reverse threading

the path back is the path forward

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flowers of the forest. [d.r. thursday]

as we were walking into costco the other day, there was a man briskly walking out. he was balancing a a box of items in his right hand. but in his left was a bundle of flowers. i don’t think he was aware of my brief stare, for outside costco it is windier than most places and we were scurrying to get inside.

but i did stare.

it wasn’t because of the man – i wouldn’t be able to identify him in any way. it was because of the bundle of cellophane-wrapped flowers in his hand. he made me think of my sweet poppo who would purchase grocery store flowers for my momma to put in the center of their coffeesitting table or maybe on the side table in their foyer. my momma loved those flowers. inexpensive, and often on sale – she was ever budget-mindful – but she really loved them.

in these days of a bit more challenge we have taken to a new practice. it’s: pretend-i’m-giving-this-to-you. next to a display of valentine cards sweet-topped in love language with $5.99 printed on the back, we held one out to the other – “pretend i’m giving this to you.” we stopped by the floral cooler and he pointed to a bundle of red roses (with buds and petals actually attached, i might mention) and said, “pretend i’m giving these to you.” the “pretend-i-got-you-this” is far-reaching and much more satisfying than you might imagine.

for it is an intention of love and, in our lighter-weighted and budget-minded world, not stuff.

as we drove home from hiking we contemplated what we might do for the rest of the saturday. it was wide open and we had vowed to hold it as our own. we needed this day on the trail, this time outside, this time together sans angsts. we ran ideas in littlebabyscion.

revisiting frugality is not unfamiliar for us. it is, in fact, much more familiar than extravagance. and so, it is much easier for us to be prudent and thrifty when considering the ‘what’s next’ category. off-trail, our legs were tired from hiking in snow and, though refreshed, we were a little weary from being out in the windy cold.

we considered our options. what to do with the rest of saturday. it was getting later.

back home, we made a little charcuterie board, poured a little wine. we decided to stay home – with our happy dogga. we talked about our trail covered in snow, we read a book together, we played one of favorite cds. kind of a gentle end to our day.

i scrolled through my photo stream then reached out to d with my phone, pulling up one the photographs i’ve taken on the trail we love – this photo of stunning blooms of wildflowers in the winter forest – and said, “pretend i’m giving these to you.”

i’ve noticed lately that my eyes look a lot like my poppo’s.

*****

read DAVID’s thoughts this D.R. THURSDAY


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the softer side of selfies. [two artists tuesday]

it’s the softer side of selfie.

i take many photographs of us in shadow. it lowers the how-do-i-look bar to practically zero. though it does leave me a tad bit curious about why my head always looks bigger than his. i think it’s my hair poofing out; his is pulled back neatly, while mine is helter-skelter flying in the wind. nevertheless, whether we are smiling or not, whether our eyes are open or closed, whether we have a funny look on our faces – none of this matters.

some of my favorite shots of us are in shadow. we are on the dock at northport harbor. we are on trail in breckenridge. we are at the john denver sanctuary in aspen. we are on a frozen lake up-north. we are walking barefoot in florida, carrying our flipflops. we are in the sun on our back patio.

i know i might be accused of over-documenting. so many photos. “1.81 trillion photos are taken worldwide every year, which equals 57,246 per second, or 5.0 billion per day,” according to photutorial.com. at least they are not all mine.

yet i know that it takes many, many shots to get the right one. my dear friend scott is a world-class photographer with a compositional eye to die for. he shoots thousands of shots at a-list events. which makes me feel justified in my overshooting. i have loved being behind a camera since my parents gifted me my first 35mm when i graduated high school. crunch and i would go out and about for hours on end, on escapades, taking pictures and dreaming of what they would look like developed. the advent of cellphone cameras – as they are today – makes it infinitely easier to snap, snap and over-snap. and, though i can confess to that, i will not stop.

because every now and then, when i go through all the photographs i’ve taken on a hike or at home or traveling or with one of my children, i find a jewel. like the lyrics that are tucked into notebooks-upon-notebooks, scraps of paper of melodies, pa pads with ideas for smackdab cartoons and blogposts, sometimes something special turns up. “practice makes perfect,” my sweet poppo would always quip.

so, the other day, while we were hanging out with richard diebenkorn, i thought i would document our time together. not a gem of a shot, but – truly – they aren’t always gems. sometimes they are just reminders of time spent, thready mementos of moments, scraps of lyrics or color samples or heart rocks. they are a diary of time, back and forward, threaded clockwise and reverse.

despite the vast ponderings of art critics and pedantic curators, it would seem that richard might just be trying to create mood, evoke emotion. this ocean park painting – like the whole series – depicting shimmering light and air, his extended time in santa monica sun. he painted and re-painted 145 canvases in this series. a diary of time.

selfies and shadows, smiles and light. all stuff that counts on the way to 1.81 trillion.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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paddles in the water. [d.r. thursday]

vincent was there. right off the side of our canoe he swirled his paintbrush and the water canvas became starry-night dreamy. charles schulz was there too and i could see snoopy dancing atop the surface. it kept evolving, even without the help of our paddles. ever-changing.

jaxon was two yesterday. his curiosity, his energy are unmatched. he is fearless. everything is possible and the whole world stretches in front of him. his boundless zeal, like a fast paddle in the water, arranges and rearranges utterly everything-in-life continually. he is not considering how to approach life. he is simply living it. no expectations. just embracing it all – the whole kaleidoscope.

being on the road takes you away from the norm. it takes you out of the bills, the projects, day to day worries or concerns, dealing with health issues. you are suddenly on the surface of the lake – so to speak – skimming along in littlebabyscion, watching the world go by. we get to the city-we’ve-never-visited-before, a city trying to keep up with immense growth. the districts are working on revitalization. we take walks in historic neighborhoods and fall in love with bungalows and big porches. and we wonder.

we sit in a stadium – the first time in many years – surrounded by 60,000 people – the first time in many years – to see a concert – the first time in many years. we marvel at the changes we have felt in those years.

we hug her goodbye. parenthood is dynamic, never static, and motherhood is no easy trail. missing is just plain hard. i try to adjust, to readjust and readjust again, to hold it all lightly. the paddle on the surface of my heart teaches me lesson after lesson.

we wonder about all of them as we drive on – the people out there also driving, the people whose homes we are passing by, the people in the rest area, the people in the local grocery store. what is their life? who are they? what are their worries? what are their joys? sometimes you can feel it, even from the road. we both nearly wept as we passed by a very-rusty-beige-identical-trailers trailer park with maybe fifty bereft homes in an arid dirt expanse of land; treeless, shadeless, plantless, playgroundless, it felt hopeless. every shade on every trailer we could see was pulled shut. we saw no people, though each trailer had a vehicle parked nearby. it was south carolina, not at its best. no pastel-colored historic homes, wrap-around porches or coastal beaches, no palmettos, no golf courses or rolling grassy knolls. just nothing. dirt. except these trailer homes – and we had to try to wrap our heads around the fact that at least there were homes with roofs, perhaps air conditioning to ease the hot muggy heat. the empath cloud followed us for miles until we could shake it loose, putting our paddles into the water and stirring things up as we drove.

we arrive in the mountains, zigging, zagging, climbing. tall trees block the sun and suddenly we are cooler and everything takes on the color green. it keeps changing, this expanse, these days of life.

we’ll hike. every turn in the trail will be different, every view different. the elevation will give us a view of the mountains – out there – and we’ll photograph them to remember. we’ll dip bandanas in streams to cool off and stand by waterfalls taking pictures to remember.

and when we get home, it will all swirl around us – the moments. vincent and snoopy will laugh a little at our attempts to hold onto it. and jaxon will remind us of how gently to hold the kaleidoscope.

*****

read DAVID’S thoughts this D.R. THURSDAY

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the edges of autumn. [two artists tuesday]

somehow breck knows. nature, in all its wisdom, whispers “it’s approaching” and breck’s gorgeous aspen leaves begin to turn.

we sat against our pillows with coffee this morning, a cool breeze through the bedroom windows. the crows were cawing and i could hear the lake pound the rocky shore. there is a beach hazards alert today calling for rip currents and higher waves. it’s a little grey out – the day i am writing this – and you can feel fall in the air. the wistfuls are at bay, waiting just a little longer to kick in.

but the grasses are evidence, as plumes of gold and maroon shoot up toward the sky. the cherry tomato leaves are beginning to yellow. the long stems of daylily flowers – sans blooms – are drying. the chippies are amping things up. there are just a few less birds in the morning and we hear geese overhead. up-north, along the side of the lake as we paddled, there were pockets of color. maples turning just a bit, reds and yellows, catching the sunlight. the mornings were cool, sweatshirt-worthy. playing bags in the garage invited a few yellowjackets, their quest to stay alive in september always pre-empting my ease outside as i try to avoid getting stung. it is quieter here at home during the day; school has started. it’s dark now when we wake up and the sun is setting earlier in the evening. autumn is arriving. we are standing at the edges.

we sat on the deck late saturday afternoon after a day of chores around the house. we talked about how it is already september. we tried to remember june. i opened the photo gallery on my phone and went back to the end of may so we could track the events these months. dates and happenings blurred as we strolled through pictures and not-too-distant memories. how does this happen? time flying by.

at the end of a week fraught with sudden worry, we were grateful. we had ridden the roller coaster of fear and intense concern, we had been lingering for days in not-knowing. we reached the end of the week with a few answers, the best of the possible worrisome scenarios. and we were grateful.

breck’s leaves quaked in the breeze that picked up that evening. a few raindrops fell on us. we stayed in our adirondack chairs on the deck and turned our faces to the sky. autumn is coming – in the way seasons roll round and round – and we are happy to greet it.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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goodness. [merely-a-thought monday]

i’m sure people in the target parking lot stared at me while i took a photograph of the side of the sara lee truck pulled up in front of the store. i’m always the one – lagging behind, trying to capture some image. so many photo ops, so little time…

but these words “how goodness should taste” caught my attention. sara lee, the company of classic pound cake, chocolate creme pie, new york style cheesecake, makes me think of my sweet momma, coffeetime, the round smoked-glass table, white plastic vinyl swivel chairs. my poppo, pouring the coffee out of a farberware percolator, whistling. goodness, indeed.

my growing-up wasn’t dressed up with ganache and crème brûlée or crepes and chocolate soufflé. i was the product of two great-depression parents and they were practical. entenmann’s crumbcake and my mom’s lemon pudding cake, homemade apple pie and chocolate chip cookies, box cupcakes and sara lee raised me, along with an occasional traditional-cheesecake splurge at the bakery.

goodness was simple. it wasn’t prissy nor did it require much money. it wasn’t fancy or haughty nor did it exclude anyone. it wasn’t loud and shiny nor did it bellow “look-at-me”. it wasn’t for show. it was just simply goodness.

when i saw the sara lee truck i called to david. he had stopped on the target sidewalk when he realized i hadn’t made it across the lane from lot to store.

i showed him the picture of the side of the truck “how goodness should taste” and said, “this is perfect for a blogpost.” i continued, “a great reminder!”

after all, maybe we should all think more about goodness.

not just how it should taste, but how it should feel inside, how it should sound, how it should be shown, what it should look like, how we can touch it, how we can share it.

wouldn’t it be cool if – maybe instead of [or, even, in addition to] “land of the free, home of the brave” – the united states of america was known as “how goodness should taste”?

*****

read DAVID’s thoughts this MERELY-A-THOUGHT MONDAY


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like loons. [two artists tuesday]

i wonder if they wondered.

we had stopped right in front of their front steps. like came to a dead stop. and just gazed.

but their blue eryngo had called to us, their seafoam green step risers, the perfect backdrop. a dead stop. full immersion. color – like the sound of loons on a quiet lake. so beautiful.

i took just a few pictures, knowing we should keep going on our sidewalk-amble, breezes off the shore beckoning us to walk through the park.

saturday we spent the day in our front garden beds. we transplanted the sedum being overrun by the tall ornamental grasses marching toward the old brick wall. we cleaned up the daylilies, proudly wearing their glorious orange blossoms, high above the green leaves. we – well, he – dug out a line all the way across the front, so that we can place a stone wall of sorts. nothing fancy and certainly nothing measured or pristine, a wall that will mark where the lily garden and the growing-grass meet.

ornamental grasses love this yard and the beachy feel suits this house. we know there are many fancy-plants out there, but we have learned, through experience – finally – to not fight with what works. ornamental grasses it is.

as we walk the ‘hood we try to get some ideas. our neighbors own a garden business and are gifted gardeners, so their yard is precise and, elegant and, well, pretty perfect. we are not making an effort to achieve perfect. we’re artists. we know there’s no getting there from here and we kinda like it that way. our yard is less magazine-like and more a folksy invitation to hang out, kick off your shoes, tell a story, laugh, sing, dance.

but it’s a treat to wander in this neighborhood, every house different than the next. there is no sameness here and there is no real garden or lawn-olympics. there are gorgeous ideas and there are misses. there are old hedges and new wildflowers. there are yew and big stately oaks and pines and delicate daisies and coneflowers, and there are hosta and ferns and container gardens and raised beds we can see peeking down driveways and around the sides of houses.

i suppose that there is an hoa somewhere that would cite the homeowner with the seafoam green step risers. they’d get a note that would give them a certain amount of time to re-paint those risers, wearing from weather and the front of many shoes climbing to go inside and be home or go inside and visit.

i’m glad we don’t live where this would be cited. because the day i took this photo all i could think about was what an eye – an aesthetic – the owners must have who put blue eryngo next to their seafoam-green-weathered steps. and what a gift it was to those of us wandering by who noticed.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the notion of attention. [d.r. thursday]

picture-of-the-day is a driving force. every day now – straight – for over two years – i have posted a picture of the day on our thread. when covid was first present in our world, now two years and a couple months ago, my son suggested that each of us, my son and daughter and i, post a photo a day and it would keep me feeling more in the loop; the connection would be reassuring. i oh-so-agreed and have been really deliberate about these images.

no words necessary, though any kind of descriptor is welcome, these photographs are a glimpse into each other’s lives. i take it really seriously and i celebrate any time either one of them posts a photo, loving the window-in. and all day i look for the photo-capture that will be my picture-of-the-day. it’s a practice i love. intentional observing of the world around me. we all see the same things; we all see different things. i love noticing. and i have found – as in anything – the more i notice, the more i notice.

“the notion of attention … to see that the way the flicker flies is greatly different from the way the swallow plays in the golden air of summer…” (“our world” – text by mary oliver, photographs by molly malone cook)

we hiked over the weekend. we hadn’t been on any trail in a couple of weeks as the weather has been uncooperative. our hike was punctuated with my stopping and stopping again. so much to photograph, so many changes in the forest. i want to go slow, slow; this is not a get-your-heartrate-up exercise, but my heart was exercised nonetheless. so much beauty to see, so many tiny miracles within my reach.

david does not rush me. we were there – on that trail – to rejuvenate, to breathe, to take it all in. how do i capture that in a picture-of-the-day, i wondered. i photograph the new dandelion sharing gravel with the path. i photograph shy tiny pink flowers bending down toward the earth. i photograph the mayapple which has suddenly burst into the underbrush world. i photograph the trillium not yet blooming and wonder aloud which warmer day this week they will open to the sun. so many greens. full spectrum, not just the verdant new spring grass. slow, slow.

“i lean and loafe at my ease observing a spear of summer grass…” (walt whitman – “song of myself”)

it rained the day of this post’s photograph. again. it had been raining for days, grey end on end. my picture-of-the-day would depict the rain, a dissatisfaction with the lack of sun. but, even in that frustration-of-waiting for the lamb days, i knew i could find something to notice about the rain, something to give pause.

the trees in the reflection – still leafless – reminded me. the rain falling here – brutally absent in drought-corners of this world – gentle and insistent, driving and adamant in turn, brings new growth, a transition to a new season, washing away the dust and salt of winter and its tears.

“it was my pleasure to notice such things…” (mary oliver – “our world”)

*****

read DAVID’S thoughts this D.R. THURSDAY

visit DAVID’S gallery – take your time. go slow, slow.


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the view. [two artists tuesday]

in an effort to grab the moments and store them away so they will be retrievable, i take photographs. i want to remember the physical surroundings, the way it feels, the way it tastes, the way it smells. pictures help me recall the visceral. they are prompts in a memory script. the “remember …” cue.

i didn’t take a picture, but, because there is nothing like an unexpected call from your adult child, when the phone rang in the middle of costco and i glanced at it to see that it was our daughter calling, the moment is indelibly ingrained in my mind. walking toward the exit, standing and chatting near the tires-for-sale, shielding the phone’s microphone from the wind as we walked to littlebabyscion, sitting in the parking lot, dogga in the back wondering what errand adventure was next…these are all part of this wonderful rambling conversation, a joy that topped off my week – a perfect friday early evening – in a way that nothing else can.

the neighborhood eatery was not far from his apartment and as we drove over, our son was in the front, directing me, nagging me about going too slowly, instructing me how to properly drive over the humps in the residential streets of chicago and getting out to check the damage when we were rear-ended at a traffic light (luckily, no injuries and no apparent damage). we discovered the joy of lobster deviled eggs, had the skinniest delectable french fries, sipped mimosas and laughed over brunch. we went to his new place, took measurements, talked about decor. i took many, many photos, my iphone always at the ready. the best belated birthday gift – this time together. nothing else can top it.

i don’t take these moments for granted. our children are adults, with busy, consuming professional lives and significant people to share time with. there’s not a lot of spare time and i get that. they don’t live in town and i don’t get to see them as often as many of my friends see their grown children. “the moment they are born the separation begins followed by a life-long balancing act,” a dear and sage friend wrote about children and motherhood. the perils of parenting.

it is often the people with children in their own town who remind me that we raise children to be independent, wingèd and free. though well-intended, these are easier words, these wisdoms, and less painful when one does not have to tamp down the embers of longing that missing beloveds creates.

i try to “think of life…in all its small component parts.” (anna quindlen) it is, truly and after all, about balance.

so i save every one i can. every moment and conversation, all eye contact and every hug. i take lots of pictures – of them, of me with them, of us with them, of the surroundings, of what is right around me when i am with them. it is a storehouse of riches that i may go to in a self-absorbed minute of feeling scarcity, a reminder that, indeed, life is full, nevertheless. a springboard of deep appreciation.

“exhaust the little moment. soon it dies. and be it gash or gold it will not come again in this identical disguise.” (gwendolyn brooks) glory in either, for we learn the lesson over and over: you can feel it. and they all count.

i “try to look at the view.” (anna quindlen)

the view – that must be why i have twenty-four-thousand-seven-hundred-eighty-eight photos on my phone. twenty-four-thousand-seven-hundred-eighty-eight views of twenty-four-thousand-seven-hundred-eighty-eight moments.

and this one – the open-beamed ceiling of cherished brunch with my son.

gorgeous, in my view.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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out that window. [not-so-flawed wednesday]

first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.

that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.

taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.

this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.

and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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existing in a whisper. [two artists tuesday]

“perhaps we are here in order to say: house, bridge, fountain, gate, pitcher, fruit-tree, window . . . to say them more intensely than the Things themselves ever dreamed of existing.” (ninth duino elegy: rainer maria rilke)

every day i take a photograph. at least one. the photo-of-the-day was started by my all-grown-up children at the height of the pandemic and, for it, i am forever grateful. as a group text we’re not as singularly dedicated as when it started, but it still exists and i seriously cherish each and every picture and text on it.

but i know it must come as no surprise to you that i take a lot of pictures anyway. both my phone and what we call the island-phone have gigantic photo streams, backed up by the cloud’s extra coverage. it’s obvious that i stop often while hiking, but what might not be as obvious is that i stop often, period. there is always something interesting, something fleeting, something to record and there are times that i must steer myself away from the very thing begging my capture just to keep on keeping on.

today i write the 1013th post on my blog. we looked back at the mélange weekly screenshots, five days a week each week. i wanted to spend a few moments looking at the things i stopped at, the things i wanted to hold, the notes or quotes i jotted down, the things designed, our thoughts through the years.

i would like to think that each of these photographs have brought a bit more intensity to the ‘thing’ photographed, that which is featured. it makes me wonder. does the ladybug on this coneflower marvel about its photo being taken, does it hear me draw in my breath when i expand the photo on my iphone, not knowing it was there when i composed the picture. does it realize, when i quietly gasp, “look! there’s a ladybug!” that i am honoring its existence, tiny-in-a-vast-world?

and that makes me wonder. is the universe – whatever the divine you believe in – doing the same? are our names whispered intensely into the galaxy, weaving around stars and lit by the sun and the moon, honoring our existence, tiny-in-a-vast-world? i think it must be so.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY