“a ship in the harbor is safe, but that’s not what ships are built for.” (john a. shedd)
i daresay that any artist understands this. there is no pursuit of artistry without the taking of risks, the exposure of vulnerability, the stepping out of one’s comfort zone. our job – as artists – is to seek growth, to encourage growth, to open up vast space of potential instead of squeezing complacency.
our trip back reminded me of this. the sailboats, the cruisers, even the skiffs in the harbor are protected…from the challenges of the elements and any stormy surf. but these boats will not stay in the harbor. people will take them out on the sound, perhaps around the island to where the sound and the atlantic meet, perhaps further into the ocean. they will explore and adventure; they’ll follow a star they alone can see.
we followed the star here. this is my chance to reclaim it all, to find the 19 year-old i lost, to hold her and assure her that she is now safe and that i have taken on that which attempted to squelch her forever. ships weren’t built to stay in harbors.
i have found my way home – intentionally. and in that finding, i have found her. and in that finding, i hope that the so-many-years lost will come rushing forward – music in every star i can see, in every star i can capture.
and the ships in the harbor will bear wings and, all together – with me at the helm – will sail into next.
i have listened to this song – rascal flatts’ stand – just shy of a million times. on every trip back and forth across the northern part of this country – driving from the midwest to the east coast to perform, sell cds, do a radio or tv gig – it would be blaring on the stereo, this song from the me and my gang cd on repeat.
because we have all discovered life IS like a novel with the end ripped out. every bit of careful planning, every end result we purport to know will happen, every time we are sure of it all, something else happens to throw an itty-bitty wrench into things, to wreak havoc on our tidy landscape, to make the horizon a tad bit blurry, to utterly decimate what we thought would happen.
i suppose we can take it all as it comes, lie down and let the steamroller roll over us – succumb – in any and every arena of life.
but the chutzpah that has come with listening to this song almost a million times – the chutzpah that comes with, well, just living itself – changes that succumbing-to-the-steamroller tune.
“cause when push comes to shove you taste what you’re made of/ you might bend ’til you break, cause it’s all you can take/ on your knees, you look up, decide you’ve had enough/ you get mad, you get strong, wipe your hands, shake it off then you stand, then you stand…”
and so, i find myself driving again – across the northern part of this country – from the midwest to the east coast – standing.
because when you can do something about that which has the potential of undermining every single thing, when you can do something about that which is life-arc-havoc-wreaking, when you can do something about that which has been too much – when you have decided you’ve had enough – when you are mad – when you get strong – then you must stand – in any and every arena of life.
“every time you get up and get back in the race/ one more small piece of you starts to fall into place…”
we blasted the song over the external speaker our boy gave us – because big red doesn’t have a cd player or any capacity to play music that is not on the radio or a cassette. i sang along. loud.
d listened to the lyrics. over and over again.
and suggested that this song be our theme song now.
i’m having a chance to renew my relationship with the harbor town. a tiny spurt of time here, a tiny spurt of time there. one of my favorite places on earth – the dock, at night, clanking masts, the sound of small fishing boats and soft troll motors – it is a good thing for me to revisit all this at a new time.
i didn’t know how much i needed to re-create this tie, to heal it. i didn’t know how much i needed to walk the pebbled beach, to scout for rocks and shells and driftwood, to sit and stare at the waves coming in.
when we left the last time we brought home this driftwood garland. we hung it in the place in our sunroom that seemed to be waiting for it. we sit next to it every day. and in the night that was draped in darkness from the storm, we sat next to it in candlelight.
we’ll go back. we’ll maybe pick up some more rocks for our rock garden. we may find a shell or two. we may bring home a piece of driftwood or other sea treasure. we’ll see.
the thing i do know is that each of these times i find another piece of me there. i rejuvenate another memory, process another bit of it all, feel affirmation.
somewhere on that beach, on that dock, in that town are pieces of my 19 year old self. the girl with the dog who climbed on the jetties and danced on the sand, who ran on the boardwalks and soaked in the sun on big old beach towels. there are pieces of me to reclaim, to go pick up in the corners of my memories, to re-empower. there are truths to release into the air of the world – finally. there are notes poised, floating in the air to compose, words in peripheral vision biding time to be written. i can feel the vibration of it all – that flutter in my chest.
and, though it is now a fancier bistro, the next time we’ll go – this place that was a pub where i’d fill up on baked clams and salty air. we didn’t go the last time because we knew it would be expensive and we are careful about our budget.
but the next time – yes – we will go.
because there is no price that you can put on the restoration of power, the retrieving of juju, the butterfly-net-capture-and-healing-release of muse that had been muted, stalled from trauma. to sit on those stools – even if they are different stools – is to sit on the sacred ground of yesterdays ago. it is something to celebrate.
the driftwood next to me in the sunroom taps my shoulder and my heart. it tells the story of ebb and flow, of survival and resilience, of transformative renewal and of a metamorphosis into something that has ridden the waves of the sound and – ultimately – emerged stronger.
there were multiple times – when my sweet momma was here on this earth – that i brought her yellow roses. they were something special between us – an expression of love between mother and daughter.
yellow roses have a different significance than red. they are indicative of friendship, the deep bonds of love, warmth and joy, fresh starts, gratitude, hope. i read that in japan yellow roses symbolize courage and inner strength.
months ago, a dear friend gave me a small mini yellow rose plant, likely purchased at the floral section of a grocery store. it had several miniature yellow roses blooming and several buds in the waiting when i received it and i figured that it – like other more temperamental plants – would run its course.
it is months later. and the yellow rose is still in its original pot. it appears to love its residence next to the old garden table, on the deck, sharing a bit of space with the basil. it has flourished – bud after bud, bloom after bloom. it has embraced life beyond our expectation. even now, with its leaf-nod to the approaching fall, it has three buds – three bursts of beauty in the offing.
and, every day i look at it i think of my sweet momma. and i wonder about how this particular plant has been so resilient. i wonder if it had a littlebitta help from her.
i wonder if this plenty – this profusion of buds and blooms are tiny messages from her – sent in love, delivering bravery and perseverance. they are certainly well-timed.
and – if my sweet momma is the one whose green thumb from some other plane of existence has helped along this little plant aspiring to burst past what’s expected, to burst past little-life – i remember she is the same woman who wrote: don’t underestimate me…
clematis is known as the “queen of climbers”. it is symbolic of ingenuity, cleverness, mental strength, all clearly relevant to this vine climbing with abandon, climbing wild and free.
out back – next to our potting stand, completely covering the metal peace sign we purchased at a tiny garden shop on the great river road, trying desperately to overtake the tomato plants on the ground and the basil on the barnwood stand – there is a clematis vine. unlike this purple clematis, it is sweet autumn clematis and will have tiny fragrant white flowers late this summer. we didn’t plant this. it was planted by our eastneighbors a few years back, seemingly to block the open visual space between yards created by the wrought iron topper to their otherwise privacy fence. in the last couple years they have not tended nor encouraged this clematis.
but it is unstoppable.
on our side of the fence it is exploding. it doesn’t seem to favor nor suffer the hot weather, the dry days, the stormy torrential rain and wind; it is ambivalent to the forecast and presses on, despite any challenges, regardless of anything in its way. the clematis finds its way around – or through – and continues growing – a burgeoning bundle of green that each day swells in size, thriving on the fence and the potting stand and the tomato and the basil’s clay pot and our wrought iron gate and scrappily winding its way through the ornamental grasses along our lot line. flourishing, flourishing.
it is not unlike women.
and right now, with the warped, conservative, backward, rights-thwarting, chauvinistic, misogynistic, downright hateful view being thrust upon this nation as policy on women, we must draw on clematis-sisu.
recently someone read a post i had written a few years back – one that included reference to an even earlier post from december 2019. it seems inexorably relevant right now and, with your grace for repetition, i’m reposting it here:
“this piece today is dedicated to all the women who have made it through, all the women who are making it through, all the women who will make it through.
your fire has brought you to the edge of the battlefield many times and you have still made lemonade; you have still prevailed.
you have made it through intensely emotionally abusive relationships. you have picked up the pieces and you have moved on.
you have made it through physical or sexual abuse. you have risen from the ashes.
you have made it through terrifying health scares. you have pulled up your boot straps and determinedly plodded through with massive courage.
you have made it through society’s prioritizing of body image and appearance. you have been measured by your cleavage or lack thereof, by the indent of your waist, by the clothing you choose, by your hair. you struggle to remember you are beautiful. you stand tall.
you have made it through vacuumous times, the middle of chaos, the middle of multi-tasking. you have created.
you have made it through physical summit experiences. you have scaled mountains. you have boarded down untracked chutes. you have trained your body with weights and exercise. you have run. you have skated. you have pedaled. you have breathed in and sighed an exhale. you’ve run thousands of lengths of playing fields. you took the next painful recuperating step. you dove to the depths. you have been on world stages. you have risen with hungry or fevered children night after night. you have competed. you have given birth.
you have made it through falling. you have made mistakes. you have been human. you have forgiven and you have been forgiven.
you have made it through an education steeped in gender-inequality and bias. you have chosen to learn more, to actively seek the resources, rights and opportunities due you, to resist against the discrimination.
you have made it through a system that undermines your success and devalues your value. you have fought for your place.
you have made it through financial challenges of single womanhood, of single motherhood. you have been scrappy and, without complaint, you have layered onto yourself however much it took to get it done.
you have made it through work situations where you’ve questioned how you would be treated were you to be a man. would you be yelled at? would your professionalism be questioned? you have asked these questions. you have stayed, holding steadfast, or you have moved on; you have decided what is best for you and moved in that direction.
you have made it through the skewed-world fray into leadership roles where your every decision is challenged or thwarted. you have overcome; you have triumphed.
you have made it through being-too-young and through aging. and you are not irrelevant.
you have made it through. you have spoken up, spoken back, spoken for. you have written letters. you have marched.
you have been pushed around. but you have pushed back. and, just like the tortoise [in the photograph accompanying this post], you have made it through.“
we are clematis. we are women. we are: all the women who have made it through, all the women who are making it through, all the women who will make it through.
“you are a child of the universe. no less than the trees and the stars, you have a right to be here.” (desiderata)
i don’t suppose i ever really fit in. i was the youngest in my family – separated by a decade – while most of my friends had siblings their own age. i grew up in a neighborhood where the kids were somehow athletically gifted, while i took organ and piano lessons and sat in my tree writing poetry. an early entrepreneur, i pulled a wagon around our neighborhood selling baby cactus cuttings and candles i had made. i didn’t go to – or get invited to – wild parties or cut class or skip my homework. i took bike-hikes and walked on the beach in the winter while everyone was at the mall or the bowling alley or the movies. i didn’t listen to the stones or grateful dead or led zeppelin (with the exception, of course, of stairway to heaven – everyone’s prom theme). i listened to john denver and gordon lightfoot and the carpenters. i wore off-brand clothing and didn’t keep up with fashion trends. my momma bought me less expensive boy-pants and found the offbeat stores for shoes-that-look-like-trendy-shoes-but-are-not, like my cherished construction boots. my first car was my dad’s vw beetle, nothing fancy but beloved. i had numerous part-time jobs through high school and then in college and knew the joy of serving corn flakes to both me and my dog missi for dinner. i never thought of myself as weird. but i suppose – if one considers the definition “may have unusual habits, interests or ways of thinking that set them apart” it could be true. i don’t see that as negative, though i also suppose that – depending on the way you see yourself fitting into the world – one might consider it such.
so the sticker “stay weird” hung upside down and backwards made me laugh aloud. somehow my laughter summoned mary oliver and she and i enjoyed a good chuckle about the infinite extraordinary of the insignificant and the everyday, the value of seeing the usual through a filter of unusual.
weird took a very long hiatus – it was safer, less vulnerable, and kept me out of trauma i had shelved. i pursued the inevitability of having to make money, to help support a household in a more meaningful way than the way of an artist. for this society – though its love for the arts is profound, its support of the arts is less so.
it was after my children were born, after the imperative was too loud to ignore, after the perils shushed a bit – when it was time to start releasing music. writing, practicing, recording, performing, marketing, booking, hawking – none of this is necessarily standard-work fare – it is unusual, it is tenuous, it requires a bit of courage. it doesn’t have the same parameters as a workday in corporate or structured america. it has no guarantees of reward, no regular paycheck. it is steeped in personal challenges, the need to be scrappy and the sisu to put it out there.
in the time that was the heyday of my recording career i would call absolutely anyone, regardless of their position. as the owner/artist of my label i have talked directly to vice presidents of sales of barnes and noble and borders books and music, owners of publishing houses, the personal managers of ridiculously successful recording/performing artists. i’ve sat in j. peterman’s messy office chatting (of the j.peterman catalog and seinfeld fame) and in the spare chair of radio program directors. i’ve danced across the stage at qvc-tv under a disco ball and played songs live over phone conferences with oncological pharma higher-ups. i’ve stood in the rain on flatbeds playing, embraced boom mics over my piano on theatre stages of all sizes, sang in front of 35000 people in support of cancer survivorship in central park. pushing the boundaries, carrying a little chutzpah along with belief in my own artistry was everyday life – and necessary. and i’d remind myself each time i picked up the phone or stepped into the unknown the very fact that we all breathe in and out the same way. this thing we have in common, i would tell myself – breathing. surely i could connect on that most basic of levels.
as outside the conventional box as it all seems, i didn’t feel weird. i felt in my skin.
and so, apparently, the weird continues. we know we are different than others. we have a certain run-and-jump into vulnerability that others do not. we have a certain pull towards creating, experimenting, learning – all in the public eye. we share because we have to, not because anyone has to receive it.
so, yes, the “stay weird” sticker really spoke to me.
though my life – and our life – is quite a bit different than the traditional lives or retirements of lovely people we know and care about, it is somehow just right for us. i never forget the corn flakes and he never forgets the sleeping bag in his studio space. every everything counts and we are reflexively careful about not being frivolous. for us, weird has granted us a certain appreciation of the littlest things, honoring simplicity and leftover pasta, redundant black thermal shirts and a shared bin of socks, used notebooks and repurposing taken to a new level.
what one does with one’s “wild and precious life”*…
breck is strong, its trunk is solid, it’s rooted and feels grounded as it grows not only taller, but seems to have more and more branches filled with more and more beautiful aspen leaves.
this is the year. breck is a tree.
in the last years of saplinghood, our tiny aspen has had more than its share of challenges. from its beginnings in a pot we carried from city market in breckenridge to its ability to withstand the seasons in a big clay pot on our deck to being planted in a dark corner feathery fern garden where it suffocatingly couldn’t fully see the sun to transplanting to a different garden out back, the curving of its trunk as the west winds buffeted its more fragile spirit, its fight to resiliently stand tall, its skinny jack-in-the-beanstalk growth last year, odd leafing and an infestation of aphids, ants and wasps. and now, there it is – right there, out back – proudly standing tall, loved through it all. rooted, grounded, healthy.
i would draw the parallel between me and breck and our last few years were it not to be that i’d like to linger more in now, look more toward next. the challenges have been plentiful, the sun minimal, the wind battering, the growth sporadic.
but i would also draw the parallel between me and breck – once you get some real roots under you, once you transplant out of the dark corner garden, once you feel the sun and can breathe in fresh air, once you fight to stay centered, once you steadfastly feel grounded in who you are, once you resiliently stand tall growing and leafing, loved through it all, you are far more likely to be a tree.
once upon a time she decided to hold others accountable.
unlike the david and goliath story, she has no slingshot, no rocks to thrust. it is the real world.
she is an individual against a system – one that hides and protects its own, that has no hesitation around spinning webby tales, one in which truthtelling does not fit into the agenda. nevertheless, she persisted. despite their fabrication of narrative. despite the misogyny. despite their absence of proof and her wealth of evidence. she persisted. despite the badmouthing. despite the betrayal. despite the hypocrisy. she persisted. despite the lack of respect. despite the disregard of boundaries. despite the downright ugliness. she persisted. despite the small desperate contingency of Them in a her-them. she persisted.
and in the end, that will be the prize. persistence. speaking up. standing up.
maya angelou is quoted, “each time a woman stands up for herself, she stands up for all women.”
looking like a new year’s eve party noisemaker waiting to unfurl in celebration, the fern steadily grows. in-between last year’s clipped stalks and in and among dried leaves and the last vestiges of winter’s effect on mulch, it peeks out, pushing up toward the sun. it chooses to thrive, even covered by sandy soil and bits of the past. one day soon i will walk out to the back – where the fern garden is – and this tiny fern will have stretched and straightened and fanned out into a lanky beautiful feather.
it makes me think about blowout noisemakers. all furled up they look relatively innocuous and not particularly capable of being noisy. a little gumption and air blown into them and they can be pretty doggone loud.
the little fern breathes deep and reaches down into where gumption is stored. against the odds, this seemingly fragile, willowy plant rises up, centimeter by centimeter. suddenly it is a powerhouse, standing tall in the rain and a part of the wind in storms.
though it may be all trembly inside as it makes its journey upward and outward, its gumption, air and the sun give it courage and strength. it is tough and resilient and – it is said – has an incredibly strong survival instinct.
how often we are all tiny ferns – over and over – through fallow and rejuvenation, covered in the patina of the past and growing it off. innocuous and silent.
for years he persevered and persevered, through thick and thin, this dear friend of david’s. a consummate actor and dedicated off-off-broadway theatre co-founder and artistic director, he was not hindered by the somewhat invisible but definitely impenetrable wall in new york city’s theatre world. and then…
the front page in the arts section belies the rest of the story. but every artist knows it. the ever-present imperative to create and to succeed, not only from a soul place, but from a place where you just might be able to afford to pay the bills, to have a littlebit extra, to hold the esteem of your colleagues, to be recognized. you hold the towel close, knowing that at any moment it might be the thing you do – you just might throw in the towel.
chris decided to take on mitch albom’s tuesdays with morrie. but it took a long time to land. everything takes longer than you think. a long fermata of longing. every artist knows this. most craftspeople know this. most philosophers know this. poets write of it. composers strew melodies around like patio lights. painters throw paint and prep canvas time and again. dancers pirouette, spinning ever faster. writers wordsmith, deleting and reading and elaborating and deleting. beavers in bogs – singularly focused, ridiculously hard work – and the tree still stands. and then…
the sea dog theatre tells this remarkable story – tuesdays with morrie – through the interwoven magic of len cariou and chris. it is earning high regard and the reviews are outstanding. it has landed.
reverse threading 