reverse threading

the path back is the path forward


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more barn-red and grey after the black and white. [not-so-flawed wednesday]

we are beginning to see more of this: the basement floor. more clear space.

as you know, it is a slow process, tedious, actually. and it is not something he can do with me. this is mine to do. for most of what is down there – in the recesses and the corners, tucked into old built-in cupboards and in, yes, bins and boxes and even bags, precedes him. he is happy to help, but it is somewhat a moot point, as the decisions are mine and he respects that.

it’s not just a little bit of pressure, not just a little bit of work. black and white decisions that aren’t really black and white.

you are weary of reading about this, i suspect. skip today, i would suggest. the basement clean-out is not a short story – it’s an epic tale, really – and, if you find any form of redundancy abhorrent, you will be tallymarking-in-your-mind the number of times i am talking about this. this will be a tallymark mess, cross-hash upon cross-hash, the slashes accumulate.

a few days ago i turned the inner cardboard tube of a roll of wrapping paper upside down. more birdseed than i am comfortable with fell out. i suppose you are wondering how much birdseed-saved-in-the-wrapping-paper-roll i find acceptable. well…really…none…as we are not the ones saving birdseed in that manner and it brings to mind the question of a city of dwellers below us about whom we know nothing. they live in the barn-red-grey zone in silence and anonymity, leaving tiny clues behind in their stash. i wonder what they think of the rest of the stash down there, most of which they are not likely to be able to get to – the bins of barbies and matchbox cars, the mementos and art projects my children created in elementary school, every story they ever wrote or note they penned me or the overalls that were ever-so-adorable on my son, the pink dress so sweet on my daughter. maybe they are intrigued with the antiques, the tools, the not-oft-used kitchen appliances. they are hoping to be invited to the next cornhole bags game, the next bocci ball tournament, the next badminton skirmish, the next time the pingpong table is set up and ready-to-go. they are gazing at the collection of pingpong balls, golf balls, tennis balls, baseballs, soccer balls, thinking the upstairs-dwellers have a pension for round things. surely they are impressed with the stacks of boxes of shrink-wrapped cds, though they are more likely mp3 critters and, being 2022-born, roll their beady little eyes at the mere mention of cds and cassettes. i’m guessing our tiny visitors actually have no opinions about all this and clearly no interest whatsoever in the 8-track player or the record albums. they are not thready nor are they sentimental. they were simply seeking places to stash their seed-findings.

yes, i will need a new broom…one of those angle ones that gets into the corners. there is much to be swept.

in time, there will be more floor. barn-red and grey. i have to get past the black-and-white of it all first.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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blurring to color. [two artists tuesday]

what they don’t realize is that we are really tempted to do it: get in big red and start driving to south dakota.

their message was gracious and full of light – they wrote to tell me that they loved one of my pieces and that every time it comes on their dish music channel they clap their hands and feel happy. this tiny gesture was a heap of wow for me; i am always astounded when someone takes time out of their busy days to pass on kindnesses like this.

i wrote back.

and then THEY wrote back. it was suddenly communication between real people. two people who live on nine acres in south dakota and us, here in wisconsin.

they extended an invitation for a meal, great humor, a glance into their wild turkeys and red fox and deer and songbirds, a gesture from strangers-no-longer. we felt that we’d-love-to-be-friends feeling. the black-and-white text of their email blurred to color.

we were masked-browsing last spring at one of our favorite boutiques in cedarburg. i picked up a canvas purse i had been studying and studying and studying, strapped it cross-body and walked to where the mirror was (because, if you are unaware, a mirror is necessary when purchasing a purse).

two ladies were shopping in that neck of the shop and seemed amused at all the questions i was pummeling at david. they joined in, nodding at each of my queries and looking at him with great anticipation of the sudden enlightenment he would have re purse-buying. eventually, they joined in the fray and we all started laughing and comparing pocketbook notes and requirements and successful handbag finds and great disappointments. the laughter was just utter joy and the temptation to suggest meeting-them-in-a-couple-hours-for-a-glass-of-wine was powerful. our day’s commitments didn’t allow the extra time or we would have. the black-and-white of strangers in a store shopping had blurred to color.

if we could have a party and invite people right now i am quite certain i know some of the newest envelope-addresses we would send to: kevin and his wife, the water utilities engineer. steve and his wife, mechanic of brilliance. the two shopping-ladies at lillies. and our friends in south dakota.

black and white can always blur to color.

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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out that window. [not-so-flawed wednesday]

first glance would suggest this is a black and white photograph. an image taken through the window over our kitchen sink, a view i have seen first thing in the morning about 12,000 times and the last minutes at night just before turning out the kitchen light and moving into a time for sleep, about 12,000 times. and any time inbetween, in the day as morning marched into noon and noon glimmered into midday and midday waned into evening. each time, gazing out, about 12,000 times.

that is likely paralleling how well ansel adams knew the american west, images of wild and rugged yosemite etched into his heart. how many times this maestro of his art must have studied those vistas, photographing morsels and overviews, contrast and shading in all seasons. striking focus, his work inspires adventure-out-there-juju and, more importantly, an environmental awareness in these times of climate crisis. without color, the attention of the aperture pivots to grandeur, is not distracted, but is challenged by shape and line and form and composition.

taking a photograph through a window is different than taking it without some kind of membrane between photographer and subject. it gives space for other kinds of interaction. the play of reflection, the underside of raindrops, never-minding the swipe of window-cleaner-rags. opportunity to see, a unique peek into the familiar, wherever you might be.

this is not a black and white photograph. it is the stuff of october days heading full-steam toward november. it is the drear of rainy and damp and cold. it’s wishing 65 degrees was not vanishing into the calendar.

and yet, having looked out of that window maybe over 100,000 times all told, i know that the view, framed by a painted cornice, kitchen cabinets and our old porcelain sink, is different each day, that the days are not identical and never really the same, that change is always a constant. and that some days, when i point the camera out the window it will capture intense color, vibrant sun, blue sky, leaves the colors of fire and rust and squirrels running on the wire.

*****

read DAVID’S thoughts this NOT-SO-FLAWED WEDNESDAY


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just as particular. [two artists tuesday]

“not like my mom at all,” she said, talking about decorating in an exquisitely joyful conversation. she described her template, “the colors of a desert sunset.” i was instantly in a different place, watching the sun go down over canyonlands and high desert. i can sooo understand surrounding yourself with the divine colors of these moments; i can sooo relate to taking them with you.

as a person who has surrounded herself with rocks and sandstone and sticks and branches and feathers and pinecones of the high mountains, i get the connection to these places and the desire to live within them, even if you are not there. she went on to describe the colors, a template that made me want to immerse in them, like a favorite quilt. i lingered in every word she spoke, this beautiful, creative daughter of mine, trying to remember each one just as she described it, store them away in the kaleidoscope of treasured bits of knowledge.

i walked around our house after that. black and white. a little bit of flour-tortilla. green plants. old clay pots. old wood floors. there’s a certain ochre in our sitting room and in the stairwell going upstairs. and there’s some barn red in the bathroom. it’s kind of a cross between the extremes of ansel adams’ color palette or sheet music tablature, golden sunrise moments, a new england farm, deep woods in the mountains, canyonland red rock.

the photographs i take everyday and everywhere vary. but lately, i have found myself drawn to these small canvasses of almost monochromatic still-life outdoor paintings, just waiting on the side of the trail, waiting in flower gardens, waiting in the woods. nuances of shade, a tiny pop of color … nature’s natural inclination to visual cohesion. i’ve been especially seeing the greens in the greens, really delicious shadings, no competition for spotlighting, just color intertwined and inclusive. i’ve noticed even more distinctly the genius of a single bloom, petite berries, nestled in all the verdant green.

i came home from such a hike one day recently and took out the 1940s opalescent aqua blue hobnail glass vase that was my sweet momma’s. it reminds me of sky and water; it reminds me of grocery store flowers my dad always bought my momma. it doesn’t go with our house, i had thought, going through bins and boxes. and then, i placed it in the window seat of our black and white and flour-tortilla living room, a gentle nod to days spent in the grass drawing with clouds and on long island beaches with coppertone floating in the air. a “yes” to my daughter.

she is right. the colors in our home aren’t the incredible desert pastel spectrum, the intensity of sage peacefulness our girl described – the sunsets she holds close to her soul. but it is as particular to the desire to surround oneself with that which is meaningful, to what resonates inside, to what gives you serenity, keeps you still in all the whirling world, brings you contentment, is part of the nirvana of tranquility, is your sanctuary. it’s decorating with true heart.

not so different after all. ❤️

*****

read DAVID’S thoughts this TWO ARTISTS TUESDAY


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the chair. [two artists tuesday]

the snow around it was untouched, pure, driven by wind. the grey of the day was serene, quiet. the chair waited.

we had passed by the chair a few times before. it sat, unsat-in, looking lonely and wistful, as only empty chairs can look. the chair waited.

after the fresh snow had fallen, we pulled on snowpants and magical down mittens. with roads barely plowed, we trekked around the neighborhood, coming upon the chair, waiting.

it was as if i could hear its sorrow as we approached, this chair left outside with no takers. without hesitancy i walked to it, to sit in its snow-filled seat, to ponder life for just a bit of time. i could feel the chair smile.

we giggled at the absurdity of the easy chair in the snow, but the chair just sat, gleeful with the company and the sound of laughter.

the technicolor snowglobe moment looked black and white, stark contrasts against powder. the chair felt hopeful, color returning to its chair-life.

as i stood to go, i silently thanked the chair and wished for its adoption by someone who needed an easy sit, a place to wonder.

we walked away and i turned back just once. the chair was sitting up straight and tall, stalwart, steadfast, heartened.

a day or two later we went by the place where the chair had sat. recent snow had filled in where it had been, filled in my bootprints around it.

and we were happy for the chair.

*****

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it’s not a problem. [merely-a-thought monday]

it's not a problem correct aikens box copy

my poppo would likely have agreed with sue aikens.  he was a solution-finder.  i will, right-here-and-now, brag about his ability to fix absolutely anything; he would find a way, even if he had to make it up.  well, mostly because he made it up.

i’m not sure how he learned everything he learned; his knowledge base was incredibly practical.  give him any problem and it became a challenge for him – an undertaking he never-ever thought of as insurmountable…it was simply a solution he hadn’t yet found.  and so, i hear sue aikens (of national geographic’s life below zero fame – living a solitary life out on the arctic, solving problems i will likely never encounter) and i think of my dad, whose list of favorite places on earth included his workbench out in the garage (or in the basement in earlier years when they lived up north.)  he saved every screw and nut and bolt and tool that crossed his path “just in case”.   he was a re-purposer before it was vogue.  and he was an expert at turning cardboard boxes inside out or fashioning a new box from old in order to ship or store any thing.  his rube goldberg fixes were always pretty amusing, but they all worked and i can hear him in my head pondering and strategizing when i look at something-that-needs-fixing.  sue aikens would be proud.  her glass-half-full attitude is pretty amazing, considering the elements she deals with.  she’s pretty black and white about things; a lack of grey is something i can’t really relate to, but maybe that’s why she solves things more easily – she doesn’t get lost in any part of the emotional response to the problem.

i have to say, though, that i wish i could look at problems in the same positive way as sue.  yes, yes, yes, i know how much we all grow from problems and solving problems and blahblahblah.   it’s the stress of problems i’m talking about…the worry.  there was a prayer yesterday in the bulletin that said, “help us resist the reflex to worry constantly about every single detail of our lives…”  wow.  i double that.  mmm.  make that triple.  it is a reflex.  we know that the moments beyond problems will come.  more than likely we will be on the other side sometime soon, sitting in the middle of the solution and looking back,  shaking our heads at how befuddled and stressed we felt.  but in the meantime….

in the meantime, i would like a collection of some straight-up solutions for the problems that lurk…a (metaphoric) closet full of how-to-do-its or at least how-to-make-it-ups.  oh, and a better attitude about problems.  they are just solutions we haven’t found yet.

uh. yeah.  (eye roll)

read DAVID’S thoughts this MERELY-A-THOUGHT MONDAY

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ks friday

jacketrightnowjpeg copy 2as much as i like black and white, NOTHING is really quite black and white.

we walked the tax stuffff into the accountant’s office this morning.  it’s been over 20 years that i have been keeping precise records for the company that is my recording label: sisu music productions inc.  this company (like me, like any of us) has seen its ebbs and flows through the years.  some of it was due to economy, some due to personal reasons, some due to technology and the internet changing every professional musician’s life, some due to the matter-of-fact financial challenges on any independent recording artist.

while i was compiling all the information this year, i had many conversations with d about how i was feeling.  at one point, he turned to me and said, “this is like reading your calendar at the end of the year, isn’t it?”  mmm.  yes.  a cruise through the year in my life as an artist with albums, an artist who has spent time on the radio, on stages, on wholesale show floors.  some years that ramble-through is exciting; some years that ramble-through is disappointing.  there is always back-story behind the activity, the sales, the decisions.  it’s not black and white.

i stand here in march, 23 years after the release of my first album, touching the very very black of my piano and the very very white of the scrap paper i use so often to write on, and look out ahead of me.  i wonder where – in this arena of my life, this heading, this column – i am going.  the view from here is foggy and unclear.  do i have albums to make?  stages to play on?  my end-game is different now – it has to be; i am 23 years older than i was back then – at the beginning.  i can only wonder if the music that is still a part of me, still inside me, never yet hitting anyone’s ears as a finished recording, will find its way, will find relevance, will lead me into the next.  it’s not black and white.

IT’S NOT BLACK & WHITE from the album RIGHT NOW track 4 – on iTUNES

IT’S NOT BLACK & WHITE from the album RIGHT NOW on CDBaby

PURCHASE THE PHYSICAL CD – RIGHT NOW

KS FRIDAY (KERRI SHERWOOD FRIDAY)

 

it's not b:w framed art copy

 

it's not black and white LEGGINGS copy 2

 

it's not b:w square pillow copy

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IT’S NOT BLACK & WHITE from the album RIGHT NOW ©️ 2010 kerri sherwood