trying to sort the scientific possibility of reality.

my thought? why not? why wouldn’t there be a creature about which we are not very knowledgeable, of which many have not seen? why wouldn’t there be a creature that has evaded most people, has been able to live in the wild, has telepathic abilities and even some dimensional-change tricks up its sleeve?

and, i would expect that the universe is congratulating these creatures on their ability to live – and thrive – outdoors – as a part of the environment – without destroying it for their own gain.

in expedition bigfoot, scientists and explorers join together to seek out this elusive animal. with intricate technology and boots-on-the-ground investigator skills, they follow the tracks of these beings, evidence mounting in each episode.

i glance down as we walk along the lakefront talking about our latest video indulgence. the bricks under our feet here are ordered, grass growing in most every crack. we wonder aloud how we might feel if we were hiking somewhere and came across a very-very-large naked footprint – not unlike what we are seeing with this deep-diving research team.

i imagine that seeing something like this in-real-life might be somewhat disconcerting. but i don’t imagine that it’s not possible.

i don’t think that we – as humans – should be so arrogant as to think that we know all about every living thing. instead, i believe we should be open to that which is enigmatic or even inexplicable, to that which we need to learn more about. on every continent there is an equivalent to bigfoot in the narrative of the indigenous, there are stories told by real people; there is evidence for these stories.

though – to this point – i have never seen anything resembling bigfoot – in my own life i have gratefully experienced firsthand the absolute mysteries of others reaching across dimension, the grace of life in parallel planes of existence. i remind myself that there is much that is baffling about life, much that is hard to comprehend in a galaxy full of wonder.

and so, i would not be so quick to discard the possibility of bigfoot. after all, i have been surprised over and over again by the souls and the actions of REAL people – so why the heck not?

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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all the phases. [kerri’s blog on two artists tuesday]

the sowthistle can’t help but stand in all the phases of its life at the same time.

and i wonder what wisdom it can impart by doing just that – standing simultaneously in bud through flower through feathery seed into senescence.

being able to see the stage that is next, the stage that was before, the stage that was the beginning, the stage that will be the end – perhaps this is perspective-arranging, perhaps it zeros one in – on what is right now.

i wonder if the sowthistle thinks about any of this. does it base any of its thistling decisions on this omnipresent view of the arc of life, on the conglomerate-rock plant approach – or does it just live, detached from stressing, disconnected from the mindset of striding through stages upon which it has little impact?

and what about us? what if we could see our whole life right in front of us? what if we knew – from beginning to end – how it would all shake out?

don’t we, though? sort of?

don’t we know that we will somehow travel through these stages – the beginning, the middle, the end – that we will somehow grow and change and celebrate and grieve and jump and hang back and be active and sedentary, brilliantly productive and passively idle, bowled over and resilient, profoundly angst-filled and radically happy, loving and beloved, young and – hopefully – old.

is the sowthistle consistently sanguine, glass-half-full, amazed at simply living?

as we hiked by this bit of meadow, sowthistle wild on the side of the trail, i was struck by the all-in-one-frame of thistle – all its life cycle – a life arc in one tiny space of dirt.

and in the way that nature reminds us – all the time – i was immediately aware of my own life arc, my own mysterious timeline.

and mary oliver whispered – once again – this time from the tangle of buds and flowers and seeds – because she can never ask this enough – “what is it you plan to do with your one wild and precious life?”

*****

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depth-of-field reality. [kerri’s blog on d.r. thursday]

i took this photograph the other morning and then later showed david. it took him a minute or so to figure out that it was a photo of a squirrel on the fence on the other side of the driveway. he had some context, though, recognizing that i like to sometimes take photos through the screen of the window. it distorts the image a bit and changes the scope of the depth of field, focusing on the screen rather than the image beyond, but more information aids in discernment, in seeing what it is that is there.

as i sit and write this – at this moment – i am waiting for someone to come and pick up the giant ant farm that we are giving away. the person who is picking it up is going to share it with pre-school children so that they might study this ant farm. though i’m pretty certain that she will also teach them that this is a tiny example of how ants live ‘out there’ in the big world, they will focus up-close on how its community works.

how community works.

i’ve written before that i’ve wondered if whatever great deity you might believe in is watching us all – here on planet earth – as we function – er, dysfunction – as a community of people. as we somehow err to the everyone-for-themself way of being in the world. as we push and shove to place personal agenda before any kind of synergistic, collaborative orientation.

is this deity peering through window screen, watching distorted figures go about daily living under the guise of “together” but cultivating nothing of that sort?

is this deity peering through a clear plastic screen, watching us on this planet make ruin of our natural resources, undermining our environment, our sustainability, the beauty of this earth?

if you look closely and focus on what is clear, you will see window screen, separating the viewer from the view.

if you let your eyes focus further out – despite the depth of field blur – you will see the squirrel, the fence, a bit of our westneighbors’ garage.

it’s not so much a mystery once you have more information. then, you will see it for what it is.

it’s all real.

it seems important to work at viewing the big picture.

*****

read DAVID’s thoughts this D.R. THURSDAY

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that place. [kerri’s blog on two artists tuesday]

i couldn’t begin to guess how many times i have sat on that beach. i couldn’t begin to describe all the life i have navigated there, all the pondering i have pondered, all the sun and the snow and the rain, the early dawns, the inky skies i have shared with that place. in the mystery that connects you to certain places, it was always my go-to.

and the mystery continues.

we shared time with that beach again. profound time. time wherein i stood by the water’s edge talking to the universe. once again, feet in that sand, touching that water, eyes to that sky.

some of the benches just off the boardwalk have been there forever. the curve of the metal arm, the weather-worn wooden seat – familiar touchstones that date back and back. the seagulls diving, riding the waves, rising in air currents and dropping crabshells to the ground – their caws lodged in memory.

this is not the island’s finest. there are many beaches with less rocks, fewer shells, more shoreline, softer sand, less seaweed, stronger surf. but this is the one.

i left a piece of me – a free-to-be–crazy-with-potential–wildflower-growing piece – behind on this island.

and so i thought that maybe – just maybe – i could go put my feet on this very sand, touch this very water, drink in this very salt air to both reclaim that piece and set it free.

there was no drumroll, no hoopla, no folderol. there were no fireworks or lightning bolts.

as the wind became gusty and it got colder, i merely turned reluctantly away from the water’s edge.

he was waiting for me about halfway up the beach and he held me as i stood in that very sand under that very sun, taking it all in, grateful.

we walked arm in arm to the benches and sat on the oldest one.

it was a long time before we left.

but not before i wrote my name in the sand.

and not before i held her hand – that wildflower.

“i got you,” i told her.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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carry it with. [kerri’s blog on two artists tuesday]

dear you.

we are trying to regroup, rethink and refocus our melange blogpost writing a bit. we – like you – know what is really happening in our world and do not need one more person – including ourselves – telling us the details of this saddest of descents destroying democracy and humanity. though we know our effort will not be 100% – for there is sooo much to bemoan in these everydays – we have decided to try and lean into another way – to instead write about WHAT ELSE IS REAL. this will not negate negativity, but we hope that it will help prescribe presence as antidote and balm for our collective weariness.

xoxo, kerri & david

***

in the tiniest liminal space while the river rivers, a frozen second of film captures a painting of swirling green. with no frame of reference – no smidge of bridge over the waterway, no shoreline of rock or underbrush, no logs or boulders or turtles or fish or heron, no sky, no horizon – this tiniest second – the moment it takes to snap the photograph – becomes etched in time and space and the mystery of the image is born.

what else is real…there is beauty in the pollen-filled river, beauty as it flows slowly – slogging its way downstream, a palette filled with the pollen of nearby trees, algae exploding from the heatwave. and as we stand above it – we gaze down at it – and i am astonished at the color, the swirls, the ever-changing etch-a-sketch, like a jackson pollack painting has come alive right before us.

and the liminal space – this very tiny liminal space that the river has identified and snap-immortalized in our camera – evokes for me – once again – how momentous this very moment – that we can see this. and it, gratefully, untriggers – if there is such a thing – even for the briefest of time – the amorphous and not-so-amorphous anxiety-about-these-very-days i have been feeling.

and so i pick up the chartreuse-and-black river and carry it with me.

*****

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all that potential. [kerri’s blog on two artists tuesday]

it exudes potential.

so many clay pots and assorted planters, i drew a sketch of them all and began to list what plants and herbs and flowers we wished to grow this summer, sorting plants to pots. and we began the dreamy conversation about stepping off the deck and snipping basil or parsley, making ann’s jalapeño poppers, gazing at colorful flowers scattered on deck’s edge or along our gardens of grasses.

we are not well-versed in plants. we are most-definitely not well-versed in growing things to eat. and we truly don’t know much about different annual flowers – so we depend on the tags at the nursery and research. a few days ago we were drawn to two tiny-bloom flowers, though we didn’t know anything about them. it was a heart thing.

last fall my sister-in-law sent me two peony roots. we carefully planted them – exactly as the directions stated – making sure that the “eyes” were facing up and the root wasn’t too deep into the soil. in the miracle that is spring, peony shoots have risen from the ground – and you would think we’ve given birth – our wonder, our level of excitement are off the charts. it is a joy to think of these new beauties – with gorgeous big white blooms – growing alongside two established peonies, many ornamental grasses, wild geranium, day lilies, hosta, and healthy weeds of many varieties.

we have much to learn…about all of it.

gardening, we see, is like the joys of being an artist. experimentation and not being able to determine an outcome ahead of time – both are important in the process. we give over to the mystery of it all. we know that it all is steeped in potential and we embrace it. it’s a giant responsibility – a gift of nurture we can give – to our artistry, to our garden.

it would be an easy segue to connect the dots of this kind of potential – this kind of responsibility – to the governing of this country. it would be easy to speak of the glorious mystery of our melting pot, the growth that is possible in the garden of humanity. it would be simple to believe that there should be wonder and great excitement in nurturing all the people of this country – whether or not they are different than those we know well – learning and growing together. it would be natural to depend on research and heart in moving forward all that we – in these United States – can be.

but no. i won’t go there. it all just seems so obvious.

a country – a first-world democracy exuding potential beyond belief.

why wouldn’t you tend that garden with great care and embracing respect and intelligent research and nurturing love?

why would you wish to crush or annihilate or suppress or obliterate all that potential?

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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the grace dance. [kerri’s blog on k.s. friday]

even laden with new snow, the grasses spring up, ever resilient. they show fortitude in predicament and circumstance – a teachable moment for those of us humans who are not impervious to such things.

maybe it’s their golden glow in sun low on the horizon. maybe it’s that there are small critters taking refuge under the umbrella of stalky stems. maybe it’s the reverent bow of the fronds, the balance in the arch of growth and weight, a toppling over. maybe it is simply grace.

“i do not at all understand the mystery of grace – only that it meets us where we are but does not leave us where it found us.” (anne lamott)

in moments of this past year i have found myself in the presence of grace. i have watched grace heal physical injuries. i have watched grace blanket people, restoring relationship. i have experienced grace reaching out its arms to envelop. i have received grace – the support of others. i have been surprised – even shocked – by grace and i have been surprised – even shocked – by a lack of grace.

for if the presence of grace – such an intangible mystery – does not leave us unchanged, then so does the absence of grace.

were the grasses to succumb, to be lying down, flat upon the earth, their glow of beauty and their cozy shelter wouldn’t be. their place in the world and its workings would be different, perhaps. their resilience seems to be the key.

“I know nothing, except what everyone knows – if there when grace dances, i should dance.” (anne lamott)

in the mystery that is beauty, that is grace, that is the intertwining of both – for surely they are hand in hand – there is an invitation for us to dance, upright upon a floor of dirt on earth under the sun, able to both receive and extend grace – like feathery fronds on an ornamental grass, ever resilient though the elements are threatening.

we carry that dance – tucked in – with us as we make our way. it is present, beckoning us. we can see it in the falling snow and the driving rain, thick fog and dark nights. it is there, ready to leave us different.

*****

GRACE © 2010 kerri sherwood

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with barney. [kerri’s blog on k.s. friday]

“the longer i live, the more beautiful life becomes.” (frank lloyd wright)

if it wasn’t ‘copying’ i would also get this inked on my body. but my beloved daughter – a bunch of years ago now – chose this as a tattoo and copying it – despite the clear wisdom of this quote – would be taboo.

it is intensely true.

the longer you live, the more beautiful life becomes.

if you take sweet time to notice.

in a most wonderful day tuesday we jaunted about, gathering knowledge and trying on new hiking boots. we joked about falling arches and bunions, our feet – somehow – getting substantially bigger, the trail-running we won’t attempt, heck, the running we will never do again, pinky toes resistant to closed shoes. it is somewhat liberating to not have the same expectations we once had. there is a different bar.

at the end of this wonderfulday i stepped outside and was struck by the moon. we immediately took off – practically sprinting (note: not running) – down the road to the lake, so that we could watch the harvest moon rise and feel its moonbeam as it chased us on the shoreline.

we sat on the deck after a long walk in perfect night air along the lake. and we celebrated our day. for in it we had tended to things that feed us – writing, exercising, eating well, planning for future hikes, laughing.

we know that our next will not resemble our past. we know that there are no corporate or organizational positions in our future. we know that aging is perceived differently by the hiring crowd than by the aging. we also know that we have aged each and every day of our lives so we don’t place parameters on what is possible. we don’t underestimate the wisdom of the ages or the insights of aging, though the word sort of makes me shudder.

and then I wonder why. why does the word “aging” give me a bit of the heebie-jeebies? I looked up the word. multiple sources. and each time i discovered that 65 is considered “elderly”. sheesh. no wonder ageism is alive and well in this country. developing nations base their assignment of old age on a person’s ability to actively contribute to society. though the united nations considers old age to be 60 and beyond, i also discovered research that suggests only a tiny percentage of adults 65 and older actually consider “old” to happen before the age of 60. we are most definitely in the camp that rejects old-before-old.

according to britannica.com, “there is no single theory that explains all of the phenomena of aging.”

no single theory. well, of course not!!

barney is still out back, soaking in summer sun and winter snow and everything in every season. he houses chippies and is a resting place for birds and scampering squirrels. he doesn’t serve as a piano now, but his soul is still a piano. barney is more beautiful than the day he came out of the dank basement boiler room and arrived in our backyard.

barney and i say, bring on the mystery!

*****

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stunning, after all. [kerri’s blog on not-so-flawed wednesday]

the first. these are the first peppers we have ever grown and we are sort of stunned by them. because they are really real-live peppers!!

when we purchased the plants, they were on clearance at lowe’s. we bought our basil and parsley plants there and, as we wandered around – a tiny bit late in the early summer planting season – a few pepper plants spoke to us. on our potting stand are three pepper pots – a jalapeño, a red chili and this snack red pepper. because we are budget-conscious, we worried about the cost of failing. but, in the end, we thought it was worth the risk…this first attempt at pepper-growing. plus it helped that there were a few buds on the plants by the time we purchased them; it made us think that maybe we stood at least a chance of being successful.

and now…here we are. there are two jalapeños and multiple red snack peppers ready to be harvested and we are truly stunned. the red snacks and a jalapeño will become part of a meal we will share with 20 – stars in our fajitas. it will be a proud moment for us and we’ll be grateful for the amazement of growing our own food, just like we were with the batches of pesto (red and genovese) we made and froze last week.

we spent monday at the chicago botanic garden this week. each time we visit we are wowed by a different spot in the garden, a different grouping, a different extraordinary flower, beauty after beauty. david remarked about how much he loved the english walled garden. he said that if he were to build and plant a garden today he would plant a walled garden. i laughed and pointed out that our backyard is kind of like a walled garden. we don’t have the same level of order or discipline in our garden – for, along with our pond, there are ornamental grasses and peonies, ferns, day lilies and hosta planted slightly more haphazardly, but it is mostly walled in by the back and side fence, the garage serving as a perimeter. there is a privacy afforded, a quietness.

we sit at our bistro table or in our infamous adirondack chairs and watch our birds and squirrels and chippies. we share time and space and life with our dogga. and our barnwood potting stand – adjacent to the deck and the patio – is a place of tiny miracles.

we could have shied away from trying peppers, even at their discounted price. we could have worried that we would not bring them to fruition, that we would not be successful pepper-planters.

instead, we tried something new.

and these gloriously red peppers in tomorrow’s fajitas will remind us – once again – that life is there for the trying. it is not in the certainty of succeeding that we live. it is in risking. it is in anticipation. it is in mystery. it’s all really quite stunning, after all.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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fluid flame. [kerri’s blog on two artists tuesday]

in these days – in any days – i could sit and – for long periods of time – stare at a dancing flame. much like cumulus clouds lazily floating by in a brilliant sky, my imagination drinks in the possibilities…every moment a different shape. constant flux.

“i do not understand the mystery of grace – only that it meets us where we are and does not leave us where it found us.” (anne lamott)

no given moment – as i have learned – is static. no given moment – as i have learned – is untouched. every everything is moving and swirling and spinning and the unexpected is right around the corner. just exactly when you think nothing is going to ever change. it’s fluid flame.

enthralled with it (my astrological element is fire) i took out my camera and started shooting flame photos, one after the other. it took less than a minute. it’s sometimes hard to remember that, in the overall arc of time, change is the only constant. one needs only watch the flame to get a sense of the evanescence of it all.

these moments – in the dark cool of a late summer night – the sounds of a few tenacious cicadas on the wind and squirrels scrambling along the wires and branches – watching the fire column interpretive dance – were glimmers. they visually reminded me of change taking place – that i can feel, that i can intuit, that i cannot even imagine.

and for a few minutes – precious minutes in these days – i gave over to the flame, grace and the mystery.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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