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Tag Archives: john denver


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non-fiction. [d.r. thursday]

there are days that the clouds form lower elevation mountains along the horizon and you are certain that land is not far away.

there are days that clouds – skybluepink, puffy white, ominous grey – float by, high in the sky or dipping down into the camera lens, and land – on the other side of lake michigan – is nowhere to be seen.

it depends on the day. it depends on conditions. it depends on tiny atmospheric changes. “air can reach saturation point [forming clouds] in a number of ways.” (noaa.gov)

we are reading john denver’s autobiography. it is a perfect example of all the conditions aligning for clouds to form, a perfect example of the fragility of saturation point. in a series of miniscule decisions, moments, meetings blessed by timing, john denver is catapulted into success. we are almost halfway through, reading aloud and relishing it. john’s music, his messages, his work in the world – most definitely crystals in the atmosphere.

we returned the measure to the library. we didn’t finish it. i look at the stack of books next to my side of the bed and realize that it is not necessarily a light-fiction-time for me, though i am quite sure there might be exceptions and i know that there are profound novels, deeply rich. this bedside stack is non-fiction, informative, questioning. it wasn’t that the measure didn’t seem a good read. it was more that it didn’t hold me, my attention. after the first couple days of blanketed-both-ends-of-the-couch reading snippets as there was time, the book sat atop the throw and just waited and – then – became overdue. the quarters accumulated for a few days and i thought we’d sit down to finish it, but we never did. eventually, we mutually decided to bring it back. and then we talked about it on the trail…why it didn’t seem to appeal to us right now.

i suppose there are times in life when all you need is a giant stack of romance novels or mysteries. maybe those times are periods of comfort – skybluepink times – when you are freer to languish, freer to relax into life. these are the times when you don’t see any horizon – the lake is endless and there are no looming summits to climb.

and then, there are other times in life – when escape would seeeem like a good idea – when, instead, the books you choose are steeped in reality, steeped in others’ challenges and successes, telling stories of grit and fortitude and good luck and the help and support of others, the stories of getting-there. the books ask questions you might ponder in sorting out next or the books outline ways to approach that which you are facing down. non-fiction is more of a unpredictable day out there over the lake, getting unexpectedly sopped by rain, seeing mountains to climb on the other side, wondering if the sun will ever shine.

john denver wrote, “i’d learned that powerful songs are powerful not because they’re pretty or bouncy or funny, but because they’re about the human condition and what we all aspire to; i’d learned those were the songs i loved.”

a pretty sky – or song or book – doesn’t hurt – in fact, it can fill one with much contentment. but only pretty skies could be suffocating. we need the rest – all the atmospheric conditions to really feel the yin-yang spectrum, to know we are truly living, to be reminded of how crystals in the sky are formed and to know the sun is shining – regardless.

*****

read DAVID’S thoughts this D.R. THURSDAY

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frames, frames, frames. [saturday morning smack-dab.]

so…we didn’t go to nearly enough places and i am sort of stuck in buyer’s-remorse, retail-regret, choice-underload.

i, eventually, chose frames – they resemble john denver’s and john lennon’s. a little bit bohemian. a little bit retro.

it had been a long, drawn-out affair. i tried every frame on at the vision center – well, not the really expensive ones because – though we had vision insurance at the time, my portion only covered contact lenses and no back-up glasses. we went to costco and i went up and down the optical wall, trying on, taking off, trying on, taking off. it was exhausting. we went back to the place where i had my eye exam – there would be a discount for buying glasses in addition to contacts.

nearly everyone at the vision center got involved. i had gotten it down to five different frames and – standing in front of the mirror trying them on over and over and over again – finally resorted to asking lovely sarah, the my-age vision assistant. i tried each pair on for her while david watched. we eliminated two frames. one made me look exactly like harry caray, which is not a good look for me. i loved the anderson cooper look, but all those frames were too wide and extended well beyond my face. apparently, i do not have a big face. or – women don’t mind frames that extend into their widest peripheral vision, making their hair stick out. there are many, many, many large frames out there. even bigger than the ones i had in 1985.

i had tried tortoise shell and red, maroon and clear. i had tried hexagonal and cat-eyes, square and rectangular. i had tried my-little-pony and under armour, karen kane and bebe and vera bradley. and now there were these five.

sarah turned to her colleague and asked for her help. the colleague had me try on the three frames – over and over – and then she turned to another colleague and asked for her opinion. the customer who was being served by that vision-center-person piped up. eventually, there was a vote. and everyone in the store voted. the black metal round frames won. i placed an order, laughing, and was relieved it was finally over – the stress of choosing a frame that fit my face – which, i might add, turned out to be a child’s frame. we left.

but i still think about the frame in my mind. also round, but plastic and black and just exactly right – making my forehead look smaller, the indent of my face less indented, the wrinkles around my eyes disappearing, the dark circles lighter, my eyelashes longer and my eyes more expressive.

david picked out his frame in about two minutes. so it was hard for him to understand the hissy fit i had over finding the right frames. a dedicated contact lens wearer, i have never really liked any of the glasses i have owned. i wanted this time to be different. so i tried to explain to him all the parameters the new – perfect – no, no – quixotic – glasses must fall within. purple stuff came out of his exploding head. but my hissy fit helped.

we picked up the finished glasses and, putting them on, they seemed a little blurry. i sighed. i haven’t tried them again. but i will. i’m hoping they will be ok. and i guess i’m still wondering if that truly perfect frame exists out there somewhere.

*****

read DAVID’S thoughts this SATURDAY MORNING

SMACK-DAB. ©️ 2023 kerrianddavid.com


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both-and. [merely-a-thought monday]

ricko and nick could be friends. they are on the same page…that trite-but-true one of potentiality.

in “my big fat greek wedding” nick portokalos quotes dear abby, “don’t let your past dictate who you are, but let it be part of who you will become.” out in the middle of the arctic tundra, ricko dewilde firmly states, “the best way to lose an opportunity is to believe it’s not there.”

john denver in “looking for space” lyrics writes,

“on the road of experience
join in the living day
if there’s an answer
it’s just that it’s just that way

when you’re looking for space
and to find out who you are
when you’re looking to try and reach the stars
it’s a sweet, sweet, sweet dream
sometimes i’m almost there
sometimes i fly like an eagle
and sometimes i’m deep in despair…”

we are all out there – looking for space. no matter the ladder rung, no matter the age, no matter the skill level, no matter the lifeline of work and education and privilege and lack thereof, no matter the past, no matter what we believe, no matter the matter we are looking for space. the place to stand and breathe and be exactly who we are.

this week i flew like an eagle. this week i was deep in despair. i would guess – were we all to be candid – there were many with me up in that eagle-sky and many with me scrambling in muddy-despair. it’s both-and. life is a correlative conjunction.

and – in that infinitely latent and screaming way of possibility – the space we inhabit on this good earth is full of it.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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no time to waste. [k.s. friday]

“…in singing skies and dancing waters…” (john denver)

we sometimes forget.

we forget to look up. to see the blue – singing – sky. we forget, in all the drudgery that can be the world around us, to study the night sky, trillions of stars, our tiny selves. we forget to watch the sun rise over the horizon and the sun set behind us. we forget vast as we are immersed in the up-close-and-personal telephoto lens of our lives.

we forget to see the – dancing – waters. we forget to allow it to wash over us, soothing, soothing. we forget to notice tiny droplets of dew on leaves and the surf’s leaving and returning. we forget to break into song in the shower and float in rivers under canopies of trees. we forget to listen to the stream and we forget to catch the rain on our tongues and we forget to allow ourselves to stand in it. we forget to revel in fountains and even celebrate impermanence, as it is not just all good things that come to an end…

and so the sky sings and the waters dance. they remind us, whether in the cool forest of high elevation mountains or the rockfront edges of a great lake or the sandy beaches of the shore.

for a moment we look up and the purity of water dancing in a singing sky fills us…suspended stunning beauty…humbling…and every good moment we have ever had comes rushing forward.

there’s really no time to waste.

*****

GOOD MOMENTS from THIS PART OF THE JOURNEY ©️ 1997, 2000 kerri sherwood

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read DAVID’S thoughts this K.S. FRIDAY


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dancing waters. [not-so-flawed wednesday]

in stop-motion moments, we stood by the fountains and shot photos. the dancing waters mesmerized us, light waning in the sky under the canopy of big trees. it was peaceful, serene. there was no place we needed to be in those minutes, except right there.

the water danced too quickly for us to discern contours of form. the camera made it possible to see those gorgeous images of momentary pause, water suspended. looking at the photographs – enchanting.

“…as water takes whatever shape it is in,
so free may you be about who you become…”

(john o’donohue)

we, in this ever-flowing river, babbling gently like the backyard pond, the mountain stream, or raging like the yellowstone river hurtling through the national park at this time, a part of the continuous-motion movie. our bliss, our concerns, our grievances, the things that distress us, the things over which we ruminate…though they feel to be screeching-to-a-halt, a visual-stop-place where the horizon ends – they continue on and on and life dances around us and through us. life invites us to waltz with it, to two-step, to sing along.

perspective, looking back, it’s all a tiny bit clearer in retrospect. my sweet momma’s words “this, too, shall pass” visit and revisit me. the dance steps we missed along the way are no longer worthy of our dedicated brooding, no longer stop-motion.

dancing water has brought grace of movement – forward. we keep on keeping on in the hazy-lazy-bubbling-frothy-waltzing river.

“…i’ll be there in singing skies and dancing waters
laughing children, growing old
and in the heart and in the spirit
and in the truth when it is told…”

(john denver)

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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autographs. [d.r. thursday]

“this is my autograph, here in the songs that I sing. here in my cry and my laugh, here in the love that i bring. to be always with you and you always with me.” (autograph – john denver)

on my 30th birthday – a sunny and auspicious day more than thirty years ago – at the zoo, in a freshly poured cement sidewalk, i wrote my name with a stick. i was not alone; i had witnesses to this moment in time. my mom and dad and niece and husband cheered me on as i left my tiny mark. years later, upon return to that zoo, it was still there. there was something encouraging and reassuring about that. i had not disappeared.

we were way up on the mountain, at the highest point of the trail we were hiking. the meadow stretched out of the woods and we sat for a time on a log, watching the breeze move the wildflowers as they bent to autumn. with a sharpie we left two tiny dots on that log. we had been there. we would remain there.

right off the side of the meadow as we re-entered the woods, there was this stump. like an opening flower blossom, it begged a look inside. i was surprised to find rocks of all sizes in there. a container of autographs, evidence for those who had passed by. we added ours to the assembly, rocks specifically chosen by hikers who placed their i-was-here into the hollow cavern of the stump. there is something about leaving a token behind, yes, encouraging and reassuring that upon our return someday – should we return to that very spot – it could be there and we would be reminded that we had passed that way.

the music, the art, the words – all linger temporarily. a little noisy. we have passed this way, that way, these very spots. music, the art, the words – they are expressions that give a bit of definition to the amorphous life we live. they say who we are and stamp our love into the world. and then they evaporate into the atmosphere.

and we know that, even if we never pass that way again, even if we never come across the hollow stump again, we have still left a silent autograph.

*****

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“the pace of nature.” [merely-a-thought monday]

“…adopt the pace of Nature. Her secret is patience.” (ralph waldo emerson)

no matter how hard we try, there is not one thing we can do to make the sun appear or the day warmer or the moon to rise or the snow to fall. we accept that time will come, time will pass, time will form and time will destroy. we give over to nature, anticipating that which we know, expecting the unexpected. we baby-step through this very time in the universe, our footprints barely visible on the timeline that is forever. we learn that no matter our stride, we are simply tiny beings. eventually, we learn, after giving over to patience, that that is enough.

the john denver sanctuary in aspen is a treasure trove. we have been there three times now. a garden of trails and large river boulders etched with lyrics and quotes, perennial daisies and aspen trees, it is a gentle sinking into peaceful. the city sounds of aspen fall away and the river and streams are lulling.

we wandered for hours, reading, sitting, pondering, the sun on our faces, the sound of quaking leaves slowing us down. i stood on a giant rock, like a stage under my feet, and bowed deeply to no one and to the brilliance of a man who knew how to tenderly shape melody and weave lyric into a fabric like a soft blanket.

we were immersed in poetry, in words, delicious to read aloud. we were quietly taking it all in, i in all my john-denver-glory, reliving the cassettes i wore out, rewinding, rewinding, listening again and again. this exquisite place, tempting all-day-hooky-playing, wielding a magic defined by thought, encouraging reflection, softly begging you to tumble in your own thoughts. this place slowing you down, reminding you that it is not stuff that defines you, it is not the stuff-of-you that will remain with others.

we wrestle with timing, with suspense, with expectation and disappointment. we measure against ladders of success and hold ourselves to higher higher higher standards of accomplishment.

nature quietly treks on, luminescent and glorious, patiently acknowledging every babystep moment of its impact, surrendering judgement and secretly, from the heart of the universe, signing its autograph on all of us, whispering to us to slow our pace.

*****

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY


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and we become shadows. [d.r. thursday]

“the shadows from the starlight are softer than a lullaby…”(john denver)

in the shadows you can’t tell. nothing is precise. the edges are softer. you can’t tell age or race or gender. you can’t tell shoes or clothing style; you can’t tell anything really specific. it is all gentler, fuzzy, and, depending on the angle of the sun and the texture of the ground, a little bit blurry. seems like it might be a good way to live – softer than a lullaby.

the sun is often closer to setting when we get around to the part of the day when we release all else and go for a walk or go hiking. as we hike through the woods or trek around our neighborhood, the worries of the day, the week, the times, begin to float above us as we attempt to let them go. sometimes, in lieu of laptop-focus-sitting, we will go for a long hike to sort…to discuss…to brainstorm. those are the times it is daytime, when hours are plenty, long shadows are scarce and the sun is high in the sky. but at the end of the day, when it is time to quell the angst a bit, to ease our minds, the shadows prevail and we linger in them, often making play of their gift, snapping pictures of silly poses or just a capture of the very moment on the trail. to look at them later is to hear the lullaby of soft shadows’ reassurance.

in these last days i have begun to realize that which had been close is becoming shadow. i have begun to see, once again, that, in nebulous whirlwind life, time moves on and so do people. i have begun to acknowledge that it is time to let go. we have become shadows in the story of a community. we will fade as the sun drops lower below the horizon, as the moon rises. and with each day passing, we will be forgotten a little bit more. what i believed so deeply mattered has turned out to be evanescent, fleeting and ephemeral, vanishing like a shadow as clouds move in to replace the sun. and for that, there is no lullaby playing, no soft starlight. and there is no way to see our sadness in the shadows on the street.

but there is the promise of another rising sun, another chance for shadow-play, for tender sunlit silhouettes, for the reassurance of the blur of life and stars to come. of new photographs and lullabies.

*****

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the middle of an elongated hexagon. [two artists tuesday]

the cheesecloth sky filtered out most of the sun over the trail through the woods. others had been there before us; the snowmobile track interrupted by the plodding hoofprints of a horse, picking its way through inches of snow. we were next, our boots crunching and breaking through crust the bit of sun had settled on the top of the snow. we saw no one else. we passed by no one else. the quiet was welcome; the quiet was necessary.

in the distant clouds we could see the brush of setting sun. and the lyrics, “…right now it seems to be more than enough to just be here today, and i don’t know what the future is holdin’ in store. i don’t know where i’m goin’, i’m not sure where i’ve been. there’s a spirit that guides me, a light that shines for me. my life is worth the livin’, i don’t need to see the end…” (sweet surrender, john denver)

we were awake in the middle of the night. this is more usual than unusual these days.

we talked about the elongated hexagon of life. of the start. of sweet babies lilah and jaxon and their beginnings – their exponential learning day by day, their attaching to people, to things, to understanding. the billowing ever-widening incandescent rainbow bubble of possibility that surrounds them as they grow, as they become.

we talked about the elongated hexagon of life. of the end. of the narrowing down of experiences, the detaching, the ever-decreasing possibilities of dearest columbus, in the journey that minds take on roads of dementia.

we talked about the elongated hexagon of life. of the middle. of the time in the center. of our lives. “more than enough…just to be here today…more than enough…”

the trail is familiar; the trail is different every day we take it. we trace deertracks with mittened hands and build snowmen and snowhearts with the powdery snow in the shade of the trail.

we don’t know where we’re going. we can’t see the end. we are smack dab in the middle. and, on this bitter cold day in muted woods under a cottage cheese sky in silence, that needs to be enough.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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agnes, mom, dad and dogdog. [d.r. thursday]

“whenever i feel afraid i hold my head erect and whistle a happy tune so no one will suspect i’m afraid.” the tune from the king and i has gone through my head more than once in my life. the feel-good song you carry with you can make a difference (this is directed to our jaded babycat).

we have watched national geographic’s life below zero for a few years now. it’s not hard to develop “relationship” with the people on the show, especially now, in times of pandemic when you see few others. the hailstone family is based in noorvik, alaska. it’s brutally cold, removed and not an easy place to live. agnes hailstone, the 40-something matriarch, has a can-do attitude. the striking thing about this family is their positivity. what they are like off-screen is of question, but on-screen they are encouraging, supportive of each other, never undercut what the other is doing, and always have a more positive zeal than i ever could muster out on the negative-temperatured tundra in dim light and a freezing-wind stormy day on a snowmobile going 40mph for miles and miles across a frozen lake in search of a fish or maybe two from a tiny augured ice hole. “you can do things happy or sad or mad,” agnes said on a recent show, “but it’s best to just do things happy.” she adapts to new challenges, weird-stuff-that-happens, and seasonally-repeating obstacles as they arise and has passed her can-do-ness on to her children, her grandchildren, her spouse. she doesn’t give up. she is pretty heroic in my book. she must have bobby mcferrin humming in her head, “don’t worry. be happy.”

it’s impossible to not dance when you hear black eyed peas’ “i gotta feeling that tonight’s gonna be a good night”. it’s not likely you can resist with james brown’s “i feel good” or john denver’s “sunshine on my shoulders makes me happeeee.” it’s without question that “here comes the sun, dootin doo doo” easily elicits you singing along the famous line “and i say, it’s all right!”

but what about in the quiet? what about when all is silent, when all lyrics have slipped from your ready grasp, when you can’t think of a song to save your life, as the expression goes? then what? what do you draw from?

i suppose that’s the reason my sweet momma started the day by saying “good morning, merry sunshine.” or why my sweet dad would look at things that were challenging and simply say, “well, how do you like them apples?” after living lives full of challenge and the roller coaster of emotional heave-hoes, they chose to greet the world in each of their experiences with positivity. hearing my dad’s whistling told me everything i needed to know – they were ok in the world, no matter what. they chose it.

agnes hailstone and my mom and dad would like each other. and dogdog. dogdog too.

*****

read DAVID’s thoughts this D.R. THURSDAY

AT THE DOOR ©️ 2017 david robinson, kerri sherwood