reverse threading

the path back is the path forward


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hummingbird reminders. [k.s. friday]

we have been tracking them. like really good private investigators – ok, not so brilliant but quietly watching – we watch the map that shows when they might get here. the map plots everywhere a hummingbird has been sighted and so we are anticipating seeing one anydaynow. we are waiting. with no promise at all.

“waiting for a train to go or a bus to come, or a plane to go or the mail to come, or the rain to go or the…” (dr. seuss – oh, the places you’ll go)

it seems that waiting is a thing. “i can’t wait till….” we find ourselves saying. impatient for time to slip by and for the anticipated moment to arrive.

yet, exquisite it is to sometimes simply linger, to stretch out minutes, to wade in the shallows of right now. waiting need not be passive. instead, it is filled with arrows-forward-arrows-back present-time. it is the only thing we can really feel, the only air we can breathe, the only. it is all that we have at the moment.

i’m sitting against the headboard, my pillows falling into the abyss between the iron bars. i can feel wrought iron against my back as i think about readjusting my stack of fluffy polyester and down alternative. i can hear the taptaptap of david typing next to me. i can hear the gentle easy breathing of dogdog at my feet, dozing and dreaming. if i stop typing i can hear birds outside, the pond gurgling, wind in the trees, every now and then chimes. if i close my eyes i can taste the last sip of coffee and see the maypole i thought about on monday’s mayday.

there are many things i cannot wait for. to see my daughter, hug her, hear her voice in the same room. to watch my son perform at pride festival in chicago. to take a roadtrip. to finish a long chapter that has had challenges.

but i am reminded – every day – that to rush would be to miss it all along the way. i am reminded to stroll or, at most, skip.

our trail has signs that designate a trot as the terminal gait. were i on horseback i would be tempted to canter – for the thrill of it. but i would go back and do it all again – walking and, maybe but not likely, trotting. i would stroke the mane of my horse and talk quietly about all we were seeing. i wouldn’t worry about the end nor would i gallop cause i couldn’t wait to get there.

i’d go slow. and try to relish the now, pushing back impatience so as to wait to feel the restlessness of waiting.

the hummingbirds remind me.

it’s all we have at the moment.

*****

waiting ©️ 2005 kerri sherwood

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the pony. [k.s. friday]

and – up close – if you choose – you will see the foreleg of a winter-dressed pony, the extra cold-weather-coat trapping hair next to the skin of the horse, keeping him warmer. he is stopped, gazing at the distant field, ready to canter into it, the exploding of freedom of movement.

and you blink and it is a cattail. one of many in the field, waiting in the marsh through autumn and winter for early spring. as many as 250,000 seeds, white fluff sailing and transported by birds and breezes. and the life cycle continues.

it is winter in my studio. the rhizomes are gathering underground, together with the cattails. maybe around the spring equinox, maybe a bit later, the shoots will rise out of the ground – like a phoenix out of ashes – and new sprouts will grow and grow. the cycle germinates and pollinates and seeds will fly again. the birds and the wind and i will play for you – seeds and notes flying.

in the meanwhile, i wear my winter coat. it is keeping the heat in. it protects me. insulation for shelter in this long and cold winter, to shield in the storms, to brace in this fallow.

but soon, soon, with the sun and fresh air, the pony will run free.

*****

UNTITLED INTERLUDE ©️ 1995 kerri sherwood

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my tiny bonsai. [not-so-flawed wednesday]

if the price tag had not read $9.99, i would have purchased this tiny stake sign. but, at that very moment, despite the it-made-me-pick-it-up marketing, $9.99 seemed a tad bit high for a five inch tall sign. still, ridiculously cute.

our sunroom is filled with plants – everything from an exploding ponytail palm to stalwart tiny cactus twins “the dots”, to charlie, the heart-shaped leaf philodendron to snakeinthegrass sansevieria to kc, my difficult bonsai gardenia. kc is my problem plant-child. i mist kc, i use distilled water, i have fed it and keep the bottom tray filled with moisture, i turn it to face the sun. despite my attempts to have conversation, to really share life – for i talk to it every single day – kc is stubborn. next i will seek specific bonsai gardenia plant food – there are several options online. i’ll probably do some research to really determine the proper way to nurse this treasured plant back to good health. i’m not sure where i went wrong and it means so much to me that kc will be healthy and will grow – unfettered and with wild abandon. my relationship with this tiny plant has become a challenge.

you would think, had i purchased the tiny sign, that i would have placed it in one of the burgeoning clay planters. there’s a posse of plants responding to being nurtured. you would think that the e.s.p. of choice might be one that is flourishing.

but it’s not so. i, for sure, would have placed the stake into kc’s pot. for this plant – despite its complexity – is dear to me and is most definitely my emotional support plant. kc is a tiny slice of real life, a little unrooted, a little nutritionally off. when i got it, there were two buds on it. they never opened and, instead, fell to the dirt. my nurturing is not quite right yet. something is not quite right. feeling a little defeated, i keep trying to figure it out.

one of these days, i hope, i will walk into the sunroom and a tiny bud will have formed. and then – the day it begins to slowly blossom – i will know that i have done something right, something that touched it, something that let this little plant know its cherished place in my heart. its bloom will open and i will know that kc is ready and present – with me.

in the meanwhile, i will just keep on keeping on, trying to be steady and, just off to the sidelines, giving it unconditional love. i’m trying to be patient and let it do its own thing, while i quietly do everything in my heart to support it. i am rooting for this bonsai every day and i know that the bloom that will someday come will be inordinately beautiful, exquisite in every way.

*****

read DAVID’s thoughts this NOT-SO-FLAWED WEDNESDAY


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the turtles. [k.s. friday]

i think about the turtles. they are there in the warmer months, sunning on logs and rocks that jut out of the river. but, when it dips below fifty degrees or so – and stays there – they disappear. apparently, they dive down to the muddy bottom, their metabolism slows down, they require less oxygen. their mucky homes keep them safe as they bide time, these wise, long-lived creatures of the water and the land.

from time to time on the trail we look for them. we know where they hang out and have watched for telltale signs of small snouts poking out of the water. but then it got cold and we just missed them.

the river is alive with other wildlife. geese and a few hardy ducks, squirrels, deer – we see them as we hike.

but we always talk about the turtles anyway. just because we can’t see them doesn’t mean we forget about them. we know they are there – somewhere – in hidden spots, places they feel sheltered and secure. i think about what they might be doing. they are silent and the fallow is long. i trust they are sorting what is next, kind of like us.

he can tell you i worry about them, despite the fact that i know they are completely capable, totally self-sufficient, quite brilliant actually. nevertheless, i am more comforted by seeing the turtles every now and then – at least – than by wondering how they are faring. time keeps moving, though, and i keep hope that when it warms up and the turtles have a more secure sense of themselves in the world they will reappear, out of the suspension of presence. i’m hoping for an early spring.

i know that the turtles are aware i am watching for them and waiting. and the river freezes. and then it thaws.

*****

LAST I SAW YOU ©️ 1997, 2000 kerri sherwood

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waiting past dimly-lit. [d.r. thursday]

in color. it may be a while. winter is upon us. al fresco waits.

we walked past, on a dimly-lit day, as if there was a 40 watt bulb in a really big room. they caught our attention. i could hear the laughter and the clinking of dishes and silverware somewhere in my head, the strung lights turned on, maybe a little music. the picnic tables, the patio space wait.

we have had a string of days. dimly-lit. overcast and drizzly, a few snowflakes here and there, damp. the sun is out there, waiting.

we have had a string of days. dimly-lit. our spirits a little under-the-weather, a little tuckered-out, a little flummoxed. we walk the sidewalks of this small town, having gotten out of our heads a little. we assure each other – opportunity is out there there, waiting.

we pass signs of the holidays approaching…decorated trees, boxes of ornaments, star tchotchkes and packs of menorah candles in shop windows. waiting.

had we waited for dark, i’m pretty sure the little town west of milwaukee would have lit up. but we didn’t wait.

we drove home the backroads, through farmland and tiny towns. and when we got there we lit our own happy lights and sat at the table in our sunroom.

we talked about how lovely it was to just be out and about. a few moments in dimly-lit days with some added technicolor.

we bought our first led bulb. it’s 100 watts. we installed it in the kitchen schoolhouse fixture and made a stockpot of chicken soup by its light. we were surprised. the light was significant. we were going to wait, but the two-pack was on sale. so we didn’t wait.

the silver tree on the windowsill reflected the lights stretched across the open shelf. the star in the sunroom glistened, strung globe lights below it.

a little less dim.

the moon is waning, the stars are absent. but even in night-clouds, we see evidence-bits of them. waiting.

*****

WAITING ©️ 2004 kerri sherwood

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CHASING BUBBLES 33.25″ x 48″


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drum roll, please. [d.r. thursday]

we have waited.

it’s not like we will get a medal or a certificate or a trophy. we will not be featured in a newspaper article we can clip and put on our fridge with the pizza-place-magnet. we won’t be acknowledged on a who’s who list nor on a marquee.

but we waited anyway.

the fuel and heating company is coming on friday to do a check-up on our boiler. in the meanwhile, we have waited.

until now.

it is with a mix of pride and trepidation that i will approach the thermostat. under the flannel sheets and the comforter and the quilt all is well. but step out and whammo! the cold is biting. and that’s IN the house.

one glance at the grasses out front – oddly looking like a packer-backer display – and you know it’s fall. no doubtaboutit.

the weekend before this just-past weekend – that would be two weekends ago just to be clear – i pulled out a pair of boots with fake fur in them. the fur was visible at the ankle. i wore them out. and it felt completely wrong. it was too early. i put them on the steps to go back upstairs into the winter shoe bin.

but they never made it up there. because – suddenly – in the briefest of days passing – it was no longer too early. the autumn winds have found their way here and fur is in order.

so, today as i type – a few days before the day that this post publishes – my nose is cold and my hands are freezing. and i have to give in.

i need to turn on the heat.

there is something wistful about that. the end of summer. a time of fallow to come. it was christmas in the home improvement store the other day and it’s not yet halloween. for a few moments, i panicked, thinking about how i had not completed or even started any presents-shopping. i mean, whattheheck, i just started wearing furry-ankle-boots. i relaxed as we passed the trick-or-treat candy display and the plastic pumpkin pails and perspective returned.

so – though i am hoping the fuel and heating company might come a little sooner – maybe someone will cancel their check-up, deciding to tough it out ala life-below-zero folks, deciding that mr. we (as 20 calls the electric and gas company) won’t be racking it up – atleastnotyet – on them, deciding it’s not that bad and wearing one of those snuggies – the official blanket with sleeves – all day – i think that it just might be The Day.

at the very least, maybe we could have a drum roll.

*****

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earth interrupted vii (48″ x 36″)…the colors of deep fall
(the snuggie from my sweet momma)


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cheese curds and awe. [d.r. thursday]

the table is staged, ready for diners. linen napkins rolled, silverware inside. water glasses turned over and candles unlit. waiting.

block 37 on state street in chicago has at least a dozen eateries, a highrise group built post-2005 of dining restaurants with napkin rolls, bakeries with cupcakes and sticky donuts, coffeehouses and grilled cheese spots. all waiting for eaters. there are shops and there is a residential development, multi-use skyscrapers.

eighteen years ago today. block 37. the yamaha concert grand was on an outdoor stage in the sun in a tree-canopied park when we arrived. boom mics. monitors. staged. ready. waiting.

it was the tour of hope, a giant oncology event sponsored by bristol-meyers squibb. lance armstrong, a cancer survivor and chosen sports hero for those moments, was biking – with an entourage – across the country to raise awareness about cancer and survivorship and hope. and we were there to be part of the rally. the piano and boom were waiting for me.

in the way of not-knowing-when-important-stuff-is-happening, we meandered through the people getting ready for the arrival of the posse of bikers. we sound-checked, we did early photo shoots, we sipped water on a perfectly-perfect early fall day.

it was the day i met him. a dear friend who i’ve only seen in person once in my lifetime. scordskiii became the rock in my world as the years went by and, were we to sit and visit over coffee or sushi or a glass of wine, i suspect the conversation would be easy and constant, filled with reminiscing and laughter, not just a little wonder, and hushed moments in awe of it all. this would be a good thing. eighteen years is a long time.

we are slowly coming out of the cave. slowly. ever-so-slowly. we have actually been to a couple restaurants now. and this day – last week – was one of those times.

the tables at the restaurant were ready and we walked in to find david’s dear friend waiting. they have known each other for decades, though – since they live far apart – they haven’t had opportunity to see each other much. no matter. it is the gift of true friendship. the moments when all time sloughs off and, in awe of this magic, you return to the organic core of your relationship.

we had fried wisconsin cheese curds. it was a farm-to-table restaurant. we were surrounded by relics from farms and warehouses, all dating back, maybe even a century. we sat and sat, talking, sharing. people came and went around us, though no one was seated close.

i glanced at the other tables when we stood to leave. the napkins were rolled and the water glasses were turned upside down. and the dining tables were waiting for the next time people would sit and ponder life, its questions, its challenges and joys, the next time people would share a little space together. the next time people would look at the face of a dear friend before it was time to go.

the years…they fly by.

*****

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vertically. [k.s. friday]

they move them vertically. not horizontally. vertically.

the yamaha CFIIIs is a powerhouse 9-foot grand. a piano, it is a canvas waiting, blank, black and white.

they move it in, attach the legs. the technician shows up, tunes, voices, listens. the artist plays. the technician futzes some more. it’s a dance, making sure it is ready. the piano is patient and steady.

i have had the good fortune of being a recipient of these pianos. they have been delivered to recording studios, to stages, to televised venues, to big outdoor parks. the CFIIIs and the C7 are THE pianos. hands down.

at the elton john concert in charlotte, north carolina with d, my daughter and her boyfriend, he marveled at the load-in-load-out that it must take to move the ej piano, band, set, lighting, media show every night or so on the “farewell yellow brick road tour”. mostly, he talked about the piano, about how amazing it was, and how much it must cost, and how it must be moved, and how not just anyone gets to play that, for sure.

because most people believe it is moved as is – horizontally – i explained that it’s moved vertically, on its side.

but i didn’t explain how i knew. i didn’t talk about how many extraordinary pianos had been brought to me that way, how many on which i had performed or recorded. we were at elton john’s concert and he is – truly – a shining star.

inside, though, i knew. i could feel it, that urge to run up on stage, grab a boom mic, stand at the piano and play and sing. poking at me like a snickers bar. “i’m still standing. yeah, yeah, yeah.

the other day – at the daniel stowe botanic garden – there was a small grand in the atrium. my daughter looked at me when we walked in and said, “it says you can’t play it.” i went over to look at it. “no worries,” i said, laughing.

but at the ej concert….now that’s another story. he played and sang and i was proud to also be a yamaha artist.

“my gift is my song and this one’s for you.” (elton john – your song).

the words rang in my ears and my heart attached the exclamation mark. my gift IS my song…all of them…the ones with words and the ones without. the ones with music and the ones without. the ones written and the ones not written yet.

maybe there are still vertical pianos out there waiting. for me.

*****

WAITING (from JOY) ©️ 2005 kerri sherwood

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the glow. [d.r. thursday]

even on a foggy, overcast day, looking down from the ridge the glow was unmistakable. the everciduous beech trees stubbornly held their leaves, dying the brown woods a shade of cantaloupe or hard-to-identify pantone.

the forest floor below our feet was shuffling-full of leaves, oaks and maples and a variety of brown county timber. vines curled their way around trees in attempts to find the canopy. on this winter day, were it not for the marcescent beech, we could see further than any other season in the woods.

marcescence, i’ve learned – for this is not a word that sprang to the forefront of my mind – is the retention of leaves through winter. it isn’t until the leaves are completely brittle and wind takes them that they drop. and in the meanwhile, new growth – new leaf buds – have been protected and had access to nutrients and moisture, a sort of still-on-the-tree mulch.

it occurs to me that marcescence is like changing jobs. one generally holds onto a job until retaining the next, the security of employ feeding confidence and necessities while new awaits. it’s always a little disconcerting to leave before next is there, a leap of faith, sometimes, a premature leap, with regret.

yet sometimes, it is absolute. we drop our leaves. we stand naked in the forest, tall and exposed, willowy trees waiting for spring. sometimes we shed all that protects us and take risks and go fallow in liminal and shiver in cold winds. we gaze around and see everciduous folks nearby, confident, predictable, stalwart. we dig in, deep roots of belief in ourselves despite weather that tests us. we draw from the ground, are fed by what we know, what we have learned, what we have created. we hold onto tiny bits of light. we protect the glow. we push on.

and new buds show up. spring always follows winter.

*****

read DAVID’S thoughts this D.R. THURSDAY


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i left it there. [two artists tuesday]

i left it there.

we had a few hours and needed a fix in the mountains. just a short distance away from congested civilization was a trail that lead into higher elevation and quiet. everything else slipped away as we climbed and followed the columbine.

i was moved by this fragile blossom on the side of the trail. delicate and perfect in every way that flowers are perfect, i picked it up, turned it over, felt its short life. like the sun, its tiny petals radiating from the center. its flawlessness is simple; its budding-lifeline complete. it was laying in the mountain meadow, waiting to be noticed. not much different than any of us.

and then, i laid it back down where i found it. and it will be there for the next person who hikes by, glances over and sees it. one sun-low-on-the-horizon-fall-dried-flower-blossom, past its season but not past its beauty.

that’s why i left it there.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY