the front of the garnet hill catalog features a collection of stones and says, “there’s beauty in simplicity.” yes. i recognize those rocks – they are scattered through our house…pebbles of mica-laced igneous, slices of red rock, chunks of granite, smooth water-worn river rock. small cairns stacked on the windowsill or the sunroom table, a vase with rocks that are special but can no longer be traced back specifically to why. simple beauty, they remind us that we are all a part of it. no less, no more.
as i get older i realize that i am leaning into simplicity. i am less inclined to be moved by fancy stuff, more given to the unembellished. we hike on trails and are reminded of nature’s brilliant eye for decorating the world. no tchotchkes or trinkets, just no-frills and unadorned life.
i’m guessing this propensity – this leaning – has something to do with my love of arvo pärt’s tintinnabuli minimalist exquisiteness. spiegel im spiegel on repeat. not fussy. not ornamented. straight up gut-wrenchingly beautiful, much like the pine needles in the snow. two monodic lines – melody and triad – woven into the simplest tapestry and “expressing the composer’s special relationship to silence”. nothing bombastic. no blustering. purity.
“there’s beauty in simplicity.” stark, unpretentious, natural.
“…eat bread and understand comfort….” (mary oliver – to begin with, the sweet grass)
flannel is like that. flannel shirts, flannel sheets, flannel pjs. the touch of flannel on our skin and we become swaddled babies, small children held in the arms of a loved one, cozied, reassured, comforted.
though there are expensive flannel sheets ‘out there,’ our flannel sheets are from target. two sets of them now. both soothing, serene, bread-like.
we sat in paris – on park benches, cathedral steps, in the grass – with baguettes and cheese, bottles of wine, olives. when i think of paris now, i think of this…comfort – sinking in to the place, like sinking in to flannel sheets on a cold winter’s night, gordon lightfoot’s webs of snow drifting outside our window. i wonder how we could have had a better time – i know…the butter, the starred eateries, the crepes, the cuisine. but we are flannel people, i suppose, and we learned – for us – the way to really feel paris was to sit on its steps, in its parks, in the grass. it was to shop its markets, its boulangeries, its tiny groceries. it was to simplify and to feel the flannel.
because we ate bread and understood.
“…i have become older and, cherishing what i have learned, i have become younger….” (mary oliver)
“…simple…elegant…splendid…” she wrote about the branch from the big old tree in our front yard, the branch we wrapped in lights and on which we hung a tin star. last year’s christmas tree. sometime after the holiday, we changed the tin star to a tin heart and kept it in the living room, in front of the big window.
i suppose it goes without saying – for anyone who knows us – that each of our christmas trees has a story. well, not just a story, but a full-fledged novel full of threads that wrap around them like $2.99 twinkly lights fresh out of the box. we’ve given meaning to the tiniest pine tree from the side of a trail, to the carcass of a tree behind our garage, to the branch that fell into our back yard, to a straight trunk-of-a-tree we lugged out of the woods, to a christmas-tree-on-a-stick.
this year, we were going to get a permit and go to a state forest to cut one down. only we didn’t.
20 was exasperated with the tree he had gotten his momma. the lights were all knotted – a titanic tangle – and the tree was disheveled. he put it in the box and bought her a new one, planning to toss the old one. we wanted a tree out back and figured we could make this messy tree into something worthy of the deck, so he brought it to us.
david spent time – lots of it – patiently untangling and cutting off the attached multi-colored light strands. then he attached the three pieces of tree, stacking them to see how it looked.
the tree – 6′ – stood limply, likely gasping from the trauma.
we decided to let it get some air and put it in the framed doorway between the living room and the dining room, where it could have a little space while we fluffed it a bit and decided about putting it on the deck.
only…
only, it started growing on us, this sweet little tree – just trying to be a loved-christmas-tree – stood there, quietly watching us and waiting for our decision.
we whispered to each other – about her – on the couch, so as not to offend the little tree. and time to time, we’d take turns stepping into the living room to gaze at it. to ponder.
and then he took four hundred lights and gently wrapped them around the little tree.
magic.
we stood back and knew.
i said, “let’s call it e.e.” not for ee cummings, though he would definitely get it – all our christmas trees through these years. but the little tree knows – inside, in its heart of hearts – his poem “little tree” word for word. e.e.
but the e.e. is for 20’s momma, her first and middle name initials. as she – at 99 – struggles a bit with her health these very days, we will honor her, hold space for her, with e.e.
the silver ornaments shine on e.e.’s branches. e.e. holds out her arms graciously. and those lights. and we are entranced.
little tree
little silent Christmas tree…
look the spangles
that sleep all the year in a dark box
dreaming of being taken out and allowed to shine,
the balls the chains red and gold the fluffy threads,
we stood in the grocery store in brevard, right by the display. the food lion price for the charming smushy-flat white pumpkin was $8.99. it called to me, “you need me! bring me home!” but i got hung up on the price tag and we didn’t buy it.
we’ve had a pumpkin or two most years, often a pie pumpkin that we place on this funny wrought iron stand with arms, making it look like a pumpkinperson. we’ve gotten gourds – interesting shapes that tickle us. but not yet a white pumpkin, even though i really love how they look.
budgets are sometimes fun-oppressors. but any artist can tell you they are necessary. and any artist can tell you that there’s been at least one time that an $8.99 pumpkin – even one that might do the dishes and sorts socks – has not made the cut.
there is a sweet apple orchard out in the county. there is wine-tasting and a distillery at aeppeltreow, so there are spirits and spirited fun. there are a zillion apples and there are pumpkins and gourds and apple cider donuts. two years ago we picked out our tiny patch o’ pumpkins from their flatbeds and gardens of choices. coming home with a pear-shaped gourd and a couple smaller that were wart-laden we felt rich.
we bought pumpkins in aspen that same year and carved jack-o-lanterns at our airbnb with our daughter, leaving our artwork and extra candles behind for the next guests.
last year we featured our aging pear-shaped gourd in our sunroom, put out some orange happy lights and indulged in apple cider donuts at the orchard. despite the gluten they were worth it.
i think this year we will get a white pumpkin. and maybe two orange ones. three in all. just three.
a water lily rises to sunlight. it is unaware of its astounding beauty, of the draw it has on us as we pass by. we turn the canoe around and attempt to get close, to take a photograph, without paddling over the pads. it is the arvo pärt in the lake…simple, exposed. were there to be music performed by this lily, i suspect it would be clear and distinct, though soft and warm, bell-like fragments of sound, minimal, arvo’s tintinnabuli.
it is never the fancily decorated that attracts me. it is never the overly done makeup-ed, the bejeweled, the gold-and-diamond-studded, the finery in attire, swanky or haute couture. it is never the ornamented, embellished singer, the bombastically orchestrated. it is never the heavy classical painting or big ornately carved furniture or heavy drapery.
it is the old piece of desk that holds a lamp and a few books. it is the small farm table in our sitting room. it is the driftwood on our mantle. the finches at the feeder. our little aspen in the yard. the chippie on the fence out the window. the look of new motherhood on my niece’s face. the framed notes from my children on the bedside table. the ceiling fan chain bracelet from my dad’s workbench. the jeans with holes. the sweatshirt hoodie sans one cuff. the old hiking boots and flipflops thinned by sidewalks.
lusting over brochures is kind of my thing. there is nothing quite like the dreamy four-color-magazine-quality-glossy-coated-silk-card-stock intrigue that beckons me, inviting imaginative adventure and exploring. a good brochure will take you there, place you there, let you sink in and never want to leave. i am clearly the targeted recipient of their magic. and i am – ahem – a collector.
like my relationship with catalogs, i can immerse in the story of the place, the action…it’s deeply satisfying.
sometimes we stop at the welcome center and i load up with all the possibilities of our destination, never to crack them open. it’s like having a treasure chest, knowing you have the treasure chest, not-knowing what’s in the treasure chest but knowing it’s enough you have it. a back pocket full of shiny coins, should you need them.
and sometimes we stop at the welcome center and i find something in a brochure that will not let go. i wonder and ponder and strategize and scheme how to get there, how to experience it, how to afford it. i’m a little overwhelmed by the draw of whatever the thing/place/action is, but i know the likelihood of it is relatively dim.
we clicked on an article on the-island-phone the other day. like shiny card stock, it beautifully featured a resort in utah: amangiri. there was nothing about this resort that wasn’t stunning.
i’ve never stayed in a resort, nonetheless one where your pillow-piled-down-comfortered-bed was out under the stars in the desert, your space open to remote canyonlands of red rock. my breathing got more rapid as i showed david. i clicked on “make a reservation”.
$12,000 a night.
deeper reservation diving revealed a range of pricing, verbose reviews, glamorous indeed, this place.
$12,000/night.
a little fancy.
clearly we won’t be staying there.
but, in the way that catalogs and brochures also function for me, i saved it and looked at it a few more times. i’ll probably glance a time or two more at this wildly expensive place to stay. and then i’ll delete it. because, by then, i’ll be satisfied.
and besides, the tiny blue airbnb house on one of the side streets in the mountain town in north carolina is also magical. it will afford us a chance to unplug, to hike unfamiliar trails, to cook and eat out on the front porch watching traffic go by, to immerse in a new place, a getaway.
in the sweetest of moments – that i will hold oh-so-close and not entirely share – my beloved daughter guided me into a skincare regimen. she generously shared wisdoms and gifted me with new knowledge, exquisite time together i will forever cherish, and products with detailed instructions on how to use them. her gesture of thoughtfulness…i felt like a girl. so deeply appreciated.
i haven’t spent a lot of time at makeup counters or in stores dedicated to makeup or skincare. you can buy covergirl and maybelline and oil of olay at target or even the grocery store or online and the one mac product i have repeated for years is actually because of my girl as well. every now and then a few new products have found their way into my world – marykay when my sister was a rep, clinique when i wanted to be in solidarity with crunch or when my sis got free samples. mostly, budget and a lack of mentors or social informants on the topic have kept me in the simplest of products. i’m guessing that is obvious, for i do not have the glowing skin or flawless makeup of those who have paid attention; i look in the mirror every day and realize i am, indeed, growing older.
i must have complained a little about that the other day when our daughter was here. her response was to do something about it. every day i count my lucky stars for that time together, for all time together.
the wall of brushes caught my attention at sephora. it looks like a kickline – paused and ready for the downbeat. they were all labeled, so it’s clear you could have quite a plethora of brushes for your face. i just loved the art of it, the black and white and grey with a touch of blue. it looked clean and crisp, things i look for when picking out airbnb cottages in faraway places. at ulta, as i followed my beautiful and knowledgeable girl around, i took photographs of marketing taglines, interesting teasers, product promises. it was absolutely and entirely fun.
the day will shine on in my heart for a long time to come.
the sun passes its solar noon and starts inching down toward the horizon, the light spilling from it rapturous. golden rays bathe everything in their path and we marvel as we drive past the fields, talking about the trees catching the light.
toward the end of daylight, as the sun is almost down, the grasses, feathery plumes waiting to soak it in, stand in the spotlight and we marvel looking out the front window, walking out into the back yard.
we walked through the gallery, admiring the work on fresh white walls, framed by white woodwork, windows looking out onto the lake, old wood floors warm and well-trod. the spiral staircase, the built-in cabinetry, the spotlights and architectural elements caught our eyes. we marveled at the play of light through the chandeliers.
the tree we have deemed THE tree this year looks nothing like a typical christmas tree. it is one of the limbs from the big old maple tree out front, a beloved sentry whose large, low-hanging branches were chopped to allow room for the supersized utility equipment a couple weeks ago. i had saved this branch from the pile that was set for the dump truck, pulled it aside up close to the house. the guys looked at me funny when i asked them not to take this branch, to leave it there. sunday we brought it in – which is much harder than it sounds as its branches stretch out far, embracing air and light and our doorway is not oversized. we felt somewhat like stars in the movie “christmas vacation” as we attempted to stand the tree up in our living room. though the ceiling is quite high (–) it was higher. a saw here and a saw there and we placed it in a big clay flower pot with rocks we brought home from dory lake and aspen and a brick from the old patio. we stood back after futzing with the angle of the pot and drew in our breath.
sculpturally stunning, it is bark against white, stark and proud. i wound lights around its trunk and i could feel this big old tree branch smile. i wrapped a piece of black glittery mesh-fabric around its base and thought about how much our babycat loved chasing the sparkles each year around the base of our trees. i hung one tin star off a branch. i futzed a little more and stood back, again.
the sun streamed in the windows the next morning and the tree stretched in its light, yawning from the night. i believe its branches have opened even more than they were – embracing its new place, no longer sadly tossed aside. a new purpose.
we might have missed it. the opportunity to have this year’s tree be an actual piece of what-was-happening-in-our-lives, to honor a well-loved and well-known companion. to have a gorgeously simple harbinger of the festivities of the season. we might have gone to a tree lot. or costco. or target.
we might have missed it. the marvel. but we didn’t.
when i was twelve, my parents took a six-week vacation to europe. pre-departure, they arranged to purchase a brand-new 1971 volkswagen super-beetle in germany, picking it up and then driving all over for adventures at hostels and relatives’ homes and small inns in the countryside that served family-style pork chops. they talked about this phenomenal trip for the next forty years or so, reliving memories and favorite moments. in the end, the last time i saw my sweet momma was the day we delivered her cherished blue notebook to her at the assisted living facility and she clutched it to her chest, cooing, “this is it. this is the notebook.” she had written everything down – diary entries and details to remember – and having this spiral was like re-vacationing with my poppo who had died three years earlier. we had searched high and low for it for a couple days and found it in the very last bin we opened in the garage. a treasure. the one thing she really wanted.
there were other trips – indeed, they attempted to visit each of the united states. never extravagant. always cherished.
when i was eighteen i rode in the backseat across the country with my parents in the front seat. they purchased a cb radio before we left and i spent long hours “10-4”-ing as “goldilocks” across the great plains states and up pikes peak and next to the wasatch mountain range and through the flint hills of kansas, which was clearly on a mission for spare change as they pulled my dad over twice within a half hour, deputies standing on the side of the road waving over long lines of cars they then escorted into tiny towns so that you could place money in an envelope at the post office. (i still invoke my dad when i drive through kansas, especially since we’ve had a few breakdowns in that state.) i developed a huge crush on a cute boy in colorado springs at a motel 6 and almost signed on as the touring piano player for the band that this boy and his brothers were in, their parents befriending mine poolside. i pined for days and days after we drove off with four new tires we got at sears and a broken heart i got in the desert meadows behind the motel. i clutched the record they all signed for me and stared at the cover art. no amount of stuckey’s sticky pecan log rolls helped. but my camera and gorgeous scenery were eventually soothing and, even now, as i chalk it up to opportunity not chosen, i remember my mom’s encouragement to consider an unusual path, a road rarely traveled.
in the middle 70s my mom and dad took advantage of what they called “dunphy weekends”. i couldn’t find any details when i quickly googled that, but i remember three day weekends, in places like providence, rhode island – not too many hours from new york – that hotels offered for dirt-cheap, prompting reservations. because they were thrifty, they also would sign on to drive cars to destinations and be flown back, ever the road warriors willing to take on a highway and add to their growing list of states-they-had-been-to.
when i was much littler, i climbed into the pink lilco (long island lighting company) van that my dad and my big brother had converted to a camper and rode upstate with them. never disappointing their rube-goldberg leanings, the camper would always break down on some back road near basically nothing. my dad would take out wire cutters and, clipping wire off of fencing they found on roadside pastureland, they’d figure out ways to fix the van, while i would ponder being lost and never getting home again. their laughter and bantering on those trips was the key to a successful camping trip and we beverly-hillbillied our way across the catskills and the adirondacks.
camping some, airbnb-ing lots, hampton-inning in between, i’ve spent a lot of time on the road on trips and for work, both. when my children were small, we would drive, drive, drive, hiding easter baskets in the stow-and-go compartments of the minivan and toting all the age-related child-paraphernalia we needed. living away from family means that most of your vacation trips are to go see them. as time goes on, that’s really still the case.
in this last not-quite-a-decade, we have driven together thousands and thousands and thousands of miles and snacked and laughed and sang and were quiet across the country. we’ve slept in rest areas and in mcdonald parking lots. we’ve found hiking trails all along the way and have cooked in lots of kitchens from the boundary waters of ely to the beaches of the gulf to up-north wisconsin to high elevation of colorado to the cape. we’ve raced storms through alabama and through wyoming. we’ve had happy meals in montana and california and washington and tennessee and new hampshire and new york and florida and most of the states in-between. we’ve walked through tiny towns, toasted life on long island, combed the beaches of hilton head and had coffee in unexpected places in appalachia. the four days we spent in paris, as an add-on after work in the netherlands about seven years ago now, was exquisitely low-key. we walked everywhere, training only once or twice. we carried baguettes and cheese and wine and tiny salads into parks, onto cathedral steps, up montmartre and into our boutique hotel, choosing picnics over restaurants and never feeling like we had missed out.
the list of places i’d like to go grows. from a night or two to full-immersion for a longer stay, i look forward to all of it. i’m guessing i come by it honestly.
so i’ve never been on a luxury vacation. never taken a cruise. never stayed at an all-inclusive resort. i’m 62 and haven’t done the let’s-just-go-lay-around-and-do-nothing-or-anything-we-want-and-get-waited-on thing. i don’t know if i ever will. but it hasn’t stopped me from loving vacation. it’s all really one giant blue notebook.
there was a jaguar suv parked in one of the bays when we went to pick up littlebabyscion at the shop. it was shiny black and had an aura of extravagance. i joked as we walked in that it was “practically identical” to our little xb. our beloved – and stellar – mechanic laughed and said, “nah! it’s just ridiculously expensive! fancy doesn’t make it better.” because this society assigns value to things that cost more, i probed a little further, comparing our very-basic vehicle to this one, and he answered, “the reason people buy these – and many other vehicles like it – is for other people to see them driving it. it says ‘i am successful’ to the world.” i laughed and rolled my eyes, joking about the level of success us driving our scion speaks to and he replied, “nope. doesn’t matter.”
“…only about 0.000002% of musicians become ‘successful’.” (one of many statistics found when googling the rate of success for musicians.)
now that is a bracing statistic. it would suggest that there are a heck of a lot of musicians out there – including me – driving un-fancy vehicles with odometers pushing 300,000 miles. it would suggest, too, that there are a lot of musicians out there whose egos are not benefitting from the sideshow and stroke of other people’s ‘that-person-is-successful’ thinking.
the prosperous is evasive. the profitable is of-the-past now that streaming is the preferred mode of listening over purchasing cds or even paying for downloads. the booming has slumped. the fruitful is fallow, often barren, depending on levels of frustration over thinking you should have been a financial analyst, software engineer or investment broker. and the thriving? well, that’s another story.
thriving is growth and growth rays out from the center in an artist. up against a challenge, we seek a different route, a different way. it is not our nature to give up, though an independent artist’s odds of success are clearly stacked. we simply “cannot imagine leaving”. (todd skinner)
instead, we channel the creative energy that keeps stoking up, that keeps us going. we funnel it out into threads of let’s-try-this or let’s-learn-that. when we can’t perform, we play. when we can’t play, we compose. when we can’t compose, we write. we find rivers we can enter and we wade in. we take risks.
in recent days i have come to realize that i still have much to learn…much growing to embrace. there are always more questions than answers. creativity whispers, “do not limit your future by basing it on the past, projecting what you can do based on what you have done. your goal is to be not just better than you were, but as good as you can ultimately become.” (todd skinner)
true in every arena of life…artistry, physicality, emotional health, motherhood, in community. much to learn. always. thriving.
it’s a mystery how it all will turn out. how, in the end, we will be seen. whether we will be prosperous or have a profitable life. if we will have boomed or been fruitful. whether we will have driven a fancy-car, a workhorse old truck or a steadfast littlebabyscion and what that all means to the world watching.
what will really matter – to us artists, adapting in ever-changing light and in each season – is if we thrived.