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different. [two artists tuesday]

my wristlet wallet was different.

circa 1968/1969 and EVERYone – literally everyone – at least in MY mind – had a wristlet wallet. long rectangular leather wallets on a wriststrap, they opened to reveal a couple places for pictures and change and dollar bills. a clutch, the style was s.p.e.c.i.f.i.c. they were s.p.e.c.i.f.i.c.

christmas rolled around and i, in great anticipation, opened my presents. untucking the used tissue paper, i got excited to catch a glimpse. the box revealed a wristlet wallet.

wrong. it was wrong. it was faux leather. it was not rectangular. it had different compartments, a different strap. not specific. it was different. i was a misfit.

my 1970 construction boots were different too. so were my earth shoes, an off-brand. i wore pants from the boy’s department – my sweet momma thought they fit my – whatwasslimbackthen – body better. and my white cable-knit v-neck sweater with maroon and navy stripes at the v was – waitforit – a boy’s handmedown. i ate cucumber sandwiches wrapped in waxed paper and tucked into repurposed hallmark card store bags with pleasesayitisn’tso sandwich bags of chips – not individual commercial bags – and wore homemade crocheted ponchos with fringe. different. i took organ lessons as well as piano and i loved to sit in my maple tree, writing. i had a cb home-based radio on which i spent hours chatting with crunch, merely a few miles away. i had nieces and a nephew way before anyone else and i loved mathletes. different.

i guess my sweet momma was getting me ready for the world, after all. the wristlet wallet – though a disappointment at age 12 – was just the tip of the iceberg.

as i go about throwing on jeans and a black top – what other color IS there anyway? – i wonder whatever became of that wallet. i wouldn’t mind using that right now. i look around at the repurposed stuff in our house and, though my momma hasn’t been here in over fifteen years, i know she’d be nodding her head in approval.

i suppose she knew what she was doing back then.

“different,” she encouraged. “be different.”

2022. i’m good with it.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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i’m from new york. [not-so-flawed wednesday]

towering cloud. monochromatic tones. i took this photograph. i may not have taken a second look but for the wire cutting diagonally across it. it was the interruption that made it – a gorgeous cloud – even more interesting.

i’m not from here.

i am proudly from new york and sunday night out on our deck i reveled in feeling new york. i haven’t felt as new york as i felt that evening in a long time. we were playing records outside and painting rocks. i had selected a few albums – dan fogelberg, john denver, michael murphey, survivor, fleetwood mac – and i was playing dj, picking and choosing the songs to play. we sang along, somehow remembering lyrics of songs we hadn’t heard in ages, a mondegreen or two slipping in.

then i went inside to find a certain album, leaving david to pour a little wine and wonder what i was searching for.

i came back out with the double-album-set of saturday night fever. there is nothing that quite defines 1977 like that album and the bee gees. instantly transported back to the discos and beach bars of long island, i got up and, in the new privacy of our backyard, danced. the more i danced, the more i danced.

i texted a few friends, asking them if they remembered the steps to the hustle. crunch wrote back that he didn’t remember all the steps, but he remembered the spins and sent a picture from a beach bar on the island he was at as he typed his message. marc reminded me he didn’t dance – which i, of course, remembered – and told me – if i was indeed sending him snippets of “stayin’ alive” simply to annoy him – not to be such an “assassination” (which, back in the day, i would say for the word “ass” so as not to cuss. friends would tell you i have come around from those days.)

interrupting our 70s mostly-mellow flow, saturday night fever disco drew a line through the soft wash of memory in which we sat. it invigorated us. it made us dance and it made us laugh. it made a perfect night even more perfect. and it woke up the new york in me, never too far away but always a little at-bay, a little tempered.

new york is a little noisy for wisconsin. new york is a little demonstrative for wisconsin. new york is a little talkative for wisconsin. new york is a little emotional, a little animated for wisconsin. new york is a little exuberant for wisconsin. new york is a little brash for wisconsin. it’s a little center-stage, a little aggressive, a little assertive, a little interruptive.

i’m not from here.

i’m from new york.

and i’m damn proud of it.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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one way. not really. [flawed wednesday]

not really.

there is not really one way.

well, maybe i can make one exception: when driving and faced with a dead-end corner and a one-way street. one way.

otherwise? not so much.

the headline read, “florida isn’t the only state pushing legislation that could be harmful to LGBTQ students.” there’s also idaho, georgia, iowa, tennessee and oklahoma. not to forget texas and whatever other states have jumped on the bigotwagon since this headline. what?! apparently, these are states in which leadership has decided there’s just one way. and it’s theirs.

as the proud mother of a gay man, i have to wholeheartedly disagree with these folks. any idea of “normal” that they have conjured up is a warped righteous positioning of power and control, some sort of strange arc into absolutism. it does make one wonder about the possibility of people who need to compensate for something in their own lives. it is astonishingly arrogant, haughtily heartless, cruelly uncaring, blindingly bigoted, disgustingly discriminatory, and sickeningly small-minded in the most prejudiced of ways.

i’m guessing, then, that these same huffy lawmakin’ folks are sittin’ around makin’ it their business to raise questions about people, ponder others’ sexuality or gender, disparage people who identify differently than they do. they are wringing their hands and plotting how to silence them, to marginalize them. because their one-way is the only way and lives that may be richly influential, steeped in open-mindedness and the embrace and love of all humankind should be silenced and marginalized.

this is not the way.

there is not one way.

for that, indeed, would signal a dead end.

*****

read DAVID’S thoughts this FLAWED WEDNESDAY


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a weirdfest. [saturday morning smack-dab.]

“but what’s your REAL job?”

it’s been forty years now…over forty, actually. four decades of other people asking THAT question: “what’s your REAL job?”. for a society that values entertainment in all arenas of medium, it would seem a ridiculous query – for this work as an artist – this work providing a piece of heart connection, of balance, this work expressing ideas with the hope of creating beauty, this work exploring perceptions and nudging perspectives, this work generating emotions – this IS my real job. as an artist. a funambulist.

and as a lifelong artist, some things about my life are just different than the norm. it is hard for people to know what to say – or for that matter, what to think – when you mention you are a musician or that you write or paint or dance or sculpt or act. it’s kind of a conversation-stopper. or a chance for the people at the table to push, “but what’s your REAL job?”.

the success of our lives is not measured in rising stocks or 401k’s or retirement portfolios or even bulging savings accounts, for that matter. real jobs are defined by levels of security and solvency that artists, sadly, rarely experience. it’s just hard for others to wrap their heads around such oddity, such tenuousness, such a complex relationship with the imperative to create.

so we point out: the bow, literal or figurative, of any artist is humble gratitude. the joy of any artist is the rippling concentric circle of their work. success is connection, resonance. even with one tiny person-star in the galaxy.

the definition of our lives is complicated to explain, though i expect so is yours. if one artist is awkward, two artists is a weird-fest. sooo not-normal. we will laugh WITH you as you struggle to understand us. weird or not, it is who we are.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2021 kerrianddavid.com


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like it was. [saturday morning smack-dab.]

i honestly don’t think i can – or need to – add much to this. this is not uncommon.

wistful. melancholy. reminiscent. lonely. overwhelmed by a lack of the busy and social holiday celebrations portrayed nearly everywhere. drowning in comparisons.

life changes and, it appears (yes, yes) we need to change with it. the holidays are a tough reminder.

in the middle of the trail we hiked on thanksgiving we talked about this. we had decided a big pot of pasta sauce would be our thanksgiving meal. comfort food. i, especially, needed that. the day was overcast with snow flurries and a mist gently coming down around a few bends on the path. damp and cold but familiar and reassuring. three deer were startled by our arrival. we watched them as they gracefully bounded away.

we came home and lit all the happy lights in the house. poured a glass of wine and got to the sauce. lit candles, took out thanksgiving napkins, set the table simply. our pumpkin pie was vegan, plant-based, amazing.

yesterday someone ordered 40 “be kind” buttons. it prompted me to suggest that we take a hundred – or a couple hundred – of our buttons and go somewhere and just give them out. sometime in the holiday season. plant a new tradition. start a new ritual. we’ll see.

demographics have spread families out across the globe, work responsibilities make time off a challenge and the pandemic makes travel questionable. we age and lose grandparents and then parents and loved ones. the holidays take on more blue than iridescent tinsel-silver. so many reasons why people find themselves awake in the middle of the night, staring at the ceiling, wishing it was like it used to be. visions of large meals and preparation and trees and grand shopping and piles of presents and family-all-around and parties and fancy dress-up clothes all dance like sugar plums in our heads. things that used-to-be.

finding things to assuage the used-to-be’s might help, might fill in the gaps. gathering with others in like circumstances, empathizing, might be reassuring. having a little visit with dear next-door neighbors later in the night is a bit of fondant on a layer-cake day. planning an adventure or two for coming days brings sweet anticipation.

holding space for the wistful is truth.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2021 kerrianddavid.com