reverse threading

the path back is the path forward

Tag Archives: familiar


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flowers of the forest. [d.r. thursday]

as we were walking into costco the other day, there was a man briskly walking out. he was balancing a a box of items in his right hand. but in his left was a bundle of flowers. i don’t think he was aware of my brief stare, for outside costco it is windier than most places and we were scurrying to get inside.

but i did stare.

it wasn’t because of the man – i wouldn’t be able to identify him in any way. it was because of the bundle of cellophane-wrapped flowers in his hand. he made me think of my sweet poppo who would purchase grocery store flowers for my momma to put in the center of their coffeesitting table or maybe on the side table in their foyer. my momma loved those flowers. inexpensive, and often on sale – she was ever budget-mindful – but she really loved them.

in these days of a bit more challenge we have taken to a new practice. it’s: pretend-i’m-giving-this-to-you. next to a display of valentine cards sweet-topped in love language with $5.99 printed on the back, we held one out to the other – “pretend i’m giving this to you.” we stopped by the floral cooler and he pointed to a bundle of red roses (with buds and petals actually attached, i might mention) and said, “pretend i’m giving these to you.” the “pretend-i-got-you-this” is far-reaching and much more satisfying than you might imagine.

for it is an intention of love and, in our lighter-weighted and budget-minded world, not stuff.

as we drove home from hiking we contemplated what we might do for the rest of the saturday. it was wide open and we had vowed to hold it as our own. we needed this day on the trail, this time outside, this time together sans angsts. we ran ideas in littlebabyscion.

revisiting frugality is not unfamiliar for us. it is, in fact, much more familiar than extravagance. and so, it is much easier for us to be prudent and thrifty when considering the ‘what’s next’ category. off-trail, our legs were tired from hiking in snow and, though refreshed, we were a little weary from being out in the windy cold.

we considered our options. what to do with the rest of saturday. it was getting later.

back home, we made a little charcuterie board, poured a little wine. we decided to stay home – with our happy dogga. we talked about our trail covered in snow, we read a book together, we played one of favorite cds. kind of a gentle end to our day.

i scrolled through my photo stream then reached out to d with my phone, pulling up one the photographs i’ve taken on the trail we love – this photo of stunning blooms of wildflowers in the winter forest – and said, “pretend i’m giving these to you.”

i’ve noticed lately that my eyes look a lot like my poppo’s.

*****

read DAVID’s thoughts this D.R. THURSDAY


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tree lessons. [two artists tuesday]

we know the trees well. on all three of the hikes we usually take in our area. we watch them as they change through the seasons, giving their leaves over to fallow, holding snow, reawakening. their portraits shift against the sky – from dense to sparse and back to dense. we notice when limbs fall and when nests are built in their branches. we watch as they turn from photographs of trees to graphic images, of dark and light. ever-changing. evolving. we use no filters.

eyes wide open – sort of – we move about our days. we see the people we see, do the work we do, go the places we go. some days are all about the familiar, the patterned, the every-day-ish-ness of it both reassuring and maybe a little stifling. we look at the days without noticing the days, at the people without noticing the people, at the work without noticing the work, at the places without noticing the places.

sometimes i stand just inside the front door of our home and look in. i try hard to pretend that it is my first step into this home. and i look – really look – to see what i see, feel what i feel, notice.

and days, and people, and work, and places.

the trees are teaching me.

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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which is why we walk in the woods. [d.r. thursday]

“when i am among the trees, especially the willows and the honey locust, equally the beech, the oaks, and the pines, they give off such hints of gladness. i would almost say that they save me, and daily.” (mary oliver *when i am among the trees)

which is why we walk in the woods.

“i am so distant from the hope of myself, in which i have goodness, and discernment, and never hurry through the world but walk slowly, and bow often.” (mary oliver *)

which is why we walk in the woods.

“around me the trees stir in their leaves and call out,“stay awhile.” the light flows from their branches. and they call again,“it’s simple,”they say,“and you too have come into the world to do this, to go easy, to be filled with light, and to shine.”(mary oliver *)

which is why we walk in the woods.

and this day – the day of this trail – we hiked the familiar, listening to the greetings of trees who knew us, remembered us. it was comforting and, though they were silent but for the rustling high above us, they rained down the last of their leaves on us, like a ticket-tape parade.

which is why we walk in the woods.

“trees go wandering forth in all directions with every wind, going and coming like ourselves, traveling with us around the sun two million miles a day, and through space heaven knows how fast and far!” (john muir)

we leave a bit of worry behind in each step. we will retrieve them later, all the bits. we dream and wonder and walk under the canopy of these giants that stay with us, tuck us in, give us pause. we shuffle our feet through fallen fall and draw in long breaths of musky leaves piling around the underbrush.

which is why we walk in the woods.

“between every two pines is a doorway to a new world.” (john muir)

and between every two oaks and every two maples and every two hickories and every two ash and every two cottonwoods and every two elms and every two willows…doorways. “it’s simple,” they say.

which is why we walk in the woods.

*****

read DAVID’S thoughts this D.R. THURSDAY

HELPING HANDS


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an old quilt. [not-so-flawed wednesday]

in some ways, it felt like coming home. this trail – its bends and hills and forks – was a mainstay for us for a long time. it was the old quilt before we added another to our collection. we used to wrap this trail around us often in the week, most especially on sunday afternoons, replacing the sunday-drives of my growing-up.

the nature megaphone always called to us. we’d crawl in and sit with our backs against the curved wall, our boots propped up on the other side. we’d take out whatever snack we brought along and munch and talk. and, if we were lucky, the sun was coming in on the greater-than side and it would bathe our faces and we’d close our eyes and just listen to the forest.

but we hadn’t been there in a few years. the county, in a money-over-preserve-conscious moment, approved the building of an aerial adventure course – with high ropes and ziplines and such. and then the woods were screaming-noisy, the parking lot fuller than we had ever seen it. we wondered why all those people in all those cars didn’t see the value of the woods before the treetop park.

one day last week we went back. there were few cars in the lot so we pulled on our boots and set out.

it was instantly like coming home. leaves gently raining down on us, we could feel the trail saying, “hey. where’ve ya been?” and we decided right away to do all the loops, see it all, visit the megaphone.

sitting inside, our backs to the curved wall and our dusty boots propped up on the other side we wished we had brought a snack. the sun was streaming in, warming our faces. we closed our eyes and listened.

all the old quilts in your life count. even the ones you don’t wrap in very often.

“to outer senses there is peace,

a dreamy peace on either hand,

deep silence in the shadowy land,

deep silence where the shadows cease.”

(oscar wilde – impressions II)

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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a bounty of astounding. [two artists tuesday]

it is most astounding to me. each and every time. it doesn’t matter the shining of the sun or the drizzle or the misty humid air or dusk falling around us. and though it is familiar – oh, so familiar – it is new when we visit, our footfalls on the path erased and lasting as we walk. i’m comforted by this trail. and it teases me – into truly wondering about thru-hikes and exquisitely ordinary days that explode into extraordinary just by entering them.

this is an easy trail. we have hiked many others. easy trails, moderate trails, difficult trails. elevation gains, a little scrambling here and there. but when – and it is often – we need an old quilt of a trail and time to be quiet, to think, to talk, to sort, to sink into astounding beauty, stillness and ever-percolating life, we hike here, close by.

my camera is ready. i try to capture it all to remember. the trail is full of linear lines now as the underbrush succumbs to the season. a bounty of astounding. even in transition.

i believe – as we enter the woods – that it greets us back.

and as we leave – filled up – it waves and whispers, “see ya.”

“have you ever tried to enter the long black branches of other lives —
tried to imagine what the crisp fringes, full of honey, hanging
from the branches of the young locust trees, in early morning, feel like?” (mary oliver)

*****

read DAVID’s thoughts this TWO ARTISTS TUESDAY


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out that window. [not-so-flawed wednesday]

first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.

that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.

taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.

this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.

and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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a familiar sight. [two artists tuesday]

jelly jars & sunset

this will become a familiar sight. sunset coloring the lake, an island populated by waterbirds in the distance, jelly jars in hand.  we have arrived.

fog dawned this day, which somehow seems apropos, considering.   dogdog and babycat are struggling to adjust – a different house – the “littlehouse” as opposed to “home”.  we are surrounded by bins and artwork and happy lights and a bulletin board full of photos. we have our picnic basket and our nespresso, office supplies and our peace signs. we’ve hung an old window frame and the chalkboard from our wedding. we have a vintage road-worn black suitcase just waiting to be filled with the stuff of this adventure. we have beach buckets with sunglasses and paintbrushes, kitchen utensils and a bottle of wine. we brought our cloth napkins, jelly jars and a set of our favorite bowls, our hydroflask coffee mugs and water thermoses, our lidded yeti wine tumblers. we have dogdog’s penguin, his lion, his candy cane and babycat’s chase-the-ball-in-the-circle plastic game. we have candles and clipboards, ukuleles, lawn games, and various devices that play music. we have threadied us up.

and it all boils down to this one thing – in my pocket now every day since jen gave it to me – a silver token that says PEACE.

right now, these thready things embrace me. they help with that peace I’m reminded of by this little token.

but this will all become a familiar sight. i know that.

read DAVID’S thoughts this TWO ARTISTS TUESDAY

feet on the street WI website box

 

 


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it’s all how you look at it. [two artists tuesday]

THIS from the ferry copy

the ice-breaking bow of our ferry made its way across “death’s door”, the strait that connects lake michigan and green bay.  the windchill below zero, you could hear the hardy vessel crunching its way through the ice.  it was other-worldy.  no one else on the ferry appeared to be as enchanted with it as we were; clearly, they were big-I islanders, unmoved by this half-hour jaunt across frigid waters to washington island.  unfamiliar vs familiar equals enthralling vs mundane.  it’s all how you look at it.  and where you start from.

when i moved to wisconsin 30 years ago (kicking and screaming at the time) i stood in the pasta aisle of the grocery store – a local piggly wiggly.  there was no mueller’s pasta.  none.  the brand i had grown up with on long island, the brand i found in florida publix grocery stores…it was not here in wisconsin.  i felt instantly lost, instantly homesick.  i sensed people moving around my frozen-in-the-spot-trying-not-to-cry body; they were choosing boxes of spaghetti and penne with no problem.  for me, it was a telling moment.  it was an indicator of change, despite its seeming insignificance.  standing in that aisle i can tell you it’s all how you look at it.  and where you start from.  (*for an update on this incident, please see below.)

the ferry docked on the tiny island, a mere 35 square miles.  we disembarked and met our friends.  they drove us around, on snow-covered roads, through canopies of trees, past glimpses of water between the pines, their limbs bowing to the snow.  at one point they said we could go to the house if we were bored.  “no,” we answered.  how could we be bored, we wondered.  the quiet, the stillness, the solitude was compelling.  it’s all how you look at it.  and where you start from.

it was quieter on the ferry ride back with fewer people.  we were just as enthralled.  the ice pieces broken by the bow skittered along the ice plate on top of the water.  lines cracked through the sheet, paths drawn by nature’s etch-a-sketch.  some large slabs of ice raised skyward.  we looked at each other and quietly let out a breath.  we couldn’t imagine how this trip across open water could ever become run-of-the-mill.  but around us were people who acted like it was piggly wiggly brand pasta and they were in the aisle racing to get to the next aisle.  it’s all how you look at it.  and where you start from.

lake ice copy

*(the rest of the story) i called my sweet momma when i returned home from ‘the pig’ as they say.  she answered and i instantly recounted my no-mueller’s-pasta story, i’m quite sure teary in the telling, yearning for the home we had left.   four days later the UPS truck pulled up at the end of the driveway and the driver lugged a very large box to the front door.  in it i found every shape and size of pasta available…all made by mueller’s.  moms are wise beyond words sometimes.  by the time i finished using the boxes-in-the-box, the unfamiliar had begun to be familiar.  the crisis (yes, fundamentally not a physical crisis, but definitely an emotional one) was over.

zigzag through ice website box