“a ship in the harbor is safe, but that’s not what ships are built for.” (john a. shedd)
i daresay that any artist understands this. there is no pursuit of artistry without the taking of risks, the exposure of vulnerability, the stepping out of one’s comfort zone. our job – as artists – is to seek growth, to encourage growth, to open up vast space of potential instead of squeezing complacency.
our trip back reminded me of this. the sailboats, the cruisers, even the skiffs in the harbor are protected…from the challenges of the elements and any stormy surf. but these boats will not stay in the harbor. people will take them out on the sound, perhaps around the island to where the sound and the atlantic meet, perhaps further into the ocean. they will explore and adventure; they’ll follow a star they alone can see.
we followed the star here. this is my chance to reclaim it all, to find the 19 year-old i lost, to hold her and assure her that she is now safe and that i have taken on that which attempted to squelch her forever. ships weren’t built to stay in harbors.
i have found my way home – intentionally. and in that finding, i have found her. and in that finding, i hope that the so-many-years lost will come rushing forward – music in every star i can see, in every star i can capture.
and the ships in the harbor will bear wings and, all together – with me at the helm – will sail into next.
for reasons we will not elaborate on, we are writing these blogs ahead. and, in true fashion of the times we are living in, there are zillions of things that have happened or are happening between now – as i write this – and now – as you read this. in the chaos in which we now exist, it is impossible to stay afloat of all of it…
because we care about the littlest creatures around us, we have several surfaces we line with birdseed, in addition to our birdfeeder. barney, the upright piano in our backyard, is one of them. another is our potting stand, these pieces of barnwood that stretch beyond our deck, sitting on metal piping, waiting for planting season when it will sport our basil and jalapeño, dill and chives, rosemary and cherry tomatoes.
our birdies love dining on these flat surfaces and gather together on the piano or the stand or off to the side, waiting their turn. the squirrels are zealous about these flat surfaces, as the birdfeeder gives them a tiny run for their money, a small challenge that is, however, most definitely not insurmountable. either way, they fill up to run off and provide food to the others.
we try to keep these surfaces with food, replenishing them to help these little creatures, particularly through the winter. we want them to feel abundance, not lack.
because helping others – people or creatures – to feel abundance seems like goodness, kindness, the right thing. and, in a world where we all unintentionally do things that are right and things that are wrong, it is a good thing to intentionally do some right things.
last week the administration of this country declared in unconscionable screeds that he was going to obliterate an entire civilization. that he was going to make them live in hell. there were moments – after that particular weekend of his screed – that i could not breathe.
in a really stunning opening to his show the night that the administration decided on a two week reprieve before reconsidering his big obliteration, lawrence o’donnell called it what it really was – an obliteration of OUR nation – THIS place – every ideal for which we have EVER stood. i could not agree more.
we sometimes intentionally do things that are wrong – start an argument, go over the speed limit, fail to put recycling in the correct bin. we sometimes unintentionally do things that are wrong – step on someone’s foot, push the grocery cart into the back of someone’s ankle, cuss in the wrong situation, cough suddenly without covering our mouth. most of these things are presumably forgivable, solved by apologies or decisions not to do it again. sometimes there are wrongs that are bigger, that require grace, true humility, olive leaf amends.
we sometimes intentionally do things that are right – give a bigger tip than recommended, donate money or food or other staples to a person, an organization, a pantry, help our neighbors, friends, family without being asked, pick up trash on the trail, listen when someone needs a listener. sometimes there are rights that are bigger, that are stunningly altruistic, that set examples.
we wish those around us to feel that we are generous in those things – the right things – that we hold abundant love and care for those around us.
we watched the rescued hearts film. it is an incredibly moving piece about the heart that horses hold in space with humans. with abundant love, these big, beautiful creatures reach across any boundary of language to extend love – in heart-opening abundance. these horses are catalysts for healing. it is not a film about control – it is a film about connection. it is a film about transformation. it is a film about sheer potentiality of what we – with all of nature – can provide each other.
this film is the antithesis of the threat of obliteration. it is not about lack. it is the epitome of abundance.
the rescued hearts film and this squirrel on our potting stand also make me catch my breath. because goodness is all around us.
and how anyone could not choose goodness over the worst cruelty is beyond me.
we ordered small plate tapas. later, they brought birthday churros to our table. there was a candle – lit – and though the server was a bit shy – he seemed really happy to singto me. it was totally delightful. we dipped our churros into the melted chocolate and sweet powdered sugar, sipped our homemade sangria.
there was just one thing.
i found myself grimacing at the blue candle with the stars. it felt a bit too reminiscent of the stars and stripes of this country’s flag. right now i, like many others, have a complicated relationship with that flagand what it supposedly stands for.
because birthdays are like that, my mind zoomed backwards to standing in elementary school classrooms reciting the pledge of allegiance.
“i pledge allegiance to the flag of the united states of america. and to the republic for which it stands, one nation, under god, with liberty and justice for all.”
and here we were. in the walker point neighborhood of milwaukee – a wonderfully diverse community – diverse in race, in gender identification, in economics. i was welcomed and, just as every other time we have spent in this community, we felt at home. one nation, under god.
sometimes, in our elementary music class, we would sing the patriotic ballad:
“my country ’tis of thee / sweet land of liberty / of thee i sing/ land where my fathers died / land of the pilgrims’ pride / from every mountainside / let freedom ring.” (samuel francis smith)
sweet land of liberty. with lyrics written 195 years ago, a children’s choir first performed this song. what would those children be thinking now?
trying to slough away any negativity, i tried to think of the stars on the candle like stars-as-in-stardust. but the blue of the candle got in my way and as much as i loved having a birthday candle with my churros, i couldn’t help not being able to push back against the other realities right now – the realities that this country – at this time – is not a sweet land of liberty and freedom is not ringing from every mountainside.
as i am writing this – ahead of when you are reading it – i just now read that the supreme court has ruled against a ban on conversion therapy aimed at lgbtq youth in colorado. read that again: against a ban on conversion therapy.
and as i am writing this – ahead of when you are reading it – the “god squad” panel of the cabinet has voted to disregard decades-old laws about endangered species in the gulf in order to make.more.money drilling, the GOD squad?! ewww.
and as i am writing this – ahead of when you are reading it – the administration has decided to dismantle the united states forest service.
and as i am writing this – ahead of when you are reading it – the epstein files continue to languish in secrecy and the administration is doing everything in its power to keep it that way – including even more blatantly personalizing the efforts of the justice department.
and as i am writing this – ahead of when you are reading it – the supreme court has taken up considering the continuance of the 14th amendment of birthright citizenship. “…granting citizenship to all persons born or naturalized in the United States…” ” no state shall make or enforce any law which shall abridge the privileges or immunities of citizens of the United States; nor shall any state deprive any person of life, liberty or property, without due process of law; nor deny to any person within its jurisdiction the equal protection of the laws.”
and as i am writing this – ahead of when you are reading it – this country – without permission of the congress or support of the populace – is destroying another – using bracing descriptor words like “decimating” and “decapitating” and “lethality” and “back to the stone ages“.
but, well, i guess when you are cavalier and righteous – and corrupt – you do what you want to whomever and whatever you wish. no questions asked. no answers given.
that doesn’t seem to be the right answer for a republic with liberty and justice for all.
i sometimes save birthday candles. to remember. but i need – and wish for – a new relationship with the flag – a revival of the celebration of diversity and majesty of this place on the globe – so this particular stars-on-a-blue-field candle i chose to remember with a couple photographs.
one lit – with light.
one after i made a wish and blew it out.
we ate several churros and our server gave us a box for the rest.
we brought them home and – having our leftover tapas the next day – celebrated this little bistro in our very big land, longing for its healing.
“light of the world / shine on me / love is the answer / shine on us all / set us free / love is the answer…” (john wilcox/roger powell/kasim sulton/todd rundgren)
“still, what i want in my life is to be willing to be dazzled – to cast aside the weight of facts and maybe even to float a little above this difficult world.” (mary oliver)
we check on the world right before sleep these days. we feel like it is a citizen’s duty to know what is happening in our own country, what is happening because of our own country, to be aware of the chaos, to be somewhat versed in the goings-on, to try – without success – to understand where it’s all headed and to – somehow – grok why. it’s all nearly impossible. and it is overwhelming.
we check on the world when we wake these days. we feel like it is a citizen’s duty to know what is happening in our own country, what is happening because of our own country, to be aware of the chaos, to be somewhat versed in the goings-on, to try – without success – to understand where it’s all headed and to – somehow – grok why. it’s all nearly impossible. and it is overwhelming.
and we know that there is less and less probability of it all making sense. for this must be intended-chaos and the world is ever more difficult because of it.
we sat at the bistro table in our sunroom with a glass of wine. dusk had fallen, the happy lights were on, dogga was on the rug at our feet.
we talked about the unsteadiness of these days.
and we talked about our own steadiness. we talked about the sweet phase.
we talked about sitting on the rocks in the middle of the stream way up in the mountains on a cool, quiet afternoon.
we talked about the change in our own chase of success – what that word even now means to us.
in spite of the world outside our sitting room – even with all that in mind – we could feel a sense of amazement.
we listed little things – the happy lights, the chiminea in the corner, the muddy hike, the score of finding an eight dollar glass candlestick lamp, the celebration of homemade pizza.
we listed bigger things – things more personal, more close-in, adulting things, things of quiet but profound accomplishment.
we acknowledged that – despite the broken road meander of our lives – even in the weight of all the cruel, mind-bogglingly destructive actions of this planet – we can see the dazzle around us.
and that’s the thing. the dazzle.
we need to recognize its presence. we need to keep seeking it. we need to keep reaching for it. we need to wrap our freaking arms around it – for dear life.
“i don’t want to end up simply having visited this world.” (mary oliver)
tucked into the trail – the river trail – are spots i always find i am looking forward to: the curve of the river, the cattails in the marsh, the hill where you look down on the trees along the riverbank, the section that looks like a bayou, the turn in the path where deer linger, this one spot – where the reeds are thick and the turtles are numerous. we hike along and these are touchstones along the way, indicators of how far we have come, how far we have yet to go.
we all have them – the indicators of how far we have come, how far we have yet to go. i think about this now as i walk into my studio.
i spend way more time on the written word these days than on the piano bench. i spend way more time typing on a keyboard than pencil-jotting on scraps of paper scattered above the keys.
i look at high profile artists, years and years after their last album release, after long drought periods, in their 60s, now recording and releasing new albums. and it makes me wonder. it’s been 16 years since i released a full-length album.
sixteen years.
as someone who released fifteen albums in fifteen years that is stunning to me. and, thus, the wondering.
my piano is a touchstone to me, an anchor, something i can touch that is profoundly meaningful to me. i have walked a textured journey in the years i have spent with a piano central in my life, in time that the creating and performance of music was imperative. i have assigned success and failure, acceptance and rejection, support and betrayal to my piano.
and, in the way that enlightenment happens, i am beginning to learn that it is not my piano that is responsible. it has merely been my spokespiece, a vessel through which i might give voice.
instead, it is in that giving of voice – that expression of me – that amplification and celebration of music – that others – people – have squelched the how-far-i-have-yet-to-go, have taken the get-up from my get-up-and-go.
i don’t really know the reasons that one might feel they should push someone else under water, that one might feel the best use of their energy is to abuse or denigrate or minimize someone else, that one might feel that the most humane treatment of someone else is to concoct narratives and sway public or private-circle opinion. i don’t know the reasons why anyone would want to break another person or their spirit, creative or otherwise. i don’t really know the reasons why anyone would do any such things. it’s crushing.
i do know the impact these things have on a person. for no matter how tough one’s skin, how devoted to confidence, how determined, how bootstrapping one might be, there are others who can do great damage and who are – apparently – damned devoted to it.
it’s not my piano’s fault.
and so now – in this great enlightenment or admittance or downright sad awareness – i can see that those people who have done great harm have undermined so much between how-far-i-have-come and how-far-i-have-yet-to-go. and i am thinking – now – that I’ll be damned to let them rob all that from me, to let them take my piano – or my muse – hostage any longer. not that that’s easy. it is a difficult uphill journey.
it’s maybe time to stand in the reeds, hang with the turtles and cattails, get my feet wet in the marsh and walk – or sprint – or, more likely, crawl – toward the bench.
i walked into my studio and there was snowman. sometime – in some moment – dogga had picked up his treasured snowman, walked into my studio and left snowman there.
he will often just walk into my studio, kind of tool about, walk under the piano in a sweeping circle of the room and then walk back out. sometimes he – clearly – brings a toy with him.
the thing is – in no uncertain terms – for neither d nor i carry snowman around nor move him to and fro – i immediately knew dogga had been there.
in this world of chaos we are now living in, it’s a pretty good question to ask ourselves – what do we wish our i-was-here evidence to be?
it’s not as simple as a plastic squeaky toy left on an old wood floor.
but whatever it is – whatever our tracks or affirmation-of-existence, whatever snowman we leave behind – it is vital to consider, something to reckon with, legacy to bear in mind.
it’s a heavy load. to be the woke – the empathetic, voiced, visioned, courageous, big-feelinged folks – both disparaged and desperately needed.
when all else has been sloughed off, when all else has failed, when all else is dross, it is art that will remain…there will still be heart.
this quote – way too big to actually write about without a feeling of undeserved arrogance, way too big to even begin to dissect without a feeling of ineptitude – it is an urge, a plea, a last-licks, it is an imperative we artists follow anyway: to turn complex feelings into something people can touch, can hear, can see, can taste. to turn that which we cannot see in any simplicity – beliefs, faith, love, philosophy, interconnectedness, bigotry, hatred – into something we can feel, something that resonates, something that gives us bite-sized bits to try and grok.
contemporaneously, without bruce springsteen there would still be the streets of minneapolis. but his music, his lyrics – his song has given beat and melody to the excruciating pain and stalwart dedication of the people in those streets. his music has given the rest of us – those of us in other places – also in pain and with dedication – something to grab onto, something to hold and wave and hum.
contemporaneously, without bad bunny there would still be a half-time show in the super bowl. there would still be grammy winners. but his tear-filled words, his staunchly raw comments ricocheting off the walls of the arena gave goosebumps to the rest of us – something we could grab onto, something to hold and wave and speak.
contemporaneously, without the cartoonists populating social media, the stuff that is happening would still be happening. but those cartoonists are bravely offering humor – sometimes truly dark humor – to give us something to grab onto, something to hold and wave and maybe, just maybe, laugh at.
there isn’t any way to rise and reclaim this place without the artists who are the building blocks for actual humanity, the collective melt in the melting pot, the mortar that holds it all together even when it collapses.
“people got to come together, not just out of fear…” (chicago – where do we go from here? – 1970)
it is never not the artists’ time. now is not different.
“let’s all get together soon, before it is too late
forget about the past and let your feelings fade away
if you do i’m sure you’ll see, the end is not yet near…“
the artists have already taken all those big, complex feelings and turned them into something we all can believe in. they’ve been doing it all along. the whole of time.
the world does need artists’ voices, artists’ vision and artists’ courage.
steep yourselves in it all. urgently. get brave. get going.
i used the old singer when i sewed the shutter-curtains for the nursery. i placed it on a piano bench and sat on the loveseat to sew. it was mama dear’s no-bells-no-whistles machine – the kind that is stored in a black case – and i was hoping that her seamstress skills would transfer to me as i stitched. i didn’t quite finish the curtains before our daughter arrived – a week earlier than expected.
i have another machine – a sears kenmore – from when i was about ten or twelve, i guess. it’s in a sewing cabinet – the machine stores down under the lid – and one can sit right at it to sew. i’ve sewn innumerable things on this machine. it doesn’t have bells and whistles either, so it’s a workhorse.
because i was dedicated to the art of sewing – at least back in the day – i’ve accumulated many patterns through the years, storing them carefully in a bin so that they would keep their tissue-pattern-integrity.
i just opened the bin and took them all out, laying them on the dining room table, organizing them to move them along. there are about 75 of them, many toddler patterns and craft patterns. the 80s and the 90s were craft-heavy times and i was right in there sewing bunnies and dolls, quilting pillows and piecing sweatshirt appliqués. the fabric store was an inspiring adventure limited only to your imagination. attending art and craft shows was glorious fun, a place to get new ideas and marvel at others’ craftiness.
it was quite late in the 90s when it occurred to me to show at these art and craft fairs as a musician. way different than concerts or even wholesale show marketing, i’d set up a booth with a keyboard and displays and play all day while simultaneously selling cds. the being-a-mom skill of talking while playing transferred easily from mom-ing to entrepreneur. providing music for the background of people – most notably, women – to shop with friends and linger over beautiful homemade objects was a joy and i sold thousands upon thousands of cds at these shows over the course of some years.
until, of course, the advent of writeable cds.
being able to rip a cd from another cd enabled the buying market to do-it-themselves and severely shrunk cd sales from independent artists.
and then came streaming, a death-blow to these same independent artists.
but i digress.
i wonder how many people sew now. i wonder if moms still make matching jumpers for their baby girls and themselves. i wonder if people are still sewing bunnies and dolls and pillows. with the bankruptcy of joann fabrics – a legend for those of us who devotedly bought fabric there – i wonder if imagination is sparked as brightly in small fabric departments of other craft-type stores; joann’s was packed with fabrics and knowledgeable store personnel who could answer most any question from aspiring seamstresses.
sewing is kind of like riding a bike. you think you’ve forgotten how to thread the machine – until you sit down in front of it and your hands automatically weave the thread in and out of tiny sprockets and around dials. you think you’ve forgotten the little tidbits of wisdom you’ve gleaned along the way as you lay out a pattern or cut or piece a few patterns together to craft your own iteration of something – and then it all comes rushing back as you touch the ever-familiar manila-colored tissue paper.
i thought i would just move all the patterns along. and then a few caught my eye. “i could make those overalls,” i thought, and “what an easy pj pattern” – and i was hooked.
maybe half a dozen patterns made the cut – to stay with my sewing supplies. the toddler patterns moved on – for other moms or for grandmas to joyfully create. the craft patterns will move on as well. i already have a yo-yo quilt in my future and who knows what i’ll do with all the sports t-shirts left behind by the girl and the boy. we’ll see.
the coolest part of it all – revisiting all these patterns – was remembering the fun challenge of a sewing project and the excitement of a newly-purchased bag of fabric, feeling my grandmother’s legacy surge through me, the expansive way creating creates more ideas for creating.
“whatever it is that calls us, that’s our path. and as we walk that path, we have a chance to shine forth who we are. it affects other people around us.” (richard bach)
we were talking about identity. in these later days, i have realized the nonsense of it all. in those striving-striding days of yore, younger versions of ourselves pushed for identity. we poked and prodded and molded and shaped and re-shaped our identity, pushing it out in front of us – as if to parade it, seeking validation. we – somehow in this society based so mightily on valuation – based our value on it. we let it rule us; we let it impact our decisions. we let it undermine our confidence. we let it stoke our egos. all of it.
and, suddenly, it all makes absolutely no sense.
so often, who we are falls prey to what we are.
he asked what we would do in retirement. i laughed. we’re already there. we’re doing it. it’s not a lot different than an artist’s path before retirement. it’s all-the-time.
we just are.
the path of artistry is not for the meek. it’s not a path of return-on-investment, for the investment of one’s heart far outweighs any yields, particularly in a society that underestimates its arts. it’s not a path of certainty, for scrappy is the only thing that is unquestionable. it’s not a path of sanctimony, for any sense of haughty righteousness must fall to the wayside of vulnerable creating. phony should not co-exist with authentic. caste should not co-exist with truthful art-making. all that pretense stuff – wrapped up in some version of identity in which one trembles when asked “what do you do?”
i’ll never forget a dinner i once attended, now years ago. seated in a fancy place with people i did not know, surrounded by those on ladder rungs i might not ever visit, i was asked that question, “what do you do?”
i answered that i was an artist…a recording artist….a composer…a singer-songwriter…a performer. the person – on that other rung – stared at me and gave a little laugh. “nooo, what do you REALLY do?” he asked.
i walk a path. i try my best to create. i try – not always successfully – to shine the truth of who i am, without bending or sacrificing the who of who i am. i try to affect others in a good way.
i know that there will be hundreds – likely, thousands – of cds with my name on them someday in some antique store. people will walk by and either give a quick second look or none at all. they won’t know who i was. they won’t know what i composed, the music i recorded and performed, the words i wrote. they won’t know what my voice – or even my laugh – sounded like.
but i will have walked a path that was mine alone. i will have joined hands with those i loved to walk alongside. i will have yearned and regretted and belly-laughed and wept. i will have realized that art – including music – is the answer to all the questions.
the deer prints will fade as the snow melts. it will be much the same for mine, i suppose.
were i able to go back to the linen-clothed table in the dining room of the country club, i should have looked evenly across the table and answered the guy who asked me what i really do, “whatever it is that calls me.”
the way back north – though we would have lingered on and on save for our sweet older dogga at home waiting – was beautiful. we knew it would be; we have taken these back roads every single time we drive to chicago. following the lakefront, through little towns and along ravines, the holiday lights on our way home – in the dark with full hearts – are always magical.
to sit and spend any time with your grown children and their partners is always a gift. some people are privy to that all the time – fortunate to live in the same town or very close by, fortunate to have time together often. others of us have less time together; proximity can be challenging, so the time together with them is treasured and exponentially valued. we are always grateful to have that time.
earlier this week we had a chance to be with our son and his boyfriend. we brought all the makings for a thai chicken soup, our son’s requested “christmas lunch”. we gathered for photographs by the christmas tree and visited in the kitchen while we cooked. hearing their recent adventures, their thoughts, their latest dreams, hugging them in real life – it’s truly the stuff that this holiday is made of.
i remember the day after christmas from growing-up times. it was a day that was kind of the denouement of the season. it was a slow day, a reflection of what all had transpired, a review of it all.
we kept all the decorations up for a while back then. i don’t remember taking them down as a child. this year i think we will keep them up a bit as well…keep the light going. the trees add warmth to the cold of this season, particularly at this corrosive time in our nation.
he said that he hadn’t had his chance to put the star on the tree before he was no longer welcome. but this year it was HIS home, HIS tree, HIS star. and he owned the very-important-moment of placing his own star on his own tree, undeterred by disrespect of him or biased bigotry. it made me cry.
no longer welcome. holding a ‘welcome’ ransom is as absurd and cruel as holding the star ransom. in the christmas story, the star represents the celestial guide to the manger. but, more so, it represents light in the darkness, hope, the arrival of love. love…that which should level the field for all, that which grants grace, reminds us of compassion and inclusion, of unity, of hand-in-hand support of one another.
on the way home we talked about the lights on people’s houses, in their yards, inside their open front windows. we talked about multi-colored lights vs white lights and our own interpretation of these.
although we both grew up with multi-colored-light-families, we both always choose white lights. for me, that simplicity is part of the season. for me, it’s like a thousand stars, constellations of beacons in the darkness, of hope, of love. white lights bring the galaxies of the universe inside.
this day-after-christmas will be slow. it will be a day of reflection and rest.
and it will be time to continue to keep the happy lights lit, countless stars surrounding us.
reverse threading 