there are a lot of reasons to zoom through days, to forget about what is really important, to perseverate on things that make us unhappy, things that worry us, things that cause us to push others away, to not take time with others, not give time to others. much of the time we can convince ourselves – somehow – that those reasons are impeccable, that they matter. we can get ourselves all riled up and full of the shadow side of relationships and daily life. and then something wakes us up, takes us out of the dark.
it could be something really inconsequential, seemingly unimportant. the notice of a bird on the wing, the sunrise, dandelion seeds in the wind, a strain of music, a scent. it could be something way bigger – something that brings a sense of mortality, that brings you to a full stop and makes you realize that time is – indeed – passing by and that the moment that has slipped past is never again retrievable.
and suddenly we realize that they are all like that. all the moments.
irretrievable.
and love taps us on the shoulder and reminds us. to take the time, to give the time. to be aware of the things we want to do, the simple stuff that feeds us, the people we love and who love us. it reminds us that there is no time to waste – really, ever – no matter where in life we are. it reminds us we are not all-that and we don’t do this life alone. it reminds us it is flying by and by and more love is the only thing that will last and last – forever.
it’s the west wall. and every morning as the sun streams in across the room, we comment. it’s one of those images that you anticipate, that stays with you, that you miss on cloudy days – a new day captured between miniblinds. and, because we were there and so was he, we know the shadow in the bottom left window pane is a shadow of dogdog’s furry ear and the nape of his neck. his ritual – laying on the bed with us in the morning as we sip coffee and the sun works on rising.
it will soon be a year since columbus – david’s sweet dad – died. it is now just days away. i knew him for merely eight years. but he was easy to adore. he still is. i talk to him every time i get into big red, feeling his presence as i crank up country music and roll down the windows. i don’t even know if he cranked up country music and rolled down the windows, but i sense his approval and it makes me smile. he had a gentle way about him and his shadow leaves soft edges in my heart. i told david that it will get a little bit harder each day now. there is no changing that. not feeling his absence is like trying to keep an open candle lit in the wind. impossible.
the anniversary of his leaving-this-earth forces one to recognize mortality. when my big brother died, it foisted upon me an absolute sense of a lack of infinity – time goes by and the world continues on, yet there will come a time that our relationship with the world will no longer feel the same and our shadow will be a little less pronounced, a little less definitive, a little fuzzier, though no less present. when my poppo and then, three years later, my sweet momma died, i was struck by the sheer ludicrousness of how wrapped up we all get in everylittledetailofeverything. it felt like we should spend more time shadow-dancing together in the sun and less time in the actual shadows. there is no time to waste. we learn it – and forget – again and again. and again.
in the way of shadows and energy and love, we know that our dogga can feel us, despite our temporary absence from him as we travel. just like the people we love – here and not here – he is right with us.
there are days that go by that we don’t notice. we hear the waves crashing or the wail of the foghorn, we feel the wind shift over the cool water surface, we listen to seagulls over our house or boats racing the shore. and, though those are all familiar to us, we don’t notice.
we walk the sunset along the lake, night dropping in around us. it’s quiet but we hear faint strains of music from the harbor and the festival on the channel. the lights to our left balance out the ever-diminishing clarity of view to our right. it is pretty exquisite. we are lucky, we repeat.
we live in an old house with an old garage and an old yard in an old neighborhood. we are steps from lake michigan and its glorious power, its ferocity, its smooth-as-glass silk, its wide spectrum of personality. and, sometimes, we don’t notice.
because sometimes, like you, we get caught up in the stuff of life, the challenges of life, the confusing relationships of life, the weariness.
those are the days we should walk the sunset.
for there is not much that reminds you of time passing like watching the giant eastern sky answer the western setting sun. there is not much that reminds you of your absolute tiny-ness in the overall scheme of things. just shy of eight billion people on this good earth and everyone shares this one sun, able to watch colors over lakes, deserts, meadows, cityscapes, neighborhoods, ballfields, cornfields, highways, bayous, mountains.
to sometimes notice, sometimes pay attention, gives us petite pause, like the air you feel staring at a richard diebenkorn ocean park painting, the all-over softened loll of arvo pärt’s music unwinding you, slower-than-slow-dancing on the patio, the hush of a hammock.
“we think we have about twenty good summers now,” the wander women talk about choosing their adventures. we are the same age, so it’s a little bit bracing.
but a good reminder. even from the very start. if we only have about 70 or 80 good summers in all, if we are fortunate, it would seem each one really, truly counts. and, if the height of summer is – in most parts – about three months long, then that’s about ninety days. that means somewhere between 6300 and 7200 good summer sunsets in all, possibly more, possibly less.
it makes me wonder how much i noticed in the first 5670 summer nights to date.
i’ve got some work to do.
i’ve got some walking sunsets to pay attention to.
the 1977 graduating class of john glenn high school chose this song as our theme song. before the decision and ever since, it has remained a favorite. seals and crofts dominated our senior variety show – the one for which i wore a full wet suit including fins and played a piano duet -, our graduation, our prom, our yearbook. they played over and over in my bedside cassette player, on radio, on stereo systems throughout elwood and, likely, everywhere.
just last week jim seals died. he was 80. and suddenly, again, time flashes in front of us.
because somehow, listening to their music, i am back at 17 or 20 and they are in their early to mid thirties. but the years come and go and the journey keeps journeying, faster and faster it seems.
and so the moments and presence become infinitely more important and the stuff becomes less. the grand illusion of foreverness becomes foggy and we learn – little by little – sometimes, though, with ferocity – that we must be-here-now. we graduate and grow and regress and grow again and start to see that full spectrum is not so bad – that belly-laughing and weeping are both, indeed, necessary and that as we vine-climb from dirt to sky we are only really here to be with each other.
our beloved daughter was here for a couple days. any time we see her or our beloved son are those kind of rare-gift moments. we giggle and poke fun and talk and reminisce and ponder and there’s eye-rolling and i am astounded by them and, always, i cry upon their leaving or upon our parting. it is the hard part.
i know that we just never know. life has a way of teaching us that – again and again – though it is easy to forget, to push it aside. but the further up the vine we get, the more we recognize it. it is all so fragile. we may never pass this way again. simple. true. a calling, an imperative to say the stuff, to be vulnerable, to experience, to love, to acknowledge, to laugh, to cry, to be-with.
the studio in our basement is full of beautiful paintings that haven’t yet found their proper home. it is also full of boxes of cds that have been replicated and shrink-wrapped, ready for their new homes. there is no shortage of completed work down there, no shortage of heart projects, no shortage of sweat and tears. there is no shortage of work in progress, canvases prepped, notebooks of lyrics and melodic gestures.
we moved our 20’s father’s paintings last week. today we will move the remainder. as we carefully loaded big red, you could not help but feel wistful about these paintings moving away from their home, to be stored by 20. duke was a prolific painter and his work is stunning; we wondered where and how these mostly large pieces would find a permanent home. where does it go from here?
any artist, thinking about the impermanence of life, wonders that. where does it go from here? who will purchase it, hold onto it, look at it, listen to it, read it, ultimately – feel it? will it matter later on? does it matter now?
this. this is what this song is about.
reverse threading 