reverse threading

the path back is the path forward


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peeled back. [k.s. friday]

time continues to peel back the layers. barney is vulnerable and is, thus, exposed.

artistry is like that. we share our vulnerabilities. we write, we paint, we compose, we lyricize – we peel back the outer shroud of mystery to reveal that which is inside. we take chances at judgement, at others’ opinions, at evaluation. we are exposed. and time goes on. winter turns to spring which turns to summer and then fall. the seasons take their toll; the seasons enrich us. both.

the first album i released felt earth-shaking. the notes – white and black keys tumbling from deep within – flew out into the world on a piece of polycarbonate, aluminum and acrylic plastic. what could be a coaster contained fifteen deeply-excavated emotions, musings each released into the light. exposed. the scraps of paper that gave birth to these were soon filed in a binder with invoices and order forms, designs and ups tracking numbers. one season. one album. done.

each original album since is no less an exposé. each still holds pieces of me, permission by me to be peeled back. a little less scary than the first but still risk-taking. vulnerability does not recede from the sandy beach as the big waves come and go. but it stands a little more stoic, with a little more sisu. the albums, like seasons, arrive when it is time. and they, in some way that albums might, tremble with anticipation and that tiny bit of fear that remains, even after many layers have been peeled. soon there will be no more black and white at all.

now i wonder if i will need shrink-wrap again. i wonder about recording. and i don’t know. yet. i do find that i am thinking of wooden stages and boom mics. i also find that i am thinking that all this writing – these written words on the page – have been feeding me and that hunger for polycarbonate, aluminum and acrylic plastic.

each day, barney and i age. the veneer blisters and the shell reveals our hearts. we are both emotional, barney and i. we are conscious of our craggier look, the wrinkles and the age spots. though we wonder about how we resonate with the rest of the universe-out-there, we take the dusty road together anyway and we hold hands, vulnerable together. though laminate no longer hides our souls, we are standing in the sun this season, new growth springing up.

*****

that first album – 1995

read DAVID’s thoughts this K.S. FRIDAY

someday?


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wrinkles. [two artists tuesday]

barney spring 2020

in the last year of my sweet momma’s life, at not quite 94, she would say astonished things like, “i looked in the mirror and i look like an old woman!”  we would laugh together when we mentioned her age and that she had earned every last wrinkle, every age spot, every grey hair.  never have i seen a more beautiful old woman.  in a life that spanned from 1921 to 2015 her hazel eyes saw vast changes, world hurdles, family loss and strife, wild technological advances.  and love.

barney was born around the same time as my momma.  i wonder about the life he had before he arrived in the basement boiler room.  was he a honkytonk piano, a barroom upright, a sunday school accompaniment, the instrument in someone’s drawing room?  he was headed to the scrap guy when we met him and we intervened.  i suppose as he has lingered in our backyard these last five years he would wonder about the reflection in the mirror, his outer shell, those wrinkles, that peeling laminate, the keys that no longer play.  does he realize that chipmunks perch on his brow and snack on acorns?  does he realize that birds land, patiently in wait for their respective and restrained turns at the birdfeeder?  does he realize that his soul remains rich, his exterior beautiful in its aging?

i laid awake for hours in the middle of the night last night.  i looked in the virtual mirror in my mind and saw wooden stages and boom mics, big pianos and blue jeans.  i realized, suddenly, that i am older.  despite everything that would suggest to me, try to convince me of, the contrary, i have gotten older.

scrolling through social media during this time of distancing it is stunning to see all the ways people are incorporating posting with streaming, youtube, visiting with google hangout, facetime, videoconferencing with zoom, webex, as they try to be there without being there.  it’s exhausting.

my 1970s-lingering-self puts on readers and starts to read the directions.  the chipmunks are perched on my brow and i resource apps to stay in the loop and do my part to help keep people connected in a time where connection could easily fall away.

i take a deep breath and remember the day that my sweet momma’s iphone facebook status read (from her assisted living facility in tampa) that she was checked in at a miami dolphins game in miami.  i quickly and quietly fixed it for her.

and then i giggle and think, ‘heck.  if she can do it, i can do it.’

it is the symbiosis of peeling back the layers, honoring the wrinkles, relying on each other’s strengths in the mirror and working together, the virtual birdfeeder our community.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

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the soul of barney. [not-so-flawed wednesday]

Barney

as barney ages in our backyard, he clings to his original form – he is a piano, first and foremost.

barney has spent the last four years in our backyard.  his presence is inspiring.  rescued from the dark church basement boiler room he had been in, the light of the sun and weather he now endures have brought nuance to his life as a piano.  no longer serving his original purpose, he has a new destiny.

but barney’s soul remains the same.  you look at him and you know he is a piano.  no ifs, ands or buts. and he is cherished.

there is a different kind of power in his spot in the backyard.  it’s not one of crescendo-ing music.  instead it is now one of steady quiet.  it is one of a history of service and workhorse reliability.  it is one of a history of the dawn of creative moments and the dusk of amens sung in sunday school classrooms or weekly meeting rooms of committees or choirs. his piano-soul now resounds in the chirp of every bird or chipmunk, the sound of the wind and the rain, the glint of the sunlight deepening the wrinkles of his keys.

barney is retired.  but he is not silent.

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY

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