reverse threading

the path back is the path forward

Tag Archives: relevance


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indeterminate like tomatoes. [kerri’s blog on two artists tuesday]

in 1992 david sold a painting to a man he has not spoken to since. a couple days ago he received a message on his website from this person – reaching out to tell him how much he has enjoyed this painting for the last almost-35 years. they mutually agreed that the reaching-out-reaching-back was like a homecoming.

this is why painters paint, why recording artists record, why writers write.

because sometime – in the vast sometime that is time – and somewhere – in the vast somewhere that is out there – someone is touched by a work and actually reaches out to let you know.

from conception to completed work – is anything really complete without an audience? – we work to bring to life an idea, a question, a texture, a gesture, an emotion.

just like these cherry tomatoes we pay attention…check on the necessities – like sun, water and sources of inspiration, muslin-tie up the branches that grow long and lanky, heavy with early buds and new fruit – protecting the muse, watch for pests – like aphids or a lack of confidence, hope for the best – tomatoes in the end or something worthy to release into the world. and then we set it free – this piece of us – so that we can start what’s next.

i learned early in the studio that to hold on too tightly to a track of music is to never be able to move on, to never grow, to never period the sentence. despite any lack of total perfection – for is anything ever really, truly perfect? – i learned that good is – actually -good and, by accepting that, i could produce a finished product.

the recording label our son owns posted a meme one day which read, “just make it EXIST first. you can make it good later.”

I laughed reading this. it goes hand and hand with the john cage quote i have in my studio: “begin anywhere“.

it is both in the trepidation of the beginning – and the anxiety of the finishing – where artists can get lost. it takes practice – and courage – to start. it takes practice – and courage – to finish.

it never hurts to hear from someone that a work has made their world a little bit better, even that a work has accompanied them – for years and years – on their walk in the world.

the cherry tomato ripens. if all the conditions are right, it’s inevitable. and, in the way of indeterminate tomato plants – which “continue to grow and blossom and produce fruit throughout the entire season” – more tomatoes will ripen – even if you pick some and consume them, even if some fall off the vining branch. the plant keeps on, regardless. “there are no gardening mistakes, only experiments.” (janet kilburn phillips)

so, too, it is with artistry. we are indeterminate – it is the imperative – we will continue to grow and blossom and experiment and produce more fruit our entire seasons – especially if all the conditions are right, especially when we know the fruit resonated with someone in vast sometime-somewhere.

no matter, though. the tomato plants keep growing wildly in these weirdly wisconsin sub-tropical summer days. despite it all.

and the artists do as well.

“…stick with it no matter what. tell your story.” (barkersounds)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

FARM
TO TABLE

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waiting there. [kerri’s blog on two artists tuesday]

it is with great anticipation that i wait for the peonies. it’s a long process, from the ground up. from the tiniest maroon sprouts to buds just waiting to burst furth into the world – it’s glorious and wonder-full, and each year now i am thrilled to see the arc of these beautiful blooms.

my son said something in a social media post the other day that really stopped me. i went back and listened again. and again. he said that music waits for you…it waits for you to “come to it on your timeline”…it waits for you to come back…”it waits to accept you, ready to understand you.” it’s “never gonna go away and it’s always going to be there for you.”

and in those words, he brought tears to my eyes. not only because what he was sharing in that post about himself was vulnerable, not only because part of what he was sharing made me very sad to hear. but because his joy in the journey back to music – his music – was so clearly buoying, so very triumphant, a mighty trajectory of his creating.

i’ve been turning on the salt lamp in my studio lately. it’s like i want it to stoke up good energy in there.

standing next to my piano, i held the crystal divinatory pendulum in my hand, thinking about what questions to ask it…understanding that my subconscious would likely dictate what the answers would be. there are times that one is not really sure of one’s own subconscious thoughts or biases, the ability to translate from desire or idea into reality, into do-ing. times when pain pushes aside artistry.

i purchased this pendulum in a cool hippie store in northport, my hometown. on purpose. i thought it was striking – even in its simplicity – but i also wanted to bring home a bit of the internal-intuitive-wisdom and lighthearted belief-in-the-universe i had lost in that place decades ago. in these days of falling back in love with that harbor town, i wanted ways to surround myself with what i remembered about myself from the olden days of being in love with that water, that sand, that place. twelve dollars wasn’t too much.

and so, the other day i took it out of the small suede bag and held it first in my hand, reminding it who i was. and then i held it up and asked it to show me yes – it circled around. i asked it to show me no – it moved in a straight line back and forth.

and in the following minutes i asked it – words to the effect because sharing my exact words is just a bit too much right now – whether i would return to the music that was waiting for me.

it was still and then – i suppose after accessing my heart, the wistful tendrils of hope, the very tentative wisps of maybe-it-can-be-so, it circled wildly.

i thanked it and quietly put it away, not wishing to go any further right then. it was enough. we’ll see. the arc is not closed. the peony is going to bloom.

“music…it’ll be waiting there, ya know,” my wise son said.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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just in case. [kerri’s blog on two artists tuesday]

(about this week: there is a peril, it seems, to writing ahead these days. we had decided that this week – the first full week of a new year – we wished to use images of light as our prompts, we wished to linger on the possibility of light, of hope, of goodness. though our blogposts might stray from that as we pen them, it was without constant nod to the constant updating of current events – a mass of indefensible, unconscionable acts. we pondered what to do about these blogposts we had written and decided to keep them. we hope that – even if any absence of the happenings of the day, even in the chance these written words seem somewhat inane at this moment – you might know that those events – of corruption, illegality, immorality – do not distill or distort our intention – to bring light and hope to this new year – the first days of which bring more insanity and unnerving instability. we are still holding space for light.)

and so…

we didn’t burn the chiminea this past summer or fall. but it sat outside in our backyard, waiting, just in case.

and when winter came and we were in the middle of the middle of rearranging and sorting and all that other stuff I’ve been writing about in the going-through of one’s trappings and baggage, we looked over at it waiting and decided to bring it inside.

we tucked its gorgeously sculptural clay form into the corner of the sunroom, eliminating a high stool we tended to pile upon, simplifying the space. we added a strand of happy lights and a timer and we placed a heart-leafed philodendron on top of the chiminea’s cap.

we stepped back to see it. to decide.

the chiminea has been there every day since and every day since we have exclaimed (yes – exclaimed!) how much we love the chiminea there – inside – in our sunroom – across from the backdoor – tucked in the corner – lit.

i suppose were you to step into our house you might wonder about it. we have these two chunks of concrete, a salvaged architectural column, a reclaimed repurposed piece of old desk, a weathered deck-glider, old suitcases, driftwood, an aspen log, old doors as tables or propped against the wall. in my studio there’s a metal slatted swivel patio chair topped by furry pillows, an old stool, the skeleton of a lampshade. there’s a vintage mailbox with our house number in the bathroom that holds magazines, glass doorknobs that hold towels, an old black shutter that holds space. old coffee pots hold teabags in the kitchen and an old trunk holds a metal sculpture in the hallway. there are two old window frames on the radiator in the sitting room across from a small rickety farm table. and we haven’t gone upstairs yet.

sometimes we take a little walkabout through our house and talk about these things. we kind of glory in the repurposing of these old objects, otherwise possibly put out to pasture. i’d like to think of them all as just waiting.

relevance is a funny thing. like most everyone else, we could certainly go to the local furniture stores and pick out contemporary (as in at least this decade) pieces with which to furnish our home. we could have things that are more – say – typical, more – say – normal, less – say – unusual. but those would also be less relevant to us.

because we are just like the chunks of concrete, the old desk, the weathered outdoor pieces, the old doorknobs and coffee pots, the chiminea.

we are artists. always waiting to be seen. always creating. just in case.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY

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children and dreams. [kerri’s blog on merely-a-thought monday]

it made me cry. it was all i could do not to down-and-out messy cry. had i lost control it would have been ugly. i grieved for every single american child as i struggled and hiccuped my way back to some semblance of calm. phil vassar’s lyrics were poignant and profound and deeply troubling.

the concert was amazing. phil vassar is a prolific songwriter, a consummate performer, his voice strong, his ballads clear. i’ve seen him in concert several times and was thrilled to see him again. he is now 63 and, having had both a heart attack and a stroke, he is making his way back – to the attention of the public – for the public forgets quickly.

there are artists you hold onto, particularly when you are an artist yourself. you know when there is something absolutely special about someone – you can feel it. every song, every note, every sung lyric – this man is a master singer-songwriter. there’s nothing really fancy about him…he plays a painted acoustic yamaha piano, often standing (which i can totally relate to). his band is extraordinary and tight, the perfect backup for him.

“cause 419 lakewood had no silver spoons/just an old beat up upright that played out of tune/now i’m singing and living the life that i love/and when i count my blessings i thank god i was an american child/an american child/’cause dreams can grow wild born inside an american child.” (american child – phil vassar)

every american child.

and that’s why i cried. because it’s no longer the same. i cried for my adult children. i cried for my friends’ grandchildren. i cried for the children i don’t know. i cried for what this country has lost, the dreams that have been violently stolen, the hope that has dissolved, the democracy that hangs by tiny filaments.

at the end of the concert, phil vassar – in seemingly no hurry at all – sat on the edge of the stage and chatted with people, took selfies with his fans, signed shirts and hats and cds.

i stood at our seats and watched, both proud of him and a little bit stunned at how very gracious he was – his obvious, deep gratitude to a concert hall that should have been filled.

i knew he couldn’t hear me – and i didn’t go up to tell him – but as i stood there i whispered, “you’re relevant, phil vassar. you’re so relevant.” deep down, he already knows. he’s always been relevant.

an american child. the american dream.

“there is no trust more sacred than the one the world holds with children. there is no duty more important than ensuring that their rights are respected, that their welfare is protected, that their lives are free from fear and want and that they can grow up in peace.” (kofi annan)

“a promise once made/will it shine, will it fade/will we rise with the vision or fall?” (american child – john denver)

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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tiny nails. [kerri’s blog on merely-a-thought monday]

“may i be the tiniest nail in the house of the universe, tiny but useful.” (mary oliver)

it was astounding. we were on a hike and heard a crack in the woods. we looked to our left – where the sound had come from – and watched a towering tree fall onto the forest floor. powerful. humbling. just stunning to witness.

naturally, we looked it up – is there meaning to being the sole persons witness to a tree falling in the woods?

in what would seem narrative written for the moment, these words: transformation, renewal, release, resilience, cycles of life, interconnectedness, impermanence.

we sat – later – on our deck – and talked about these words.

the experience of something so rare fell right in line with another experience we had this week. for the first time while hiking, we encountered a bobcat. the big cat was on the trail and watched as we approached. it didn’t take too long before it glided into the underbrush, over toward the river. but it left us just as stunned. such an elusive creature.

and…at a time when looking for meaning in what is going on around us seems so difficult…we wondered, is there any? we found that our very rare bobcat sighting was a reminder to acclimate to shifting circumstances, to embrace change, seize new opportunities, to thrive though all that is ever-unfolding.

now, that’s two stunning events in less than a week. i might say we are paying attention. we have been present to the rare; we pay homage.

so as we carry on here – doing the best we can to be tiny nails – to make a tiny difference, our theme song is one of adaptation. in variations on the theme we do what we can to seek new beginnings, to shore up our inner strength, to be useful, to be aware of the profound impermanence of it all.

to be witness in, to and with the universe.

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY

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on and on. [kerri’s blog on d.r. thursday]

the daisy might have thought no one would notice it. that it was past being noticed.

but i was drawn to it as we passed by. nestled in the grasses on the side of the trail, it spoke to me.

“i am not done, though look past my prime.

i am still in the sun, still standing in time.

though shrivelly and dried,

i don’t need to hide;

i know i am beauty and am very alive.”

i was surprised to hear a daisy speaking in rhyme, but not surprised at its expression of beauty, its yearning to be poetic.

i’m finding more and more – in my time in the sun now – that it is the poetry that makes me linger. it is the waning moment in the sun, the flower post-bloom, the cracked plaster, the weathered peel of paint. it is the imperfection that is attractive, the slowing gait, the putting-down of ladders, the simplicity of less.

like the daisy – i don’t know what’s next. i am steeped in the here. biding in the meadow.

but right now daisy’s yellow disc florets are in symphony – in a song to the sun and everyone else under the sky – whether or not anyone chooses to listen. it will continue on and on, weaving through the underbrush and the woods, past the river and up, up floating in clouds. it won’t cease…it is not done.

my song to the sun is gathering up energy. it, too, is not done. though nebulous, i can sense it wakening. though slightly beaten and weathered, i can feel it rising. though slower, i am aware of its resilience. though tentative, i recognize its imperative. the downbeat waits patiently.

a poem. a symphony.

like daisy.

on and on.

*****

read DAVID’S thoughts this D.R. THURSDAY

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i can see it. [kerri’s blog on k.s. friday]

“tonight while the lights are shining
and the microphone is on, i’ll play for you…” (seals and crofts)

or no lights.

a piano perched among the boulders looking out toward the mountain range – in this very special place. a boom mic.

in my dreams, i can see it.

the bigrocks are seats and the program is not written. it all comes from the spirit in this place, from air, from healing. and – even more specifically in my dream – a yamaha disklavier pro minus the fancy-schmancy newfangled stuff – an instrument to record directly to disk…on-the-fly on-tape, in the vernacular.

in my dreams – in my regaining of feeling relevant – my fight to regain relevance – as a 65 year-old recording artist who broke both wrists snowboarding and then tore my scapholunate ligament (leaving me with a rh grand total of 45° forward rom) – i am sitting at C7 pros all over – in fields of boulders, in canyonlands, perched on mesas, in meadows of wildflowers, on a cool sand beach. i am playing the boulderfield, the canyonland, the mesa, the meadow, the beach. it is a conversation between us – even, maybe – through me. it is simply an offering to anyone – or any one – who wishes to listen. it’s a dream awash in unlikelihood but with maybe-just-maybe the smallest iota of possible. maybe we can make it happen.

i stood – again – on the most obvious rock from which to bow to my invisible audience. and i bowed low.

because sound or not, there is music. sheet music or not, there is composing. audience or not, there is listening. it is all happening – simultaneously. right there. in that place.

the boulders on the grassy knoll know it. and i can see it.

“i’ve practiced many years
and i have come a long, long way just to play for you…
my life is but a song
i have written in many ways, just to say to you…”

*****

LONGING ©️ 2004 kerri sherwood
HOPE ©️ 2005 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY

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still relevant. [kerri’s blog on saturday morning smack-dab.]

it’s a true story. we’ve had plenty of heat index temperatures higher than normal. everywhere. even in wisconsin. so the other day, anticipating two full heat-dome days of feels-like temps of 110 plus, we looked at our little old a/c unit in the window and figured it was time to turn it on. ahead of time. to get a jump on the oppressive heat.

it’s an old unit – 20 years old, maybe older – and it was going to have a big job to do. the more recent air conditioners clearly are more efficient, energy-wise. they are maybe sleeker looking. perhaps they blend in better and are less noisy. they have different components than ours, different mechanisms.

our old amana window air conditioner is simply a workhorse. it cools. it is dedicated to cooling a room. it gets the job done. we have not devalued it because of the year it was built or the time it has spent as an air conditioner.

we stood in the dining room – by the window where the unit is installed – and proudly looked at our old air conditioner. in a fast and ever-changing world, it might seem beyond its time, beyond working well.

but it is dutifully unfaltering. its old-air-conditioner-wrinkles belie its steadfastness, its expertise at cooling. it has experience, history, tenure doing its work in the world. at this moment in time, to us, the people who wish it – need it – expect it – to do really good work, it is clearly invaluable.

it may not be a younger air conditioner, but – particularly on these 110 degree days – it is mighty relevant. i’m happy we are smart enough to recognize that.

and this, my dear friends, is the fable of two people in their 60s out in the heat-dome of the work world.

*****

read DAVID’S thoughts this SATURDAY MORNING

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SMACK-DAB. ©️ 2023 kerrianddavid.com


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mighty sunflowers. [kerri’s blog on not-so-flawed wednesday]

and there is nothing about sunflowers most people don’t love. a brilliant statement, profound color, turned to the sun, following the sun, seeking to be nourished, supersized flowers that are hard to miss.

they stood proudly in a tall vase on our dining room table for a week – cheering us on, a direct line to the sun’s energy, the love of the universe. they didn’t try hard – they were divine without trying.

and then, just as remarkable as in their standing, their reaching up-up, they began to bow. deep curves of thick stems turning down, toward the tabletop, the disk florets invisible, the yellow-orange ray flowers starting to brown and curl, green phyllaries twisting and lifting away from the back of the disks. a graceful bow, with no effort to resist succumbing to this bending down.

there are most definitely times that we would be served well to stop standing, to stop reaching, and instead to bow down, to lower our constantly-looking-forward gaze and, instead, to rest in a moment of humility, a moment of be-here-now, a moment of gratitude.

maybe this is what makes sunflowers so mighty. they instinctively know that there will be balance. they know that they will not always be tall and upright, gorgeous and fresh, colorful and crisp. they know that they will someday be arched over, wrinkly, no longer striving to be lofty. that they will arc on their strong stalk and they will humbly move into next. they know this wilting is no less important than blooming, for it is in wilting that seeds are released and a new lifecycle is possible. they know both are ever-relevant.

right now we are standing in vases, our faces to the sun. we are soaking up whatever energy we can grasp. we are aware that time flies by on the whisper of the jet stream, on the spinning-spinning of the earth’s axis.

soon, we begin to bow, ever so slightly. we lean a bit on the next big blossom of disks and ray-petals. we wrinkle and wobble in place, lowering our gaze to take in those around us. and then, after much time has passed in the sun, we bow in appreciation. there will be many more.

and we know we have made a mark in our blooming and in our wilting. for we, too, are mighty sunflowers.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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frankie’s wisdom. [saturday morning smack-dab.]

there was an emphasis on beauty long before mass media made natural aging formidable. women and men, but especially women, went to lengths to be beautiful, taking great pains to conform to whatever was the current measure of beauty.

but in the past century – later 1900s through now – there has been a shift to devaluing the aging process, to undercutting the beauty of what aged looks like. the look of youth is prized disproportionately and has made middle age look inadequate. we are under siege and it is increasingly impossible to measure up to those decades younger.

there is no good reason any woman of any age should be feeling that beautiful is not unconditionally hers, is not inherently attainable. there is no good reason any young woman, glowing with new maturity, should be feeling beauty-challenged. there is no good reason any woman on the menopause roller coaster should be feeling that beautiful is bygone. there was no good reason my sweet momma, at 93, should look in the mirror and sorrowfully cry, “i look like an old woman!”. on the contrary.

the confidence, just like the wrinkles, has been earned over a lifetime of living, over struggling to be healthy, to be engaged, to learn, to be active. there is no measure for the wisdom gleaned and the story each of those wrinkles might tell, the love and struggle and perseverance each grey hair might represent, the days in the sun playing with children and grandchildren reflected in crepey skin and the lines next to her eyes from laughter with her friends.

just like hallmark aggressively pushing made-up holidays or the internet naming days as “national – whatever – day” compelling us to be involved, mass media on all levels, in all arenas, has foisted “youthful appearance” upon us as the measure of value, of validation, of relevance.

the cultural preoccupation fighting the intrinsic processes of aging is surely a mark of ignorance, of superficiality, of contrived campaigns for products and images from which we should gracefully walk away. transformative surgeries and injectibles and laser work are on a stunning rise. for what?

surely in this society we are not as inept as it seems at helping others, particularly women, to develop self-esteem, positive body image, confidence.

surely our preoccupation should be on frank lloyd wright’s words, “the older i get, the more beautiful life becomes.”

my daughter – naturally amazing and naturally beautiful and naturally talented was not even twenty when she chose those words – in french – as her first tattoo. ink as a reminder. words of wisdom.

*****

read DAVID’S thoughts this SATURDAY MORNING SMACK-DAB.

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