reverse threading

the path back is the path forward


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pudgy pigeon. [flawed wednesday]

the pudgy pigeon was in the doorway. it didn’t move as we approached. it didn’t move as we took photographs. it didn’t move as i spoke to it and it didn’t move as we moved on. i worried about it after. something seemed awry.

while we were in colorado, we looked at a shutterfly book of pictures taken in 2013 – what was columbus’ 80th birthday party – merely eight years ago, so little time, so much time. but the difference – for us – is between 50-something and 60-something. and there is, shall i say, a difference.

our bodies changing-changing. our faces morphing into, well, i hope, slightly more wizened faces with less self-consciousness and more solid aplomb. aging. we read in headlines today, “fillers, procedures are wiping out generations of beauty.” (jamie lee curtis) we stand firmly in the camp of less-is-more. mmm…firmly and, yet, still, a little shakily, noting this youth and body-image-society.

what does this pudgy pigeon think?

*****

read DAVID’s thoughts this FLAWED WEDNESDAY


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i left it there. [two artists tuesday]

i left it there.

we had a few hours and needed a fix in the mountains. just a short distance away from congested civilization was a trail that lead into higher elevation and quiet. everything else slipped away as we climbed and followed the columbine.

i was moved by this fragile blossom on the side of the trail. delicate and perfect in every way that flowers are perfect, i picked it up, turned it over, felt its short life. like the sun, its tiny petals radiating from the center. its flawlessness is simple; its budding-lifeline complete. it was laying in the mountain meadow, waiting to be noticed. not much different than any of us.

and then, i laid it back down where i found it. and it will be there for the next person who hikes by, glances over and sees it. one sun-low-on-the-horizon-fall-dried-flower-blossom, past its season but not past its beauty.

that’s why i left it there.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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frankie’s wisdom. [saturday morning smack-dab.]

there was an emphasis on beauty long before mass media made natural aging formidable. women and men, but especially women, went to lengths to be beautiful, taking great pains to conform to whatever was the current measure of beauty.

but in the past century – later 1900s through now – there has been a shift to devaluing the aging process, to undercutting the beauty of what aged looks like. the look of youth is prized disproportionately and has made middle age look inadequate. we are under siege and it is increasingly impossible to measure up to those decades younger.

there is no good reason any woman of any age should be feeling that beautiful is not unconditionally hers, is not inherently attainable. there is no good reason any young woman, glowing with new maturity, should be feeling beauty-challenged. there is no good reason any woman on the menopause roller coaster should be feeling that beautiful is bygone. there was no good reason my sweet momma, at 93, should look in the mirror and sorrowfully cry, “i look like an old woman!”. on the contrary.

the confidence, just like the wrinkles, has been earned over a lifetime of living, over struggling to be healthy, to be engaged, to learn, to be active. there is no measure for the wisdom gleaned and the story each of those wrinkles might tell, the love and struggle and perseverance each grey hair might represent, the days in the sun playing with children and grandchildren reflected in crepey skin and the lines next to her eyes from laughter with her friends.

just like hallmark aggressively pushing made-up holidays or the internet naming days as “national – whatever – day” compelling us to be involved, mass media on all levels, in all arenas, has foisted “youthful appearance” upon us as the measure of value, of validation, of relevance.

the cultural preoccupation fighting the intrinsic processes of aging is surely a mark of ignorance, of superficiality, of contrived campaigns for products and images from which we should gracefully walk away. transformative surgeries and injectibles and laser work are on a stunning rise. for what?

surely in this society we are not as inept as it seems at helping others, particularly women, to develop self-esteem, positive body image, confidence.

surely our preoccupation should be on frank lloyd wright’s words, “the older i get, the more beautiful life becomes.”

my daughter – naturally amazing and naturally beautiful and naturally talented was not even twenty when she chose those words – in french – as her first tattoo. ink as a reminder. words of wisdom.

*****

read DAVID’S thoughts this SATURDAY MORNING SMACK-DAB.

SMACK-DAB. ©️ 2021 kerrianddavid.com


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sistered. [d.r. thursday]

the quiet is one of my favorite things each early morning. the world has not yet awakened, save for the birds. as the sun rose red into the sky today it was as if a silent movie was playing in the sky, strewn with color.

“stillness is the canvas against which movement can become beautiful. we can only appreciate movement against the background of stillness. were everything kinetic, we could not know what movement is. as sound is sistered to silence, movement is sistered to stillness.” (john o’donohue – beauty)

sistered.

it’s the rests that give meaning to the music – the breathing that makes owning a passage only yours.

it’s the white space that gives design power – balance revealing subject, a viewer’s ability to see.

it’s the negative between the positive – giving definition, directing eyes to move.

it’s the imperfection that accords perfection.

it’s standing still that makes dance dance.

it’s less words that gives impact to more words – wisdom is not measured in the verbose.

it’s dark that gives the stars life – a stage for shimmering pinpricks of light, gigantic close, tiny from afar.

it’s noise that makes the whisper worthy of delicious goosebumps.

it’s the tide going out, coming in that makes the waves, the low-tide sand pushing the wave higher.

it’s absence that reminds us of the potency of presence.

it’s sleep that gives energy to awakeness.

it’s dreams that give shape to reality.

it’s quiet – gentle hushed sunrising birdcall-punctuated quiet – that feeds the wearied cacophony in our minds as we start anew. offered with possibility, with crayons or colored pencils or thick oils to fill in our day, peeking into spaces of nothingness, seeing past what we see, coloring over the lines, entering the negative space, uncluttered and still.

sistered. beautiful.

*****

read DAVID’S thoughts this D.R. THURSDAY

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fluid. with wings. [k.s. friday]

“when she transformed into a butterfly, the caterpillars spoke not of her beauty, but of her weirdness. they wanted her to change back into what she always had been. but she had wings.” (dean jackson)

“trust the wait. embrace the uncertainty. enjoy the beauty of becoming. when nothing is certain, anything is possible.” (mandy hale)

i had an IME on tuesday. an IME is an independent medical exam. it is a brief exam ordered by an insurance company and the physician is both chosen and paid for by that insurance company. it is defined as an independent assessment of an injury or illness, in my case, my wrist, and the determination by the doctor-chosen-and-paid-for-by-the-insurance-company-paying-for-treatment will be placed next to the reports of the medical hand specialist and the occupational therapist who have been treating me consistently for the last five months. a basic review of articles about IME reveals that the insurance-company-paying-for-treatment will pick the report they wish to concur with and that will decide if there is to be future, in this case, my future, treatment. so be it.

there is nothing to do now but wait.

my OT is wonderful. she has encouraged me, pushed me, held me accountable and she has brought me from twenty degrees of forward right wrist movement to fifty-five. this is big news, since, at first, six degrees was all i could muster. brutus and my OT have caused me much pain, but what’s that saying? no pain, no gain. we have worked hard. and, in the way of hard work and healing, there are things i can do now that i wasn’t able to do a few months ago. and there are things i fear i will never be able to do again. uncertainty.

there is nothing to do but wait.

sometimes i wonder what life will look like in a year or two years. i wonder what i will be doing. if i looked back a year i would never have guessed back then what this year would have looked like. no, last july looked very different than right now. it just suggests that truly everything is uncertain, that everything is in the act of becoming, in the middle of the fire, maybe everything is ashes transitioning to riches over and over again. possibility, evidenced in tomato plants bearing fruit on an old barnwood potting stand, evidenced in a nest-home created in a birdhouse hanging empty for years, evidenced in the smell of the rain bringing cool on a summer morning.

there are times, when you are simply going about your business, going about life, that you don’t expect change. you don’t expect to be thrust into ‘different’. times when you find out the caterpillars were talking about you all along. after reeling from the surprise, after trying to grab the wheel to stabilize, after railing about the unfairness of it all – for life does not seem to be fair, you find yourself out of the deep, dark water – in the shallows.

and in the shallows there is abundant life, abundant food, abundant shelter. in the shallows we can rest and nourish and breathe. we can sit in uncertainty and the unknown. we can imagine new. because anything IS possible.

there is nothing to wait for and everything to wait for. it’s now.

i’ve written here about transition before. and again. and again. and i suspect i will yet again.

because life, i am learning over and over, is one transition after another. fluid. with wings.

*****

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read DAVID’S thoughts this K.S. FRIDAY

IN TRANSITION from RELEASED FROM THE HEART ©️ 1995 kerri sherwood


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discovery. [d.r. thursday]

back in the day crunch and i went to every lighthouse on long island’s shoreline and its peripheral islands off the coast. i was doing a photographic study for a college class and crunch was a happy participant, lugging me around in his big green truck and taking us out in his boat, a few boats before his current beloved ‘elephant ears’. the day i got to go up into the fire island lighthouse was memorable. it wasn’t open to the public but the lighthouse keeper was there and generously offered us a tour. the textures – going up the 182 steps on that spiral staircase to the light tower – were photographically inviting: the iron stairs, the cement walls, the ribbed glass of the light. every so often there was a peek out one of the windows built into the structure in 1826 and rebuilt, more than twice as high, in 1857, its eventual black and white bands of color distinguishing it along the ocean front. my essay is all on slides and, after borrowing one of those kodak carousel slide projectors (you can hear the ca-chunk of the slides changing even in your memory), we watched it a couple years ago. all those lighthouses – some steadfast, tall and proud, some crumbling, some pristine and unmanned, each a source of a study in woven texture and, when you are lucky enough to hear the mournful sound of the foghorn and breathe in thick salty air, a synthesis of senses. discovery.

when we were walking along the seine river in paris the sun was setting. i had never been to the eiffel tower and, though i had seen pictures, kind of expected to be underwhelmed. i’ve never been a really big tourist-attraction kind of person, preferring places of nature. we kept walking toward it, strolling, and i could see it in the distance starting to loom into the sky. the lights turned on as we got close and i caught my breath. it was stunning. gold against the early evening sky, light of day dropping away, it was one of my favorite moments in paris. discovery.

every time we come over the pass and start to drop down – the vista of high mountains before us – i cry. forests of evergreens to our side, snow-caps ahead, towering mountains that make my toes curl. i literally want to pull over every few feet to capture the sheer stunning beauty of it all, to remember the green and the blue, to breathe in the cooler air and the scent of pine. we keep driving and i memorize it for the days i am at sea level, wondering if, were we to live there, i would ever not see the incredible-ness of it. or would it always and always be a discovery?

as we walk around our ‘hood, as we hike familiar and unfamiliar trails, i feel open. open to seeing the textures of life as it goes on around us, as it goes on through us. back in the day, with crunch and my blue jean cap, i took a lot of photos on my old 35mm camera. nothing has really changed. my camera is an iphone these days, i don’t have my old blue jean cap and, missing him, david and i haven’t seen crunch in a few years.

but on the best days, in the best moments, when everything else drops off and we are nowhere but right where we are, i am aware of texture after texture, grain and weave and nap and frequency and harmonics, a composition of smooth and rough, woven and intermingled, softly and intensely waiting to be discovered.

isn’t it grand?

*****

read DAVID’S thoughts this D.R. THURSDAY

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no timely manner. [d.r. thursday]

now i understand. at least, i am beginning to understand.

my sweet momma and poppo would linger…watching birds, gazing at flowers, studying the horizon – be it shorefront or mountainside, cityscape or tiny town or rural farmland, slowly taking it in. in the hurry-hurry of my younger years, i would scurry past, noticing but maybe not really.

i am moving slower now. not because i can’t scurry, but because i am choosing to list to the linger side. though we still watch re-runs after re-runs of joey hiking and climbing and backpacking and pitching tents any and everywhere, imagining ourselves in those canyonlands keeping up, imagining ourselves on the pct or the john muir or the colorado trail, i know that our pace would not match the pace of joey or the exuberant younguns on heading somewhere or walking with purpose or the meticulous norwegian xplorer. we would be slower, lingering, lingering. i’m not sure that would get us from point a to point b successfully or in a timely manner, but i’m thinking that our definition of ‘timely manner’ may have to just be different. because now – in the middle of this grand middle age – is different.

for now i want to watch the birds and gaze at flowers up-close. i want to stop and stare, drop to sit on a nearby log and take it in. i want to notice the intricasies of all of it, the undertones, the overtones.

as i look at the close-up of this milkweed trailside i am struck by the layers of detail. it somehow makes me recall decisions between the major chord and the relative minor, a continuum of impact. it makes me think of melodic gestures, a spectrum of color and of grace. a horsehair brush extended from the heights of the universe, painting perfection in the woods. artists’ hands waving paint on canvas, cupping clay on a wheel, flying over the white and black on a piano, coaxing lines that make you weep from a cello. all the same. creation in all its iterations.

on the call pat told me that the music – my music – had harmonics, tuned with the universe, that made her travel. humbling.

for i see that is what my momma and poppo were doing. traveling. they allowed the beauty around them to touch them, to slow them down, convincing them – in all the infinite glory that beauty -and art- can muster – that ‘a timely manner’ was relative, that time was relative. that time spent in a slow linger was precious.

*****

read DAVID’S thoughts this D.R. THURSDAY

linger on DAVID’s online gallery


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pointers. [d.r. thursday]

“i believe art is utterly important. it is one of the things that could save us.” (mary oliver)

in those moments – so many of them – when all else fails to reassure – beauty reminds us. it keeps us present, in the moment, working to get to the next moment, breathing in deep breaths, slowly, slowly.

the work of an artist, in any medium, is as a pointer, just like the wooden ones with the rubber tip that your fourth grade teacher used as she pulled down the world map on the roll above the blackboard to show your class the track of an expedition or the location of a country. artists pull down the map and point to it, making it accessible to anyone, making it alive, bringing an infinity of beauty, pulling your attention away from the narrative inside, whatever it might be. it is a tool of healing, a balm, a salve. it is freeing. it is free.

we immerse in music, in the ecstasy of dance, in the flow of poetry, in the spectrum of paint on a canvas, the feel of clay pots in our hands. we sometimes forget and are driven into the angst of life’s dimensionality, missing the limitlessness of the simplest. these are the moments we turn to art.

for in the end it is not the accumulation of things or wealth or titles or power. it is simply and utterly the sheer beauty of being here, the absolutely stunning realization that we get to be here in this moment in a continuum of moments we share – albeit tiny within the vast – with the universe. inside the art.

“you can’t take it with you,” my sweet poppo would say as he would refer to money or stuff. in those pondering moments he had, he somehow knew watching the cormorants on the lake out the window, listening to music on their stereo, puttering and creating in his garage workshop, quietly coffee-sitting with my momma – these were the things of value. the day he threw caution to the wind and purchased a large painting at the splurgy karl’s mariners inn restaurant perched on northport harbor; he was answering the call of art – the pointer that drew him in and wrapped him, in this case, in the fjords of norway and endless dreaming. it moved home to home with them and always was a source of calm, a reminder of beauty and peace.

each day i walk downstairs and see this canvas on the easel. each day it reminds me of the trail we often walk, for it is the paused and erased beginning of a painting of the woods of that trail. i pay attention to it because it affords me tiny spaces of river trail within my day. it reminds me, as i scurry about attempting to get things done, to remember. it slows me down and i can hear the rustling of leaves, the birdcalls, the crunch of our feet on dirt, the chatter of squirrels. i can feel the sun atop my head, the breeze in my face, my arm looped through david’s. i can see the color of wildflowers, lush green underbrush, rough grey-brown bark, cloud-dotted blue sky. i can sense a bit of time on my hands, but just a bit. and i am right there, stepped out of the up-close worries, stepped into beauty. i am paying attention. art has done its good work.

to pay attention, this is our endless and proper work. (mary oliver)

*****

read DAVID’S thoughts this D.R. THURSDAY

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clover fluff. [two artists tuesday]

the tiny fluff of clover lives at the edge of the stone step. sweet one-half-inch beauties, they grant wishes to passing chipmunks and chickadees lingering at the birdfeeder. beauty at the edges, innocent, simple, unnoticed mostly.

the big picture often doesn’t validate the tiny edge fluff. it’s too big-picture-ish. lofty goals, high aspirations, gigantic expectations, unreasonable accomplishment demands – all take the focus off the soft sides, the padding between imposing idealism and reality. the shallow depth of field captures the up-close and blurs the rest, giving pause to some of what is overwhelming.

i suppose beauty is meant to be like that. the curl of your baby’s tendril of hair, the new leaf bud on the tree, the wisp of pink cloud in the sun-setting sky, the quiet birdcall at dawn – nothing enormous, just simple and life-giving.

so how is it that we get ourselves mixed up in so much measuring, so much set-up for disappointment. we live our minutes as if they are infinity itself. we compare and contrast and yearn and regret. we are striding, striding. even while the clover waits.

and then, sitting on the step of the deck, pondering for a few minutes, we look down and see this magical sight. the tiny world of the tiny clover beckons our attention. it will not be there forever, and, likely with the drought, will disappear before too long. but in the meanwhile it is there and verdant and growing and it counts.

once again, i am reminded, in a wondrous way, of my own tiny-ness. though i know the mark i make on the world is ephemeral, fleeting, and i sometimes, anyway, get lost in the demands and the challenges and the ups and downs of the accompanying emotional seesaw, i hope that there is something up-close about me that gives pause, that offers kindness, that is love.

my-big-picture is actually very tiny and at the edge of the step of the universe. hopefully it is like clover fluff.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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unpredictable beauty. [two artists tuesday]

“sometimes beauty is that unpredictable; a threshold we had never noticed opens, mystery comes alive around us and we realize how the earth is full of concealed beauty.” (john o’donohue)

a simple errand. we needed to pick up some furniture to transport in big red for a friend. destination: ikea.

there is something magical about ikea. we hadn’t been there in ages and were relieved to find few people there and everyone masked properly. vowing to hopefully come back soon and browse a bit, we pulled the boxes off the shelves on our pick list. pushing our cart to the front checkout lines, david, more than once, had to re-focus me away from the enormous displays of product. iphone in hand, we wove our way through the covid-floor-circles-disney-style line, waiting our turn at the cash register.

every where i looked, we were surrounded by interesting color, repeated pattern, textures that begged to be touched. david, more than once, softly called my name from the other side of the pushcart, gently spurring me out of the threshold-of-alive-mystery-of-concealed-beauty, snapping pictures with inordinate joy. “k-dot,” he would quietly prod.

the spatulas called my name too, repeating patterns of red-mama-dear-lips making me smile. spatulas are usually not mysterious creatures, but their color, design, stacking lures you out of ordinariness, opening that threshold, the place for glitter to be seen.

it wasn’t just the spatulas, though. i was victim to the lint rollers, the stainless steel utensil holders, the cork trivets. hidden beauty everywhere. i could feel my sweet momma and poppo cheering me on; they were likewise entranced by ikea.

if safety allows, we will return. there are a few small things on my own pick list i’d like to consider purchasing. but mostly, i just want to wander the aisles with my camera, noticing the unpredictable beauty.

yes, not a bad way to spend any day. noticing the unpredictable beauty.

read DAVID’s thoughts this TWO ARTISTS TUESDAY