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la vida. [two artists tuesday]

i don’t remember what grade i was in when it was assigned: a project detailing what your ideal life would look like. it was either later junior high or early high school years. if i could find it in one of the bins in the basement i’m sure it would be predictably naive. i remember designing a house, writing about family, but not too many other details come up for me. designing an ideal life is never really inclusive of actual reality, difficulties, disappointments, hardships. i think it would be interesting to find this report anyway. the 1970s were a different time and this project would reflect that. were i to write a report now to reflect my ideal life, it would be a much simpler picture than i would guess that old paper would paint.

i remember columbus saying that he worked his whole life to have weekends with his family. to enjoy his backyard, his garden, a little fishing, time with the masons. he was living his ideal life each day, though the look in his eyes when we took him back to iowa and he stood in the fields gazing out at maize corn and blue sky would belie that. his dream was to raise his family in his hometown and, though he ended up in colorado, his other life was, i’m sure, somewhere in the farmland daydreams that swirled in his heart. he was wise, though, and didn’t wait to live until he was back in the midwest. instead, he set his sights on now. he didn’t wait. and each time his children or grandchildren visited he would cry upon their leaving, giant tears falling on this rugged man’s face. dolce.

some people are fortunate enough to have both: real life and the other life, la otra vida. crunch always felt that way about his boat too, so he’d understand the boat owner who named his boat ‘the other life’. moments of escape away, drifting, piloting to block island and fishing in long island sound, these are crunch’s ideal moments. though many of the boats and yachts in our harbor never leave their slips, perhaps just sitting on them in fresh lake air yields much peace for these boaters.

a house with lots of windows and open space, lots of repurposed old stuff, a kitchen in which we love to cook. nothing fancy. wood floors and a lot of white paint. a fireplace, my piano, david’s easels, places to sit and write and room for our beloved children, family, friends to come with significant others and visit. mountains and a lake out the window, a couple horses grazing.

last night as we sat on the deck in waning light turning to dark, tiki torches and our tiny firepit burning, dogdog sprawled out at our feet, we listened to the soundtrack of richard curtis’ movie about time. arvo pärt’s piece ‘spiegel im spiegel’ came on, a long piano-cello interplay of simplicity. we both had tears. if contentment was a piece of music, it would look like this.

though there are not mountains, a lake and horses out the window, perhaps someday there will be. it’s my maize-corn-blue-sky vision. but columbus was right. there’s the rest of it. the other life is always right there.

andrea wrote to me in 2009, “nothing is idyllic. i think we have idyllic moments. we have to take time to savor what is around us.”

la otra vida = la vida. ideal living.

*****

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no timely manner. [d.r. thursday]

now i understand. at least, i am beginning to understand.

my sweet momma and poppo would linger…watching birds, gazing at flowers, studying the horizon – be it shorefront or mountainside, cityscape or tiny town or rural farmland, slowly taking it in. in the hurry-hurry of my younger years, i would scurry past, noticing but maybe not really.

i am moving slower now. not because i can’t scurry, but because i am choosing to list to the linger side. though we still watch re-runs after re-runs of joey hiking and climbing and backpacking and pitching tents any and everywhere, imagining ourselves in those canyonlands keeping up, imagining ourselves on the pct or the john muir or the colorado trail, i know that our pace would not match the pace of joey or the exuberant younguns on heading somewhere or walking with purpose or the meticulous norwegian xplorer. we would be slower, lingering, lingering. i’m not sure that would get us from point a to point b successfully or in a timely manner, but i’m thinking that our definition of ‘timely manner’ may have to just be different. because now – in the middle of this grand middle age – is different.

for now i want to watch the birds and gaze at flowers up-close. i want to stop and stare, drop to sit on a nearby log and take it in. i want to notice the intricasies of all of it, the undertones, the overtones.

as i look at the close-up of this milkweed trailside i am struck by the layers of detail. it somehow makes me recall decisions between the major chord and the relative minor, a continuum of impact. it makes me think of melodic gestures, a spectrum of color and of grace. a horsehair brush extended from the heights of the universe, painting perfection in the woods. artists’ hands waving paint on canvas, cupping clay on a wheel, flying over the white and black on a piano, coaxing lines that make you weep from a cello. all the same. creation in all its iterations.

on the call pat told me that the music – my music – had harmonics, tuned with the universe, that made her travel. humbling.

for i see that is what my momma and poppo were doing. traveling. they allowed the beauty around them to touch them, to slow them down, convincing them – in all the infinite glory that beauty -and art- can muster – that ‘a timely manner’ was relative, that time was relative. that time spent in a slow linger was precious.

*****

read DAVID’S thoughts this D.R. THURSDAY

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blooming. [merely-a-thought monday]

as i stand with david, together with his mom and siblings, watching his dad walk down the path of dementia, i am deep in thought of my own parents, missing them. elusive complexities become simple and unimportant as i think about my sweet momma and poppo and their stamp on the world. though certainly worthy, they will not be detailed in history books or in record-holding guiness lists, nor will they be featured in paintings in state buildings or referenced in periodicals, footnotes of prestige. but, just as the life that columbus is forgetting, a life rich in experience and love, so were the lives of my parents. their lives had purpose, their stories were and are important. their dreams counted and their voices mattered. and, though it need not be said, they made an impact.

there are moments when i gaze around and marvel at the rapid movement around us. i feel as if i step back away from the edge of the chaos that is everyday life in a society that values ‘more’ and i just wonder. i wonder about how we all fit in, how, from beginning to end, our lives – in the swirl of everyone’s lives – play a part in this world. i wonder how our very molecules affect other molecules, how permanent or impermanent this effect we have.

pat said, “it’s why you’re here.” she seemed much more certain of that than i. middle age, or maybe it is later middle age, as ross pointed out the other day, is complicated. there is a bit of that elusive complexity whirling around, waiting for us to reach up and cup it in our hands, like catching fireflies on a muggy summer night. holding memories close, we glance back at our lives, pondering the rights and the wrongs and the joys and blisses and the mistakes and the regrets and the happies and the sadnesses, and we watch the glimmering light, surprised at the time that has gone by, stunned by the arc of life that even the tiniest path-choices brought us. in the looking-back we notice the insignificant. in the looking-back, we notice the significant. and sometimes, when we are lucky, we realize how absolutely preposterous it is that we are here at all, how miraculous that we can feel, that we are breathing in this very time.

and i think about my mom and dad. though perhaps generations from now – even possibly just a few – there may be no more out-loud mention of their names or their stories, but they will have been here and, for that, the world is different. i think about columbus, who, though forgetting, is still here, is still holding to life and the filmy stories he can access, his innate and unspoken courage on that path – so painful – moves us, brings us to tears, yet, inspires us. his forgetting reminds us to remember – to live.

we are all on our way to changing the world. each and every one of us, despite our differences, despite anything. it’s why we’re here. it’s ridiculously simple and ridiculously complex.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY


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time is flying. [saturday morning smack-dab]

these days, in the middle of middle age, time seems to just fly by. at inordinate speed. slowing it down doesn’t seem to be an option. i guess my sweet momma was right when she said, “live life, my sweet potato.” don’t wait.

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“i know you can do it.” [merely-a-thought monday]

inside a what-is-now-considered-vintage liz claiborne barrel purse was a treasure. not unzipped in years, i unpacked it the other day. i found a rattle, two small children’s board books, photographs in one of those plastic wallet picture thingies, a couple expired credit cards, a slew of emery boards, faded receipts i could no longer read, old chapstick, a collection of assorted pens and pencils, a few lists, some coins and two tiny mystery keys, a few notes from my girl, cars on scraps of paper drawn by my boy, and a card in the envelope it was mailed in. every now and then you stumble upon a treasure you forgot you had.

my sweet momma was famous for her handwritten letters; most of our family would easily recognize her handwriting, even in a crowded handwriting sampling, even years after last seeing it. this little card in my old purse was clearly something i carried around for some time. it was a note of reassurance, a note with great empathy, a note of encouragement. she mailed it early in january 1989, just a few months after i moved to wisconsin. still in the middle of homesickness and adjustment, though – as i realize now – she must have been feeling loneliness as well, she wrote to me. and she penned six words that i remember her repeating throughout my life:

“i know you can do it.”

those words – just six – can make all the difference.

momma was a glass-half-full type. her fervent cheering-on was a solid part of her nurturing. she fostered support with easy acceptance of failure, “if at first you don’t succeed, try, try again.” she didn’t list to the negative, nor did she wallow in it. in all her life, from early in marriage my dad MIA and then a POW in world war II, to losing her first baby within a day of her birth while my dad was imprisoned and she knew nothing of his whereabouts, to losing her grown son to lung cancer, to standing by my dad in his own lung cancer, a myriad of rough patches, to being left alone with my dad gone to face a double mastectomy at 93. no matter the challenge, she faced it down. she knew she could do it. and, despite any enormity, she left you with no doubt. even though her heart was thready and vulnerable, her positive spirit was contagious, her strength a force in the world.

these times – the pandemic and all it has wreaked, personal physical injuries or illnesses, job trials, isolation and loss of too much and too many to list – have cued up a range of mountains for each of us to scale. my mom’s “good morning merry sunshine” couples with her “live life, my sweet potato.” lines of counterpoint for melodies in life that are askew, her words brace against the storm. my sweet momma did not give up and she did not expect you to either. “you got this,” would be her brene brown shortcut message. she stuck with it all and rode each complicated wave, each complexity, each twist. she lives on in my daughter tearing down a run on a snowboard. she lives on in my son setting up a beautiful new place with his boyfriend. she lives on in the love her granddaughters and grandson bestow upon their children. she lives on in me.

in these times, with all its obstacles daring us to succumb, i can hear her. “i know you can do it,” her voice whispers to my heart.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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tacet root vegetables. [k.s. friday]

ritenuto: an abrupt slowing down of tempo

tacet: silence of instrument

fermata: pause of unspecified time

and, suddenly, a prolonged tacet. no notes. no instrumentation. no expression markings. no crescendos or decrescendos. just silence. the baton is laid down. there is no beat pick-up. there is no rest. it is silence. issued. written in the music. a ritenuto – screeching to slow, a subito tacet. suddenly still.

the reassurances are generous, heartfelt. they are reflexes, like putting out your hand when you fall. they are meant to help in the silence, in the sudden slowdown, the sudden stop, the fermata holding the tacet. they make my heart quiver, these well wishes. but they don’t change the composer’s notes in the music: the ritenuto. the tacet. the fermata. those are printed in the music; those are decreed. they are unquestionable, immovable, indisputable, final.

i was voted off the island, in “survivor” talk. it was not an island, but, nevertheless, i am not a survivor. not there, anyway. i am forever tacet-ed there. the fermata above my tacet-ed head reminds me.

it, too, reminds me to be still. to step lightly. to be gentle with myself. i run the scores in my head – scores of scores in that place. i emoted each expression marking, each twist of the music, each gradual shaping, each change of tempo, of timbre, of voice.

and now.

i opened this book randomly, hoping to arrive on a page that might offer me wisdom. i read: “upheavals in life are often times when the soul has become too smothered; it needs to push through the layers of surface under which it is buried….it reminds us that we are children of the eternal and our time on earth is meant to be a pilgrimage of growth and creativity.” (john o’donohue)

it doesn’t feel like a platitude. i’ve read it over and over and over again now since the morning i was fired. i wonder, each day, when the baton will be lifted, when the pick-up beat will come. i remember the all-engulfing power of change works both ways – to decimate and to breathe new life. i – try – to trust the dusty trail i am reluctantly set upon.

upheaval. sudden arrival at prolonged silence. not much more upheaval for an artist than silence. yet, as i sit in this silence, deemed as fitting by the composer, i feel the root-vegetable-of-my-soul gathering energy. with no idea and no preconception, i await as it will push through the earth one day, steeped in nutrients, rooted in rich soil.

my sweet momma said, “live life, my sweet potato.” oh wise woman, you must have known.

read DAVID’s thoughts this K.S. FRIDAY

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incessant. my sweet momma. [not-so-flawed wednesday]

good morning sunshine

she was incessant.  every morning she greeted me with the words, “good morning sunshine.”  rain, sleet, snow or ice – none would dampen her good-morning-spirit.  a new day, a new beginning, another chance.

my parents weren’t complicated people.  they grew up with great-depression-survival parents.  they were married and almost immediately separated by the second world war, by my dad’s missing-in-action status, by his time as a prisoner-of-war and, thus, they navigated the loss of their first daughter on two continents, my mom without knowledge of my dad’s whereabouts.  they processed-without-processing the end of the war and my dad’s escape and return home to struggle through post-war times.  they had two more children, another girl and a boy and began to raise a family on long island in a cape cod house with a chainlink fence and a dachshund.  after i was born they moved to the house i grew up in, the only house i remember without looking at old photographs.  we had a single driveway with a grass strip in the middle.  some neighbors had solid concrete or asphalt driveways, no grass strip, and even as a child, i suspected this meant something.  they were thrifty and conserving.

my parents weren’t hip.  through the rebellious 60s and mod 70s they raised me, older than most of my friends’ parents by at least a decade or more.  i listened to jim nabors and doris day and robert goulet in the house, herb alpert and the tijuana brass and frank sinatra on the stereo and the old wgsn on the radio on top of the refrigerator, while friends were hearing their moms sing to carole king and simon and garfunkel crooned in their kitchens, the mamas and the papas and herman’s hermits in the family rooms.  my dad would whistle for hours; hearing anyone whistling now feels like a hug from him.

my parents weren’t frivolous.  my dad would turn boxes inside out to repurpose them.  my mom would assign him tasks first in in his basement workshop and, later, his garage workshop, giving him something to focus on.  he was always rube-goldberg-ing everything; he could make or fix anything.  they didn’t splurge on stuff, well, until they discovered ikea.  after years and years and years of exclusive use, the aluminum colander they gave to me (and after a couple more decades and the loss of a foot, i finally retired) is likely 70 years old.

my parents weren’t problem-obsessive.  my mom would do laundry, especially later in life.  i think it centered her.  the simple task of cleaning a garment or bath towel and putting it away felt grounding; i have learned this from her and you will find me scouring the house for laundry items in times of stress.  they were reasonable and rational; nothing needed be too complex.

but they were loving and encouraging and accepting.  i could tease or cajole my dad into doing almost anything.  and, when my dad’s reaction to a circumstance was more impatient, my mom would listen, listen, listen.  she would admonish him, “Erling!” she’d hammer.

simple.  no fancy titles.  no wildly exotic trips.  no fancy foods.  only one fancy car to try-on-for-size.  no fancy clothes or shoes. simple furnishings, treasured mementos.

simple.  no emmys, oscars, grammys.   no nobel peace prize.  hardworking and uncomplaining.  a lot of volunteering.  a jewelry store failure in early days of big box stores.  early retirement and a move-down-I95 south.  self-admonishments to do-the-photo-albums and clean-out-the-file-cabinets.

simple.  a dedication to handyman magazine, national geographic, jigsaw puzzles, crytoquotes and crosswords.  tomato plants and hosta.  forsythia and four-o-clocks that ran along the whole side of the house.  succulents and bougainvillea.  harlequin romance novels and old doris day/rock hudson movies.  bird-watching and klondike bars.  feeding their family.  entertaining their friends.

simple.  times around the table coffee-sitting.  long conversations on the couch.  egg mc-arnsons or waffles and ice cream on sunday mornings.  time on the stoop and in the lanai, just talking.  time.  spending time.

she was incessant.  her joy at the day, her exuberance, her kindness, her piercing eyes, her absolute, uncompromised, unconditional love.

i woke today thinking about this day five years ago today, when i was not physically there to hold her hand as she passed from this life to another plane.  we were on the way, driving there, on an interstate when we found out.  in el paso, illinois.  we pulled off and found a park not far from the highway.  we walked and walked and walked, trying to process.  i have no doubt that she knew i was right there with her, always, and how much i love her.

life will never be the same without my sweet momma on this earth.  ever.  i can only hope that in some way, as a new day dawns and i think to myself, “good morning sunshine,” that i will be somewhat like her.  somewhat as incessant.

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY

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jen-napkins. [not-so-flawed wednesday]

 

napkin copy

these napkins make me think of jen.  it’s the reason we bought them.  at every single gathering with jen and brad, jen, who is an amazing creator of festivity, sets out fun napkins.  patterns and colors and images and phrases.  not the 300-1-ply-approx 6″ square-white-napkins-in-plastic-wrap kind of napkins, but napkins you choose that have some panache.  confident napkins.  napkins with personality.  napkins that celebrate.

i grew up with the other kind of napkins.  my sweet momma bought the 1-ply-approx-6″ kind of napkins all my growing-up years.  sometime in their retirement, beaky switched to vanity fair napkins, which are a bit more substantial and, in their substantiality, a bit fancier.  any sweetly patterned napkins were reserved for special occasions, parties, holidays.  because DNA is a powerful thing, our beaky passed all this down to me, and so, i haven’t yet reached the vanity-fair-napkin-stage.

we actually are cloth-napkin people.  because tight-budgeting runs through my veins, we seek out two cloth napkins as souvenirs when we travel, instead of chachkies.  we can tell you where all our cloth napkins are from and love to pick out which ones to use from the drawer in the dining room.

but there is something to these fun napkins that jen uses.  in the basement where we keep party supplies are several packets of fun, patterned, imaged napkins.  i’ve been saving them.  for company, for special occasions, for a celebration.

the other day i took out a handful and put them on the kitchen table.  the last couple of evenings, as we sit with a glass of wine, i have laid one at our spots.  this little napkin instantly makes me happier.  a simple napkin.  our moments of sharing a glass of wine at the kitchen table have become moments of celebration.

so, in this time of waiting and uncertainty, i have decided, even though it will require much pushing-back-against-that-nagging-stingy-voice-in-my-head, that we will use all those napkins.  i’ll go downstairs and get all the fun jen-napkins we have, no matter the season to which they are dedicated.  we’ll set them out and use them, making each time we are at the table together a celebration.

and i know my sweet momma, our beaky, will be smiling down at us.  “wowee!” she’ll say.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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tiny mica miracles. [two artists tuesday]

life series quote copy

it doesn’t matter.  anything could be happening.  any fire.  any storm.  and then, like glitter, the tiny miracles show up.  the mica.  and for a moment or two we are standing still, our focus re-directed.

this quote – “life is a series of thousands of tiny miracles…” (mike greenberg) – appeared in my facebook feed, re-posting from a decade ago.  a gentle tap, a hey-remember-this.

the post below (#TheMicaList) is from not-quite-a-year ago, published on my 60th birthday.  as i rapidly approach 61, i find that re-reading it reminds me.  to everything there is a season.  and a time to see mica.

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dear Life,

my sweet momma would often call me just as the time i was born would pass on my birthday. at the end of her life she didn’t do this anymore but i always remembered anyway. mid-morning i would know that this was the moment i arrived at this place, this was the beginning of my passing through, the time of my visiting.

today, this very morning, it was 60 years ago that i joined the rest of this good earth on its journey around the sun. spinning, spinning. every day.

it wasn’t long till i realized – as an adult – that we spin our wheels constantly to get to some unknown place we can’t necessarily define or find. we search and spin faster, out of mission, out of passion, out of frustration, loss, a feeling of no value or a sense of lostness. we spin. we seek. we try to accomplish. we try to make our mark. we try to finish. we try to start. we leave scarred rubber skids of emotions on the road behind us; we burn out with abrupt, unexpected turns, we break, wearing out. spinning. spinning. from one thing to another, our schedules full of busy things to do. often, days a repetition of the previous day. every day full. full of spinning. but we are still seeking. life is sometimes what we expected. life is sometimes not what we expected. and that makes us spin faster, our core dizzying with exhaustion.

the simplest gifts – the air, clear cool water to drink, the mountaintop exhilaration of parenthood, hand-holding love, the ephemeral seconds of self-actualizing accomplishment, the sun on our faces…we have images stored in our mind’s eye like photographs in an old-fashioned slide show, at any time ready for us to ponder. but often-times we fail to linger in these exquisite simplicities. the next thing calls.

this morning, as i stare at 60 – which, as i have mentioned, is kind of a significant number for me – i realize that everything i write about or compose about or talk about or hold close in my heart is about these simplest things, the pared-down stuff, the old boots on the trail – not fancy but steadfast, not brand new but muddied up with real. in our day-to-day-ness i/we don’t always see IT. the one thing. there is something -truly- that stands out each day in those sedimentary layers of our lives. it is the thing that makes the rest of the day pale in comparison. in all its simple glory, the one true moment that makes us realize that we are living, breathing, ever-full in our spinning world. the thing that connects us to the world. the shiny thing. the mica. that tiny irregular piece of glittering mica in the layers and veneers of life. the thing to hold onto with all our might.

that tiny glitter of mica. mica nestles itself within a bigger rock, a somewhat plain rock – igneous, metamorphic, sedimentary ordinariness. not pinnacle, it is found within the bigger context. sometimes harder to find, harder to notice, but there. and it makes the day our day, different than any other. it is the reason we have learned or grown that day. it is the reason we have laughed that day. it is the reason we have picked ourselves up off the floor that day. it is the reason we have breathed that day.

and now, at 60, i resolve to see, to collect those pieces of glitter. not in an old wooden box or a beat-up vintage suitcase, but, simply, since they are moments in time, in a tiny notebook or on my calendar. join me in #TheMicaList if you wish. as we wander and wonder through it is our job, in our very best interest, to notice the finest shimmering dust, the mica in the rock, the glitter in our world.

with all the reminders around us to remember-remember-remember that every day counts, we get lost in our own spinning stories, narratives of many strata. i know that in the midnight of the days i look back on the hours of light and darkness in which i moved about and remember one moment – one moment – be it a fleetingly brief, elusive, often evanescent moment of purity, the tiniest snippet of conversation, belly-laugh humor, raw learning, naked truth, intense love – those are the days i know – i remember – i am alive.

my visit to this physical place is not limitless. but each glitter of mica is a star in a limitless sky of glitter, a milky way of the times that make me uniquely me and you uniquely you, a stockpile of priceless relics. my time stretches back and stretches ahead, a floating silken thread of shiny. it’s all a mysterious journey.

and i am grateful.

kerri

kerri canyonlands NP w:kirsten.PNG

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what you do. [k.s. friday]

ymad

“what you do will live beyond your lifetime.  it transcends the things of this earth.”

(YOU MAKE A DIFFERENCE ©️ kerri sherwood)

when i think about my sweet momma and my poppo, my big brother, my godfather uncle allen, my grandmother-mama-dear, more beloved family and dear friends – all who have left this earth – i don’t think about their jobs or upward mobility, their income or the status symbols they owned.  i don’t think of the timeline of their school or work or whether they had finished a degree or if they had even gone to college.  i don’t ponder awards or certificates they received or resorts where they may have vacationed.

i think about what a difference they made in my life. my mom’s devotion to cheery kindness, my dad’s quiet and stubborn thoughtfulness, my big brother’s goofy humor and ability to tell a story in all its details, my uncle’s absolute commitment to his fun-loving smile no-matter-what-was-happening.  i think about the joy my mom experienced when my dad brought her grocery-store-flowers.  i think about big bowls of coffee ice cream with my brother, neil diamond playing in the background.  i think about my uncle generously paying for my very first recordings in ny, diligently holding me up and gently pushing me.  i think about simple moments with them.  in what could be a crowded-with-information-obituary in my head for each person, i hold a piece of their heart instead.  they have made a difference in this world.  they made a difference for me.  i remember.

(from THE FAULT IN OUR STARS)  “you know, this obsession you have, with being remembered?  this is your life!  this is all you get! you get me, and you get your family and you get this world, and that’s it!  ….  and i’m going to remember you.  …. you say you’re not special because the world doesn’t know about you, but that’s an insult to me.  i know about you.”

 

we live on an infinite continuum of opportunity.  chances to bring light and hope to others.  deeds we can do out of kindness, goals reached by collaborating together.  we face choice just as soon as the sun-peeking-over-the-horizon wakes us.  we innately or intentionally decide, we head in a direction, we live a day.

 

“We’re all traveling through time, together, everyday of our lives… All we can do is do our best to relish this remarkable life.  I just try to live everyday as if I have deliberately come back to this one day, to enjoy it… As if it was the full, final day of my extraordinary, ordinary life.” (from ABOUT TIME)

 

this song. i have performed it countless times.  in nyc’s central park for tens of thousands of people, in small medical clinics, in large oncological settings, in chicago’s grant park.  at a pharmaceutical conference in puerto rico, outdoors with the lance armstrong tour of hope.  across the country, in pajamas and jeans and all-dressed-up.  in theatres and at walks/runs, in schools and churches.  for organizations including y-me, the american cancer society, gilda’s club, young survival coalition, susan g. komen foundation, the annual breast cancer symposium.  and each time, heidi and i, working together in performance, fighting back tears.  the list is profound.  not because of the innumerable times i have sang this song, but because of all the people in these places and behind the scenes, joining together, remarkably touching the lives of others:  those they know and those they may never know.

we make a difference.  in every arena of our lives.  every place we go.  every interaction.  every gesture.  every assumption.  every conversation.  every every-thing.  every single thing.

what intention will we have?  will we be positive or negative?

“the truth is, I now don’t travel back at all, not even for a day.  …  live life as if there were no second chances.” (ABOUT TIME)

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